Organ Works

~ Release by Bach; Ton Koopman (see all versions of this release, 1 available)

Tracklist

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1▼CD: Fantasias, Preludes, Fugues, Canzona, Passacaglia
#TitleArtistRatingLength
1Fantasia et Fuga in g, BWV 542
recorded in:
Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Fantasie (Praeludium) und Fuge g-Moll, BWV 542 (Fantasia and Fugue in G minor, BWV 542) (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1720 until 1725)
part of:
Bach-Werke-Verzeichnis (number: BWV 542)
Johann Sebastian Bach11:12
2Fuga in g, BWV 578
recorded in:
Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Fugue in G minor, BWV 578 ("Little") (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: BC J 66) and Bach-Werke-Verzeichnis (number: BWV 578)
Johann Sebastian Bach3:48
3Canzona in d, BWV 588
recorded in:
Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Canzona, BWV 588 (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1705)
part of:
Bach Compendium (number: BC J 80) and Bach-Werke-Verzeichnis (number: BWV 588)
Johann Sebastian Bach5:15
4Praeludium et Fuga in h, BWV 544
recorded in:
Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Präludium und Fuge h-Moll, BWV 544 (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 544)
Johann Sebastian Bach11:19
5Praeludium et Fuga in a, BWV 543
recorded in:
Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Präludium und Fuge a-Moll, BWV 543.2 (Prelude and Fugue in A minor, BWV 543.2, revised version, former BWV 543) (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 543.2) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 543)
Johann Sebastian Bach8:51
6Fantasia in c, BWV 562
recorded in:
Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Fantasie und Fuge c-Moll, BWV 562: I. Fantasie (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Fantasie und Fuge c-Moll, BWV 562
Johann Sebastian Bach4:29
7Praeludium et Fuga in C, BWV 531
recorded in:
Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Präludium und Fuge C-Dur, BWV 531 (Prelude and Fugue in C major, BWV 531) (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
publisher:
C. F. Peters (imprint of Edition Peters) (in 1845)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 531) and Bach Compendium (number: BC J 9)
Johann Sebastian Bach6:07
8Pièce d'Orgue [Fantasia] in G, BWV 572: Très vitement / Gravement
recorded in:
Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Fantasia G-Dur, BWV 572 “Pièce d’Orgue” (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 572)
Johann Sebastian Bach8:17
9Fantasia in C, BWV 570
recorded in:
Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Fantasie C-Dur, BWV 570 (Fantasia in C major, BWV 570) (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 570) and Bach Compendium (number: BC J 49)
Johann Sebastian Bach2:28
10Passacaglia in c, BWV 582
recorded in:
Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-04)
recorded at:
Grote Kerk (Maassluis) in Maassluis, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (in 1994-04)
recording of:
Passacaglia and Fugue in C minor, BWV 582 (in 1994-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1708 until 1712)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 582)
Johann Sebastian Bach12:27
2▼CD: Schübler Chorale Preludes, BWV 645–650 / "The Eighteen" Chorale Preludes, BWV 651–668
#TitleArtistRatingLength
1Chorale: Wachet auf, ruft uns die Stimme, BWV 140/7
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (in 1994-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:29
2Organ: Wachet auf, ruft uns die Stimme, BWV 645
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach3:36
3Chorale: Gloria sei dir gesungen, BWV 140/7
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (in 1994-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:34
4Chorale: Wo soll ich fliehen hin, BWV 5/7
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": I. Coro "Wo soll ich fliehen hin" (in 1994-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Heermann (in 1630)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach0:42
5Organ: Wo soll ich fliehen hin, BWV 646
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wo soll ich fliehen hin, BWV 646 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1748 until 1749)
part of:
Bach-Werke-Verzeichnis (number: BWV 646)
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach1:29
6Chorale: Führ auch mein Herz und Sinn, BWV 5/7
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": VII. Choral "Führ auch mein Herz und Sinn" (in 1994-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 28)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach0:49
7Chorale: Wer nur den lieben Gott läßt walten, BWV 93/7
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VII. Choral "Sing, bet und geh auf Gottes Wegen" (in 1994-09)
lyricist:
Georg Neumark (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 369)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach0:53
8Organ: Wer nur den lieben Gott läßt walten, BWV 647
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wer nur den lieben Gott läßt walten, BWV 647 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 647)
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach4:44
9Chorale: Sing, bet und geh auf Gottes Wegen, BWV 93/7
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VII. Choral "Sing, bet und geh auf Gottes Wegen" (in 1994-09)
lyricist:
Georg Neumark (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 369)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach0:59
10Chorale: Meine Seele erhebet den Herren, BWV 324
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralsatz, BWV 324 "Meine Seele erhebet den Herren" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 121) and Bach-Werke-Verzeichnis (number: BWV 324)
Johann Sebastian Bach0:45
11Organ: Meine Seele erhebet den Herren, BWV 648
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Meine Seele erhebet den Herren, BWV 648 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 648)
is based on:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit"
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach3:13
12Chorale: Lob und Preis sei Gott, dem Vater, BWV 324
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Chorale: Lob und Preis sei Gott, dem Vater, BWV 324 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Choralsatz, BWV 324 "Meine Seele erhebet den Herren"
Johann Sebastian Bach0:50
13Chorale: Ach bleib bei uns, Herr Jesu Christ, BWV 253
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Chorale, BWV 253 "Ach bleib bei uns, Herr Jesu Christ" (in 1994-09)
lyricist:
Nikolaus Selnecker
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 1), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 253), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 253) and Bach Compendium (number: BC F 35.1)
Johann Sebastian Bach0:46
14Organ: Ach bleib bei uns, Herr Jesu Christ, BWV 649
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 649)
is based on:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ"
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach2:13
15Chorale: In dieser letzt'n betrübten Zeit, BWV 253
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Chorale: In dieser lett'n betrübten Zeit, BWV 253 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Chorale, BWV 253 "Ach bleib bei uns, Herr Jesu Christ"
Johann Sebastian Bach0:50
16Organ: Kommst du nun, Jesu, vom Himmel herunter, BWV 650
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 650)
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach3:03
17Chorale: Kommst du nun, Jesu, vom Himmel herunter, BWV 57/8
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Chorale: Kommst du nun, Jesu, vom Himmel herunter, BWV 57 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 57 "Selig ist der Mann": VIII. Choral. "Richte dich, Liebste, nach meinem Gefallen und glaube"
Johann Sebastian Bach1:06
18Organ: Vor deinen Thron tret ich, BWV 668
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Vor deinen Thron tret ich hiermit, BWV 668.2 (former BWV 668, fragment) (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 18), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 668.2) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 668)
revision of:
Wenn wir in höchsten Nöten sein, BWV 668.1 (former BWV 668a, published in Art of the Fugue)
Johann Sebastian Bach5:05
19Chorale: Wenn wir in höchsten Nöten sein, BWV 431
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralsatz, BWV 431 "Wenn wir in höchsten Nöten sein" (in 1994-09)
lyricist:
Paul Eber
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 431) and Breitkopf 389 Choralgesänge (number: 358)
Johann Sebastian Bach1:02
20Organ: Fantasia super / Komm, heiliger Geist, Herre Gott, BWV 651
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in F-Dur, BWV 651 "Fantasia super: Komm heiliger Geist, Herre Gott" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 1) and Bach-Werke-Verzeichnis (number: BWV 651)
Johann Sebastian Bach6:04
21Chorale: Komm, heiliger Geist, Herre Gott, BWV 59/3
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": III. Choral "Komm, Heiliger Geist, Herre Gott" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Breitkopf 389 Choralgesänge (number: 220)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach1:45
22Organ: Komm, heiliger Geist, Herre Gott, BWV 652
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in G-Dur, BWV 652 "Komm heiliger Geist, Herre Gott" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 2) and Bach-Werke-Verzeichnis (number: BWV 652)
Johann Sebastian Bach7:55
23Chorale: Du heilige Brunst, süßer Trost, BWV 226/2
