From the Top (BMG club edition)

~ Release by Carpenters (see all versions of this release, 2 available)

Annotation

Box set packaged in a tall hardcover book, with digipak holders and a booklet glued in

Annotation last modified on 2025-08-12 02:05 UTC.

Tracklist

| |
1▼CD: 1965 → 1970
#TitleRatingLength
1Caravan
recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
53:38
2The Parting of Our Ways
recording of:
The Parting of Our Ways
writer:
Richard Carpenter (The Carpenters)
2:21
3Looking for Love
recording of:
Looking for Love (Carpenter song)
writer:
Richard Carpenter (The Carpenters)
1:52
4I’ll Be Yours
recording of:
I'll Be Yours (Carpenter song)
writer:
Richard Carpenter (The Carpenters)
2:29
5Iced Tea
recording of:
Iced Tea
writer:
Richard Carpenter (The Carpenters)
2:36
6You’ll Love Me
recording of:
You'll Love Me
writer:
Richard Carpenter (The Carpenters)
2:27
7All I Can Do
recording of:
All I Can Do
lyricist:
John Bettis
composer:
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc. and Rondor Music (London) Ltd.
1:51
8Don’t Be Afraid
recording of:
Don't Be Afraid
composer:
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc. and Rondor Music (London) Ltd.
2:07
9Invocation
recording of:
Invocation
lyricist:
John Bettis
composer:
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc. and Rondor Music (London) Ltd.
1:01
10Your Wonderful Parade
recording of:
Your Wonderful Parade
lyricist:
John Bettis
composer:
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc. and Rondor Music (London) Ltd.
2:23
11Goodnight
cover recording of:
Good Night
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
2:34
12All of My Life
recording of:
All of My Life
composer:
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc. and Rondor Music (London) Ltd.
3:02
13Eve
recording of:
Eve
lyricist:
John Bettis
composer:
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc. and Rondor Music (London) Ltd.
2:53
14Ticket to Ride
engineer:
Ray Gerhardt (Recording and mixing engineer)
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
bass:
Bob Messenger (Woodwind and bass player) and Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) and lead vocals:
Karen Carpenter
guitar:
Gary Sims (vocalist, guitarist, songwriter)
orchestrator:
Jack Daugherty (American Multi-instrumentalist and music producer)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1969)
cover recording of:
Ticket to Ride
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
translated version of:
Boleto para pasear
recording of:
Ticket to Ride
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
translated version of:
Boleto para pasear
3.54:11
15Get Together
engineer:
Ray Gerhardt (Recording and mixing engineer)
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
bass:
Bob Messenger (Woodwind and bass player) and Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Karen Carpenter
guitar:
Gary Sims (vocalist, guitarist, songwriter)
lead vocals:
Richard Carpenter (The Carpenters)
vocals:
Karen Carpenter
orchestrator:
Jack Daugherty (American Multi-instrumentalist and music producer)
cover recording of:
Let’s Get Together
lyricist and composer:
Chet Powers
publisher:
Irving Music (BMI) and Irving Music, Inc.
22:41
16Interview
1:35
17Maybe It’s You
recording of:
Maybe It's You
lyricist:
John Bettis
composer:
Richard Carpenter (The Carpenters) (in 1968)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Irving Music, Inc.
3:10
18(They Long to Be) Close to You
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1970)
edit of:
(They Long to Be) Close to You (album version) by Carpenters
cover recording of:
(They Long to Be) Close to You (on 1970-03-24)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Albert Music Publishing, Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Casa David LP, J. Albert & Son Pty. Ltd., Jac Music, Inc., New Hidden Valley Music Co., U.S. Songs, Inc., Universal/MCA Music Ltd. (not for release label use!), Windswept Music (London) Ltd. and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
3:43
19We’ve Only Just Begun
engineer:
Dick Bogert (Recording and mixing engineer) and Ray Gerhardt (Recording and mixing engineer)
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter) and Danny Woodhams (Bassist, drummer, vocalist and songwriter)
