Dean Martin His Greatest Hits and Finest Performances: The Capitol Years

~ Veröffentlichung von Dean Martin (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelBewertungLänge
1That’s Amore
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1953-08-13)
Orchester:
Dick Stabile and His Orchestra (am 1953-08-13)
conductor:
Dick Stabile (am 1953-08-13)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-13)
recording of:
That’s Amore (am 1953-08-13)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) und Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) und BMG Unisongs Music Publishers BV
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Real Book (compilation of jazz standards, volume I)
4.353:09
2I’ll Always Love You
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1951)
Orchester:
Dick Stabile and His Orchestra (in 1951)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
cover recording of:
I’ll Always Love You (in 1951)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
2:35
3You Belong to Me
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
You Belong to Me
Verfasser(in):
Pee Wee King, Chilton Price und Redd Stewart
publisher:
Hill & Range Inc. (publisher) und Ridgeway Music Co, Inc.
33:04
4Standing on the Corner
Produzent(in):
Lee Gillette und Voyle Gilmore
vocals:
Dean Martin (American singer/actor) (in 1956)
Orchester:
Dick Stabile and His Orchestra (in 1956)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
cover recording of:
Standing on the Corner (The Most Happy Fella) (in 1956)
Texter und Komponist(in):
Frank Loesser
Teil von:
The Most Happy Fella (full musical)
2:50
5Return to Me (Ritorna a Me)
Produzent(in):
Lee Gillette
conductor:
Gus Levene
cover recording of:
Return to Me
Verfasser(in):
Daniel DiMinno (American composer, lyricist, author) und Carmen Lombardo
publisher:
Southern Music Publ. Co. Ltd. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Arrangement von:
Return to Me (Regresa a mí)
52:26
6Sway
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1952)
Orchester:
Dick Stabile and His Orchestra (in 1952)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Sway (am 1954-04-22)
Texter:
Norman Gimbel
Komponist(in):
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
Version von:
¿Quién será?
42:44
7If
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1950)
Orchester:
Paul Weston and His Orchestra (in 1950)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1950)
cover recording of:
If (Song, popular in the 1950s) (in 1950)
Texter:
Stanley J. Damerell und Robert Hargreaves (songwriter)
Verfasser(in):
H. Tilsley
Komponist(in):
Tolchard Evans
2:49
8Powder Your Face With Sunshine
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1948)
Orchester:
Paul Weston and His Orchestra (in 1948)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1948)
cover recording of:
Powder Your Face With Sunshine (in 1948)
Verfasser(in):
Carmen Lombardo und Stanley Rochinski
52:34
9Love Me, Love Me
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Love Me, Love Me (am 1953-05-04)
Verfasser(in):
Bill Walker (Australian‐born US composer and conductor)
2:36
10Memories Are Made of This
Produzent(in):
Lee Gillette
Hintergrundgesang:
The Easy Riders (in 1955)
vocals:
Dean Martin (American singer/actor) (in 1955)
Orchester:
Dick Stabile and His Orchestra (in 1955)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (am 1955-10-28)
Verfasser(in):
Richard Dehr (in 1955), Terry Gilkyson (in 1955) und Frank Miller (American singer & songwriter) (in 1955)
publisher:
Montclare Music
52:18
11There’s No Tomorrow (O Sole Mio)
cover recording of:
There’s No Tomorrow
Komponist(in):
Leon Carr, Leo Corday und Al Hoffman
basiert auf:
’O sole mio
2:49
12Oh Marie
recording of:
Oh Marie
Texter und Komponist(in):
Eduardo Di Capua
arranger:
Louis Prima
2:24
13You’re Breaking My Heart
2:47
14On an Evening in Rome
recording of:
On an Evening in Roma
Verfasser(in):
Umberto Bertini, Nan Frederics und Alessandro Taccani (composer)
2:31
15Mambo Italiano
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1954-11-26)
Orchester:
Dick Stabile and His Orchestra (am 1954-11-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Mambo Italiano (original english version) (am 1954-11-26)
Texter und Komponist(in):
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
2:21
16I Have But One Heart
cover recording of:
I Have But One Heart
Texter:
Marty Symes (lyricist)
Komponist(in):
Johnny Farrow
publisher:
Barton Music Corp.
basiert auf:
’O marenariello
3:03
17Non dimenticar
recording of:
Non dimenticar (English/Italian lyrics)
Texter:
Shelley Dobbins (American songwriter) und Michele Galdieri
Komponist(in):
P. G. Redi (Italian composer)
publisher:
Redi-Ponti-DeLaurentis und TRO-Hollis, Inc.
