Music to Watch Girls By

~ Release by Various Artists (see all versions of this release, 6 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Music to Watch Girls By
producer:
Nick de Caro
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Music to Watch Girls By (on 1967-02-21)
writer:
Sid Ramin and Tony Velona
publisher:
Sidray Enterprises Ltd. and Sony Music Publishing (worldwide except Japan, ended 1995)
Andy Williams4.652:35
2Up, Up & Away
engineer:
“Bones” Howe
producer:
Johnny Rivers (Singer, songwriter, and guitarist) and Marc Gordon (soul songwriter, producer, and manager)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
conductor:
Jim Webb (US songwriter, composer, producer, pianist & singer)
brass [horns] arranger and strings arranger:
Marty Paich
arranger:
Jim Webb (US songwriter, composer, producer, pianist & singer)
recorded at:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California, United States
recording of:
Up, Up and Away
lyricist and composer:
Jim Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Johnny Rivers Music
The 5th Dimension2.52:39
3The Good Life
piano:
John Bunch (jazz pianist) and Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
The Good Life
lyricist:
Jack Reardon (American songwriter)
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) and Prosadis
version of:
Marina
Tony Bennett42:16
4Spanish Eyes
producer:
Tom Morgan (producer)
conductor:
Peter de Angelis (in 1965)
arranger:
Peter de Angelis
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1965)
cover recording of:
Spanish Eyes (Moon Over Naples) (in 1965)
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
version of:
Moon Over Naples
Al Martino2.52:46
5Theme From ‘A Summer Place’
performer:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
cover recording of:
Theme from “A Summer Place” (original instrumental version)
composer:
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
recording of:
Theme from “A Summer Place” (original instrumental version)
composer:
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
Percy Faith3.652:24
6On the Street Where You Live
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1956)
cover recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Vic Damone42:43
7Beyond the Sea (La Mer)
producer:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin (on 1958-08-24)
conductor:
Richard Wess (on 1958-08-24)
arranger:
Richard Wess
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 397)
cover recording of:
Beyond the Sea (on 1958-08-24)
lyricist:
Jack Lawrence (US songwriter)
composer:
Charles Trenet
publisher:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
translated version of:
La Mer
Bobby Darin52:54
8A Certain Smile
producer:
Al Ham and Mitch Miller
orchestra:
Ray Ellis and His Orchestra (on 1958-05-12)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1958)
cover recording of:
A Certain Smile (on 1958-05-12)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI United Partnership Ltd.
part of:
The 31st Academy Award for Best Original Song (number: 2)
recording of:
A Certain Smile
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI United Partnership Ltd.
part of:
The 31st Academy Award for Best Original Song (number: 2)
Johnny Mathis32:47
9Valley of the Dolls
recording of:
(Theme from) Valley of the Dolls
lyricist:
André Previn (pianist, conductor, composer, arranger)
composer:
André Previn (pianist, conductor, composer, arranger) and Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
Dionne Warwick23:38
10Joanna
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1968)
recording of:
Joanna
writer:
Tony Hatch and Jackie Trent (English singer‐songwriter and actress)
publisher:
ATV Music Ltd.
Scott Walker33:51
11Wishin’ & Hopin’
producer:
John Franz
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1964) and Mercury Records Ltd. (not for release label use!) (in 1964)
cover recording of:
Wishin’ and Hopin’
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Casa David Music, New Hidden Valley Music Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
Dusty Springfield4.52:54
12Wichita Lineman
producer:
Al De Lory
lead vocals:
Glen Campbell (US country singer, guitarist & actor)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968) and Capitol Records Nashville (in 2016)
additionally recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1968-08-14)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1968-05-27)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 12), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 192) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 206)
recording of:
Wichita Lineman (on 1968-05-27)
lyricist:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer) (in 1968)
Glen Campbell3.653:03
13Moon River
vocals:
Danny Williams
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
Danny Williams3.52:35
14The Girl with the Sun in Her Hair
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
instrumental recording of:
The Girl With the Sun in Her Hair
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
Chappell/Morris Ltd.