clarinet:
Doug Strawn (American woodwinds and saxophonist)
drums (drum set) [Ludwig drums]:
Hal Blaine (U.S. studio drummer and percussionist) and Karen Carpenter
woodwind [woodwinds]:
Doug Strawn (American woodwinds and saxophonist), Jim Horn (saxophonist, hornist, flutist and oboist) and Bob Messenger (Woodwind and bass player)
Wurlitzer electric piano [Wurlizer pianos]:
Richard Carpenter (The Carpenters)
background vocals and lead vocals [all vocals]:
Karen Carpenter and Richard Carpenter (The Carpenters)
arranger and orchestrator:
Richard Carpenter (The Carpenters)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 65) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 405)
cover recording of:
We’ve Only Just Begun
lyricist:
Paul Williams (US songwriter/soft rock vocalist)
composer:
Roger Nichols (musician/songwriter)
publisher:
Irving Music (BMI)
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
We’ve Only Just Begun
lyricist:
Paul Williams (US songwriter/soft rock vocalist)
composer:
Roger Nichols (musician/songwriter)
publisher:
Irving Music (BMI)
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.43:05
20Merry Christmas, Darling
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
arranger:
Richard Carpenter (The Carpenters)
recording of:
Merry Christmas Darling (on 1970-11-11)
lyricist:
Frank Pooler
composer:
Richard Carpenter (The Carpenters)
3:06
21For All We Know
cover recording of:
For All We Know (Lovers and Other Strangers, 1970)
lyricist:
Arthur James (soft rock singer/songwriter/guitarist) and Robb Wilson
composer:
Fred Karlin
publisher:
MCA Music Ltd. (ended), Pamco Music Inc. (ended), EMI Al Gallico Music Corp., Songs of Universal, Inc. (BMI) and Universal Music Corp. (USA, affiliated with ASCAP)
part of:
The 43rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1970 winner)
2:33
2▼CD: 1971 → 1973
#TitleRatingLength
1Superstar
cover recording of:
Superstar
writer:
Bonnie Bramlett and Leon Russell
publisher:
Black Bull Music, Delbon Publishing Co., Embassy Music Corporation, Jobete Music (UK) Ltd., Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., Solo Copyright Bureau, Stuck On Music and Teddy Jack Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:46
2Rainy Days and Mondays
assistant engineer:
Norm Kinney
engineer:
Ray Gerhardt (Recording and mixing engineer)
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
harmonica:
Tommy Morgan (Harmonica player)
keyboard [keyboards] and background vocals:
Richard Carpenter (The Carpenters)
saxophone:
Bob Messenger (Woodwind and bass player)
background vocals and lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1971)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1971-01)
recording of:
Rainy Days and Mondays (on 1971-01-25)
lyricist:
Paul Williams (US songwriter/soft rock vocalist)
composer:
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Rondor Music (London) Ltd.
4.353:36
3Let Me Be the One
cover recording of:
Let Me Be the One
lyricist:
Paul Williams (US songwriter/soft rock vocalist)
composer:
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Rondor Music Ltd. (publisher)
2:50
4Bless the Beasts and Children
recording of:
Bless the Beasts and Children
writer and composer:
Perry Botkin Jr. (composer, producer, arranger, and musician) and Barry De Vorzon
arranger:
Perry Botkin Jr. (composer, producer, arranger, and musician)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
part of:
The 44th Academy Award for Best Original Song (number: 2)
3:16
5Hurting Each Other
producer:
Jack Daugherty (American Multi-instrumentalist and music producer)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972)
cover recording of:
Hurting Each Other
lyricist:
Peter Udell
composer:
Gary Geld
publisher:
PolyGram Music Publishing Ltd. and Sydney Bron Music (also spelled “Sydney”)
4.52:47
6Top of the World
producer:
Karen Carpenter, Richard Carpenter (The Carpenters) and Jack Daugherty (American Multi-instrumentalist and music producer)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972)
later releases:
Top of the World (original recording used in the album "A Song for You") by Carpenters
recording of:
Top of the World (on 1973-08-15)
lyricist:
John Bettis
composer:
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc. and Rondor Music (London) Ltd.
