Lovin’ Every Minute of It

~ Release by Loverboy (see all versions of this release, 6 available)

Annotation

Manufactured By – Epic/Sony Inc.Made In Japan.

Annotation last modified on 2018-06-06 06:55 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Lovin’ Every Minute of It
assistant engineer:
Ron Obvious (Canadian engineer/producer)
engineer:
Mark Dodson (UK producer)
producer:
Tom Allom and Paul Dean (Canadian guitarist)
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
guitar:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
membranophone:
Matthew Frenette
lead vocals:
Mike Reno
phonographic copyright (℗) by:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
recorded at and mixed at:
Little Mountain Sound in Vancouver, British Columbia, Canada
recording of:
Lovin’ Every Minute of It
lyricist and composer:
Robert John “Mutt” Lange (Robert John Lange)
publisher:
Zomba Enterprises, Inc. (from 1984 to ????)
4.53:33
2Steal the Thunder
assistant engineer:
Ron Obvious (Canadian engineer/producer)
engineer:
Mark Dodson (UK producer)
producer:
Tom Allom and Paul Dean (Canadian guitarist)
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
guitar:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
membranophone:
Matthew Frenette
lead vocals:
Mike Reno
recorded at and mixed at:
Little Mountain Sound in Vancouver, British Columbia, Canada
recording of:
Steal the Thunder
writer:
Paul Dean (Canadian guitarist), Mike Reno, Davitt Sigerson and Bill Wray
publisher:
EMI April Music Canada Ltd., EMI Blackwood Music (Canada) Ltd., April Music (Canada) Ltd. (from 1985 to ????), April Music Inc. (from 1985 to ????), Blackwood Music (Canada) Ltd. (from 1985 to ????), Almo Music Corp. (USA, affiliated with ASCAP) (from 1985 to present), Dean of Music (from 1985 to present), Duke Reno Music (from 1985 to present), Mel-Dav Music, Inc. (from 1985 to present) and The Great Theatre of Oklahoma (from 1985 to present)
44:10
3Friday Night
assistant engineer:
Ron Obvious (Canadian engineer/producer)
engineer:
Mark Dodson (UK producer)
producer:
Tom Allom and Paul Dean (Canadian guitarist)
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
guitar:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
membranophone:
Matthew Frenette
lead vocals:
Mike Reno
recorded at and mixed at:
Little Mountain Sound in Vancouver, British Columbia, Canada
recording of:
Friday Night
writer:
Paul Dean (Canadian guitarist), Patrick Mahassen, Davitt Sigerson and Bill Wray
publisher:
EMI Blackwood Music (Canada) Ltd., Blackwood Music (Canada) Ltd. (from 1985 to ????), Blackwood Music Inc. (1953-02-07–1987-12-30) (from 1985 to ????), Almo Music Corp. (USA, affiliated with ASCAP) (from 1985 to present), Dean of Music (from 1985 to present), Mel-Dav Music, Inc. (from 1985 to present), Squamish Music (from 1985 to present) and The Great Theatre of Oklahoma (from 1985 to present)
43:33
4This Could Be the Night
assistant engineer:
Ron Obvious (Canadian engineer/producer)
engineer:
Mark Dodson (UK producer)
producer:
Tom Allom and Paul Dean (Canadian guitarist)
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
guitar:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
membranophone:
Matthew Frenette
lead vocals:
Mike Reno
phonographic copyright (℗) by:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
recorded at and mixed at:
Little Mountain Sound in Vancouver, British Columbia, Canada
recording of:
This Could Be the Night
writer:
Jonathan Cain, Paul Dean (Canadian guitarist), Mike Reno and Bill Wray
publisher:
Chappell & Co., Inc. (USA), EMI April Music Canada Ltd., EMI Blackwood Music (Canada) Ltd., Warner/Chappell Music Canada Ltd., April Music (Canada) Ltd. (from 1985 to ????), April Music Inc. (from 1985 to ????), Blackwood Music (Canada) Ltd. (from 1985 to ????), Bree Music (from 1985 to present), Dean of Music (from 1985 to present), Duke Reno Music (from 1985 to present), Frisco Kid Music (publisher) (from 1985 to present) and Mel-Dav Music, Inc. (from 1985 to present)
44:58
5Too Much Too Soon
assistant engineer:
Ron Obvious (Canadian engineer/producer)
engineer:
Mark Dodson (UK producer)
producer:
Tom Allom and Paul Dean (Canadian guitarist)
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
guitar:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
membranophone:
Matthew Frenette
lead vocals:
Mike Reno
recorded at and mixed at:
Little Mountain Sound in Vancouver, British Columbia, Canada
recording of:
Too Much Too Soon
writer:
Paul Dean (Canadian guitarist), Davitt Sigerson and Bill Wray
publisher:
EMI Blackwood Music (Canada) Ltd., Blackwood Music (Canada) Ltd. (from 1985 to ????), Blackwood Music Inc. (1953-02-07–1987-12-30) (from 1985 to ????), Almo Music Corp. (USA, affiliated with ASCAP) (from 1985 to present), Bree Music (from 1985 to present), Dean of Music (from 1985 to present), Mel-Dav Music, Inc. (from 1985 to present) and The Great Theatre of Oklahoma (from 1985 to present)
44:10
6Lead a Double Life
assistant engineer:
Ron Obvious (Canadian engineer/producer)
engineer:
Mark Dodson (UK producer)
producer:
Tom Allom and Paul Dean (Canadian guitarist)
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
guitar:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
membranophone:
Matthew Frenette
lead vocals:
Mike Reno
recorded at and mixed at:
Little Mountain Sound in Vancouver, British Columbia, Canada
recording of:
Lead a Double Life
writer:
Paul Dean (Canadian guitarist), Doug Johnson (Canadian keyboardist for Loverboy), Ted Johnson (songwriter of "Lead a Double Life"), Mike Reno, Davitt Sigerson and Bill Wray
publisher:
EMI April Music Canada Ltd., EMI Blackwood Music (Canada) Ltd., April Music (Canada) Ltd. (from 1985 to ????), Blackwood Music Inc. (1953-02-07–1987-12-30) (from 1985 to ????), Almo Music Corp. (USA, affiliated with ASCAP) (from 1985 to present), Blackwood Music (Canada) Ltd. (from 1985 to present), Bree Music (from 1985 to present), Dean of Music (from 1985 to present), Duke Reno Music (from 1985 to present), Handsome Two Music (from 1985 to present), Mel-Dav Music, Inc. (from 1985 to present) and The Great Theatre of Oklahoma (from 1985 to present)
44:22
7Dangerous
assistant engineer:
Ron Obvious (Canadian engineer/producer)
engineer:
Mark Dodson (UK producer)
producer:
Tom Allom and Paul Dean (Canadian guitarist)
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
guitar:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
membranophone:
Matthew Frenette
lead vocals:
Mike Reno
recorded at and mixed at:
Little Mountain Sound in Vancouver, British Columbia, Canada
recording of:
Dangerous
written in:
Vancouver, British Columbia, Canada (in 1984-07)
writer:
Bryan Adams (Canadian singer/songwriter) (in 1984-07) and Jim Vallance (in 1984-07)
publisher:
Almo Music of Canada, Irving Music of Canada, Testatyme Music, Adams Communications Inc. (from 1985 to present), Calypso Toonz (from 1985 to present) and Irving Music (BMI) (from 1985 to present)
43:34
8Destination Heartbreak
assistant engineer:
Ron Obvious (Canadian engineer/producer)
engineer:
Mark Dodson (UK producer)
producer:
Tom Allom and Paul Dean (Canadian guitarist)
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
guitar:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
membranophone:
Matthew Frenette
lead vocals:
Mike Reno
phonographic copyright (℗) by:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
recorded at and mixed at:
Little Mountain Sound in Vancouver, British Columbia, Canada
recording of:
Destination Heartbreak
writer:
Paul Dean (Canadian guitarist), Mike Reno, Scott Smith (Canadian bassist for Loverboy) and Bill Wray
publisher:
EMI April Music Canada Ltd., EMI Blackwood Music (Canada) Ltd., April Music (Canada) Ltd. (from 1985 to ????), Blackwood Music (Canada) Ltd. (from 1985 to ????), Blackwood Music Inc. (1953-02-07–1987-12-30) (from 1985 to ????), Bree Music (from 1985 to present), Dean of Music (from 1985 to present), Duke Reno Music (from 1985 to present), Mel-Dav Music, Inc. (from 1985 to present) and Stallion Ramthrust (from 1985 to present)
44:46
9Bullet in the Chamber
assistant engineer:
Ron Obvious (Canadian engineer/producer)
engineer:
Mark Dodson (UK producer)
producer:
Tom Allom and Paul Dean (Canadian guitarist)
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
guitar:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
membranophone:
Matthew Frenette
lead vocals:
Mike Reno
recorded at and mixed at:
Little Mountain Sound in Vancouver, British Columbia, Canada
recording of:
Bullet in the Chamber
writer:
Paul Dean (Canadian guitarist), Mike Reno, Davitt Sigerson and Bill Wray
publisher:
EMI April Music Canada Ltd., EMI Blackwood Music (Canada) Ltd., April Music (Canada) Ltd. (from 1985 to ????), April Music Inc. (from 1985 to ????), Blackwood Music (Canada) Ltd. (from 1985 to ????), Almo Music Corp. (USA, affiliated with ASCAP) (from 1985 to present), Bree Music (from 1985 to present), Dean of Music (from 1985 to present), Duke Reno Music (from 1985 to present), Mel-Dav Music, Inc. (from 1985 to present) and The Great Theatre of Oklahoma (from 1985 to present)
45:12