Version von:
Non dimenticar (English lyrics)
übersetzte Version von:
T’ho voluto bene (Non dimenticar)
3:07
18Volare
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1958-07-14)
Orchester:
Dick Stabile and His Orchestra (am 1958-07-14)
conductor:
Gus Levene (am 1958-07-14)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (am 1958-07-14)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
Übersetzer:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Robbins Music Corp.
übersetzte Version von:
Nel blu dipinto di blu (Volare)
43:01
19Come Back to Sorrento
vocals:
Dean Martin (American singer/actor) (in 1951)
Orchester:
Paul Weston and His Orchestra (in 1951)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
recording of:
Come Back to Sorrento
Texter:
Giambattista De Curtis
Komponist(in):
Ernesto De Curtis (composer) (in 1902)
Übersetzer:
Claude Aveling
übersetzte Version von:
Torna a Surriento
3:14
20Arrivederci Roma
recording of:
Arrivederci Roma (English version)
Texter:
Pietro Garinei und Sandro Giovannini
Komponist(in):
Renato Rascel (Italian singer)
Übersetzer:
Carl Sigman
übersetzte Version von:
Arrivederci Roma (italian original)
2:40
2▼CD
Nr.TitelBewertungLänge
1Basin Street Blues
cover recording of:
Basin Street Blues
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
2:23
2Open Up the Doghouse
alto saxophone:
Skeets Herfurt (am 1954-09-07) und Harry Klee (am 1954-09-07)
baritone saxophone:
Chuck Gentry (am 1954-09-07)
Bass:
Charlie Harris (jazz bassist) (am 1954-09-07)
Gitarre:
John Collins (US jazz guitarist) (am 1954-09-07)
Klavier:
Lew Brown (am 1954-09-07)
Posaune:
Ed Kusby (am 1954-09-07), Murray McEachern (am 1954-09-07) und Si Zentner (am 1954-09-07)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-09-07)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-09-07)
Trompete:
Johnny Best (jazz trumpeter) (am 1954-09-07), Conrad Gozzo (am 1954-09-07) und Manny Klein (am 1954-09-07)
vocals:
Nat King Cole (am 1954-09-07) und Dean Martin (American singer/actor) (am 1954-09-07)
Orchester:
Billy May & His Orchestra (am 1954-09-07)
conductor:
Billy May (am 1954-09-07)
arranger:
Billy May
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-07)
recording of:
Open Up the Doghouse (am 1954-09-07)
Verfasser(in):
Roy Alfred (Tin Pan Alley lyricist and composer) und Marvin Fisher
2:29
3Georgia on My Mind
cover recording of:
Georgia on My Mind
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
3:03
4Baby, It’s Cold Outside
Produzent(in):
Lee Gillette
Sologesang:
Dean Martin (American singer/actor) (am 1959-08-06)
conductor:
Gus Levene (am 1959-08-06)
arranger:
Frank Loesser
phonographisches Urheberrecht (℗) von:
Capitol (UK) Ltd. (in 1959) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1959)
Teil von:
Billboard Hot 100: 2026-01-03 (Nummer: 35) und Billboard Hot 100: 2025-12-27 (Nummer: 45)
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser) (am 1959-08-06)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1949 winner)
3.352:22
5Long, Long Ago
alto saxophone:
Skeets Herfurt (am 1954-09-07) und Harry Klee (am 1954-09-07)
baritone saxophone:
Chuck Gentry (am 1954-09-07)
Bass:
Charlie Harris (jazz bassist) (am 1954-09-07)
Gitarre:
John Collins (US jazz guitarist) (am 1954-09-07)
Klavier:
Lew Brown (am 1954-09-07)
Posaune:
Ed Kusby (am 1954-09-07), Murray McEachern (am 1954-09-07) und Si Zentner (am 1954-09-07)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-09-07)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1954-09-07)
Trompete:
Johnny Best (jazz trumpeter) (am 1954-09-07), Conrad Gozzo (am 1954-09-07) und Manny Klein (am 1954-09-07)
vocals:
Nat King Cole (in 1954, am 1954-09-07) und Dean Martin (American singer/actor) (in 1954, am 1961-09-07)
Orchester:
Billy May and His Orchestra (in 1954) und Billy May & His Orchestra (am 1954-09-07)
conductor:
Billy May (am 1954-09-07)
arranger:
Billy May
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-07)
recording of:
Long, Long Ago (Dean Martin & Nat King Cole version) (am 1954-09-07)
Verfasser(in):
Roy Alfred (Tin Pan Alley lyricist and composer) und Marvin Fisher
Version von:
Long, Long Ago (Original version for voice and piano)
2:19
6Just in Time
cover recording of:
Just in Time (Bells Are Ringing)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
4:02
7Don’t Rock the Boat, Dear
2:36
8You Was
recording of:
You Was
Texter:
Paul Francis Webster
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
2:48
9I’m in Love With You
2:57
10How D’ya Like Your Eggs in the Morning?