3.53:00
7Goodbye to Love
recording of:
Goodbye to Love
composed in:
London (Greater London), England, United Kingdom (in 1971)
lyricist:
John Bettis (in 1972)
composer:
Richard Carpenter (The Carpenters) (from 1971 until 1972)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music and Rondor Music (London) Ltd.
4:00
8Santa Claus Is Comin’ to Town
recording of:
Santa Claus Is Coming to Town
lyricist:
Haven Gillespie (in 1932)
composer:
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership and The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
34:09
9This Masquerade
producer:
Karen Carpenter and Richard Carpenter (The Carpenters)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1973)
cover recording of:
This Masquerade
lyricist and composer:
Leon Russell
publisher:
Chrysalis One Music Publishing Group Ireland, Embassy Music Corporation, Reservoir 416, Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
34:53
10Canta/Sing (Spanish lyric)
3:21
11Yesterday Once More
recording of:
Yesterday Once More
lyricist:
John Bettis
composer:
Richard Carpenter (The Carpenters)
publisher:
Rondor Music (London) Ltd., Almo Music (USA, affiliated with ASCAP) (in 1973), Hammer & Nails Music (in 1973) and Sweet Harmony Music (US publisher) (in 1973)
3:50
12Medley: a. Fun, Fun, Fun
1:40
13Medley: b. The End of the World
2:26
14Medley: c. Da Doo Ron Ron
1:47
15Medley: d. Deadman’s Curve
1:32
16Medley: e. Johnny Angel
1:32
17Medley: f. The Night Has a Thousand Eyes
2:23
18Medley: g. Our Day Will Come
2:01
19Medley: h. One Fine Day
1:33
20Yesterday Once More (reprise)
recording of:
Yesterday Once More
lyricist:
John Bettis
composer:
Richard Carpenter (The Carpenters)
publisher:
Rondor Music (London) Ltd., Almo Music (USA, affiliated with ASCAP) (in 1973), Hammer & Nails Music (in 1973) and Sweet Harmony Music (US publisher) (in 1973)
1:02
21Radio Contest Outtakes
1:54
3▼CD: 1974 → 1978
#TitleRatingLength
1Please Mr. Postman
engineer:
Ray Gerhardt (Recording and mixing engineer)
associate producer:
Karen Carpenter
producer:
Richard Carpenter (The Carpenters)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1974)
cover recording of:
Please Mr. Postman (on 1974-07-22)
writer:
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) and Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
42:52
2Only Yesterday
associate producer:
Karen Carpenter
producer:
Richard Carpenter (The Carpenters)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1975)
recording of:
Only Yesterday (on 1975-01-30)
lyricist:
John Bettis
composer:
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc., Rondor Music (London) Ltd. and Sweet Harmony Music (US publisher)
4:00
3Solitaire
associate producer:
Karen Carpenter
producer:
Richard Carpenter (The Carpenters)
lead vocals:
Karen Carpenter
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1975)
cover recording of:
Solitaire (in 1975)
lyricist:
Phil Cody (of Neil Sedaka-fame)
composer:
Neil Sedaka
publisher:
EMI Jemaxal Music Inc., EMI Sosaha Music, Inc., Kirshner, Neil Sedaka Music (BMI-affiliated), R2M Publishing H. & R. Lastrada Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of SJL RSL Music Company, Sony/ATV Tunes LLC (ASCAP), Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
34:40
4Good Friends Are for Keeps
recording of:
Good Friends Are for Keeps
writer:
Jon Silberman
1:09
5Ordinary Fool
bass guitar [bass]:
Chuck Del'Monico (American bassist)
drums (drum set) [drums]:
Ron Tutt (drummer)
flute:
Sheridon Stokes (American flautist, composer, and studio musician)
harp:
Gayle Levant (American studio musician, harpist)
keyboard [keyboards]:
Richard Carpenter (The Carpenters)
tenor saxophone [tenor sax]:
John Phillips (saxophonist)
lead vocals:
Karen Carpenter
arranger:
Richard Carpenter (The Carpenters)
cover recording of:
Ordinary Fool (Bugsy Malone)
lyricist and composer:
Paul Williams (US songwriter/soft rock vocalist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hobbitron Enterprises inc. and Sunset Squid Music (ASCAP)
sub-publisher:
Rondor Music (France), Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ユニバーサル・ミュージック・パブリッシング合同会社 (work publisher – do NOT use as a release label), ワーナー・チャペル音楽出版 株式会社 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
