| # | Title | Rating | Length |
|---|
| 1 | Don't Get Around Much Anymore- recording engineer:
- Phil Edwards (from 1995-04-03 until 1995-04-04)
- assistant engineer:
- Steve Gadsden
- producer:
- Phil Edwards and Rob McConnell
- bass:
- Jim Vivian (from 1995-04-03 until 1995-04-04)
- bass trombone:
- Ernie Pattison (from 1995-04-03 until 1995-04-04)
- brass:
- Guido Basso (from 1995-04-03 until 1995-04-04), Arnie Chycoski (from 1995-04-03 until 1995-04-04), John MacLeod (from 1995-04-03 until 1995-04-04), Steve McDade (from 1995-04-03 until 1995-04-04) and Dave Woods (from 1995-04-03 until 1995-04-04)
- drums (drum set):
- Ted Warren (from 1995-04-03 until 1995-04-04)
- French horn:
- James MacDonald (from 1995-04-03 until 1995-04-04)
- guitar:
- Lorne Lofsky (from 1995-04-03 until 1995-04-04)
- piano:
- David Restivo (from 1995-04-03 until 1995-04-04)
- reeds:
- Rick Wilkins (from 1995-04-03 until 1995-04-04)
- trombone:
- Jerry Johnson (from 1995-04-03 until 1995-04-04), Alastair Kay (from 1995-04-03 until 1995-04-04) and Bob Livingston (from 1995-04-03 until 1995-04-04)
- valve trombone:
- Rob McConnell (from 1995-04-03 until 1995-04-04)
- woodwind:
- Alex Dean (from 1995-04-03 until 1995-04-04), John Johnson (from 1995-04-03 until 1995-04-04), Moe Koffman (from 1995-04-03 until 1995-04-04) and Bob Leonard (from 1995-04-03 until 1995-04-04)
- remixer:
- Phil Edwards
- arranger:
- Rob McConnell
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Dome Audio Productions in Toronto, Ontario, Canada (from 1995-04-03 until 1995-04-04)
- remixed at:
- PER in San Francisco, California, United States
- instrumental recording of:
- Don’t Get Around Much Anymore
- lyricist:
- Bob Russell (in 1942)
- composer:
- Duke Ellington (in 1940)
- publisher:
- EMI Music , EMI Robbins Catalog Inc. , Harrison Music Corp. and Sony/ATV Harmony
- sub-publisher:
- フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
- version of:
- Never No Lament
| | 6:21 |
| 2 | The Waltz You Knew Was Blue- recording engineer:
- Phil Edwards (from 1995-04-03 until 1995-04-04)
- assistant engineer:
- Steve Gadsden
- producer:
- Phil Edwards and Rob McConnell
- bass:
- Jim Vivian (from 1995-04-03 until 1995-04-04)
- bass trombone:
- Ernie Pattison (from 1995-04-03 until 1995-04-04)
- brass:
- Guido Basso (from 1995-04-03 until 1995-04-04), Arnie Chycoski (from 1995-04-03 until 1995-04-04), John MacLeod (from 1995-04-03 until 1995-04-04), Steve McDade (from 1995-04-03 until 1995-04-04) and Dave Woods (from 1995-04-03 until 1995-04-04)
- drums (drum set):
- Ted Warren (from 1995-04-03 until 1995-04-04)
- French horn:
- James MacDonald (from 1995-04-03 until 1995-04-04)
- guitar:
- Lorne Lofsky (from 1995-04-03 until 1995-04-04)
- piano:
- David Restivo (from 1995-04-03 until 1995-04-04)
- reeds:
- Rick Wilkins (from 1995-04-03 until 1995-04-04)
