Seven Classic Albums

~ Release by Mundell Lowe (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Speak Low
double bass [bass]:
Trigger Alpert (in 1956)
drums (drum set):
Ed Shaughnessy (in 1956)
guitar:
Mundell Lowe (in 1956)
instrumental recording of:
Speak Low (One Touch of Venus) (in 1956)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
2:35
2We'll Be Together Again
double bass [bass]:
Trigger Alpert (in 1956)
drums (drum set):
Ed Shaughnessy (in 1956)
guitar:
Mundell Lowe (in 1956)
instrumental recording of:
We’ll Be Together Again (in 1956)
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:05
3Memories of You
double bass [bass]:
Trigger Alpert (in 1956)
drums (drum set):
Ed Shaughnessy (in 1956)
guitar:
Mundell Lowe (in 1956)
instrumental recording of:
Memories of You (in 1956)
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
3:45
4Ill Wind
double bass [bass]:
Trigger Alpert (in 1956)
drums (drum set):
Ed Shaughnessy (in 1956)
guitar:
Mundell Lowe (in 1956)
instrumental recording of:
Ill Wind (in 1956)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
2:57
5You Don't Know What Love Is
double bass [bass]:
Trigger Alpert (in 1956)
drums (drum set):
Ed Shaughnessy (in 1956)
guitar:
Mundell Lowe (in 1956)
instrumental recording of:
You Don’t Know What Love Is (in 1956)
lyricist:
Don Raye
composer:
Gene de Paul
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:05
6I Dream Too Much
double bass [bass]:
Trigger Alpert (in 1956)
drums (drum set):
Ed Shaughnessy (in 1956)
guitar:
Mundell Lowe (in 1956)
instrumental recording of:
I Dream Too Much (1935 song) (in 1956)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jerome Kern
2:14
7June in January
double bass [bass]:
Trigger Alpert (in 1956)
drums (drum set):
Ed Shaughnessy (in 1956)
guitar:
Mundell Lowe (in 1956)
instrumental recording of:
June in January (in 1956)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Sony/ATV Harmony UK
2:51
8I'll Take Romance
double bass [bass]:
Trigger Alpert (in 1956)
drums (drum set):
Ed Shaughnessy (in 1956)
guitar:
Mundell Lowe (in 1956)
instrumental recording of:
I’ll Take Romance (in 1956)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Ben Oakland
1:50
9It's So Peacefull in the Country
double bass [bass]:
Trigger Alpert (in 1956)
drums (drum set):
Ed Shaughnessy (in 1956)
guitar:
Mundell Lowe (in 1956)
instrumental recording of:
It’s So Peaceful in the Country (in 1956)
lyricist and composer:
Alec Wilder (American composer)
4:07
10Our Waltz
instrumental recording of:
Our Waltz (in 1956)
lyricist:
Nat Burton (US songwriter)
composer:
David Rose (songwriter, pianist and orchestra leader)
1:52
11I'm Old Fashioned
double bass [bass]:
Trigger Alpert (in 1956)
drums (drum set):
Ed Shaughnessy (in 1956)
guitar:
Mundell Lowe (in 1956)
instrumental recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (in 1956)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:07
12Goodbye
double bass [bass]:
Trigger Alpert (in 1956)
drums (drum set):
Ed Shaughnessy (in 1956)
guitar:
Mundell Lowe (in 1956)
instrumental recording of:
Goodbye (in 1956)
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
3:07
13Suggestion for Bored Dancers
recording engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Milt Hinton (on 1956-07-03)
bass clarinet and clarinet:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1956-07-03)
bassoon:
Bernard Garfield (bassoonist) (on 1956-07-03)
drums (drum set):
Ed Shaughnessy (on 1956-07-03)
flute:
Don Hammond (American multi-wind instrumentalist) (on 1956-07-03)
French horn:
John Barrows (American wind instrumentalist) (on 1956-07-03) and Jim Buffington (US jazz, studio and classical hornist) (on 1956-07-03)
guitar:
Mundell Lowe (on 1956-07-03)
oboe:
Jerry Roth (American oboist) (on 1956-07-03)
trumpet:
Joe Wilder (on 1956-07-03)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-07-03)
1:48
14She Never Wore Makeup
