Check Your Head (deluxe version)

~ Release by Beastie Boys (see all versions of this release, 22 available)

Tracklist

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1Digital Media
#TitleRatingLength
1Jimmy James
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
samples:
I’m Chief Kamanawanalea (We’re the Royal Macadamia Nuts) by The Turtles (late 60s US rock band)
recording of:
Jimmy James
writer:
Adam Horovitz, Mario Caldato Jr., Ed Chalpin (PPX Producer, famous for contract w/ J. Hendrix), Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
3.23:14
2Funky Boss
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
bass guitar:
Adam Yauch
clavichord, keyboard [D6] and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
organ:
Mark Ramos Nishita and Mark Nishita (production music composer)
percussion:
James Bradley, Jr.
Wurlitzer electric piano:
Mark Nishita (production music composer)
conductor:
Beastie Boys and Mark Nishita (production music composer)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Funky Boss
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
3.151:35
3Pass the Mic
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
samples:
Big Take Over by Bad Brains (US hardcore punk band)
music videos:
Pass the Mic by Beastie Boys
recording of:
Pass the Mic
writer:
Adam Horovitz, Mario Caldato Jr., Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
3.354:16
4Gratitude
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
percussion:
James Bradley, Jr.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
music videos:
Gratitude by Beastie Boys
recording of:
Gratitude
writer:
Adam Horovitz, Tom Cushman, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
3.052:45
5Lighten Up
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
Batá drum [bata'] and shekere [shakeree]:
Arturo (Ture) Oliva
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
congas [conga] and cuíca [cuica]:
Juanito Vazquez
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Lighten Up
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
2.32:41
6Finger Lickin’ Good
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
mridangam [mridunga] and tambura [tamboura]:
Drew Lawrence
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Finger Lickin’ Good
writer:
Adam Horovitz, Mario Caldato Jr., Wendell Fite, Tadone Hill, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
2.53:39
7So What’cha Want
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
contains samples by:
Big Daddy Kane (singer, songwriter) and Southside Movement
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
music videos:
So What’cha Want by Beastie Boys
part of:
Indie 88: Top 500 Indie Rock Songs (number: 214)
recording of:
So What’cha Want
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
3.753:36
8The Biz vs. The Nuge
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
guest performer:
Biz Markie
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
The Biz vs. The Nuge
writer:
Marcel Hall and Ted Nugent
publisher:
Brooklyn Dust Music, Magicland Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
1.90:33
9Time for Livin’
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Time for Livin’
lyricist:
Sylvester Stewart
composer:
Frontline (composer "Time For Livin'")
publisher:
Brooklyn Dust Music
version of:
Time for Livin'
2.251:48
10Something’s Got to Give
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
percussion:
James Bradley, Jr.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
music videos:
Something's Got to Give by Beastie Boys
recording of:
Something’s Got to Give
writer:
Adam Horovitz, Mario Caldato Jr., Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
2.953:27
11The Blue Nun
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
The Blue Nun
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
1.250:32
12Stand Together
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Stand Together
writer:
Adam Horovitz, Ron Aspery, Mario Caldato Jr., Colin Hodgkinson, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
3.352:47
13Pow
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
percussion:
James Bradley, Jr.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Pow
writer:
Adam Horovitz, Mario Caldato Jr., Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
2.252:13
14The Maestro
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
vocals:
Nax Setevassac
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
The Maestro
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
2.152:52
15Groove Holmes
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
congas [conga] and cuíca [cuica]:
Juanito Vazquez
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Groove Holmes
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
32:32
16Live at P.J.’s
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
percussion:
James Bradley, Jr.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Live at P.J.’s
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
3.353:18
17Mark on the Bus
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Mark on the Bus
lyricist and composer:
Mark Ramos‐Nishita
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
1.751:05
18Professor Booty
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Professor Booty
writer:
Adam Horovitz, Mario Caldato Jr., Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
34:12
19In 3’s
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
Batá drum [bata'] and shekere [shakeree]:
Arturo (Ture) Oliva
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
In 3’s
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
2.852:23
20Namasté
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
percussion:
James Bradley, Jr.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Namaste
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
2.64:01
2Digital Media
#TitleRatingLength
1Dub the Mic (instrumental)
instrumental recording of:
Dub the Mic
writer:
Adam Horovitz, Mario Caldato Jr., Michael Diamond (member of Beastie Boys) and Adam Yauch
4:27
2Pass the Mic, Part 2: Skills to Pay the Bills
24:23
3Drunken Praying Mantis Style
22:37
4Netty’s Girl
3:21
5The Skills to Pay the Bills (original version)3:14
6So What’cha Want (Soul Assassin remix version)
remixer:
Soul Assassin (Stephan Scheltema)
recording of:
So What’cha Want
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
24:06
7So What’cha Want (Butt Naked version)
recording of:
So What’cha Want
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
3:26
8Groove Holmes (Live vs. The Biz)
vocals:
Biz Markie
live recording of:
Groove Holmes
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
26:10
9So What’cha Want (All the Way Live Freestyle version)
recording of:
So What’cha Want
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
13:36
10Stand Together (live at French’s Tavern, Sydney, Australia)12:29
11Finger Lickin’ Good (Government Cheese remix)4:13
12Gratitude (live at Budokan)
recorded at:
日本武道館 (Nippon Budokan) in Kitanomaru Kōen, Chiyoda (Chiyoda-ku), Tokyo, Japan
live recording of:
Gratitude
writer:
Adam Horovitz, Tom Cushman, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
24:25
13Honky Rink
12:10
14Jimmy James (original original version)
recording of:
Jimmy James
writer:
Adam Horovitz, Mario Caldato Jr., Ed Chalpin (PPX Producer, famous for contract w/ J. Hendrix), Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
23:41
15Boomin’ Granny2:15
16Drinkin’ Wine
recording of:
Drinkin’ Wine
lyricist and composer:
Adam Horovitz, Mario Caldato Jr., Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
14:41