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Der Geist hilft unsrer Schwachheit auf, BWV 226: III. "Du heilige Brunst" (in 1994-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 221)
part of:
Der Geist hilft unsrer Schwachheit auf, BWV 226
Johann Sebastian Bach1:42
24Organ: An Wasserflüssen Babylon, BWV 653
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in G-Dur, BWV 653 "An Wasserflüssen Babylon" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 3) and Bach-Werke-Verzeichnis (number: BWV 653)
Johann Sebastian Bach5:30
25Chorale: An Wasserflüssen Babylon, BWV 267
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralsatz, BWV 267 "An Wasserflüssen Babylon" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 23) and Bach-Werke-Verzeichnis (number: BWV 267)
Johann Sebastian Bach1:53
26Organ: Schmücke dich, o liebe Seele, BWV 654
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in Es-Dur, BWV 654 "Schmücke dich, o liebe Seele" (~Choralbearbeitung) (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 4) and Bach-Werke-Verzeichnis (number: BWV 654)
version of:
Choralvorspiele für Orgel in Es-Dur, BWV 654a "Schmücke dich, o liebe Seele"
Johann Sebastian Bach8:16
27Chorale: Schmücke dich, o liebe Seele, BWV 180/7
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": VII. Choral "Jesu, wahres Brot des Lebens" (in 1994-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Breitkopf 389 Choralgesänge (number: 304)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach1:10
28Organ: Trio super / Herr Jesu Christ, dich zu uns wend, BWV 655
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Trio super: Herr Jesu Christ, dich zu uns wend, BWV 655 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 5), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 655), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 655 (Leipziger revision)), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 655) and Bach Compendium (number: BC K 78)
revision of:
Trio super: Herr Jesu Christ, dich zu uns wend, BWV 655a
Johann Sebastian Bach3:26
29Chorale: Herr Jesu Christ, dich zu uns wend, BWV 332
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralsatz, BWV 332 "Herr Jesu Christ, dich zu uns wend" (in 1994-09)
lyricist:
William, Duke of Saxe-Weimar (German hymn writer and duke)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 139) and Bach-Werke-Verzeichnis (number: BWV 332)
Johann Sebastian Bach0:42
3▼CD: "The Eighteen" Chorale Preludes, BWV 651–668
#TitleArtistRatingLength
1Organ: O Lamm Gottes unschuldig, BWV 656
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in A-Dur, BWV 656 "O Lamm Gottes unschuldig" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 6) and Bach-Werke-Verzeichnis (number: BWV 656)
Johann Sebastian Bach9:34
2Chorale: O Lamm Gottes unschuldig, BWV 401
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralsatz, BWV 401 "O Lamm Gottes, unschuldig" (in 1994-09)
lyricist:
Nikolaus Decius
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 285) and Bach-Werke-Verzeichnis (number: BWV 401)
Johann Sebastian Bach1:09
3Organ: Nun danket alle Gott, BWV 657
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in G-Dur, BWV 657 "Nun danket alle Gott" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 7) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 657)
is based on:
Nun danket alle Gott (Lutheran choral)
Johann Sebastian Bach4:58
4Chorale: Nun danket alle Gott, BWV 386
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralsatz, BWV 386 "Nun danket alle Gott" (in 1994-09)
lyricist:
Martin Rinckart (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 257) and Bach-Werke-Verzeichnis (number: BWV 386)
is based on:
Nun danket alle Gott (Lutheran choral)
Johann Sebastian Bach1:16
5Organ: Von Gott will ich nicht lassen, BWV 658
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in f-Moll, BWV 658 "Von Gott will ich nicht lassen" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 8) and Bach-Werke-Verzeichnis (number: BWV 658)
Johann Sebastian Bach3:33
6Organ: Von Gott will ich nicht lassen, BWV 418
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralsatz, BWV 418 "Von Gott will ich nicht lassen" (in 1994-09)
lyricist:
Ludwig Helmbold
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 418) and Breitkopf 389 Choralgesänge (number: 325)
Johann Sebastian Bach1:04
7Organ: Nun komm, der Heiden Heiland, BWV 659
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Nun komm, der Heiden Heiland, BWV 659.2 (Chorale Prelude for organ in G minor, BWV 659 “Nun komm’ der Heiden Heiland”, former BWV 659) (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 9), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 659), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 659.2), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 659), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 659) and Bach Compendium (number: BC K 82)
revision of:
Nun komm der Heiden Heiland, BWV 659.1 (former BWV 659a)
