Karl Richter: A Universal Musician

~ Release by Karl Richter (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Musikalische Exequien, SWV 279-281: I. "Nacket bin ich vom Mutterleibe kommen"
producer:
Dr. Fred Hamel (in 1953-11)
double bass:
Franz Ortner (double bass player) (in 1953-11)
organ:
Heinrich Wiesmeier (organist) (in 1953-11)
viola da gamba:
Oswald Uhl (cellist) (in 1953-11)
alto vocals:
Ruth Michaelis (alto) (in 1953-11)
bass vocals:
Brian Hanson (operatic bass) (in 1953-11) and Max Proebstl (operatic bass) (in 1953-11)
choir vocals:
Heinrich-Schütz-Kreis München (in 1953-11)
soprano vocals:
Elisabeth Lindermeier (soprano) (in 1953-11) and Anneliese Seitz (soprano) (in 1953-11)
tenor vocals:
Friedrich Brückner-Rüggeberg (tenor) (in 1953-11) and Rudolf Gantner (tenor) (in 1953-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1953-11)
balance engineer:
Harald Baudis (sound engineer) (in 1953-11)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1953-11)
partial recording of:
Musikalische Exequien, op. 7, SWV 279-281: I. Concert in Form einer teutschen Begräbnis-Messe (in 1953-11)
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 279)
part of:
Musikalische Exequien, op. 7, SWV 279-281
Heinrich Schütz4:26
2Musikalische Exequien, SWV 279-281: II. "Also hat Gott die Welt geliebet"
producer:
Dr. Fred Hamel (in 1953-11)
double bass:
Franz Ortner (double bass player) (in 1953-11)
organ:
Heinrich Wiesmeier (organist) (in 1953-11)
viola da gamba:
Oswald Uhl (cellist) (in 1953-11)
alto vocals:
Ruth Michaelis (alto) (in 1953-11)
bass vocals:
Brian Hanson (operatic bass) (in 1953-11) and Max Proebstl (operatic bass) (in 1953-11)
choir vocals:
Heinrich-Schütz-Kreis München (in 1953-11)
soprano vocals:
Elisabeth Lindermeier (soprano) (in 1953-11) and Anneliese Seitz (soprano) (in 1953-11)
tenor vocals:
Friedrich Brückner-Rüggeberg (tenor) (in 1953-11) and Rudolf Gantner (tenor) (in 1953-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1953-11)
balance engineer:
Harald Baudis (sound engineer) (in 1953-11)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1953-11)
recording of:
Motet "Also hat Gott die Welt geliebt", SWV 380
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 380)
part of:
Geistliche Chor-Music, Op.11, SWV 369-397
Heinrich Schütz23:22
3Musikalische Exequien, SWV 279-281: III. "Herr, wenn ich nur dich habe"
producer:
Dr. Fred Hamel (in 1953-11)
choir vocals:
Heinrich-Schütz-Kreis München (in 1953-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1953-11)
balance engineer:
Harald Baudis (sound engineer) (in 1953-11)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1953-11)
recording of:
Musikalische Exequien, op. 7, SWV 279-281: II. Motette "Herr, wenn ich nur dich habe" (in 1953-11)
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 280)
part of:
Musikalische Exequien, op. 7, SWV 279-281
Heinrich Schütz4:21
4Musikalische Exequien, SWV 279-281: IV. "Herr, nun lässest du deinen Diener"
producer:
Dr. Fred Hamel (in 1953-11)
double bass:
Franz Ortner (double bass player) (in 1953-11)
organ:
Heinrich Wiesmeier (organist) (in 1953-11)
viola da gamba:
Oswald Uhl (cellist) (in 1953-11)
choir vocals:
Heinrich-Schütz-Kreis München (in 1953-11)
soprano vocals:
Elisabeth Lindermeier (soprano) (in 1953-11) and Anneliese Seitz (soprano) (in 1953-11)
tenor vocals:
Friedrich Brückner-Rüggeberg (tenor) (in 1953-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1953-11)
balance engineer:
Harald Baudis (sound engineer) (in 1953-11)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1953-11)
recording of:
Musikalische Exequien, op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest du deinen Diener in Friede fahren" (in 1953-11)
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 281)
part of:
Musikalische Exequien, op. 7, SWV 279-281
Heinrich Schütz5:50
5Serse, HWV 40: Recitativo "Frondi tenere" / Aria "Ombra mai fu"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse (in 1961-08)
tenor vocals:
Ernst Haefliger (tenor) (in 1961-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-08)
balance engineer:
Walter Alfred Wettler (in 1961-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1961-08)
recording of:
Serse, HWV 40: Atto I, no. 1. Recitativo “Frondi tenere” (Serse) (in 1961-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (in 1961-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:05