recording of:
How D’Ya Like Your Eggs in the Morning?
Texter:
Sammy Cahn
Komponist(in):
Nicholas Brodzsky
2:49
11Money Burns a Hole in My Pocket
recording of:
Money Burns a Hole in My Pocket
Texter:
Bob Hilliard
Komponist(in):
Jule Styne
3:02
12My Rifle, My Pony and Me
recording of:
My Rifle, My Pony and Me
Texter:
Dimitri Tiomkin
Komponist(in):
Dimitri Tiomkin und Paul Francis Webster
2:45
13Never Before
recording of:
Never Before (Sailor Beware)
Texter:
Mack David (American lyricist and songwriter)
Komponist(in):
Jerry Livingston (songwriter)
3:14
14Innamorata
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1956)
Orchester:
Dick Stabile and His Orchestra (in 1956)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
recording of:
Innamorata (in 1956)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
2:26
15You’re the Right One
3:10
16Just for Fun
recording of:
Just For Fun (My Friend Irma)
Verfasser(in):
Ray Evans (American songwriter) und Jay Livingston
2:48
17The Money Song
recording of:
The Money Song
Komponist(in):
Harold Rome
3:09
18Ev’ry Streets a Boulevard in Old New York
2:24
19That Certain Party
cover recording of:
That Certain Party
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
3:04
20Pardners
2:43
3▼CD
Nr.TitelBewertungLänge
1My One and Only Love
recording of:
My One and Only Love
Texter:
Robert Mellin
Komponist(in):
Robert Mellin und Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. und ミュージカル・ライツ・東京 (Musical Lights Tokyo)
Version von:
Music from Beyond the Moon (My One and Only Love)
2:31
2Cuddle Up a Little Closer
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-10-13)
cover recording of:
Cuddle Up a Little Closer (am 1958-10-13)
Texter:
Otto Harbach
Komponist(in):
Karl Hoschna
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:12
3True Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
cover recording of:
True Love (High Society) (in 1960)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 2)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
2:33
4I Wish You Love
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
I Wish You Love
Texter:
Charles Trenet
Verfasser(in) und Übersetzer:
Albert Beach
Komponist(in):
Léo Chauliac und Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), On Backstreet Music Inc. und Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Que reste-t-il de nos amours ?
2:26
5Dream a Little Dream of Me
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-10-13)
cover recording of:
Dream a Little Dream of Me (am 1958-10-13)
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:16
6Amor
recording of:
Amor (More and More Amor)
Texter:
Ricardo López Méndez (Mexican poet, lyricist and radio host)
Komponist(in):
Gabriel Ruiz (Mexican composer)
Teil von:
Broadway Rhythm (film)
3:12
7I’ve Grown Accustomed to Her
cover recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
My Fair Lady (full musical)
2:44
8I’ve Got My Love to Keep Me Warm
recording of:
I’ve Got My Love to Keep Me Warm (in 1959)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:46
9Mean to Me
Bass:
Joe Comfort (am 1960-05-10)
Bratsche / Viola:
Alvin Dinkin (am 1960-05-10) und Paul Robyn (am 1960-05-10)
Cello:
Jacques Gasselin (am 1960-05-10), Edgar Lustgarten (am 1960-05-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-05-10)
Geige / Violine:
Victor Bay (am 1960-05-10), Alex Beller (am 1960-05-10), Dan Lube (am 1960-05-10), Felix Slatkin (am 1960-05-10), Marshall Sosson (am 1960-05-10) und Gerald Vinci (American violinist and strings conductor) (am 1960-05-10)
Gitarre:
Al Hendrickson (am 1960-05-10)
Klavier:
Bill Miller (pianist) (am 1960-05-10)
Posaune:
Russell Brown (Swing trombonist) (am 1960-05-10), Dick Noel (trombone) (am 1960-05-10), Tom Pederson (am 1960-05-10) und Thomas Shepard (am 1960-05-10)