Johann Sebastian Bach4:31
8Chorale: Nun komm, der Heiden Heiland, BWV 36/8
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: II. Choral “Nun komm, der Heiden Heiland” (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach0:43
9Organ: Trio super: Nun komm, der Heiden Heiland, BWV 660
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in g-Moll, BWV 660 "Trio super: Nun komm' der Heiden Heiland" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 10), Bach Compendium (number: BC K 83) and Bach-Werke-Verzeichnis (number: BWV 660)
version of:
Choralvorspiele für Orgel in g-Moll, BWV 660a "Trio super: Nun komm' der Heiden Heiland"
Johann Sebastian Bach3:29
10Chorale: Die Kripp glänzt hell und klar, BWV 36/8
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Chorale: Die Kripp glänzt hell und klar, BWV 36 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 36 “Schwingt freudig euch empor”: II. Choral “Nun komm, der Heiden Heiland”
Johann Sebastian Bach0:39
11Organ: Nun komm, der Heiden Heiland, BWV 661
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in g-Moll, BWV 661 "Nun komm' der Heiden Heiland" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 11), Bach Compendium (number: BC K 84) and Bach-Werke-Verzeichnis (number: BWV 661)
version of:
Choralvorspiele für Orgel in g-Moll, BWV 661a "Nun komm' der Heiden Heiland"
Johann Sebastian Bach2:40
12Chorale: Lob sei Gott, dem Vater g'than, BWV 62/6
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": VI. Choral "Lob sei Gott, dem Vater, g'ton" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 265)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
Johann Sebastian Bach0:37
13Organ: Allein Gott in der Höh sei Ehr, BWV 662
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in A-Dur, BWV 662 "Allein Gott in der Höh' sei Ehr" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 12), Bach Compendium (number: BC K 85) and Bach-Werke-Verzeichnis (number: BWV 662)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
Johann Sebastian Bach6:23
14Chorale: Allein Gott in der Höh sei Ehr, BWV 260
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choral, BWV 260 "Allein Gott in der Höh sei Ehr" (in 1994-09)
lyricist:
Nikolaus Decius
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 12) and Bach-Werke-Verzeichnis (number: BWV 260)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
Johann Sebastian Bach1:05
15Organ: Allein Gott in der Höh sei Ehr, BWV 663
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in G-Dur, BWV 663 "Allein Gott in der Höh' sei Ehr" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 13), Bach Compendium (number: BC K 86) and Bach-Werke-Verzeichnis (number: BWV 663)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
Johann Sebastian Bach6:47
16Chorale: O Jesu Christ, Sohn eingeborn, BWV 260
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Chorale: O Jesu Christ, Sohn eingeborn, BWV 260 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Choral, BWV 260 "Allein Gott in der Höh sei Ehr"
Johann Sebastian Bach1:14
17Organ: Trio super: Allein Gott in der Höh sei Ehr, BWV 664
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in A-Dur, BWV 664 "Trio super: Allein Gott in der Höh' sei Ehr" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 14), Bach Compendium (number: BC K 87) and Bach-Werke-Verzeichnis (number: BWV 664)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
Johann Sebastian Bach5:00
18Chorale: O Heil'ger Geist, du höchstes Gut, BWV 260
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Chorale: O heil'ger Geist, du hochstes Gut, BWV 260 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Choral, BWV 260 "Allein Gott in der Höh sei Ehr"
Johann Sebastian Bach1:06
19Organ: Jesus Christus, unser Heiland, BWV 665
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in e-Moll, BWV 665 "Jesus Christus, unser Heiland" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 15), Bach Compendium (number: BC K 88) and Bach-Werke-Verzeichnis (number: BWV 665)
Johann Sebastian Bach4:35
20Chorale: Jesus Christus, unser Heiland, BWV 363
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choral, BWV 363 "Jesus Christus unser Heiland" (in 1994-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 206) and Bach-Werke-Verzeichnis (number: BWV 363)
Johann Sebastian Bach1:11
21Organ: Jesus Christus, unser Heiland (alio modo), BWV 666
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in e-Moll, BWV 666 "Jesus Christus, unser Heiland - Alio modo" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 16), Bach Compendium (number: BC K 89) and Bach-Werke-Verzeichnis (number: BWV 666)
Johann Sebastian Bach2:59
22Chorale: Wer sich will zu dem Tisch machen, BWV 363
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Chorale: Wer sich will zu dem Tisch machen, BWV 363 (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Choral, BWV 363 "Jesus Christus unser Heiland"