6Serse, HWV 40: Aria "Se bramate d'amar, chi vi sdegna"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
tenor vocals:
Ernst Haefliger (tenor) (in 1961-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-08)
balance engineer:
Walter Alfred Wettler (in 1961-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1961-08)
George Frideric Handel5:56
7Giulio Cesare in Egitto, HWV 17: Aria "Svegliatevi nel core"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
tenor vocals:
Ernst Haefliger (tenor) (in 1961-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-08)
balance engineer:
Walter Alfred Wettler (in 1961-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1961-08)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IV, 5. Aria “Svegliatevi nel core” (Sesto) (in 1961-08)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
George Frideric Handel4:29
8Samson, HWV 57: Aria "Total eclipse"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
tenor vocals:
Ernst Haefliger (tenor) (in 1961-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-08)
balance engineer:
Walter Alfred Wettler (in 1961-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1961-08)
partial recording of:
Samson, HWV 57: Act I. Recitative. Whom have I to complain of but myself (Samson, Micah). Air. Total Eclipse! No sun, no moon! (Samson) (in 1961-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act I
George Frideric Handel4:02
9Samson, HWV 57: Aria "Thus when the sun from's watry bed"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
tenor vocals:
Ernst Haefliger (tenor) (in 1961-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-08)
balance engineer:
Walter Alfred Wettler (in 1961-08)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1961-08)
recording of:
Samson, HWV 57: Act III. Air: Thus when the sun from's wat'ry bed (Samson) (in 1961-08)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
George Frideric Handel4:09
2▼CD
#TitleArtistRatingLength
1Su le sponde del Tebro
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
solo trumpet:
Willy Bauer (trumpet player) (from 1961-04 until 1961-05)
soprano vocals:
Maria Stader (soprano) (from 1961-04 until 1961-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1961-04 until 1961-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1961-04 until 1961-05)
balance engineer:
Walter Alfred Wettler
recorded at:
Musikhochschule in München (Munich), Bayern (Bavaria), Germany (from 1961-04 until 1961-05)
Alessandro Scarlatti14:55
2Johannes-Passion, BWV 245: Aria: "Zerfließe, mein Herze"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
soprano vocals:
Maria Stader (soprano) (from 1961-04 until 1961-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1961-04 until 1961-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1961-04 until 1961-05)
balance engineer:
Walter Alfred Wettler
recorded at:
Musikhochschule in München (Munich), Bayern (Bavaria), Germany (from 1961-04 until 1961-05)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze" (from 1961-04 until 1961-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:35
3Matthäus-Passion, BWV 244: Aria: "Ich will dir mein Herze schenken"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
soprano vocals:
Maria Stader (soprano) (from 1961-04 until 1961-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1961-04 until 1961-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1961-04 until 1961-05)
balance engineer:
Walter Alfred Wettler
recorded at:
Musikhochschule in München (Munich), Bayern (Bavaria), Germany (from 1961-04 until 1961-05)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (from 1961-04 until 1961-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:57
4Matthäus-Passion, BWV 244: Aria: "Aus Liebe will mein Heiland sterben"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
soprano vocals:
Maria Stader (soprano) (from 1961-04 until 1961-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1961-04 until 1961-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1961-04 until 1961-05)
balance engineer:
Walter Alfred Wettler
recorded at:
Musikhochschule in München (Munich), Bayern (Bavaria), Germany (from 1961-04 until 1961-05)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1961-04 until 1961-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:11
