Tracklist

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1Digital Media
#TitleArtistRatingLength
1A Midsummer Night's Dream: Act 1: "Over Hill, Over Dale"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966) and Emanuel School Wandsworth, Boys’ Choir (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
treble vocals [Fairy]:
Gordon Clark (chorus vocalist) (in 1966), Richard Dakin (in 1966), John Pryor (treble) (in 1966) and Ian Wodehouse (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Over hill, over dale" (Fairies, Puck) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten4:04
2A Midsummer Night's Dream:Act 1: "Oberon Is Passing Fell and Wrath"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966) and Emanuel School Wandsworth, Boys’ Choir (in 1966)
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
soprano vocals [Tytania]:
Elizabeth Harwood (soprano) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Oberon is passing fell and wrath" (Fairies, Oberon, Tytania) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:06
3A Midsummer Night's Dream: Act 1: "Well, Go Thy Way"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Well, go thy way" (Oberon, Puck) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:25
4A Midsummer Night's Dream: Act 1: "How Now My Love?"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "How now, my love" (Lysanda, Hermia) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten4:33
5A Midsummer Night's Dream: Act 1: "Be It On Lion, Bear, Or Wolf, Or Bull"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Be it on lion, bear, or wolf, or bull" (Oberon, Demetrius, Helena) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:40
6A Midsummer Night's Dream: Act 1: "Welcome Wanderer!"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Welcome, wanderer!" (Oberon) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten4:30
7A Midsummer Night's Dream: Act 1: "Is All Our Company Here?"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Starveling]:
Keith Raggett (in 1966)
bass vocals [Quince]:
Norman Lumsden (in 1966)
bass vocals [Snug]:
David Kelly (operatic bass) (in 1966)
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Snout]:
Robert Tear (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Is all our company here?" (Rustics) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten7:37
8A Midsummer Night's Dream: Act 1: "Fair Love, You Faint With Wand'ring In the Wood"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Fair love, you faint with wand'ring in the wood" (Lysander, Hermia) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten2:41
9A Midsummer Night's Dream: Act 1: "Through the Forest Have I Gone"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Through the forest I have gone" (Puck) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten1:45
10A Midsummer Night's Dream: Act 1: "Stay, Though Thou Kill Me, Sweet Demetrius"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Stay, though thou kill me, sweet Demetrius" (Helena, Demetrius, Lysanda, Hermia) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten5:15
11A Midsummer Night's Dream: Act 1: "Come, Now A Roundel and A Fairy Song"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
soprano vocals [Tytania]:
Elizabeth Harwood (soprano) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Come, now a roundel, and a fairy song" (Tytania) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten1:59
12A Midsummer Night's Dream: Act 1: "You Spotted Snakes With Double Tongue"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966) and Emanuel School Wandsworth, Boys’ Choir (in 1966)
treble vocals [Fairy]:
Gordon Clark (chorus vocalist) (in 1966), Richard Dakin (in 1966), John Pryor (treble) (in 1966) and Ian Wodehouse (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "You spotted snakes with double tongue" (Yaogd;) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten2:14
13A Midsummer Night's Dream: Act 1: "What Thou Seest When Thou Dost Wake"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "What thou seest when thou dost awake" (Oberon) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten1:47
14A Midsummer Night's Dream: Act 2: Introduction: The wood
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. Introduction: the Wood (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:20
15A Midsummer Night's Dream: Act 2: "Are We All Met?"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Starveling]:
Keith Raggett (in 1966)
bass vocals [Quince]:
Norman Lumsden (in 1966)
bass vocals [Snug]:
David Kelly (operatic bass) (in 1966)
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Snout]:
Robert Tear (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Are we all met?" (Rustics, Puck) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten7:36
16A Midsummer Night's Dream: Act 2: "I See Their Knavery"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
