Room Service Deluxe

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Light My Fire
producer:
Rick Jarrard
strings arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
cover recording of:
Light My Fire (on 1968-01-06)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:36
2From Russia With Love
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
lead vocals:
Matt Monro
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
From Russia With Love
lyricist and composer:
Lionel Bart
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro3.352:34
3Black Coffee
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
Black Coffee (1948 song) (in 1960-08)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Julie London43:00
4Can't Get Used to Losing You
producer:
Robert Mersey
conductor:
Robert Mersey (on 1962-12-02)
arranger:
Robert Mersey
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1963) and Rarity Music (in 2013)
recording of:
Can’t Get Used to Losing You (on 1962-12-02)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
Andy Williams12:23
5Alfie
recording of:
Alfie (in 1965)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
Cilla Black2:37
6Soulful Strut
producer:
Carl Davis (record producer) and Eugene Record
drums (drum set):
Red Holt (in 1968)
piano:
Ken Chaney (jazz pianist and composer) (in 1968)
strings:
Eldee Young (in 1968)
arranger:
Sonny Sanders
recording of:
Soulful Strut (in 1968)
composer:
Eugene Record and Sonny Sanders
publisher:
Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
Am I the Same Girl
Young–Holt Unlimited4.53:00
7I've Been a Bad Bad BoyPaul Jones Featuring Mike Leander and His Orchestra2:22
8Son of a Preacher ManDusty Springfield2:27
9A Hard Day's Night
engineer:
Reice Hamel
producer:
Esmond Edwards
bass:
Eldee Young (from 1965-10-14 until 1965-10-17)
drums (drum set):
Red Holt (from 1965-10-14 until 1965-10-17)
piano:
Ramsey Lewis (from 1965-10-14 until 1965-10-17)
recorded at:
The Lighthouse Cafe in Hermosa Beach, California, United States (from 1965-10-14 until 1965-10-17)
instrumental cover recording of:
A Hard Day’s Night
writer:
John Lennon (The Beatles) (from 1964-04-13 until 1964-04-14) and Paul McCartney (The Beatles) (from 1964-04-13 until 1964-04-14)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Unart Music Corp.
The Ramsey Lewis Trio4:58
10By the Time I Get to Phoenix
lead vocals:
Glen Campbell (US country singer, guitarist & actor)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 450)
cover recording of:
By the Time I Get to Phoenix (on 1967-08-17)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Charles Koppelman Music, Jonathan Three Music Co. and Martin Bandier Music
Glen Campbell3.52:44
11He Ain't Heavy, He's My Brother
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies3.854:21
12I Say a Little Prayer
Aretha Franklin3:35
13Comin' Home Baby
Mel Tormé2:44
14Girl Don't Come
vocals:
Sandie Shaw (in 1964)
recording of:
Girl Don’t Come (in 1964)
lyricist and composer:
Chris Andrews (UK singer-songwriter)
publisher:
Glissando Music Ltd.
Sandie Shaw2:13
15Cha Cha Cha D'Amour
cover recording of:
Cha cha cha d’amour
lyricist:
Michel Marc Lanjean and Henri Salvador
composer:
Henri Salvador
recording of:
Melody of Love
lyricist:
Léona Gabriel, Marc Lanjean (French composer) and Marcel Stellman
composer:
Léona Gabriel and Henri Salvador
version of:
Cha cha cha d’amour
Dean Martin42:18
16Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.43:01
17Baby Elephant Walk
recording engineer:
Al Schmitt
producer:
Dick Peirce
orchestra:
Henry Mancini And His Orchestra
conductor:
Henry Mancini (US composer, conductor & arranger)
arranger:
Henry Mancini (US composer, conductor & arranger)
recorded at:
RCA’s Music Center of the World in Hollywood, Los Angeles, California, United States
recording of:
Baby Elephant Walk (Hatari!)
composer:
Henry Mancini (US composer, conductor & arranger)
arrangement of:
Variaciones sobre “El paso del elefantito”
Henry Mancini2:44
18What the World Needs Now Is Love
recording of:
What the World Needs Now Is Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (in 1965), Songs of Fujimusic (in 1965, in 1993) and BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1993)
Jackie DeShannon3:14
19A Little Bitty Tear
cover recording of:
A Little Bitty Tear
lyricist and composer:
Hank Cochran (Nashville singer and songwriter)
publisher:
Pamper Music, Inc.
Burl Ives2:04
20Dream a Little Dream of Me
producer:
Lou Adler
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1968)
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music and Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, volume I)
Mama Cass Elliot3.353:15
21Vincent
engineer:
Tom Flye
producer:
Ed Freeman (producer, arranger, musician, and photographer)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
recording of:
Vincent (Starry Starry Night)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) and Universal/MCA Music Ltd. (not for release label use!)
translated version of:
Wim
Don McLean4.44:00
2CD
#TitleArtistRatingLength
1The Avengers
orchestra:
The London Studio Symphony Orchestra
conductor:
Laurie Johnson
recording of:
Main Title (The Avengers, 1961 TV)
orchestrator:
Laurie Johnson and David Slonaker
composer:
Laurie Johnson and Joel McNeely (American score composer)
publisher:
EMI Film & TV Music
London Studio Orchestra2:17
2Sunshine Superman
producer:
Mickie Most (English record producer)
acoustic guitar:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
bass:
Spike Heatley (in 1966)
drums (drum set):
Bobby Orr (in 1966)
electric guitar:
Eric Ford (session musician) (in 1966) and Jimmy Page (in 1966)
keyboard:
John Cameron (British composer, arranger and conductor) (in 1966)
percussion:
Tony Carr (in 1966)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
arranger:
John Cameron (British composer, arranger and conductor)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1966)
recording of:
Sunshine Superman (in 1966)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd. and Peer International Corporation (BMI)
Donovan3:17
3Coconut
recording of:
Coconut
lyricist and composer:
Harry Nilsson (US singer-songwriter)
publisher:
EMI Blackwood Music, Inc.