5Der Messias, HWV 56: Aria: "Er weidet seine Herde"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
soprano vocals:
Maria Stader (soprano) (from 1961-04 until 1961-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1961-04 until 1961-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1961-04 until 1961-05)
balance engineer:
Walter Alfred Wettler
recorded at:
Musikhochschule in München (Munich), Bayern (Bavaria), Germany (from 1961-04 until 1961-05)
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (from 1961-04 until 1961-05)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:39
6Der Messias, HWV 56: Aria: "Ich weiß, dass mein Erlöser lebet"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
soprano vocals:
Maria Stader (soprano) (from 1961-04 until 1961-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1961-04 until 1961-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1961-04 until 1961-05)
balance engineer:
Walter Alfred Wettler
recorded at:
Musikhochschule in München (Munich), Bayern (Bavaria), Germany (from 1961-04 until 1961-05)
recording of:
Der Messias, K. 572: Teil III, Nr. 33. Aria: “Ich weiß, daß mein Erlöser lebet” (soprano I) (from 1961-04 until 1961-05)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
George Frideric Handel6:29
7Josua, HWV 64: Aria: "O hätt' ich Jubals Harf"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
soprano vocals:
Maria Stader (soprano) (from 1961-04 until 1961-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1961-04 until 1961-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1961-04 until 1961-05)
balance engineer:
Walter Alfred Wettler
recorded at:
Musikhochschule in München (Munich), Bayern (Bavaria), Germany (from 1961-04 until 1961-05)
recording of:
Joshua, HWV 64: Act III, no. 56. "Oh! had I Jubal's lyre" (Achsah) (from 1961-04 until 1961-05)
composer:
George Frideric Handel (German‐British baroque composer) (from 1747-07-19 until 1747-08-19)
librettist:
Thomas Morell
part of:
Joshua, HWV 64: Act III
George Frideric Handel2:43
8Die Schöpfung, Hob. XXI:2: Rezitativ & Arie: "Und Gott sprach: Es bringe die Erde Gras hervor" - "Nun beut die Flut das frische Grün"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
soprano vocals:
Maria Stader (soprano) (from 1961-04 until 1961-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1961-04 until 1961-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1961-04 until 1961-05)
balance engineer:
Walter Alfred Wettler
recorded at:
Musikhochschule in München (Munich), Bayern (Bavaria), Germany (from 1961-04 until 1961-05)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor (from 1961-04 until 1961-05)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn5:49
9Die Schöpfung, Hob. XXI:2: Rezitativ & Arie: "Und Gott sprach: Es bringe das Wasser in der Fülle hervor" - "Auf starkem Fittiche schwinget sich der Adler stolz"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
soprano vocals:
Maria Stader (soprano) (from 1961-04 until 1961-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1961-04 until 1961-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1961-04 until 1961-05)
balance engineer:
Walter Alfred Wettler
recorded at:
Musikhochschule in München (Munich), Bayern (Bavaria), Germany (from 1961-04 until 1961-05)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor (from 1961-04 until 1961-05)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn7:21
10Die Jahreszeiten, Hob. XXI:3: Rezitativ & Arie: "Willkommen jetzt, o dunkler Hain" - "Welche Labung für die Sinne!"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
soprano vocals:
Maria Stader (soprano) (from 1961-04 until 1961-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1961-04 until 1961-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1961-04 until 1961-05)
balance engineer:
Walter Alfred Wettler
recorded at:
Musikhochschule in München (Munich), Bayern (Bavaria), Germany (from 1961-04 until 1961-05)
recording of:
Die Jahreszeiten, Der Sommer: XIV. Rezitativ: poco Adagio: "Willkommen jetzt, o dunkler Hain" (Hanne) (from 1961-04 until 1961-05)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn8:15
11Elias, op.70: Aria: "Höre, Israel, höre des Herrn Stimme!"