recording engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Milt Hinton (on 1956-07-03)
bass clarinet and clarinet:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1956-07-03)
bassoon:
Bernard Garfield (bassoonist) (on 1956-07-03)
drums (drum set):
Ed Shaughnessy (on 1956-07-03)
flute:
Don Hammond (American multi-wind instrumentalist) (on 1956-07-03)
French horn:
John Barrows (American wind instrumentalist) (on 1956-07-03) and Jim Buffington (US jazz, studio and classical hornist) (on 1956-07-03)
guitar:
Mundell Lowe (on 1956-07-03)
oboe:
Jerry Roth (American oboist) (on 1956-07-03)
trumpet:
Joe Wilder (on 1956-07-03)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-07-03)
3:41
15What Happened Last Night
recording engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Trigger Alpert (on 1956-06-12)
bass clarinet and clarinet:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1956-06-12)
bassoon:
Bernard Garfield (bassoonist) (on 1956-06-12)
drums (drum set):
Ed Shaughnessy (on 1956-06-12)
flute:
Don Hammond (American multi-wind instrumentalist) (on 1956-06-12)
French horn:
John Barrows (American wind instrumentalist) (on 1956-06-12) and Jim Buffington (US jazz, studio and classical hornist) (on 1956-06-12)
guitar:
Mundell Lowe (on 1956-06-12)
oboe:
Jerry Roth (American oboist) (on 1956-06-12)
trumpet:
Joe Wilder (on 1956-06-12)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-06-12)
2:07
16Walk Softly
recording engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Trigger Alpert (on 1956-06-12)
bass clarinet and clarinet:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1956-06-12)
bassoon:
Bernard Garfield (bassoonist) (on 1956-06-12)
drums (drum set):
Ed Shaughnessy (on 1956-06-12)
flute:
Don Hammond (American multi-wind instrumentalist) (on 1956-06-12)
French horn:
John Barrows (American wind instrumentalist) (on 1956-06-12) and Jim Buffington (US jazz, studio and classical hornist) (on 1956-06-12)
guitar:
Mundell Lowe (on 1956-06-12)
oboe:
Jerry Roth (American oboist) (on 1956-06-12)
trumpet:
Joe Wilder (on 1956-06-12)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-06-12)
2:49
17Let's Get Together and Cry
recording engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Trigger Alpert (on 1956-06-19)
bass clarinet and clarinet:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1956-06-19)
bassoon:
Harold Goltzer (American classical and jazz bassoonist) (on 1956-06-19)
drums (drum set):
Ed Shaughnessy (on 1956-06-19)
flute:
Don Hammond (American multi-wind instrumentalist) (on 1956-06-19)
French horn:
John Barrows (American wind instrumentalist) (on 1956-06-19) and Jim Buffington (US jazz, studio and classical hornist) (on 1956-06-19)
guitar:
Mundell Lowe (on 1956-06-19)
oboe:
Jerry Roth (American oboist) (on 1956-06-19)
trumpet:
Joe Wilder (on 1956-06-19)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-06-19)
2:33
18Mama Never Du This Scene
recording engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Milt Hinton (on 1956-07-03)
bass clarinet and clarinet:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1956-07-03)
bassoon:
Bernard Garfield (bassoonist) (on 1956-07-03)
drums (drum set):
Ed Shaughnessy (on 1956-07-03)
flute:
Don Hammond (American multi-wind instrumentalist) (on 1956-07-03)
French horn:
John Barrows (American wind instrumentalist) (on 1956-07-03) and Jim Buffington (US jazz, studio and classical hornist) (on 1956-07-03)
guitar:
Mundell Lowe (on 1956-07-03)
oboe:
Jerry Roth (American oboist) (on 1956-07-03)
trumpet:
Joe Wilder (on 1956-07-03)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-07-03)
1:31
2▼CD
#TitleRatingLength
1Pop What's a Passacaglia
recording engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Trigger Alpert (on 1956-06-19)
bass clarinet and clarinet:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1956-06-19)
bassoon:
Harold Goltzer (American classical and jazz bassoonist) (on 1956-06-19)
drums (drum set):