Harry Nilsson3:53
4Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Ella Fitzgerald4:59
5The More I See You
Chris Montez2:53
6A World of Our Own
producer:
Tom Springfield
performer:
The Seekers (Australian pop quartet) (in 1965)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2003)
recording of:
A World of Our Own (in 1965)
lyricist and composer:
Tom Springfield
publisher:
Warner/Chappell Music Australia Pty. Ltd.
The Seekers42:43
7Lay Lady Lay
producer:
Bob Johnston (US record producer and early rockebilly singer)
guitar and lead vocals:
Bob Dylan (on 1969-02-14)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969)
recording of:
Lay, Lady, Lay (on 1969-02-14)
additional lyricist:
Bob Dylan (in 1976)
lyricist and composer:
Bob Dylan (from 1968 until 1969)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Big Sky Music (publisher for Bob Dylan) (from 1969 to present)
sub-publisher:
Sonora Musikförlags AB
Bob Dylan4.13:19
8Help Yourself
recording of:
Help Yourself
lyricist:
Mogul (Italian lyricist)
writer:
Jack Fishman
composer:
Carlo Donida
is based on:
Gli Occhi Miei
Tom Jones2:53
9Mrs. Robinson
recording engineer:
Roy Halee (on 1968-02-02)
assistant producer:
Bob Johnston (US record producer and early rockebilly singer)
producer:
Art Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1968-02-02)
guitar:
Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
vocals:
Art Garfunkel (on 1968-02-02) and Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 270)
recording of:
Mrs. Robinson (on 1968-02-02)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.253:47
10Trains and Boats and Planes
conductor:
Burt Bacharach
recording of:
Trains and Boats and Planes
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Burt Bacharach2:46
11This Masquerade
recording engineer:
Al Schmitt (from 1976-01-06 until 1976-01-08)
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
mixer:
Al Schmitt
drums (drum set):
Harvey Mason (jazz drummer) (from 1976-01-06 until 1976-01-08)
electric piano:
Ronnie Foster (from 1976-01-06 until 1976-01-08)
guitar:
George Benson (jazz guitarist/singer) (from 1976-01-06 until 1976-01-08) and Phil Upchurch (from 1976-01-06 until 1976-01-08)
percussion:
Ralph MacDonald (from 1976-01-06 until 1976-01-08)
piano:
Jorge Dalto (from 1976-01-06 until 1976-01-08)
vocals:
George Benson (jazz guitarist/singer) (from 1976-01-06 until 1976-01-08)
conductor:
Claus Ogerman (from 1976-01-06 until 1976-01-08)
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1976-01-06 until 1976-01-08)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
This Masquerade (from 1976-01-06 until 1976-01-08)
lyricist and composer:
Leon Russell
publisher:
Chrysalis One Music Publishing Group Ireland, Embassy Music Corporation, Pathe Publications (Far East) Limited, Reservoir 416, Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
George Benson48:05
12Sunny
Bobby Hebb2:45
13Girlie
The Peddlers2:46
14What a Dif'rence a Day MakesDinah Washington2:31
15Guantanamera
recording of:
Guantanamera
additional lyricist and additional composer:
Julián Orbón (Cuban composer)
lyricist:
José Martí (cuban poet)
composer:
Joseíto Fernández (Cuban singer and songwriter)
arranger:
Héctor Angulo (Cuban composer) and Pete Seeger
part of:
Roud Folk Song Index (number: 36102)
version of:
Guajira guantanamera
The Sandpipers23:11
16Bonnie & Clyde
recording engineer:
Francis Miannay
producer:
Claude Dejacques
vocals:
Brigitte Bardot (from 1967-12-11 until 1967-12-12) and Serge Gainsbourg (from 1967-12-11 until 1967-12-12)
orchestra:
Michel Colombier et son ensemble (from 1967-12-11 until 1967-12-12)
conductor:
Michel Colombier (French score composer) (from 1967-12-11 until 1967-12-12)
arranger:
Michel Colombier (French score composer)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (from 1967-12-11 until 1967-12-12)
recording of:
Bonnie and Clyde (from 1967-12-11 until 1967-12-12)
lyricist and composer:
Serge Gainsbourg
Serge Gainsbourg & Brigitte Bardot4.54:15
17My Cherie Amour
producer:
Henry Cosby
lead vocals:
Stevie Wonder (from 1967 until 1968)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967 until 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 399)
recording of:
My Cherie Amour (from 1967 until 1968)
writer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:53
18The Look of Love
Sérgio Mendes & Brasil ’662:45
19Beyond the Sea (Le Mer)
Bobby Darin2:56
20Message to Michael
vocals:
Dionne Warwick
cover recording of:
Message to Martha
lyricist:
Hal David
composer:
Burt Bacharach
Dionne Warwick3:08
21If I Had a Hammer (live)
cover recording of:
If I Had a Hammer
writer:
Lee Hays (in 1949) and Pete Seeger (in 1949)
publisher:
M.P.A. (M.P.A.)
Trini Lopez43:02
22Look What They've Done to My Song
recording of:
What Have They Done to My Song, Ma?
lyricist and composer:
Melanie Safka (US singer‐songwriter Melanie Safka)
Melanie44:03