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
soprano vocals:
Maria Stader (soprano) (from 1961-04 until 1961-05)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1961-04 until 1961-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1961-04 until 1961-05)
balance engineer:
Walter Alfred Wettler
recorded at:
Musikhochschule in München (Munich), Bayern (Bavaria), Germany (from 1961-04 until 1961-05)
recording of:
Elijah, op. 70: Arie: 'Höre, Israel, höre des Herrn Stimme' (from 1961-04 until 1961-05)
composer:
Felix Mendelssohn (composer)
part of:
Elijah, op. 70, Part II (with German libretto)
Felix Mendelssohn5:28
3▼CD
#TitleArtistRatingLength
1Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 1. Allegro
recording engineer:
Wolf‐Dieter Karwatky and Hans‐Peter Schweigmann (engineer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1980-06)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1980-06)
violin:
Gerhart Hetzel (violinist) (in 1980-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1980-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1980-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1980-06)
recording of:
Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A minor, BWV 1044 "Triple Concerto": I. Allegro (in 1980-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Präludium und Fuge a-Moll, BWV 894: I. Präludium
part of:
Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A minor, BWV 1044 "Triple Concerto"
Johann Sebastian Bach9:14
2Concerto for Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 2. Adagio, ma non tanto, e dolce
recording engineer:
Wolf‐Dieter Karwatky and Hans‐Peter Schweigmann (engineer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1980-06)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1980-06)
violin:
Gerhart Hetzel (violinist) (in 1980-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1980-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1980-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1980-06)
recording of:
Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A minor, BWV 1044 "Triple Concerto": II. Adagio, ma non tanto e dolce (in 1980-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Triosonate für Orgel Nr. 3 d-Moll, BWV 527: II. Adagio e dolce
part of:
Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A minor, BWV 1044 "Triple Concerto"
Johann Sebastian Bach6:14
3Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044: 3. Allabreve
recording engineer:
Wolf‐Dieter Karwatky and Hans‐Peter Schweigmann (engineer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1980-06)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1980-06)
violin:
Gerhart Hetzel (violinist) (in 1980-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1980-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1980-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1980-06)
recording of:
Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A minor, BWV 1044 "Triple Concerto": III. Alla breve (in 1980-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Präludium und Fuge a-Moll, BWV 894: II. Fuge
part of:
Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A minor, BWV 1044 "Triple Concerto"
Johann Sebastian Bach7:34
4Concerto for Oboe d'amore, Strings and Basso Continuo in A major, after BWV 1055: 1. without tempo indication
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1980-06)
oboe d'amore:
Manfred Clement (oboist) (in 1980-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1980-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1980-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1980-06)
recording of:
Oboe d’Amore Concerto in A major, BWV 1055R: I. Allegro (in 1980-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe d'Amore Concerto in A major, BWV 1055R
Johann Sebastian Bach5:11
5Concerto for Oboe d'amore, Strings and Basso Continuo in A major, after BWV 1055: 2. Larghetto
recording engineer:
Günter Hermanns (producer/engineer)
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-10, in 1980-06)
oboe d'amore:
Manfred Clement (oboist) (in 1980-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-10, in 1980-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1980-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Bavaria Musikstudios in München (Munich), Bayern (Bavaria), Germany (in 1971-10) and Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1980-06)
recording of:
Keyboard Concerto no. 4 in A major, BWV 1055: II. Larghetto (in 1971-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 4 in A major, BWV 1055
recording of:
Oboe d’Amore Concerto in A major, BWV 1055R: II. Larghetto (in 1980-06)
composer and arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe d'Amore Concerto in A major, BWV 1055R
Johann Sebastian Bach5:04
6Concerto for Oboe d'amore, Strings and Basso Continuo in A major, after BWV 1055: 3. Allegro ma non tanto
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1980-06)
oboe d'amore:
Manfred Clement (oboist) (in 1980-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1980-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1980-06)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1980-06)
recording of:
Oboe d’Amore Concerto in A major, BWV 1055R: III. Allegro ma non tanto (in 1980-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe d'Amore Concerto in A major, BWV 1055R
Johann Sebastian Bach4:58
7Orchestral Sinfonia no. 1 in D major, Wq. Nr. 183: 1. Allegro di molto
producer:
Dr. Gerd Ploebsch (engineer)
other instruments [continuo (improvisation)]:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Günter Hermanns (producer/engineer) (in 1969-07)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Symphony in D major, Wq 183 no. 1, H 663: I. Allegro di molto (in 1969-07)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in D major, Wq. 183 no. 1, H. 663
Carl Philipp Emanuel Bach5:47
8Orchestral Sinfonia no. 1 in D major, Wq. Nr. 183: 2. Largo
producer:
Dr. Gerd Ploebsch (engineer)
other instruments [continuo (improvisation)]:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Günter Hermanns (producer/engineer) (in 1969-07)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Symphony in D major, Wq 183 no. 1, H 663: II. Largo (in 1969-07)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in D major, Wq. 183 no. 1, H. 663
Carl Philipp Emanuel Bach1:30
9Orchestral Sinfonia no. 1 in D major, Wq. Nr. 183: 3. Presto
producer:
Dr. Gerd Ploebsch (engineer)
other instruments [continuo (improvisation)]:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Günter Hermanns (producer/engineer) (in 1969-07)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Symphony in D major, Wq 183 no. 1, H 663: III. Presto (in 1969-07)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in D major, Wq. 183 no. 1, H. 663
Carl Philipp Emanuel Bach2:47
10Orchestral Sinfonia no. 2 in E flat major, Wq. Nr. 183: 1. Allegro di molto
producer:
Dr. Gerd Ploebsch (engineer)
other instruments [continuo (improvisation)]:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Symphony in E-flat major, Wq 183 no. 2, H 664: I. Allegro di molto (in 1969-07)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in E-flat major, Wq. 183 no. 2, H. 664
Carl Philipp Emanuel Bach3:26
11Orchestral Sinfonia no. 2 in E flat major, Wq. Nr. 183: 2. Larghetto
producer:
Dr. Gerd Ploebsch (engineer)
other instruments [continuo (improvisation)]:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Symphony in E-flat major, Wq 183 no. 2, H 664: II. Larghetto (in 1969-07)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in E-flat major, Wq. 183 no. 2, H. 664
Carl Philipp Emanuel Bach1:09
12Orchestral Sinfonia no. 2 in E flat major, Wq. Nr. 183: 3. Allegretto
producer:
Dr. Gerd Ploebsch (engineer)
other instruments [continuo (improvisation)]:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Symphony in E-flat major, Wq 183 no. 2, H 664: III. Allegretto (in 1969-07)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in E-flat major, Wq. 183 no. 2, H. 664
Carl Philipp Emanuel Bach4:44
13Orchestral Sinfonia no. 3 in F major, Wq. Nr. 183: 1. Allegro di molto
producer:
Dr. Gerd Ploebsch (engineer)
other instruments [continuo (improvisation)]:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Symphony in F major, Wq 183 no. 3, H 665: I. Allegro di molto (in 1969-07)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in F major, Wq. 183 no. 3, H. 665
Carl Philipp Emanuel Bach4:20
14Orchestral Sinfonia no. 3 in F major, Wq. Nr. 183: 2. Larghetto
producer:
Dr. Gerd Ploebsch (engineer)
other instruments [continuo (improvisation)]:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Symphony in F major, Wq 183 no. 3, H 665: II. Larghetto (in 1969-07)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in F major, Wq. 183 no. 3, H. 665
Carl Philipp Emanuel Bach2:22
15Orchestral Sinfonia no. 3 in F major, Wq. Nr. 183: 3. Presto
producer:
Dr. Gerd Ploebsch (engineer)
other instruments [continuo (improvisation)]:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Symphony in F major, Wq 183 no. 3, H 665: III. Presto (in 1969-07)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in F major, Wq. 183 no. 3, H. 665
Carl Philipp Emanuel Bach3:06
16Orchestral Sinfonia no. 4 in G major, Wq. Nr. 183: 1. Allegro assai
producer:
Dr. Gerd Ploebsch (engineer)
other instruments [continuo (improvisation)]:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Symphony in G major, Wq 183 no. 4, H 666: I. Allegro assai (in 1969-07)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in G major, Wq. 183 no. 4, H. 666
Carl Philipp Emanuel Bach2:54
17Orchestral Sinfonia no. 4 in G major, Wq. Nr. 183: 2. Poco andante
producer:
Dr. Gerd Ploebsch (engineer)
other instruments [continuo (improvisation)]:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Symphony in G major, Wq 183 no. 4, H 666: II. Poco andante (in 1969-07)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in G major, Wq. 183 no. 4, H. 666
Carl Philipp Emanuel Bach3:24
18Orchestral Sinfonia no. 4 in G major, Wq. Nr. 183: 3. Presto