soprano vocals [Tytania]:
Elizabeth Harwood (soprano) (in 1966)
treble vocals [Fairy]:
Gordon Clark (chorus vocalist) (in 1966), Richard Dakin (in 1966), John Pryor (treble) (in 1966) and Ian Wodehouse (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "I see their knavery" (Bottom, Tytania, Fairies) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:05
17A Midsummer Night's Dream: Act 2: "Be Kind and Courteous To This Gentleman"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
soprano vocals [Tytania]:
Elizabeth Harwood (soprano) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Be kind and courteous to this gentleman" (Tytania) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten1:17
18A Midsummer Night's Dream: Act 2: "Hail, Mortal, Hail!"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
soprano vocals [Tytania]:
Elizabeth Harwood (soprano) (in 1966)
treble vocals [Fairy]:
Gordon Clark (chorus vocalist) (in 1966), Richard Dakin (in 1966), John Pryor (treble) (in 1966) and Ian Wodehouse (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Hail, mortal, hail!" (Fairies, Bottom, Tytania) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten5:14
19A Midsummer Night's Dream: Act 2: "I Have A Reas'nable Good Ear In Music"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
soprano vocals [Tytania]:
Elizabeth Harwood (soprano) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "I have a reas'nable good ear in music" (Bottom, Tytania) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:39
20A Midsummer Night's Dream: Act 2: "How Now, Mad Spirit?"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "How now, mad spirit" (Oberon, Puck, Demetrius, Hermia) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:06
2Digital Media
#TitleArtistRatingLength
1A Midsummer Night's Dream: Act 2: "Flower Of This Purple Dye"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Flower of this purple dye" (Oberon, Puck, Lysander, Helena, Detrius, Hermia) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten6:32
2A Midsummer Night's Dream: Act 2: "Puppet? Why So?"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Puppet? Why so?" (Hermia, Helena, Lysander, Demetrius) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:05
3A Midsummer Night's Dream: Act 2: "This Is Thy Negligence"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "This is thy negligence" (Oberon, Puck) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten2:10
4A Midsummer Night's Dream: Act 2: "Up and down, Up and Down"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Up and down, up and down" (Puck, Lysander, Demetrius, Helena, Hermia) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten6:02
5A Midsummer Night's Dream: Act 2: A Midsummer Night's Dream, Act 2: "On The Ground, Sleep Sound"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
choir vocals:
Choir of Downside School, Purley (Purley) (in 1966) and Emanuel School Wandsworth, Boys’ Choir (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "On the ground, sleep sound" (Fairies) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:05
6A Midsummer Night's Dream: Act 3: "My Gentle Robin, See'st Thou This Sweet Sight?"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
soprano vocals [Tytania]:
Elizabeth Harwood (soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "My gentle Robin, see'st thou this sweet sight?" (Oberon, Puck, Tytania) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten7:12
7A Midsummer Night's Dream: Act 3: "Helena! Hermi! Demetrius! Lysander!"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Helena! - Hermia! - Demetrius! - Lysander!" (Demetrius, Lysander, Helena, Hermia) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten4:46
8A Midsummer Night's Dream: Act 3: When My Cue Comes, Call Me
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "When my cue comes, call me" (Bottom) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten3:37
9A Midsummer Night's Dream: Act 3: "Have You Sent To Bottom's House?"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Starveling]:
Keith Raggett (in 1966)
bass vocals [Quince]:
Norman Lumsden (in 1966)
bass vocals [Snug]:
David Kelly (operatic bass) (in 1966)
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Snout]:
Robert Tear (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Have you sent to Bottom's house?" (Rustics) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten3:10
10A Midsummer Night's Dream: Act 3: "Now, Fair Hippolyta"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
contralto vocals [Hippolyta]:
Helen Watts (contralto) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Now, fair Hyppolyta" (Theseus, Hyppolyta, Lysander, Demerius, Helena, Hermia) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten7:25
11A Midsummer Night's Dream: Act 3: "If We Offend, It Is With Our Good Will"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
baritone vocals [Starveling]:
Keith Raggett (in 1966)
