Christine Schäfer, Soprano

~ Release by Christine Schäfer (see all versions of this release, 1 available)

Tracklist

1Medium
#TitleArtistRatingLength
1The Creation, Hob 21:2: Mit Stauen sieht das Wunderwerk
Joseph Haydn2:01
2The Creation, Hob 21:2: Und Gott sprach: es bringe die Erde Gras hervor
Joseph Haydn0:33
3The Creation, Hob 21:2: Nun beut die Flur das frische Grün
Joseph Haydn5:37
4The Creation, Hob 21:2: Auf starkem Fittige
Joseph Haydn7:22
5Cantata Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Ei, wie schmeckt der Coffee süße
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:36
6Cantata Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Ach, es schmeckt doch gar zu gut
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach Collegium Japan and Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:59
7Cantata Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Es bleibt dabei
recorded in:
Wien (Vienna), Austria (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:24
8Cantata Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Unser trefflicher, lieber Kammerherr
recorded in:
Wien (Vienna), Austria (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:38
9Cantata Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Klein-Zschocher müsse
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stiftskirche Herrenberg in Herrenberg, Baden-Württemberg, Germany (in 1996-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (in 1996-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach6:05
10Mass in A major, BWV 234: Qui tollis peccata mundi
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Messe A-Dur, BWV 234: IV. Aria (Soprano) "Qui tollis peccata mundi" (in 1995-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Messe A-Dur, BWV 234
Johann Sebastian Bach6:18
11Magnificat, in D major, BWV 243: Quia respexit
soprano vocals:
Christine Schäfer (soprano) (in 1995-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1995-01)
conductor:
Helmuth Rilling (conductor) (in 1995-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:35
12Magnificat, in D major, BWV 243: Omnes generationes
choir vocals:
Gächinger Kantorei Stuttgart (in 1995-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1995-01)
conductor:
Helmuth Rilling (conductor) (in 1995-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:23
13St. John Passion, BWV 245: Ich folge dir gleichfalls
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Eckhard Weyand (German conductor)
recorded at:
Lukaskirche (Stuttgart) in Stuttgart, Baden-Württemberg, Germany
recording of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls" (from 1990-04-29 until 1990-05-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach3:55
14St. John Passion, BWV 245: Zerfließe, mein Herze
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Eckhard Weyand (German conductor)
recorded at:
Lukaskirche (Stuttgart) in Stuttgart, Baden-Württemberg, Germany
recording of:
Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze" (from 1990-04-29 until 1990-05-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:36
15Elijah, Op. 70: Höre, Israel
Felix Mendelssohn5:02
16Elijah, Op. 70: Fürchte dich nicht, spricht unser Gott
Felix Mendelssohn3:55