Ed Shaughnessy (on 1956-06-19)
flute:
Don Hammond (American multi-wind instrumentalist) (on 1956-06-19)
French horn:
John Barrows (American wind instrumentalist) (on 1956-06-19) and Jim Buffington (US jazz, studio and classical hornist) (on 1956-06-19)
guitar:
Mundell Lowe (on 1956-06-19)
oboe:
Jerry Roth (American oboist) (on 1956-06-19)
trumpet:
Joe Wilder (on 1956-06-19)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-06-19)
2:25
2No Plains
recording engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Trigger Alpert (on 1956-06-19)
bass clarinet and clarinet:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1956-06-19)
bassoon:
Harold Goltzer (American classical and jazz bassoonist) (on 1956-06-19)
drums (drum set):
Ed Shaughnessy (on 1956-06-19)
flute:
Don Hammond (American multi-wind instrumentalist) (on 1956-06-19)
French horn:
John Barrows (American wind instrumentalist) (on 1956-06-19) and Jim Buffington (US jazz, studio and classical hornist) (on 1956-06-19)
guitar:
Mundell Lowe (on 1956-06-19)
oboe:
Jerry Roth (American oboist) (on 1956-06-19)
trumpet:
Joe Wilder (on 1956-06-19)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-06-19)
2:39
3The Endless Quest
recording engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Trigger Alpert (on 1956-06-12)
bass clarinet and clarinet:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1956-06-12)
bassoon:
Bernard Garfield (bassoonist) (on 1956-06-12)
drums (drum set):
Ed Shaughnessy (on 1956-06-12)
flute:
Don Hammond (American multi-wind instrumentalist) (on 1956-06-12)
French horn:
John Barrows (American wind instrumentalist) (on 1956-06-12) and Jim Buffington (US jazz, studio and classical hornist) (on 1956-06-12)
guitar:
Mundell Lowe (on 1956-06-12)
oboe:
Jerry Roth (American oboist) (on 1956-06-12)
trumpet:
Joe Wilder (on 1956-06-12)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-06-12)
2:46
4Around the World in 2:34
recording engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Milt Hinton (on 1956-07-03)
bass clarinet and clarinet:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1956-07-03)
bassoon:
Bernard Garfield (bassoonist) (on 1956-07-03)
drums (drum set):
Ed Shaughnessy (on 1956-07-03)
flute:
Don Hammond (American multi-wind instrumentalist) (on 1956-07-03)
French horn:
John Barrows (American wind instrumentalist) (on 1956-07-03) and Jim Buffington (US jazz, studio and classical hornist) (on 1956-07-03)
guitar:
Mundell Lowe (on 1956-07-03)
oboe:
Jerry Roth (American oboist) (on 1956-07-03)
trumpet:
Joe Wilder (on 1956-07-03)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-07-03)
2:33
5An Unrelenting Memory
recording engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Trigger Alpert (on 1956-06-19)
bass clarinet and clarinet:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1956-06-19)
bassoon:
Harold Goltzer (American classical and jazz bassoonist) (on 1956-06-19)
drums (drum set):
Ed Shaughnessy (on 1956-06-19)
flute:
Don Hammond (American multi-wind instrumentalist) (on 1956-06-19)
French horn:
John Barrows (American wind instrumentalist) (on 1956-06-19) and Jim Buffington (US jazz, studio and classical hornist) (on 1956-06-19)
guitar:
Mundell Lowe (on 1956-06-19)
oboe:
Jerry Roth (American oboist) (on 1956-06-19)
trumpet:
Joe Wilder (on 1956-06-19)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-06-19)
3:13
6Tacet for Neurotics
recording engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer and Orrin Keepnews
bass:
Trigger Alpert (on 1956-06-12)
bass clarinet and clarinet:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1956-06-12)
bassoon:
Bernard Garfield (bassoonist) (on 1956-06-12)
drums (drum set):
Ed Shaughnessy (on 1956-06-12)
flute:
Don Hammond (American multi-wind instrumentalist) (on 1956-06-12)
French horn:
John Barrows (American wind instrumentalist) (on 1956-06-12) and Jim Buffington (US jazz, studio and classical hornist) (on 1956-06-12)