- trombone:
- Jerry Johnson (from 1995-04-03 until 1995-04-04), Alastair Kay (from 1995-04-03 until 1995-04-04) and Bob Livingston (from 1995-04-03 until 1995-04-04)
- valve trombone:
- Rob McConnell (from 1995-04-03 until 1995-04-04)
- woodwind:
- Alex Dean (from 1995-04-03 until 1995-04-04), John Johnson (from 1995-04-03 until 1995-04-04), Moe Koffman (from 1995-04-03 until 1995-04-04) and Bob Leonard (from 1995-04-03 until 1995-04-04)
- remixer:
- Phil Edwards
- arranger:
- Rob McConnell
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Dome Audio Productions in Toronto, Ontario, Canada (from 1995-04-03 until 1995-04-04)
- remixed at:
- PER in San Francisco, California, United States
- recording of:
- The Waltz You Knew Was Blue
- composer:
- Rob McConnell
| | 9:02 |
| 3 | Jobim Medley: Once I Loved / If You Never Came To Me- recording engineer:
- Phil Edwards (from 1995-04-03 until 1995-04-04)
- assistant engineer:
- Steve Gadsden
- producer:
- Phil Edwards and Rob McConnell
- bass:
- Jim Vivian (from 1995-04-03 until 1995-04-04)
- bass trombone:
- Ernie Pattison (from 1995-04-03 until 1995-04-04)
- brass:
- Guido Basso (from 1995-04-03 until 1995-04-04), Arnie Chycoski (from 1995-04-03 until 1995-04-04), John MacLeod (from 1995-04-03 until 1995-04-04), Steve McDade (from 1995-04-03 until 1995-04-04) and Dave Woods (from 1995-04-03 until 1995-04-04)
- drums (drum set):
- Ted Warren (from 1995-04-03 until 1995-04-04)
- French horn:
- James MacDonald (from 1995-04-03 until 1995-04-04)
- guitar:
- Lorne Lofsky (from 1995-04-03 until 1995-04-04)
- piano:
- David Restivo (from 1995-04-03 until 1995-04-04)
- reeds:
- Rick Wilkins (from 1995-04-03 until 1995-04-04)
- trombone:
- Jerry Johnson (from 1995-04-03 until 1995-04-04), Alastair Kay (from 1995-04-03 until 1995-04-04) and Bob Livingston (from 1995-04-03 until 1995-04-04)
- valve trombone:
- Rob McConnell (from 1995-04-03 until 1995-04-04)
- woodwind:
- Alex Dean (from 1995-04-03 until 1995-04-04), John Johnson (from 1995-04-03 until 1995-04-04), Moe Koffman (from 1995-04-03 until 1995-04-04) and Bob Leonard (from 1995-04-03 until 1995-04-04)
- remixer:
- Phil Edwards
- arranger:
- Rob McConnell
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Dome Audio Productions in Toronto, Ontario, Canada (from 1995-04-03 until 1995-04-04)
- remixed at:
- PER in San Francisco, California, United States
- medley including a instrumental recording of:
- If You Never Come to Me
- lyricist:
- Ray Gilbert and Aloysio de Oliveira
- composer:
- Antônio Carlos Jobim
- publisher:
- Ipanema Music Corp.
- version of:
- Inútil paisagem
- medley including a instrumental recording of:
- Once I Loved
- lyricist:
- Vinicius de Moraes
- composer:
- Antônio Carlos Jobim
- translator:
- Ray Gilbert
- publisher:
- Corcovado Music Corp. and Ipanema Music Corp.
