From the Gutter to the Stage: The Best of Savatage 1981–1995

~ Release by Savatage (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Sirens (live)
live recording of:
Sirens
writer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
Paul O’Neill Publishing, Savatage Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:50
2Power of the Night
recording of:
Power of the Night
writer:
Criss Oliva and Jon Oliva
publisher:
EMI April Music Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
4:21
3Prelude to Madness
assistant engineer:
Joe Henehan (engineer)
engineer:
James A. Ball
co-producer:
Savatage
producer:
Paul O’Neill (US rock producer)
additional keyboard:
Robert Kinkel
bass guitar:
Johnny Lee Middleton
drums (drum set):
Steve Wachholz
guitar:
Criss Oliva
arranger:
Paul O’Neill (US rock producer) and Savatage
instruments technician:
Tim Lacey (engineer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987)
recorded at and mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Prelude to Madness
arranger:
Paul O’Neill (US rock producer) and Criss Oliva
publisher:
EMI April Music Inc., Metal Membrane Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
medley of:
The Planets, op. 32: I. Mars, the Bringer of War
medley of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King)
43:13
4Hall of the Mountain King
assistant engineer:
Joe Henehan (engineer)
engineer:
James A. Ball
co-producer:
Savatage
producer:
Paul O’Neill (US rock producer)
additional keyboard:
Robert Kinkel
bass guitar:
Johnny Lee Middleton
drums (drum set):
Steve Wachholz
guitar:
Criss Oliva
lead vocals:
Jon Oliva
arranger:
Paul O’Neill (US rock producer) and Savatage
instruments technician:
Tim Lacey (engineer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987)
recorded at and mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Hall of the Mountain King
composer:
Edvard Grieg (composer)
arranger:
Johnny Lee Middleton, Paul O’Neill (US rock producer), Criss Oliva and Jon Oliva
publisher:
Metal Membrane Music
arrangement of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
4.255:34
524 Hours Ago
assistant engineer:
Joe Henehan (engineer)
engineer:
James A. Ball
co-producer:
Savatage
producer:
Paul O’Neill (US rock producer)
additional keyboard:
Robert Kinkel
bass guitar:
Johnny Lee Middleton
drums (drum set):
Steve Wachholz
guitar:
Criss Oliva
lead vocals:
Jon Oliva
arranger:
Paul O’Neill (US rock producer) and Savatage
instruments technician:
Tim Lacey (engineer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987)
recorded at and mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
24 Hrs. Ago
writer:
Johnny Lee Middleton, Paul O’Neill (US rock producer), Criss Oliva and Jon Oliva
publisher:
EMI April Music Inc., Paul O’Neill Publishing and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
44:56
6Gutter Ballet
additional engineer:
Joe Henehan (engineer)
assistant engineer:
Jay Devito, Dave Parla, Ted Trewhella and Deek Venarchick (engineer)
engineer:
James A. Ball
producer:
Paul O’Neill (US rock producer)
additional keyboard:
Robert Kinkel
bass guitar:
Johnny Lee Middleton
drums (drum set):
Steve Wacholz
guitar:
Criss Oliva
piano and lead vocals:
Jon Oliva
recorded at and mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1989-02 until 1989-07)
recording of:
Gutter Ballet
writer:
Paul O’Neill (US rock producer), Criss Oliva and Jon Oliva
publisher:
Paul O’Neill Publishing, Songs of Universal, Inc. (BMI) and WB Music Corp. (1929–2019)
46:20
7When the Crowds Are Gone
additional engineer:
Joe Henehan (engineer)
assistant engineer:
Jay Devito, Dave Parla, Ted Trewhella and Deek Venarchick (engineer)
engineer:
James A. Ball
producer:
Paul O’Neill (US rock producer)
additional keyboard:
Robert Kinkel
bass guitar:
Johnny Lee Middleton
drums (drum set):
Steve Wacholz
guitar:
Criss Oliva
piano and lead vocals:
Jon Oliva