guitar:
Mundell Lowe (on 1956-06-12)
oboe:
Jerry Roth (American oboist) (on 1956-06-12)
trumpet:
Joe Wilder (on 1956-06-12)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1956-06-12)
2:12
7It's a Grand Night for Swinging
drums (drum set):
Ed Thigpen (on 1957-03-07)
guitar:
Mundell Lowe (on 1957-03-07)
piano:
Billy Taylor (jazz/bop pianist) (on 1957-03-07)
4:18
8Blues Before Freud
alto saxophone:
Gene Quill (on 1957-04-10)
drums (drum set):
Ed Thigpen (on 1957-04-10)
guitar:
Mundell Lowe (on 1957-04-10)
piano:
Billy Taylor (jazz/bop pianist) (on 1957-04-10)
7:14
9Easy to Love
drums (drum set):
Ed Thigpen (on 1957-03-07)
guitar:
Mundell Lowe (on 1957-03-07)
piano:
Billy Taylor (jazz/bop pianist) (on 1957-03-07)
instrumental recording of:
Easy to Love (on 1957-03-07)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
7:15
10It Could Happen to You
drums (drum set):
Ed Thigpen (on 1957-03-07)
guitar:
Mundell Lowe (on 1957-03-07)
piano:
Billy Taylor (jazz/bop pianist) (on 1957-03-07)
instrumental recording of:
It Could Happen to You (on 1957-03-07)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
2:50
11Love Me or Leave Me
alto saxophone:
Gene Quill (on 1957-04-10)
drums (drum set):
Ed Thigpen (on 1957-04-10)
guitar:
Mundell Lowe (on 1957-04-10)
piano:
Billy Taylor (jazz/bop pianist) (on 1957-04-10)
instrumental recording of:
Love Me or Leave Me (on 1957-03-07)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
3:30
12You Turned the Tables on Me
alto saxophone:
Gene Quill (on 1957-04-10)
drums (drum set):
Ed Thigpen (on 1957-04-10)
guitar:
Mundell Lowe (on 1957-04-10)
piano:
Billy Taylor (jazz/bop pianist) (on 1957-04-10)
5:34
13Crazy Rhythm
drums (drum set):
Ed Thigpen (on 1957-03-07)
guitar:
Mundell Lowe (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
6:52
3▼CD
#TitleRatingLength
1Summertime
double bass [bass]:
George Duvivier (in 1958)
drums (drum set):
Osie Johnson (in 1958)
guitar:
Mundell Lowe (in 1958)
mellophone:
Don Elliott (in 1958)
tenor saxophone:
Ben Webster (in 1958)
trumpet:
Art Farmer (in 1958)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (in 1958)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
4:47
2Bess, You Is My Woman Now
double bass [bass]:
George Duvivier (in 1958)
drums (drum set):
Osie Johnson (in 1958)
guitar:
Mundell Lowe (in 1958)
mellophone:
Don Elliott (in 1958)
tenor saxophone:
Ben Webster (in 1958)
trumpet:
Art Farmer (in 1958)
instrumental recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (in 1958)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
3:05
3I Love You Porgy
double bass [bass]:
George Duvivier (in 1958)
drums (drum set):
Ed Shaughnessy (in 1958)
guitar:
Mundell Lowe (in 1958)
instrumental recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1958)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4:58
4I Got Plenty O' Nuttin'
double bass [bass]:
George Duvivier (in 1958)
drums (drum set):
Osie Johnson (in 1958)
guitar:
Mundell Lowe (in 1958)
mellophone:
Don Elliott (in 1958)
tenor saxophone:
Ben Webster (in 1958)
trumpet:
Art Farmer (in 1958)
instrumental recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements) (in 1958)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music and Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
2:50
5Oh Bess, Oh Where's My Bess
double bass [bass]:
George Duvivier (in 1958)
drums (drum set):
Ed Shaughnessy (in 1958)
guitar:
Mundell Lowe (in 1958)
instrumental recording of:
Porgy and Bess: Act III, Scene III. “Oh Bess, oh where’s my Bess” (in 1958)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act III, Scene III
2:17
6Red Headed Woman
double bass [bass]:
George Duvivier (in 1958)
drums (drum set):
Osie Johnson (in 1958)
guitar:
Mundell Lowe (in 1958)
mellophone:
Don Elliott (in 1958)
tenor saxophone:
Ben Webster (in 1958)
trumpet:
Art Farmer (in 1958)
2:23
7My Man's Gone Now
double bass [bass]:
George Duvivier (in 1958)
drums (drum set):