- translated version of:
- O amor em paz
| | 4:47 |
| 4 | Crazy Rhythm- recording engineer:
- Phil Edwards (from 1995-04-03 until 1995-04-04)
- assistant engineer:
- Steve Gadsden
- producer:
- Phil Edwards and Rob McConnell
- bass:
- Jim Vivian (from 1995-04-03 until 1995-04-04)
- bass trombone:
- Ernie Pattison (from 1995-04-03 until 1995-04-04)
- brass:
- Guido Basso (from 1995-04-03 until 1995-04-04), Arnie Chycoski (from 1995-04-03 until 1995-04-04), John MacLeod (from 1995-04-03 until 1995-04-04), Steve McDade (from 1995-04-03 until 1995-04-04) and Dave Woods (from 1995-04-03 until 1995-04-04)
- drums (drum set):
- Ted Warren (from 1995-04-03 until 1995-04-04)
- French horn:
- James MacDonald (from 1995-04-03 until 1995-04-04)
- guitar:
- Lorne Lofsky (from 1995-04-03 until 1995-04-04)
- piano:
- David Restivo (from 1995-04-03 until 1995-04-04)
- reeds:
- Rick Wilkins (from 1995-04-03 until 1995-04-04)
- trombone:
- Jerry Johnson (from 1995-04-03 until 1995-04-04), Alastair Kay (from 1995-04-03 until 1995-04-04) and Bob Livingston (from 1995-04-03 until 1995-04-04)
- valve trombone:
- Rob McConnell (from 1995-04-03 until 1995-04-04)
- woodwind:
- Alex Dean (from 1995-04-03 until 1995-04-04), John Johnson (from 1995-04-03 until 1995-04-04), Moe Koffman (from 1995-04-03 until 1995-04-04) and Bob Leonard (from 1995-04-03 until 1995-04-04)
- remixer:
- Phil Edwards
- arranger:
- Rob McConnell
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Dome Audio Productions in Toronto, Ontario, Canada (from 1995-04-03 until 1995-04-04)
- remixed at:
- PER in San Francisco, California, United States
- instrumental recording of:
- Crazy Rhythm
- lyricist:
- Irving Caesar
- composer:
- Roger Wolfe Kahn and Joseph Meyer
| | 6:02 |
| 5 | Gee Baby, Ain't I Good To You- recording engineer:
- Phil Edwards (from 1995-04-03 until 1995-04-04)
- assistant engineer:
- Steve Gadsden
- producer:
- Phil Edwards and Rob McConnell
- bass:
- Jim Vivian (from 1995-04-03 until 1995-04-04)
- bass trombone:
- Ernie Pattison (from 1995-04-03 until 1995-04-04)
- brass:
- Guido Basso (from 1995-04-03 until 1995-04-04), Arnie Chycoski (from 1995-04-03 until 1995-04-04), John MacLeod (from 1995-04-03 until 1995-04-04), Steve McDade (from 1995-04-03 until 1995-04-04) and Dave Woods (from 1995-04-03 until 1995-04-04)
- drums (drum set):
- Ted Warren (from 1995-04-03 until 1995-04-04)
- French horn:
- James MacDonald (from 1995-04-03 until 1995-04-04)
- guitar:
- Lorne Lofsky (from 1995-04-03 until 1995-04-04)
- piano:
- David Restivo (from 1995-04-03 until 1995-04-04)
- reeds:
- Rick Wilkins (from 1995-04-03 until 1995-04-04)
- trombone:
- Jerry Johnson (from 1995-04-03 until 1995-04-04), Alastair Kay (from 1995-04-03 until 1995-04-04) and Bob Livingston (from 1995-04-03 until 1995-04-04)
- valve trombone:
- Rob McConnell (from 1995-04-03 until 1995-04-04)
- woodwind:
- Alex Dean (from 1995-04-03 until 1995-04-04), John Johnson (from 1995-04-03 until 1995-04-04), Moe Koffman (from 1995-04-03 until 1995-04-04) and Bob Leonard (from 1995-04-03 until 1995-04-04)
- remixer:
- Phil Edwards
- arranger:
- Rob McConnell
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Dome Audio Productions in Toronto, Ontario, Canada (from 1995-04-03 until 1995-04-04)
- remixed at:
- PER in San Francisco, California, United States
- instrumental recording of:
- Gee, Baby Ain’t I Good to You
- lyricist:
- Andy Razaf
- composer:
- Don Redman
- publisher:
- Michael H. Goldsen Inc. and Razaf Music
- part of:
- The Real Book
| | 5:57 |
| 6 | Medley: (Back Home Again In) Indiana / Donna Lee- recording engineer:
- Phil Edwards (from 1995-04-03 until 1995-04-04)
- assistant engineer:
- Steve Gadsden
- producer:
- Phil Edwards and Rob McConnell
- bass:
- Jim Vivian (from 1995-04-03 until 1995-04-04)
- bass trombone:
- Ernie Pattison (from 1995-04-03 until 1995-04-04)
- brass:
- Guido Basso (from 1995-04-03 until 1995-04-04), Arnie Chycoski (from 1995-04-03 until 1995-04-04), John MacLeod (from 1995-04-03 until 1995-04-04), Steve McDade (from 1995-04-03 until 1995-04-04) and Dave Woods (from 1995-04-03 until 1995-04-04)
- drums (drum set):
- Ted Warren (from 1995-04-03 until 1995-04-04)
- French horn:
- James MacDonald (from 1995-04-03 until 1995-04-04)
- guitar:
- Lorne Lofsky (from 1995-04-03 until 1995-04-04)
- piano:
- David Restivo (from 1995-04-03 until 1995-04-04)
- reeds:
- Rick Wilkins (from 1995-04-03 until 1995-04-04)
- trombone:
- Jerry Johnson (from 1995-04-03 until 1995-04-04), Alastair Kay (from 1995-04-03 until 1995-04-04) and Bob Livingston (from 1995-04-03 until 1995-04-04)
- valve trombone:
- Rob McConnell (from 1995-04-03 until 1995-04-04)
- woodwind:
- Alex Dean (from 1995-04-03 until 1995-04-04), John Johnson (from 1995-04-03 until 1995-04-04), Moe Koffman (from 1995-04-03 until 1995-04-04) and Bob Leonard (from 1995-04-03 until 1995-04-04)
- remixer:
- Phil Edwards
- arranger:
- Rob McConnell
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Dome Audio Productions in Toronto, Ontario, Canada (from 1995-04-03 until 1995-04-04)
- remixed at:
- PER in San Francisco, California, United States
- medley including a recording of:
- Donna Lee
- composer:
- Charles Christopher Parker, Jr and Miles Davis
- publisher:
- Atlantic Music Corp.
- medley including a instrumental recording of:
- Indiana (Back Home Again in Indiana)
- lyricist:
- Ballard MacDonald (in 1917)
- composer:
- James F. Hanley (in 1917)
- publisher:
- B. Feldman & Co. Ltd.
| | 6:17 |
| 7 | Medley: The Bad And The Beautiful / Robin- recording engineer:
- Phil Edwards (from 1995-04-03 until 1995-04-04)
- assistant engineer:
- Steve Gadsden
- producer:
- Phil Edwards and Rob McConnell
- bass:
- Jim Vivian (from 1995-04-03 until 1995-04-04)
- bass trombone:
- Ernie Pattison (from 1995-04-03 until 1995-04-04)
- brass:
- Guido Basso (from 1995-04-03 until 1995-04-04), Arnie Chycoski (from 1995-04-03 until 1995-04-04), John MacLeod (from 1995-04-03 until 1995-04-04), Steve McDade (from 1995-04-03 until 1995-04-04) and Dave Woods (from 1995-04-03 until 1995-04-04)
- drums (drum set):
- Ted Warren (from 1995-04-03 until 1995-04-04)
- French horn:
- James MacDonald (from 1995-04-03 until 1995-04-04)
- guitar:
- Lorne Lofsky (from 1995-04-03 until 1995-04-04)
- piano:
- David Restivo (from 1995-04-03 until 1995-04-04)
- reeds:
- Rick Wilkins (from 1995-04-03 until 1995-04-04)
- trombone:
- Jerry Johnson (from 1995-04-03 until 1995-04-04), Alastair Kay (from 1995-04-03 until 1995-04-04) and Bob Livingston (from 1995-04-03 until 1995-04-04)
- valve trombone:
- Rob McConnell (from 1995-04-03 until 1995-04-04)
- woodwind:
- Alex Dean (from 1995-04-03 until 1995-04-04), John Johnson (from 1995-04-03 until 1995-04-04), Moe Koffman (from 1995-04-03 until 1995-04-04) and Bob Leonard (from 1995-04-03 until 1995-04-04)
- remixer:
- Phil Edwards
- arranger:
- Rob McConnell
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Dome Audio Productions in Toronto, Ontario, Canada (from 1995-04-03 until 1995-04-04)
- remixed at:
- PER in San Francisco, California, United States
- medley including a recording of:
- Robin
- composer:
- Rob McConnell
- medley including a instrumental recording of:
- The Bad and the Beautiful
- lyricist:
- Dory Previn
- writer:
- David Raksin
- composer:
- David Raksin (in 1952)
- publisher:
- EMI Robbins Catalog Inc.