John Barry32:54
15Magic Moments
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (on 1957-12-03) and The Ray Charles Singers (on 1957-12-03)
orchestra:
Mitchell Ayres and His Orchestra (on 1957-12-03)
arranger:
Joe Reisman
phonographic copyright (℗) by:
BMG Entertainment (in 1958)
recording of:
Magic Moments (on 1957-12-03)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Music Publishing Ltd. and MCA Music Ltd.
Perry Como3.152:40
16Fly Me to the Moon
engineer:
David Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
phonographic copyright (℗) by:
Liberty (a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Julie London42:34
17Perhaps, Perhaps, Perhaps
recording of:
Perhaps, Perhaps, Perhaps
lyricist:
Joe Davis (US lyricist, producer, publisher & promoter)
composer:
Osvaldo Farrés
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
translated version of:
Quizás, quizás, quizás
Doris Day2:33
18Almost Like Being in Love
recording of:
Almost Like Being in Love (from “Brigadoon”)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
Vic Damone2:49
19Don’t Sleep in the Subway
recording of:
Don’t Sleep in the Subway
lyricist:
Jackie Trent (English singer‐songwriter and actress)
composer:
Tony Hatch
publisher:
ATV Music, Duchess Music Corporation (BMI-affiliated) and Welbeck Music Ltd.
Petula Clark42:56
2CD
#TitleArtistRatingLength
1That’s Amore
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:07
2Downtown
vocals:
Petula Clark (English singer & actress) (in 1964)
arranger:
Tony Hatch
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1964)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 227)
recording of:
Downtown (in 1964)
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Welbeck Music Ltd.
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.43:06
3Move Over Darling
recording of:
Move Over Darling
writer:
Hal Kanner (director), Joe Lubin and Terry Melcher
publisher:
Daywin Music Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Day2:36
4Love Letters in the Sand
producer:
Randy Wood (producer)
bass:
Larry Breen (on 1956-11-24)
clarinet:
Ryland Weston (on 1956-11-24)
drums (drum set):
Dick Shanahan (on 1956-11-24)
guitar:
Barney Kessel (on 1956-11-24) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-24)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-24)
saxophone:
Babe Russin (on 1956-11-24) and Justin Gordon (on 1956-11-24)
vibraphone:
Bernie Mattinson (on 1956-11-24)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-24)
vocals:
Pat Boone (on 1956-11-24)
conductor:
Billy Vaughn (on 1956-11-24)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-24)
cover recording of:
Love Letters in the Sand (on 1956-11-24)
lyricist:
Charles Kenny (songwriter, violinist) and Nick Kenny
composer:
J. Fred Coots, Charles Kenny (songwriter, violinist) and Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. and Francis, Day & Hunter Ltd.