Bugsy Malone
33:43
6I Need to Be in Love
recording of:
I Need to Be in Love
lyricist:
John Bettis and Albert Hammond
composer:
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI April Music Inc., Hammer and Nails Music, Inc. and Landers Roberts Music
3:48
7From This Moment On
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
2:14
8Suntory Pop Jingle #1
0:33
9Suntory Pop Jingle #2
0:34
10All You Get From Love Is a Love Song
engineer:
Ray Gerhardt (Recording and mixing engineer), Dave Iveland (Music Engineer) and Roger Young (engineer)
associate producer:
Karen Carpenter
producer:
Richard Carpenter (The Carpenters)
bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
congas [conga]:
Tommy Vig (Hungarian jazz drummer, vibraphonist, bandleader and composer)
drums (drum set) [drums]:
Ed Green (US violinist/percussionist)
electric guitar:
Tony Peluso (American writer, producer and multi-instrumentalist) and Ray Parker
electric piano and piano [acoustic piano]:
Richard Carpenter (The Carpenters)
percussion:
Jerry Steinholtz (American percussionist)
tenor saxophone [tenor sax]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
background vocals [background singer]:
Karen Carpenter, Richard Carpenter (The Carpenters), Julia Tillman, Maxine Willard and Carlena Williams
lead vocals:
Karen Carpenter
vocals:
Richard Carpenter (The Carpenters)
arranger and orchestrator:
Richard Carpenter (The Carpenters)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1977)
cover recording of:
All You Get From Love Is a Love Song
lyricist and composer:
Steve Eaton
publisher:
Hampstead Heath Music Publishing Ltd. and Universal Music–MGB Songs
33:47
11Calling Occupants of Interplanetary Craft
cover recording of:
Calling Occupants of Interplanetary Craft
writer:
Terry Draper and John Woloschuk
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Magentalane Music Ltd.
7:10
12Christ Is Born
recording of:
Christ Is Born
lyricist and composer:
Domenico Bartolucci (Italian composer)
additional writer:
Ray Charles (soul musician, singer and songwriter)
3:13
13White Christmas
cover recording of:
White Christmas
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
EMI Allans Music Australia Pty Ltd, Irving Berlin Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
2:30
14Little Altar Boy
recording of:
Little Altar Boy
writer:
Howlett Smith (American pianist, keyboardist & composer)
33:45
15Ave Maria
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
2:37
4▼CD: 1978 → 1982
#TitleRatingLength
1Where Do I Go From Here?
assistant engineer:
Dave Iveland (Music Engineer)
engineer:
Ray Gerhardt (Recording and mixing engineer) and Roger Young (engineer)
producer:
Richard Carpenter (The Carpenters)
assistant mixer:
Greg Goldman
mixer:
Robert De La Garza
bass guitar [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) [drums]:
Ron Tutt (drummer)
guitar [guitars]:
Tony Peluso (American writer, producer and multi-instrumentalist)
keyboard [keyboards]:
Richard Carpenter (The Carpenters)
oboe:
Earle Dumler (multi-instrumentalist)
arranger:
Richard Carpenter (The Carpenters)
orchestrator:
Peter Knight (British arranger, conductor and composer)
recorded at and mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Where Do I Go From Here
lyricist and composer:
Parker McGee
publisher:
Dawnbreaker Music, EMI Blackwood Music Inc., Faizilu Publishing and Sutjujo Music
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
2.54:26
2Little Girl Blue
assistant engineer:
Dave Iveland (Music Engineer)
engineer:
Ray Gerhardt (Recording and mixing engineer) and Roger Young (engineer)
producer:
Richard Carpenter (The Carpenters)
assistant mixer:
Greg Goldman
mixer:
Robert De La Garza
bass guitar [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) [drums]:
Cubby O’Brien (US actor & drummer)
harp:
Gayle Levant (American studio musician, harpist)
keyboard [keyboards]:
Richard Carpenter (The Carpenters)
arranger and orchestrator:
Peter Knight (British arranger, conductor and composer)
recorded at and mixed at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Little Girl Blue
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
33:24
3If I Had You
assistant engineer:
Chaz Clifton, David Crowther, Dave Iveland (Music Engineer), Bradshaw Leigh, Randy Pipes (Music Engineer) and Ralph Osborne (engineer)