| | 6:37 |
| 8 | The Back Beat- recording engineer:
- Phil Edwards (from 1995-04-03 until 1995-04-04)
- assistant engineer:
- Steve Gadsden
- producer:
- Phil Edwards and Rob McConnell
- bass:
- Jim Vivian (from 1995-04-03 until 1995-04-04)
- bass trombone:
- Ernie Pattison (from 1995-04-03 until 1995-04-04)
- brass:
- Guido Basso (from 1995-04-03 until 1995-04-04), Arnie Chycoski (from 1995-04-03 until 1995-04-04), John MacLeod (from 1995-04-03 until 1995-04-04), Steve McDade (from 1995-04-03 until 1995-04-04) and Dave Woods (from 1995-04-03 until 1995-04-04)
- drums (drum set):
- Ted Warren (from 1995-04-03 until 1995-04-04)
- French horn:
- James MacDonald (from 1995-04-03 until 1995-04-04)
- guitar:
- Lorne Lofsky (from 1995-04-03 until 1995-04-04)
- piano:
- David Restivo (from 1995-04-03 until 1995-04-04)
- reeds:
- Rick Wilkins (from 1995-04-03 until 1995-04-04)
- trombone:
- Jerry Johnson (from 1995-04-03 until 1995-04-04), Alastair Kay (from 1995-04-03 until 1995-04-04) and Bob Livingston (from 1995-04-03 until 1995-04-04)
- valve trombone:
- Rob McConnell (from 1995-04-03 until 1995-04-04)
- woodwind:
- Alex Dean (from 1995-04-03 until 1995-04-04), John Johnson (from 1995-04-03 until 1995-04-04), Moe Koffman (from 1995-04-03 until 1995-04-04) and Bob Leonard (from 1995-04-03 until 1995-04-04)
- remixer:
- Phil Edwards
- arranger:
- Rob McConnell
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Dome Audio Productions in Toronto, Ontario, Canada (from 1995-04-03 until 1995-04-04)
- remixed at:
- PER in San Francisco, California, United States
- recording of:
- The Back Beat
- composer:
- Horace Silver
| | 8:16 |
| 9 | Rockin' In Rhythm- recording engineer:
- Phil Edwards (from 1995-04-03 until 1995-04-04)
- assistant engineer:
- Steve Gadsden
- producer:
- Phil Edwards and Rob McConnell
- bass:
- Jim Vivian (from 1995-04-03 until 1995-04-04)
- bass trombone:
- Ernie Pattison (from 1995-04-03 until 1995-04-04)
- brass:
- Guido Basso (from 1995-04-03 until 1995-04-04), Arnie Chycoski (from 1995-04-03 until 1995-04-04), John MacLeod (from 1995-04-03 until 1995-04-04), Steve McDade (from 1995-04-03 until 1995-04-04) and Dave Woods (from 1995-04-03 until 1995-04-04)
- drums (drum set):
- Ted Warren (from 1995-04-03 until 1995-04-04)
- French horn:
- James MacDonald (from 1995-04-03 until 1995-04-04)
- guitar:
- Lorne Lofsky (from 1995-04-03 until 1995-04-04)
- piano:
- David Restivo (from 1995-04-03 until 1995-04-04)
- reeds:
- Rick Wilkins (from 1995-04-03 until 1995-04-04)
- trombone:
- Jerry Johnson (from 1995-04-03 until 1995-04-04), Alastair Kay (from 1995-04-03 until 1995-04-04) and Bob Livingston (from 1995-04-03 until 1995-04-04)
- valve trombone:
- Rob McConnell (from 1995-04-03 until 1995-04-04)
- woodwind:
- Alex Dean (from 1995-04-03 until 1995-04-04), John Johnson (from 1995-04-03 until 1995-04-04), Moe Koffman (from 1995-04-03 until 1995-04-04) and Bob Leonard (from 1995-04-03 until 1995-04-04)
- remixer:
- Phil Edwards
- arranger:
- Rob McConnell
- phonographic copyright (℗) by:
- Concord Jazz, Inc.
- recorded at:
- Dome Audio Productions in Toronto, Ontario, Canada (from 1995-04-03 until 1995-04-04)
- remixed at:
- PER in San Francisco, California, United States
- recording of:
- Rockin’ in Rhythm
- composer:
- Harry Carney, Duke Ellington and Irving Mills
- is based on:
- Kinda Dukish
| | 5:21 |