producer:
Dr. Gerd Ploebsch (engineer)
other instruments [continuo (improvisation)]:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Symphony in G major, Wq 183 no. 4, H 666: III. Presto (in 1969-07)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in G major, Wq. 183 no. 4, H. 666
Carl Philipp Emanuel Bach3:26
4▼CD
#TitleArtistRatingLength
1Symphony in G major, "Surprise", Hob. I:94: 1. Adagio - Vivace assai
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-03)
balance engineer:
Walter Alfred Wettler
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1961-03)
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile. Vivace assai (in 1961-03)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn9:09
2Symphony in G major, "Surprise", Hob. I:94: 2. Andante
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-03)
balance engineer:
Walter Alfred Wettler
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1961-03)
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante (in 1961-03)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn7:13
3Symphony in G major, "Surprise", Hob. I:94: 3. Menuet. Allegro molto - Trio - Menuet
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-03)
balance engineer:
Walter Alfred Wettler
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1961-03)
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet. Allegro molto – Trio – Menuet (in 1961-03)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn5:07
4Symphony in G major, "Surprise", Hob. I:94: 4. Finale. Allegro di molto
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-03)
balance engineer:
Walter Alfred Wettler
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1961-03)
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto (in 1961-03)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn4:18
5Symphony in D major, "The Clock", Hob. I:101: 1. Adagio - Presto
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-03)
balance engineer:
Walter Alfred Wettler
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1961-03)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: I. Adagio - Presto (in 1961-03)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn6:47
6Symphony in D major, "The Clock", Hob. I:101: 2. Andante
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-03)
balance engineer:
Walter Alfred Wettler
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1961-03)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: II. Andante (in 1961-03)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn7:32
7Symphony in D major, "The Clock", Hob. I:101: 3. Menuet. Allegretto - Trio - Menuet
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-03)
balance engineer:
Walter Alfred Wettler
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1961-03)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: III. Menuet. Allegretto - Trio - Menuet (in 1961-03)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn5:34
8Symphony in D major, "The Clock", Hob. I:101: 4. Finale. Vivace
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-03)
balance engineer:
Walter Alfred Wettler
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1961-03)
recording of:
Symphony no. 101 in D major, Hob. I:101 “Clock”: IV. Finale. Vivace (in 1961-03)
composer:
Joseph Haydn (composer) (in 1794)
part of:
Symphony no. 101 in D major, Hob. I:101 “Clock”
Joseph Haydn4:51
5▼CD
#TitleArtistRatingLength
1Fantasia in F minor, K.608
executive producer:
Otto Gerdes (conductor and producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-01)
recording of:
Fantasia for Mechanical Organ in F minor, K. 608 (in 1964-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 608), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 608) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 608)
Wolfgang Amadeus Mozart11:09
2Choral Preludes op.122: 1. Mein Jesu, der du mich
executive producer:
Otto Gerdes (conductor and producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-01)
recording of:
11 Chorale Preludes for Organ, op. 122: No. 1. Mein Jesu, der du mich (in 1964-01)
composer:
Johannes Brahms (German composer) (in 1896)
part of:
11 Chorale Preludes for Organ, op. 122
Johannes Brahms3:49
3Choral Preludes op.122: 2. Herzliebster Jesu
executive producer:
Otto Gerdes (conductor and producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-01)
recording of:
11 Chorale Preludes for Organ, op. 122: No. 2. Herzliebster Jesu (in 1964-01)
composer:
Johannes Brahms (German composer) (in 1896)
part of:
11 Chorale Preludes for Organ, op. 122
Johannes Brahms2:23
4Choral Preludes op.122: 3. O Welt, ich muss dich lassen
executive producer:
Otto Gerdes (conductor and producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-01)
recording of:
11 Chorale Preludes for Organ, op. 122: No. 3. O Welt, ich muß dich lassen (in 1964-01)
composer:
Johannes Brahms (German composer) (in 1896)
part of:
11 Chorale Preludes for Organ, op. 122
Johannes Brahms1:56
5Choral Preludes op.122: 4. Herzlich tut mich erfreuen