Saxophon:
Buddy Collette (am 1960-05-10), Plas Johnson (am 1960-05-10), Harry Klee (am 1960-05-10), Joe Koch (am 1960-05-10) und Wilbur Schwartz (am 1960-05-10)
Schlagzeug:
Alvin Stoller (am 1960-05-10)
Trompete:
Pete Candoli (am 1960-05-10), Conrad Gozzo (am 1960-05-10), Carroll Lewis (trumpeter) (am 1960-05-10) und Shorty Sherock (am 1960-05-10)
vocals:
Dean Martin (American singer/actor) (am 1960-05-10)
Orchester:
Nelson Riddle and His Orchestra (am 1960-05-10)
conductor:
Nelson Riddle (am 1960-05-10)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-05-10)
cover recording of:
Mean to Me (am 1960-05-10)
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. und Pencil Mark Music (ASCAP)
2:11
10Young and Foolish
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Young and Foolish
Texter:
Arnold Horwitt
Komponist(in):
Albert Hague
publisher:
Chappell & Co. und Chappell Music (UK)
2:47
11How Do You Speak to an Angel
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
How Do You Speak to an Angel?
Texter:
Bob Hilliard
Komponist(in):
Jule Styne
3:08
12If I Could Sing Like Bing
2:12
13It’s Easy to Remember
cover recording of:
It’s Easy to Remember (and So Hard to Forget)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:19
14You’re Nobody Till Somebody Loves You
Produzent(in):
Lee Gillette
Bass:
Joe Comfort (am 1960-05-10)
Bratsche / Viola:
Alvin Dinkin (am 1960-05-10) und Paul Robyn (am 1960-05-10)
Cello:
Jacques Gasselin (am 1960-05-10), Edgar Lustgarten (am 1960-05-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-05-10)
Geige / Violine:
Victor Bay (am 1960-05-10), Alex Beller (am 1960-05-10), Dan Lube (am 1960-05-10), Felix Slatkin (am 1960-05-10), Marshall Sosson (am 1960-05-10) und Gerald Vinci (American violinist and strings conductor) (am 1960-05-10)
Gitarre:
Al Hendrickson (am 1960-05-10)
Klavier:
Bill Miller (pianist) (am 1960-05-10)
Posaune:
Russell Brown (Swing trombonist) (am 1960-05-10), Dick Noel (trombone) (am 1960-05-10), Tom Pederson (am 1960-05-10) und Thomas Shepard (am 1960-05-10)
Saxophon:
Buddy Collette (am 1960-05-10), Plas Johnson (am 1960-05-10), Harry Klee (am 1960-05-10), Joe Koch (am 1960-05-10) und Wilbur Schwartz (am 1960-05-10)
Schlagzeug:
Alvin Stoller (am 1960-05-10)
Trompete:
Pete Candoli (am 1960-05-10), Conrad Gozzo (am 1960-05-10), Carroll Lewis (trumpeter) (am 1960-05-10) und Shorty Sherock (am 1960-05-10)
vocals:
Dean Martin (American singer/actor) (am 1960-05-10)
Orchester:
Nelson Riddle and His Orchestra (am 1960-05-10)
conductor:
Nelson Riddle (am 1960-05-10)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-05-10)
cover recording of:
You’re Nobody Till Somebody Loves You (am 1960-05-10)
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
4.352:15
15A Hundred Years From Today
recording of:
A Hundred Years From Today
Texter:
Ned Washington und Joe Young (US lyricist)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und Warock Corp.
2:43
16I Can’t Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
2:43
17Is It True What They Say About Dixie
cover recording of:
Is It True What They Say About Dixie?
Verfasser(in):
Irving Caesar, Sammy Lerner und Gerald Marks
2:29
18Carolina in the Morning
cover recording of:
Carolina in the Morning
Texter:
Gus Kahn (in 1922)
Komponist(in):
Walter Donaldson (in 1922)
2:17
19Louise
cover recording of:
Louise (from "Innocents of Paris")
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Richard A. Whiting (composer)
2:21
20When You’re Smiling (the Whole World Smiles With You)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
When You’re Smiling (the Whole World Smiles With You)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
53:01