recorded at and mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1989-02 until 1989-07)
recording of:
When the Crowds Are Gone
writer:
Paul O’Neill (US rock producer), Criss Oliva and Jon Oliva
publisher:
EMI April Music Inc., Paul O’Neill Publishing, Songs of Universal, Inc. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.655:46
8Silk and Steel
additional engineer:
Joe Henehan (engineer)
assistant engineer:
Jay Devito, Dave Parla, Ted Trewhella and Deek Venarchick (engineer)
engineer:
James A. Ball
producer:
Paul O’Neill (US rock producer)
additional keyboard:
Robert Kinkel
bass guitar:
Johnny Lee Middleton
drums (drum set):
Steve Wacholz
guitar:
Criss Oliva
piano:
Jon Oliva
recorded at and mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1989-02 until 1989-07)
recording of:
Silk and Steel
composer:
Paul O’Neill (US rock producer), Criss Oliva and Jon Oliva
3.352:57
9New York City Don’t Mean Nothing
additional assistant engineer:
Jay Devito, Scott Pizzo and J’Kael Tristram
additional engineer:
Noah Baron, Tim Hatfield, Judd Packer and Scott Burns (record producer) (from 1991-01 until 1991-07)
assistant engineer:
Joe Daley (engineer)
engineer:
James A. Ball and John Kayne
producer:
Paul O’Neill (US rock producer)
additional keyboard:
Robert Kinkel
bass guitar:
Johnny Lee Middleton (from 1991-01 until 1991-07)
drums (drum set):
Steve Wacholz (from 1991-01 until 1991-07)
guitar:
Criss Oliva (from 1991-01 until 1991-07)
piano and lead vocals:
Jon Oliva (from 1991-01 until 1991-07)
background vocals:
Abi Reid
instruments technician:
Chris Fountain (technician) and Kurt Johnson (technician)
recorded at and mixed at:
321 Studios in New York, New York, United States (from 1991-01 until 1991-07)
recording of:
New York City Don’t Mean Nothing (from 1991-01 until 1991-07)
lyricist and composer:
Paul O’Neill (US rock producer)
publisher:
Paul O’Neill Publishing and Songs of Universal, Inc. (BMI)
34:03
10Agony and Ecstasy
additional assistant engineer:
Jay Devito, Scott Pizzo and J’Kael Tristram
additional engineer:
Noah Baron, Tim Hatfield, Judd Packer and Scott Burns (record producer) (from 1991-01 until 1991-07)
assistant engineer:
Joe Daley (engineer)
engineer:
James A. Ball and John Kayne
producer:
Paul O’Neill (US rock producer)
additional keyboard:
Robert Kinkel
bass guitar:
Johnny Lee Middleton (from 1991-01 until 1991-07)
drums (drum set):
Steve Wacholz (from 1991-01 until 1991-07)
guitar:
Criss Oliva (from 1991-01 until 1991-07)
piano and lead vocals:
Jon Oliva (from 1991-01 until 1991-07)
background vocals:
Abi Reid
instruments technician:
Chris Fountain (technician) and Kurt Johnson (technician)
recorded at and mixed at:
321 Studios in New York, New York, United States (from 1991-01 until 1991-07)
recording of:
Agony and Ecstasy
writer:
Paul O’Neill (US rock producer), Criss Oliva and Jon Oliva
publisher:
Paul O’Neill Publishing and Songs of Universal, Inc. (BMI)
33:34
11Believe
additional assistant engineer:
Jay Devito, Scott Pizzo and J’Kael Tristram
additional engineer:
Noah Baron, Tim Hatfield, Judd Packer and Scott Burns (record producer) (from 1991-01 until 1991-07)
assistant engineer:
Joe Daley (engineer)
engineer:
James A. Ball and John Kayne
producer:
Paul O’Neill (US rock producer)
additional keyboard:
Robert Kinkel
bass guitar:
Johnny Lee Middleton (from 1991-01 until 1991-07)
drums (drum set):
Steve Wacholz (from 1991-01 until 1991-07)
guitar:
Criss Oliva (from 1991-01 until 1991-07)
piano and lead vocals:
Jon Oliva (from 1991-01 until 1991-07)
background vocals:
Abi Reid
instruments technician:
Chris Fountain (technician) and Kurt Johnson (technician)
recorded at and mixed at:
321 Studios in New York, New York, United States (from 1991-01 until 1991-07)
recording of:
Believe (from 1991-01 until 1991-07)
lyricist and composer:
Paul O’Neill (US rock producer)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Paul O’Neill Publishing and Songs of Universal, Inc. (BMI)