executive producer:
Otto Gerdes (conductor and producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-01)
recording of:
11 Chorale Preludes for Organ, op. 122: No. 4. Herzlich tut mich erfreuen (in 1964-01)
composer:
Johannes Brahms (German composer) (in 1896)
part of:
11 Chorale Preludes for Organ, op. 122
Johannes Brahms1:58
6Choral Preludes op.122: 5. Schmücke dich, o liebe Seele
executive producer:
Otto Gerdes (conductor and producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-01)
recording of:
11 Chorale Preludes for Organ, op. 122: No. 5. Schmücke dich, o liebe Seele (in 1964-01)
composer:
Johannes Brahms (German composer) (in 1896)
part of:
11 Chorale Preludes for Organ, op. 122
Johannes Brahms1:42
7Choral Preludes op.122: 6. O wie selig seid ihr doch, ihr Frommen
executive producer:
Otto Gerdes (conductor and producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-01)
recording of:
11 Chorale Preludes for Organ, op. 122: No. 6. O wie selig seid ihr doch, ihr Frommen (in 1964-01)
composer:
Johannes Brahms (German composer) (in 1896)
part of:
11 Chorale Preludes for Organ, op. 122
Johannes Brahms1:16
8Choral Preludes op.122: 7. O Gott, du frommer Gott
executive producer:
Otto Gerdes (conductor and producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-01)
recording of:
11 Chorale Preludes for Organ, op. 122: No. 7. O Gott, du frommer Gott (in 1964-01)
composer:
Johannes Brahms (German composer) (in 1896)
part of:
11 Chorale Preludes for Organ, op. 122
Johannes Brahms3:59
9Choral Preludes op.122: 8. Es ist ein Ros' entsprungen
executive producer:
Otto Gerdes (conductor and producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-01)
recording of:
11 Chorale Preludes for Organ, op. 122: No. 8. Es ist ein Ros' entsprungen (in 1964-01)
composer:
Johannes Brahms (German composer) (in 1896)
part of:
11 Chorale Preludes for Organ, op. 122
Johannes Brahms2:36
10Choral Preludes op.122: 9. Herzlich tut mich verlangen
executive producer:
Otto Gerdes (conductor and producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-01)
recording of:
11 Chorale Preludes for Organ, op. 122: No. 9. Herzlich tut mich verlangen (in 1964-01)
composer:
Johannes Brahms (German composer) (in 1896)
part of:
11 Chorale Preludes for Organ, op. 122
Johannes Brahms1:36
11Choral Preludes op.122: 10. Herzlich tut mich verlangen
executive producer:
Otto Gerdes (conductor and producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-01)
recording of:
11 Chorale Preludes for Organ, op. 122: No. 10. Herzlich tut mich verlangen (2nd setting, with A major chord ending) (in 1964-01)
composer:
Johannes Brahms (German composer) (in 1896)
publisher:
Breitkopf & Härtel
part of:
11 Chorale Preludes for Organ, op. 122
Johannes Brahms2:38
12Choral Preludes op.122: 11. O Welt, ich muss dich lassen
executive producer:
Otto Gerdes (conductor and producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-01)
recording of:
11 Chorale Preludes for Organ, op. 122: No. 11. O Welt, ich muß dich lassen (second setting) (in 1964-01)
composer:
Johannes Brahms (German composer) (in 1896)
part of:
11 Chorale Preludes for Organ, op. 122
Johannes Brahms3:13
13Prelude and Fugue on the name of B-A-C-H: 1. Prelude
executive producer:
Otto Gerdes (conductor and producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-01)
recording of:
Präludium und Fuge über den Namen BACH, S. 260: I. Präludium (in 1964-01)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Präludium und Fuge über den Namen BACH, S. 260 (Prelude and Fugue on the Name BACH, S. 260, for organ)
Franz Liszt3:56
14Prelude and Fugue on the name of B-A-C-H: 2. Fugue
executive producer:
Otto Gerdes (conductor and producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
organ:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-01)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-01)
recording of:
Präludium und Fuge über den Namen BACH, S. 260: II. Fuge (in 1964-01)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Präludium und Fuge über den Namen BACH, S. 260 (Prelude and Fugue on the Name BACH, S. 260, for organ)
Franz Liszt8:26
6▼CD
#TitleArtistRatingLength
1Harpsichord Suite no.5 in E major, HWV 430: 1. Prélude
recording engineer:
Alfred Steinke
executive producer:
Dr. Fred Hamel
producer:
Dr. Fred Hamel
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1954-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1954-03)
recording of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430: I. Praeludium (in 1954-03)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430
George Frideric Handel1:42
2Harpsichord Suite no.5 in E major, HWV 430: 2. Allemande
recording engineer:
Alfred Steinke
executive producer:
Dr. Fred Hamel
producer:
Dr. Fred Hamel
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1954-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1954-03)
recording of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430: II. Allemande (in 1954-03)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430