Pat Boone2:15
5A Swinging Safari
orchestra:
Bert Kaempfert Orchestra
conductor:
Bert Kaempfert (German orchestra leader, producer and songwriter)
instrumental recording of:
A Swingin’ Safari
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
recording of:
A Swingin’ Safari
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
Bert Kaempfert33:07
6These Boots Are Made for Walking
engineer:
Eddie Brackett
producer:
Lee Hazlewood
vocals:
Nancy Sinatra
conductor:
Billy Strange
arranger:
Billy Strange
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 109)
recording of:
These Boots Are Made for Walkin’
lyricist and composer:
Lee Hazlewood
publisher:
Lorna Music and Criterion Music Corp. (in 1966)
version of:
Boots (original melody)
Nancy Sinatra4.052:43
7Blue Velvet
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
writer:
Lee Morris (US songwriter) and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:50
8It Had to Be You
recording of:
It Had to Be You
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
Vic Damone23:34
9Mack the Knife
bass:
Arvell Shaw (in 1955)
clarinet:
Barney Bigard (in 1955)
drums (drum set):
Barrett Deems (in 1955)
piano:
Billy Kyle (in 1955)
trombone:
Trummy Young (in 1955)
trumpet and lead vocals:
Louis Armstrong (in 1955)
recording of:
Mack the Knife (1954 Blitzstein translation) (on 1955-09-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3.653:23
10Blue Moon
recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Mel Tormé3:42
11The Lady Is a Tramp
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Buddy Greco3:37
12Mambo Italiano
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-09-23)
vocals:
Rosemary Clooney (on 1954-09-23) and The Mellomen (American singing quartet) (on 1954-09-23)
orchestra:
Buddy Cole and His Orchestra (on 1954-09-23)
conductor:
Paul Weston (on 1954-09-23)
recording of:
Mambo Italiano (original english version) (on 1954-09-23)
lyricist and composer:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Rosemary Clooney4.352:31
13Do You Mind
recording of:
Do You Mind
lyricist and composer:
Lionel Bart
Anthony Newley2:21
14She
recording of:
She (Seven Faces of Woman)
lyricist:
Herbert Kretzmer
composer:
Charles Aznavour
publisher:
Essex Music International, Inc. and Standard Music Publishing Ltd.
translated version of:
Tous les visages de l’amour
Peter Skellern3:11
15No One but You
cover recording of:
No One but You
lyricist:
Jack Lawrence (US songwriter)
composer:
Nicholas Brodzsky
publisher:
EMI United Partnership Ltd.
Billy Eckstine3:10
16Fools Rush In
cover recording of:
Fools Rush In (Where Angels Fear to Tread)
lyricist:
Johnny Mercer
writer:
Johnny Mercer
composer:
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publications, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Brook Benton2:29
17Sugar Town
producer:
Lee Hazlewood
vocals:
Nancy Sinatra
recording of:
Sugar Town
lyricist and composer:
Lee Hazlewood
publisher:
Granite Music Corporation
Nancy Sinatra4.52:25
18Let There Be Love
cello:
Hyman Gold (cellist) (on 1961-12-20), Armand Kaproff (on 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (on 1961-12-20) and William Vandenburg (Session Musician/Cello) (on 1961-12-20)
double bass:
Al McKibbon (double bassist) (on 1961-12-20)
double bass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1961-12-20)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1961-12-20)
guitar:
Al Hendrickson (on 1961-12-20)
piano:
George Shearing (British jazz pianist) (on 1961-12-20)
vibraphone:
Emil Richards (on 1961-12-20)
viola:
Joseph DiFiore (on 1961-12-20), Alvin Dinkin (on 1961-12-20), Allan Harshman (violist) (on 1961-12-20) and Paul Robyn (on 1961-12-20)
violin:
Victor Arno (on 1961-12-20), Emil Briano (Violinist) (on 1961-12-20), Jacques Gasselin (on 1961-12-20), James Getzoff (American concertmaster and violinist) (on 1961-12-20), Joseph Livoti (violinist) (on 1961-12-20), Dan Lube (on 1961-12-20), Erno Neufeld (on 1961-12-20), Isadore Roman (violin) (on 1961-12-20), Mischa Russell (violinist) (on 1961-12-20), Felix Slatkin (on 1961-12-20), Joseph Stepansky (on 1961-12-20) and Gerald Vinci (American violinist and strings conductor) (on 1961-12-20)
vocals:
Nat King Cole (on 1961-12-20)
conductor:
Ralph Carmichael (on 1961-12-20)
arranger:
Ralph Carmichael
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1962)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-12-20)
cover recording of:
Let There Be Love (on 1961-12-20)
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole1.22:45
19Can’t Take My Eyes Off You
vocals:
Andy Williams (US pop/jazz vocalist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Andy Williams43:11

Credits

Release group

part of:Music to Watch Girls By (number: 1) (order: 1)
Discogs:https://www.discogs.com/master/737558 [info]