bass vocals [Quince]:
Norman Lumsden (in 1966)
bass vocals [Snug]:
David Kelly (operatic bass) (in 1966)
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
contralto vocals [Hippolyta]:
Helen Watts (contralto) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
tenor vocals [Snout]:
Robert Tear (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "If we offend, it is with our good will" (Rustics) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:20
12A Midsummer Night's Dream: Act 3: "Gentles, Perchange You Wonder At This Show"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
bass vocals [Quince]:
Norman Lumsden (in 1966)
soprano vocals [Helena]:
Heather Harper (soprano) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Gentles, perchance you wonder at this show" (Quince/Prologue) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:16
13A Midsummer Night's Dream: Act 3: "In This Same Interlude It Doth Befall"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
tenor vocals [Snout]:
Robert Tear (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "In this same interlude it doth befall" (Snout/Wall) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:11
14A Midsummer Night's Dream: Act 3: "O Grim-Look'd Night, O Night With Hue So Black"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "O grim-look'd night, o night with hue so black" (Bottom/Pyramus) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:52
15A Midsummer Night's Dream: Act 3: "O Wall, Full Often Hast Thou Heard My Moans"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
contralto vocals [Hippolyta]:
Helen Watts (contralto) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Snout]:
Robert Tear (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "O Wall, full often hast thou heard my moans" (Flute/Thisby, Bottom/Pyramus) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten2:30
16A Midsummer Night's Dream: Act 3: "You Ladies, You Whose Gentle Hearts Do Fear"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
bass vocals [Snug]:
David Kelly (operatic bass) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "You, ladies, you whose gentle hearts do fear" (Snug/Lion) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten0:47
17A Midsummer Night's Dream: Act 3: "This Lanthorn Doth the Horned Moon Present"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
baritone vocals [Starveling]:
Keith Raggett (in 1966)
bass vocals [Snug]:
David Kelly (operatic bass) (in 1966)
contralto vocals [Hippolyta]:
Helen Watts (contralto) (in 1966)
mezzo-soprano vocals [Hermia]:
Josephine Veasey (mezzo-soprano) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "This lanthorn doth the hornèd Moon present" (Starveling/Moonshine, Flute/Thisby, Snug/Lion) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:51
18A Midsummer Night's Dream: Act 3: "Sweet Moon, I Thank Thee For Thy Sunny Beams"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
baritone vocals [Demetrius]:
Thomas Hemsley (baritone) (in 1966)
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
contralto vocals [Hippolyta]:
Helen Watts (contralto) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Sweet Moon, I thank thee for thy sunny beams" (Bottom/Pyramus) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:52
19A Midsummer Night's Dream: Act 3: "Asleep, My Love?"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
bass-baritone vocals [Bottom]:
Owen Brannigan (operatic bass) (in 1966)
tenor vocals [Flute]:
Kenneth MacDonald (tenor) (in 1966)
tenor vocals [Lysander]:
Peter Pears (tenor) (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Asleep, my love?" (Flute/Thisby) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten2:32
20A Midsummer Night's Dream: Act 3: "Come, Your Bergomask"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Come, your Bergomask" (Theseus) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten2:46
21A Midsummer Night's Dream: Act 3: "Now the Hungry Lion Roars"
recording engineer:
James Brown (Decca engineer, 1960s) (in 1966), James Lock (James Locke, engineer) (in 1966) and Gordon Parry (engineer) (in 1966)
assistant producer:
John Mordler (producer)
producer:
John Culshaw
countertenor vocals [Oberon]:
Alfred Deller (countertenor) (in 1966)
soprano vocals [Tytania]:
Elizabeth Harwood (soprano) (in 1966)
spoken vocals [Puck]:
Stephen Terry (treble) (in 1966)
treble vocals [Fairy]:
Gordon Clark (chorus vocalist) (in 1966), Richard Dakin (in 1966), John Pryor (treble) (in 1966) and Ian Wodehouse (in 1966)
orchestra:
London Symphony Orchestra (in 1966)
conductor:
Benjamin Britten (English composer, conductor, and pianist) (in 1966)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1967)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1966)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Now the hungry lion roars" (Fairies, Puck, Oberon, Tytania) (in 1966)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten5:04