Johann Sebastian Bach0:58
23Organ: Komm, Gott Schöpfer, Heiliger Geist, BWV 667
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralvorspiele für Orgel in G-Dur, BWV 667 "Komm, Gott Schöpfer, heiliger Geist" (in 1994-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choräle von Verschiedener Art (Leipzig-Choräle) (number: 17), Bach-Werke-Verzeichnis (number: BWV 667) and Bach-Werke-Verzeichnis (number: BWV 667.2)
version of:
Choralvorspiele für Orgel in G-Dur, BWV 667b "Komm, Gott Schöpfer, heiliger Geist" (Weimarer Fassung)
revision of:
Choralvorspiel, BWV 667a "Komm, Gott Schöpfer, Heiliger Geist"
Johann Sebastian Bach2:19
24Chorale: Komm, Gott Schöpfer, Heiliger Geist, BWV 370
recorded in:
Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
organ [continuo organ]:
Ulrike Wild (in 1994-09)
choir vocals:
Amsterdam Baroque Choir (in 1994-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1994-09)
chorus master:
Simon Schouten (chorus master) (in 1994-09)
recorded at:
Grote Kerk (Christian Müller organ) in Leeuwarden, Fryslân (Friesland), Netherlands, Kingdom of the Netherlands (in 1994-09)
recording of:
Choralsatz, BWV 370 "Komm, Gott Schöpfer, Heiliger Geist" (in 1994-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 218) and Bach-Werke-Verzeichnis (number: BWV 370)
Johann Sebastian Bach1:01
4▼CD: 6 Sonatas, BWV 525–530
#TitleArtistRatingLength
1Sonata no. 1 in E-flat major, BWV 525: I. (without tempo marking)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: I. (Allegro) (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525
Johann Sebastian Bach2:50
2Sonata no. 1 in E-flat major, BWV 525: II. Adagio
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: II. Adagio (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525
Johann Sebastian Bach5:38
3Sonata no. 1 in E-flat major, BWV 525: III. Allegro
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: III. Allegro (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525
Johann Sebastian Bach3:59
4Sonata no. 2 in C minor, BWV 526: I. Vivace
organ:
Ton Koopman (conductor, organist and harpsichordist) (from 1995-06 until 1995-07)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (from 1995-06 until 1995-07)
recording of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526: I. Vivace (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526
Johann Sebastian Bach33:34
5Sonata no. 2 in C minor, BWV 526: II. Largo
organ:
Ton Koopman (conductor, organist and harpsichordist) (from 1995-06 until 1995-07)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (from 1995-06 until 1995-07)
recording of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526: II. Largo (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526
Johann Sebastian Bach3:13
6Sonata no. 2 in C minor, BWV 526: III. Allegro
organ:
Ton Koopman (conductor, organist and harpsichordist) (from 1995-06 until 1995-07)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (from 1995-06 until 1995-07)
recording of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526: III. Allegro (from 1995-06 until 1995-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 2 c-Moll, BWV 526
Johann Sebastian Bach4:05
7Sonata no. 3 in D minor, BWV 527: I. Andante
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 3 d-Moll, BWV 527: I. Andante (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 3 d-Moll, BWV 527
Johann Sebastian Bach5:28
8Sonata no. 3 in D minor, BWV 527: II. Adagio e dolce
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 3 d-Moll, BWV 527: II. Adagio e dolce (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 3 d-Moll, BWV 527
Johann Sebastian Bach4:04
9Sonata no. 3 in D minor, BWV 527: III. Vivace
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 3 d-Moll, BWV 527: III. Vivace (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 3 d-Moll, BWV 527
Johann Sebastian Bach4:12
10Sonata no. 4 in E minor, BWV 528: I. Adagio — Vivace
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 4 e-Moll, BWV 528: I. Adagio - Vivace (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 4 e-Moll, BWV 528
Johann Sebastian Bach2:36
11Sonata no. 4 in E minor, BWV 528: II. Andante
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 4 e-Moll, BWV 528: II. Andante (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 4 e-Moll, BWV 528
Johann Sebastian Bach4:38
12Sonata no. 4 in E minor, BWV 528: III. Un poco Allegro
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 4 e-Moll, BWV 528: III. Un poc' allegro (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 4 e-Moll, BWV 528
Johann Sebastian Bach2:30
13Sonata no. 5 in C major, BWV 529: I. Allegro
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 5 C-Dur, BWV 529: I. Allegro (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 5 C-Dur, BWV 529
Johann Sebastian Bach4:58
14Sonata no. 5 in C major, BWV 529: II. Largo