Osie Johnson (in 1958)
guitar:
Mundell Lowe (in 1958)
mellophone:
Don Elliott (in 1958)
tenor saxophone:
Ben Webster (in 1958)
trumpet:
Art Farmer (in 1958)
instrumental recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (in 1958)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019) (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
3:24
8It Takes a Long Pull to Get There
double bass [bass]:
George Duvivier (in 1958)
drums (drum set):
Osie Johnson (in 1958)
guitar:
Mundell Lowe (in 1958)
mellophone:
Don Elliott (in 1958)
tenor saxophone:
Ben Webster (in 1958)
trumpet:
Art Farmer (in 1958)
recording of:
Porgy and Bess: Act II, Scene I. “It take a long pull to get there” (in 1958)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act II, Scene I
2:50
9It Ain't Necessarily So
double bass [bass]:
George Duvivier (in 1958)
drums (drum set):
Osie Johnson (in 1958)
guitar:
Mundell Lowe (in 1958)
mellophone:
Don Elliott (in 1958)
tenor saxophone:
Ben Webster (in 1958)
trumpet:
Art Farmer (in 1958)
recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (in 1958)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
3:09
10There's a Boat Dat's Leavin' Soon for New York
double bass [bass]:
George Duvivier (in 1958)
drums (drum set):
Ed Shaughnessy (in 1958)
guitar:
Mundell Lowe (in 1958)
recording of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York” (in 1958)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act III, Scene II
3:12
11Peter Gunn
double bass [bass]:
Don Payne (Bass player) (in 1959-02)
drums (drum set):
Ed Shaughnessy (in 1959-02)
guitar:
Mundell Lowe (in 1959-02)
trombone:
Jimmy Cleveland (US jazz trombonist) (in 1959-02)
trumpet:
Donald Byrd (American jazz trumpeter) (in 1959-02)
instrumental recording of:
Peter Gunn (in 1959-02)
lyricist and composer:
Henry Mancini (US composer, conductor & arranger)
part of:
Peter Gunn (American TV series 1958–1961)
2:19
12Mike Hammer
double bass [bass]:
Don Payne (Bass player) (in 1959-02)
drums (drum set):
Ed Shaughnessy (in 1959-02)
guitar:
Mundell Lowe (in 1959-02)
trombone:
Jimmy Cleveland (US jazz trombonist) (in 1959-02)
trumpet:
Donald Byrd (American jazz trumpeter) (in 1959-02)
recording of:
Riff Blues (in 1959-02)
composer:
Dave Kahn and Melvyn Leonard
3:11
13Perry Manson Theme
double bass [bass]:
Don Payne (Bass player) (in 1959-02)
drums (drum set):
Ed Shaughnessy (in 1959-02)
guitar:
Mundell Lowe (in 1959-02)
trombone:
Jimmy Cleveland (US jazz trombonist) (in 1959-02)
trumpet:
Donald Byrd (American jazz trumpeter) (in 1959-02)
recording of:
Perry Mason Theme (in 1959-02)
composer:
Fred Steiner
1:49
1477 Sunset Strip
double bass [bass]:
Don Payne (Bass player) (in 1959-02)
drums (drum set):
Ed Shaughnessy (in 1959-02)
guitar:
Mundell Lowe (in 1959-02)
trombone:
Jimmy Cleveland (US jazz trombonist) (in 1959-02)
trumpet:
Donald Byrd (American jazz trumpeter) (in 1959-02)
recording of:
77 Sunset Strip (in 1959-02)
lyricist:
Mack David (American lyricist and songwriter)
composer:
Jerry Livingston (songwriter)
4:44
15M Squad
double bass [bass]:
Don Payne (Bass player) (in 1959-02)
drums (drum set):
Ed Shaughnessy (in 1959-02)
guitar:
Mundell Lowe (in 1959-02)
trombone:
Jimmy Cleveland (US jazz trombonist) (in 1959-02)
trumpet:
Donald Byrd (American jazz trumpeter) (in 1959-02)
recording of:
M-Squad (in 1959-02)
composer:
Count Basie (pianist)
4:18
16The Thin Man
double bass [bass]:
Don Payne (Bass player) (in 1959-02)
drums (drum set):
Ed Shaughnessy (in 1959-02)
guitar:
Mundell Lowe (in 1959-02)
trombone:
Jimmy Cleveland (US jazz trombonist) (in 1959-02)
trumpet:
Donald Byrd (American jazz trumpeter) (in 1959-02)
recording of:
Thin Man Theme (in 1959-02)
composer:
Sammy Cahn and Pete Rugolo
2:33
17Naked City
double bass [bass]:
Don Payne (Bass player) (in 1959-02)
drums (drum set):
Ed Shaughnessy (in 1959-02)
guitar:
Mundell Lowe (in 1959-02)
trombone:
Jimmy Cleveland (US jazz trombonist) (in 1959-02)