55:42
12Edge of Thorns
additional assistant engineer:
Brian Benscoter, Joe Davi, Steve Heritage, Claire Iwahashi, Brian Malone, Shawn Malone (engineer), Jeff McDonald, Rick Miller (engineer, Morrisound Studios), Dave Wehner and Martin Yee
additional engineer:
Noah Baron, Tim Hatfield, Judd Packer and Scott Burns (record producer) (in 1992)
assistant engineer:
Joe Daley (engineer) and Mark Prator
engineer:
Jim Morris (record producer & engineer, owner of Morrisound Recording Studios in Tampa, Florida) and Tom Morris (guitarist, producer and recording engineer from Florida, US)
co-producer:
Criss Oliva and Jon Oliva
producer:
Paul O’Neill (US rock producer)
bass guitar:
Johnny Lee Middleton
drums (drum set):
Steve Wacholz
guitar:
Criss Oliva
keyboard and piano:
Jon Oliva
lead vocals:
Zak Stevens
recording of:
Edge of Thorns
writer:
Paul O’Neill (US rock producer), Criss Oliva and Jon Oliva
publisher:
Paul O’Neill Publishing and Songs of Universal, Inc. (BMI)
45:56
13Chance
recording of:
Chance
writer:
Paul O’Neill (US rock producer) and Jon Oliva
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
47:50
14Mozart and Madness
additional engineer:
Chris Curran (engineer), Joe Daily (engineer), Tim Hatfield, Joe Johnson (producer and engineer from New York, USA), Brian Kinkead, Kevin Lewis (additional engineer on Dead Winter Dead), Julio Pena, Will Schillger (engineer) and Mike Scielzi
assistant engineer:
Steve Corson (engineer)
engineer:
Robert Kinkel
co-producer:
Jon Oliva
producer:
Paul O’Neill (US rock producer)
assistant mixer:
Ben Arrindell (American engineer and mixer)
mixer:
Dave Wittman
additional keyboard:
Robert Kinkel
bass guitar:
Johnny Lee Middleton
drums (drum set):
Jeff Plate
guitar:
Chris Caffery and Al Pitrelli
keyboard:
Jon Oliva
background vocals:
Chris Caffery, Johnny Lee Middleton and Al Pitrelli
lead vocals:
Zak Stevens
recording of:
Mozart and Madness
writer and arranger:
Paul O’Neill (US rock producer) and Jon Oliva
35:03
15One Child
additional engineer:
Chris Curran (engineer), Joe Daily (engineer), Tim Hatfield, Joe Johnson (producer and engineer from New York, USA), Brian Kinkead, Kevin Lewis (additional engineer on Dead Winter Dead), Julio Pena, Will Schillger (engineer) and Mike Scielzi
assistant engineer:
Steve Corson (engineer)
engineer:
Robert Kinkel
co-producer:
Jon Oliva
producer:
Paul O’Neill (US rock producer)
assistant mixer:
Ben Arrindell (American engineer and mixer)
mixer:
Dave Wittman
additional keyboard:
Robert Kinkel
bass guitar:
Johnny Lee Middleton
drums (drum set):
Jeff Plate
guitar:
Chris Caffery and Al Pitrelli
keyboard:
Jon Oliva
background vocals:
Chris Caffery, Johnny Lee Middleton and Al Pitrelli
lead vocals:
Zak Stevens
recording of:
One Child
writer:
Paul O’Neill (US rock producer) and Jon Oliva
45:15
2▼CD
#TitleRatingLength
1Shotgun Innocence
bass:
Johnny Lee Middleton
drums (drum set):
Steve Wacholz
guitar family:
Criss Oliva
keyboard and piano:
Jon Oliva
lead vocals:
Zak Stevens
recording of:
Shotgun Innocence
writer:
Paul O’Neill (US rock producer), Criss Oliva and Jon Oliva
3:32
2Forever After
bass:
Johnny Lee Middleton
drums (drum set):
Steve Wacholz
guitar family:
Criss Oliva
keyboard and piano:
Jon Oliva
lead vocals:
Zak Stevens
recording of:
Forever After
writer:
Paul O’Neill (US rock producer), Criss Oliva and Jon Oliva
4:20
3This Is Where You Should Be
bass guitar:
Johnny Lee Middleton
drums (drum set) and percussion:
Steve Wachholz
guitar:
Criss Oliva
keyboard:
Robert Kinkel
piano and lead vocals:
Jon Oliva
background vocals:
Johnny Lee Middleton and Criss Oliva
recording of:
This Is Where You Should Be
writer:
Criss Oliva, Jon Oliva and Steve Wachholz
4:56
4D. T. Jesus
recording of:
Jesus Saves
writer:
Paul O’Neill (US rock producer), Criss Oliva and Jon Oliva
publisher:
Paul O’Neill Publishing, Songs of Universal, Inc. (BMI) and WB Music Corp. (1929–2019)
4:53