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 5 C-Dur, BWV 529: II. Largo (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 5 C-Dur, BWV 529
Johann Sebastian Bach5:45
15Sonata no. 5 in C major, BWV 529: III. Allegro
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 5 C-Dur, BWV 529: III. Allegro (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 5 C-Dur, BWV 529
Johann Sebastian Bach3:44
16Sonata no. 6 in G major, BWV 530: I. Vivace
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530: I. Vivace (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530
Johann Sebastian Bach3:46
17Sonata no. 6 in G major, BWV 530: II. Lento
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530: II. Lente (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530
Johann Sebastian Bach6:45
18Sonata no. 6 in G major, BWV 530: III. Allegro
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530: III. Allegro (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 6 G-Dur, BWV 530
Johann Sebastian Bach3:22
5▼CD: Toccatas, Preludes, Fugues
#TitleArtistRatingLength
1Toccata et Fuga in F, BWV 540: I. Toccata
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Toccata und Fuge F-Dur, BWV 540: I. Toccata (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge F-Dur, BWV 540
Johann Sebastian Bach8:21
2Toccata et Fuga in F, BWV 540: II. Fuga
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Toccata und Fuge F-Dur, BWV 540: II. Fuge (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge F-Dur, BWV 540
Johann Sebastian Bach4:54
3Toccata con Fuga in d, BWV 565
harpsichord:
Ton Koopman (conductor, organist and harpsichordist)
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565) (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
Johann Sebastian Bach8:20
4Toccata, Adagio et Fuga in C, BWV 564: I. Toccata
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: I. Toccata (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata, Adagio, and Fugue in C major, BWV 564
Johann Sebastian Bach5:22
5Toccata, Adagio et Fuga in C, BWV 564: II. Adagio
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata, Adagio, and Fugue in C major, BWV 564
Johann Sebastian Bach4:13
6Toccata, Adagio et Fuga in C, BWV 564: III. Fuga
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: III. Fugue (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata, Adagio, and Fugue in C major, BWV 564
Johann Sebastian Bach4:32
7Toccata et Fuga in d, BWV 538 "Dorian": I. Toccata
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Toccata and Fugue in D minor "Dorian", BWV 538: I. Toccata (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata and Fugue in D minor "Dorian", BWV 538
Johann Sebastian Bach5:17
8Toccata et Fuga in d, BWV 538 "Dorian": II. Fuga
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Toccata and Fugue in D minor "Dorian", BWV 538: II. Fugue (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata and Fugue in D minor "Dorian", BWV 538
Johann Sebastian Bach7:24
9Praeludium et Fuga in E, BWV 566: I. Praeludium
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Praeludium et Fuga in E, BWV 566: I. Praeludium (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Präludium (Toccata) und Fuge für Orgel E-Dur, BWV 566
Johann Sebastian Bach2:46
10Praeludium et Fuga in E, BWV 566: II. Fuga
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Praeludium et Fuga in E, BWV 566: II. Fuga (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Präludium (Toccata) und Fuge für Orgel E-Dur, BWV 566
Johann Sebastian Bach7:31
11Praeludium et Fuga in D, BWV 532: I. Praeludium
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Präludium und Fuge D-Dur, BWV 532: I. Präludium (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1708 until 1717)
part of:
Präludium und Fuge D-Dur, BWV 532
Johann Sebastian Bach5:10
12Praeludium et Fuga in D, BWV 532: II. Fuga
organ:
Ton Koopman (conductor, organist and harpsichordist) (in 1995)
recorded at:
Hauptkirche St. Jacobi (St. James' Church) in Hamburg, Germany (in 1995)
recording of:
Präludium und Fuge D-Dur, BWV 532: II. Fuge (in 1995)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1708 until 1717)
part of:
Präludium und Fuge D-Dur, BWV 532
Johann Sebastian Bach6:21
6▶CD: Clavier-Übung III
7▶CD: Clavier-Übung III / Canonic Variations on "Vom Himmel hoch, da komm ich her", BWV 769a
8▶CD: Preludes, Fantasia, Fugues, Allabreve, Trio, Pedal-Exercitium, Pastorella
9▶CD: Preludes, Fantasia, Fugues, Allabreve, Trio, Pedal-Exercitium, Pastorella
10▶CD: Orgelbüchlein, BWV 599–644
11▶CD: Chorale Partitas (BWV 766–768, 770) and Chorale Preludes
12▶CD: Breitkopf (Kirnberger) Chorale Preludes (BWV 690–713) and Other Chorale Preludes
13▶CD: Breitkopf (Kirnberger) Chorale Preludes (BWV 690–713) and Other Chorale Preludes
14▶CD: Neumeister Chorale Preludes, BWV 714, 719, 737, 742, 957, 1090–1120
15▶CD: Preludes, Fantasias, Fugues, Concertos
16▶CD: Preludes, Fantasias, Fugues, Concertos