trumpet:
Donald Byrd (American jazz trumpeter) (in 1959-02)
recording of:
This Is the Naked City (from the TV Series "The Naked City") (in 1959-02)
lyricist:
Ned Washington
composer:
George Duning
4:26
18Fall Out
double bass [bass]:
Don Payne (Bass player) (in 1959-02)
drums (drum set):
Ed Shaughnessy (in 1959-02)
guitar:
Mundell Lowe (in 1959-02)
trombone:
Jimmy Cleveland (US jazz trombonist) (in 1959-02)
trumpet:
Donald Byrd (American jazz trumpeter) (in 1959-02)
recording of:
Fallout! (in 1959-02)
composer:
Henry Mancini (US composer, conductor & arranger)
3:49
4▼CD
#TitleRatingLength
1Theme From Tighttrope
recording of:
Theme From "Tightrope"
composer:
George Duning
2:53
2Hawaiian Eye
instrumental recording of:
Hawaiian Eye
lyricist:
Mack David (American lyricist and songwriter)
composer:
Jerry Livingston (songwriter)
3:49
3Theme From Mr. Lucky
recording of:
Theme from Mr. Lucky
composer:
Henry Mancini (US composer, conductor & arranger)
3:08
4Theme From the Untouchables
recording of:
The Untouchables
composer:
Nelson Riddle
2:53
5Bourbon Street Beat
recording of:
Bourbon Street Beat
composer:
Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
2:43
6Detective's Theme
recording of:
The Detectives
composer:
Herschel Burke‐Gilbert
2:30
7Markham Theme
recording of:
Theme From "Markham"
composer:
Stanley Wilson (composer, arranger, conductor)
2:51
8Johnny Staccato's Theme
recording of:
Johnny Staccato
composer:
Elmer Bernstein (American score composer)
3:55
9Satan in High Heels
double bass:
George Duvivier (on 1961-11-30)
drums (drum set):
Ed Shaughnessy (on 1961-11-30)
guitar:
Mundell Lowe (on 1961-11-30)
piano:
Eddie Costa (on 1961-11-30)
saxophone:
Al Cohn (on 1961-11-30), Al Klink (on 1961-11-30) and Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1961-11-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1961-11-30) and Buster Cooper (on 1961-11-30)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-11-30), Doc Severinsen (on 1961-11-30) and Clark Terry (American swing trumpeter) (on 1961-11-30)
woodwind:
Ray Beckenstein (saxophonist and flute player) (on 1961-11-30)
orchestra:
Mundell Lowe And His Orchestra (on 1961-11-30)
conductor:
Mundell Lowe (on 1961-11-30)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1961-11-30)
recording of:
Satan in High Heels (on 1961-11-30)
composer:
Mundell Lowe
3:26
10Montage
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1961-11-30)
double bass:
George Duvivier (on 1961-11-30)
drums (drum set):
Ed Shaughnessy (on 1961-11-30)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1961-11-30)
guitar:
Mundell Lowe (on 1961-11-30)
piano:
Eddie Costa (on 1961-11-30)
saxophone:
Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1961-11-30)
tenor saxophone:
Al Cohn (on 1961-11-30) and Al Klink (on 1961-11-30)
trombone:
Buster Cooper (on 1961-11-30) and Urbie Green (on 1961-11-30)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-11-30), Doc Severinsen (on 1961-11-30) and Clark Terry (American swing trumpeter) (on 1961-11-30)
woodwind:
Ray Beckenstein (saxophonist and flute player) (on 1961-11-30)
orchestra:
Mundell Lowe And His Orchestra (on 1961-11-30)
conductor:
Mundell Lowe (on 1961-11-30)
recording of:
Montage (on 1961-11-30)
composer:
Mundell Lowe
2:12
11The Lost and the Lonely
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1961-11-30)
double bass:
George Duvivier (on 1961-11-30)
drums (drum set):
Ed Shaughnessy (on 1961-11-30)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1961-11-30)
guitar:
Mundell Lowe (on 1961-11-30)
piano:
Eddie Costa (on 1961-11-30)
saxophone:
Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1961-11-30)
tenor saxophone:
Al Cohn (on 1961-11-30) and Al Klink (on 1961-11-30)
trombone:
Buster Cooper (on 1961-11-30) and Urbie Green (on 1961-11-30)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-11-30), Doc Severinsen (on 1961-11-30) and Clark Terry (American swing trumpeter) (on 1961-11-30)