George Frideric Handel4:36
3Harpsichord Suite no.5 in E major, HWV 430: 3. Courante
recording engineer:
Alfred Steinke
executive producer:
Dr. Fred Hamel
producer:
Dr. Fred Hamel
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1954-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1954-03)
recording of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430: III. Courante (in 1954-03)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430
George Frideric Handel2:41
4Harpsichord Suite no.5 in E major, HWV 430: 4. Air con Variazioni
recording engineer:
Alfred Steinke
executive producer:
Dr. Fred Hamel
producer:
Dr. Fred Hamel
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1954-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1954-03)
recording of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430: IV. Air con Variazioni (in 1954-03)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430
George Frideric Handel6:08
5Chaconne in G major with 21 Variations, HWV 435
recording engineer:
Alfred Steinke
executive producer:
Dr. Fred Hamel
producer:
Dr. Fred Hamel
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1954-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1954-03)
recording of:
Suite de pièce in G major, Vol. 2 no. 2, HWV 435 (in 1954-03)
composer:
George Frideric Handel (German‐British baroque composer) (from 1705 until 1717)
part of:
Händel-Werke-Verzeichnis (number: HWV 435)
part of:
Suites de Pièces, Vol. 2, HWV 434-442
George Frideric Handel16:24
6Italian Concerto in F major, BWV 971: 1. Allegro
recording engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-11, in 1970-08)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-11, in 1970-08)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (in 1969-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach4:17
7Italian Concerto in F major, BWV 971: 2. Andante
recording engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-11, in 1970-08)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-11, in 1970-08)
recording of:
Italienisches Konzert F-Dur, BWV 971: II. Andante (Italian Concerto in F major, BWV 971: II. Andante) (in 1969-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach4:22
8Italian Concerto in F major, BWV 971: 3. Presto
recording engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-11, in 1970-08)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-11, in 1970-08)
recording of:
Italienisches Konzert F-Dur, BWV 971: III. Presto (Italian Concerto in F major, BWV 971: III. Presto) (in 1969-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach4:08
9Chromatic Fantasy and Fugue in D minor, BWV 903: 1. Fantasy
recording engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-11, in 1970-08)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-11, in 1970-08)
recording of:
Chromatische Fantasie und Fuge d-Moll, BWV 903: I. Fantasie (in 1969-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chromatische Fantasie und Fuge d-Moll, BWV 903
Johann Sebastian Bach5:36
10Chromatic Fantasy and Fugue in D minor, BWV 903: 2. Fugue
recording engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-11, in 1970-08)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-11, in 1970-08)
recording of:
Chromatische Fantasie und Fuge d-Moll, BWV 903: II. Fuge (in 1969-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chromatische Fantasie und Fuge d-Moll, BWV 903
Johann Sebastian Bach5:12
11Toccata and Fugue in G minor, BWV 915: 1. Toccata
recording engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-11, in 1970-08)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-11, in 1970-08)
recording of:
Toccata in G minor, BWV 915: I. Toccata (in 1969-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata in G minor, BWV 915
Johann Sebastian Bach3:41
12Toccata and Fugue in G minor, BWV 915: 2. Fugue
recording engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-11, in 1970-08)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-11, in 1970-08)
recording of:
Toccata in G minor, BWV 915: II. Fugue (in 1969-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata in G minor, BWV 915
Johann Sebastian Bach4:01
13Pastorale in F major, BWV 590
recording engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-11, in 1970-08)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-11, in 1970-08)
recording of:
Pastorale F-Dur / Pastorella F-Dur, BWV 590 (in 1969-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 590)
Johann Sebastian Bach9:57
14Fantasia in C minor, BWV 906
recording engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-11, in 1970-08)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-11, in 1970-08)
recording of:
Fantasie und Fuge c-Moll, BWV 906 (Fantasy and Fugue in C minor, BWV 906) (in 1969-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 906)
Johann Sebastian Bach4:58
7▶CD
8▶CD

Credits

Release

part of:Original Masters (Deutsche Grammophon) (order: 15)
ASIN:US: B000FBHSPO [info]
discography entry:http://www.deutschegrammophon.com/us/cat/4776210 [info]