engineer:
Glenn Berger, Jim Boyer (producer/engineer), Ray Gerhardt (Recording and mixing engineer), James Guthrie and Roger Young (engineer)
producer:
Phil Ramone
assistant mixer:
Greg Goldman
mixer:
Robert De La Garza
bass guitar [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) [drums]:
Liberty DeVitto (US drummer)
guitar [guitars]:
David Brown (guitarist for Billy Joel) and Russell Javors
keyboard [keyboards]:
Bob James (US jazz keyboardist, arranger and producer) and Rob Mounsey
percussion:
Ralph McDonald
tenor saxophone [tenor sax]:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
assistant remixer:
Greg Goldman
remixer:
Robert De La Garza
arranger:
Bob James (US jazz keyboardist, arranger and producer)
vocals arranger:
Rod Temperton
orchestrator:
Jerry Hey
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States, A&R Recording Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and Kendun Recorders in Burbank, California, United States
recording of:
If I Had You
writer:
Steve Dorff (composer), Gary Harju and Larry Herbstritt
publisher:
BMG Songs, Inc., Careers Music, Inc., Universal Music Careers and Universal Music–MGB Songs
43:57
4My Body Keeps Changing My Mind
recording of:
My Body Keeps Changing My Mind
writer:
Leslie Pearl
publisher:
Careers–BMG Music Publishing, Inc. and Universal Music Careers
3:50
5Still Crazy After All These Years
cover recording of:
Still Crazy After All These Years
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Sony/ATV Songs LLC, DeShufflin Limited (in 1975) and Paul Simon Music (in 1975)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:20
6Medley: Sing / Knowing When to Leave / Make It Easy on Yourself / Someday / We’ve Only Just Begun
9:08
7Touch Me When We’re Dancing
cover recording of:
Touch Me When We’re Dancing
writer:
Ken Bell, Terry Nelson Skinner and J.L. Wallace (US songwriter and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and PolyGram Music Publishing Ltd.
3:23
8When It’s Gone
cover recording of:
When It’s Gone (It’s Just Gone)
lyricist and composer:
Randy Handley
publisher:
Bac Mac Publishing, Backmac Music, Home Grown Music, Inc. (work publisher) and Ruzam Music (BMI-affiliated)
5:01
9Because We Are in Love (The Wedding Song)
miscellaneous support:
Ron Hicklin (task: The O.K. Chorale Under the direction of)
assistant engineer:
Dave Iveland (Music Engineer)
engineer:
Roger Young (engineer)
acoustic guitar:
Tim May (session/jazz guitarist)
bass guitar [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) [drums]:
Ron Tutt (drummer)
harp:
Gayle Levant (American studio musician, harpist)
keyboard [keyboards]:
Richard Carpenter (The Carpenters)
percussion:
Peter Limonick (Session Musician)
choir vocals:
The O.K. Chorale (fictitious choral ensemble)
conductor:
Frank Pooler
arranger:
Richard Carpenter (The Carpenters)
orchestrator:
Peter Knight (British arranger, conductor and composer)
concertmaster:
Jerry Vinci (American violinist and strings conductor)
recording of:
Because We are in Love (The Wedding Song)
lyricist:
John Bettis
composer:
Richard Carpenter (The Carpenters)
publisher:
ALMO Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc., Sweet Harmony Music, Inc. (US publisher) and WC Music Corp.
35:03
10Now
acoustic guitar:
Tim May (session/jazz guitarist)
bass guitar [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
drums (drum set) [drums]:
Ron Tutt (drummer)
harp:
Gayle Levant (American studio musician, harpist)
horn [english horn] and oboe:
Earl Dumler (multi-instrumentalist)
keyboard [keyboards]:
Richard Carpenter (The Carpenters)
solo flute:
Sheridon Stokes (American flautist, composer, and studio musician)
tenor saxophone [tenor sax]:
John Phillips (saxophonist)
background vocals:
The O.K. Chorale (fictitious choral ensemble)
lead vocals:
Karen Carpenter
arranger:
Richard Carpenter (The Carpenters)
cover recording of:
Now
lyricist:
Dean Pitchford
composer:
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Body Electric Music, Pitchford Music, Roger Nichols Music Inc. aka Three Eagles Music Div. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
revision of:
Heart to Heart
33:50

Credits

Release group

Wikipedia:en: From the Top (album) [info]
Wikidata:Q5505709 [info]