woodwind:
Ray Beckenstein (saxophonist and flute player) (on 1961-11-30)
orchestra:
Mundell Lowe And His Orchestra (on 1961-11-30)
conductor:
Mundell Lowe (on 1961-11-30)
recording of:
The Lost and the Lonely (on 1961-11-30)
composer:
Mundell Lowe
3:38
12East Side Drive
double bass:
George Duvivier (on 1961-11-30)
drums (drum set):
Ed Shaughnessy (on 1961-11-30)
guitar:
Mundell Lowe (on 1961-11-30)
piano:
Eddie Costa (on 1961-11-30)
saxophone:
Al Cohn (on 1961-11-30), Al Klink (on 1961-11-30) and Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1961-11-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1961-11-30) and Buster Cooper (on 1961-11-30)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-11-30), Doc Severinsen (on 1961-11-30) and Clark Terry (American swing trumpeter) (on 1961-11-30)
woodwind:
Ray Beckenstein (saxophonist and flute player) (on 1961-11-30)
orchestra:
Mundell Lowe And His Orchestra (on 1961-11-30)
conductor:
Mundell Lowe (on 1961-11-30)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1961-11-30)
recording of:
East Side Drive (on 1961-11-30)
composer:
Mundell Lowe
2:51
13Coffee, Coffee
double bass:
George Duvivier (on 1961-11-30)
drums (drum set):
Ed Shaughnessy (on 1961-11-30)
guitar:
Mundell Lowe (on 1961-11-30)
piano:
Eddie Costa (on 1961-11-30)
saxophone:
Al Cohn (on 1961-11-30), Al Klink (on 1961-11-30) and Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1961-11-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1961-11-30) and Buster Cooper (on 1961-11-30)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-11-30), Doc Severinsen (on 1961-11-30) and Clark Terry (American swing trumpeter) (on 1961-11-30)
woodwind:
Ray Beckenstein (saxophonist and flute player) (on 1961-11-30)
orchestra:
Mundell Lowe And His Orchestra (on 1961-11-30)
conductor:
Mundell Lowe (on 1961-11-30)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1961-11-30)
recording of:
Coffee, Coffee (on 1961-11-30)
composer:
Mundell Lowe
3:29
14Lake in the Woods
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1961-12-22)
baritone saxophone:
Gene Allen (baritone saxophonist) (on 1961-12-22) and Sol Schlinger (saxophone, jazz) (on 1961-12-22)
double bass:
George Duvivier (on 1961-12-22)
drums (drum set):
Ed Shaughnessy (on 1961-12-22)
flute and saxophone:
Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1961-12-22)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1961-12-22)
guitar:
Barry Galbraith (on 1961-12-22) and Mundell Lowe (on 1961-12-22)
piano:
Eddie Costa (on 1961-12-22)
tenor saxophone:
Al Cohn (on 1961-12-22), Al Klink (on 1961-12-22) and Oliver Nelson (saxophone, arranger, composer) (on 1961-12-22)
trombone:
Buster Cooper (on 1961-12-22) and Urbie Green (on 1961-12-22)
trumpet:
Bernie Glow (on 1961-12-22), Ernie Royal (on 1961-12-22), Doc Severinsen (on 1961-12-22) and Clark Terry (American swing trumpeter) (on 1961-12-22)
woodwind:
Ray Beckenstein (saxophonist and flute player) (on 1961-12-22)
orchestra:
Mundell Lowe And His Orchestra (on 1961-12-22)
conductor:
Mundell Lowe (on 1961-12-22)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1961-12-22)
recording of:
Lake in the Woods (on 1961-12-22)
composer:
Mundell Lowe
3:30
15From Mundy On
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1961-12-22)
baritone saxophone:
Gene Allen (baritone saxophonist) (on 1961-12-22)
double bass:
George Duvivier (on 1961-12-22)
drums (drum set):
Ed Shaughnessy (on 1961-12-22)
flute and saxophone:
Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1961-12-22)
guitar:
Barry Galbraith (on 1961-12-22) and Mundell Lowe (on 1961-12-22)
piano:
Eddie Costa (on 1961-12-22)
tenor saxophone:
Al Cohn (on 1961-12-22), Al Klink (on 1961-12-22) and Oliver Nelson (saxophone, arranger, composer) (on 1961-12-22)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1961-12-22) and Buster Cooper (on 1961-12-22)
trumpet:
Bernie Glow (on 1961-12-22), Ernie Royal (on 1961-12-22), Doc Severinsen (on 1961-12-22) and Clark Terry (American swing trumpeter) (on 1961-12-22)
woodwind:
Ray Beckenstein (saxophonist and flute player) (on 1961-12-22)
orchestra:
Mundell Lowe And His Orchestra (on 1961-12-22)
conductor:
Mundell Lowe (on 1961-12-22)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1961-12-22)
recording of:
From Mundy On (on 1961-12-22)
composer:
Mundell Lowe
3:22
16The Long Knife
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1961-12-22)
baritone saxophone:
Gene Allen (baritone saxophonist) (on 1961-12-22)
double bass:
George Duvivier (on 1961-12-22)
drums (drum set):
Ed Shaughnessy (on 1961-12-22)
flute and saxophone:
Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1961-12-22)
guitar:
Barry Galbraith (on 1961-12-22) and Mundell Lowe (on 1961-12-22)
piano:
Eddie Costa (on 1961-12-22)
tenor saxophone:
Al Cohn (on 1961-12-22), Al Klink (on 1961-12-22) and Oliver Nelson (saxophone, arranger, composer) (on 1961-12-22)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1961-12-22) and Buster Cooper (on 1961-12-22)
trumpet:
Bernie Glow (on 1961-12-22), Ernie Royal (on 1961-12-22), Doc Severinsen (on 1961-12-22) and Clark Terry (American swing trumpeter) (on 1961-12-22)
woodwind:
Ray Beckenstein (saxophonist and flute player) (on 1961-12-22)
orchestra:
Mundell Lowe And His Orchestra (on 1961-12-22)
conductor:
Mundell Lowe (on 1961-12-22)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1961-12-22)
recording of:
The Long Knife (on 1961-12-22)
composer:
Mundell Lowe
2:19
17Blues for a Stripper
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1961-12-22)
baritone saxophone:
Gene Allen (baritone saxophonist) (on 1961-12-22)
double bass:
George Duvivier (on 1961-12-22)
drums (drum set):
Ed Shaughnessy (on 1961-12-22)
flute and saxophone:
Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1961-12-22)
guitar:
Barry Galbraith (on 1961-12-22) and Mundell Lowe (on 1961-12-22)
piano:
Eddie Costa (on 1961-12-22)
tenor saxophone:
Al Cohn (on 1961-12-22), Al Klink (on 1961-12-22) and Oliver Nelson (saxophone, arranger, composer) (on 1961-12-22)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1961-12-22) and Buster Cooper (on 1961-12-22)
trumpet:
Bernie Glow (on 1961-12-22), Ernie Royal (on 1961-12-22), Doc Severinsen (on 1961-12-22) and Clark Terry (American swing trumpeter) (on 1961-12-22)
woodwind:
Ray Beckenstein (saxophonist and flute player) (on 1961-12-22)
orchestra:
Mundell Lowe And His Orchestra (on 1961-12-22)
conductor:
Mundell Lowe (on 1961-12-22)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1961-12-22)
recording of:
Blues for a Stripper (on 1961-12-22)
composer:
Mundell Lowe
3:26
18Pattern of Evil
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1961-12-22)
baritone saxophone:
Gene Allen (baritone saxophonist) (on 1961-12-22) and Sol Schlinger (saxophone, jazz) (on 1961-12-22)
double bass:
George Duvivier (on 1961-12-22)
drums (drum set):
Ed Shaughnessy (on 1961-12-22)
flute and saxophone:
Walt Levinsky (American jazz clarinetist, saxophonist (alto) and flutist) (on 1961-12-22)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1961-12-22)
guitar:
Barry Galbraith (on 1961-12-22) and Mundell Lowe (on 1961-12-22)
piano:
Eddie Costa (on 1961-12-22)
tenor saxophone:
Al Cohn (on 1961-12-22), Al Klink (on 1961-12-22) and Oliver Nelson (saxophone, arranger, composer) (on 1961-12-22)
trombone:
Buster Cooper (on 1961-12-22) and Urbie Green (on 1961-12-22)
trumpet:
Bernie Glow (on 1961-12-22), Ernie Royal (on 1961-12-22), Doc Severinsen (on 1961-12-22) and Clark Terry (American swing trumpeter) (on 1961-12-22)
woodwind:
Ray Beckenstein (saxophonist and flute player) (on 1961-12-22)
orchestra:
Mundell Lowe And His Orchestra (on 1961-12-22)
conductor:
Mundell Lowe (on 1961-12-22)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1961-12-22)
recording of:
Pattern of Evil (on 1961-12-22)
composer:
Mundell Lowe
2:28