The Best Proms Album in the World... Ever!

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Hallelujah Chorus
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-06-29 until 1966-08-09)
solo vocals:
Dame Janet Baker (mezzo‐soprano and alto), Paul Esswood (countertenor), Elizabeth Harwood (soprano), Raimund Herincx (bass-baritone) and Robert Tear (tenor)
soprano vocals:
Elizabeth Harwood (soprano)
orchestra:
English Chamber Orchestra (from 1966-06-29 until 1966-08-09)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1966-06-29 until 1966-08-09)
arranger:
Basil Lam (English producer, harpsichordist)
balance engineer:
Neville Boyling (engineer) (from 1966-06-29 until 1966-08-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-06-29 until 1966-08-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1966-06-29 until 1966-08-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:06
2Hungarian March
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Louis Frémaux (conductor)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz4:56
3Non piu andrai
baritone vocals [Figaro]:
Claudio Desderi (baritone and conductor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:44
4Pomp and Circumstance March no. 4 in G
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1976-10-10)
conductor:
Sir Adrian Boult (conductor) (on 1976-10-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1977, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1976-10-10)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (on 1976-10-10)
composer:
Edward Elgar (composer) (in 1907)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1907-08-24)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar5:07
5Magnificat
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
performer:
Academy of St Martin in the Fields and Sir Neville Marriner (conductor)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:45
6The Magic Flute: Overture
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart7:09
7Piano Concerto no. 2 in F, op. 102: II. Andante
piano:
Dmitri Alexeev (pianist)
orchestra:
English Chamber Orchestra
conductor:
Jerzy Maksymiuk (conductor)
recording of:
Piano Concerto no. 2 in F major, op. 102: II. Andante
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1957)
part of:
Piano Concerto no. 2 in F major, op. 102
Дмитрий Дмитриевич Шостакович6:11
8Morning
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:06
9Carnival of the Animals: Introduction and Royal March of the Lion
piano:
Brenda Lucas Ogdon (pianist) and John Ogdon (pianist and composer)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Louis Frémaux (conductor)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (The Carnival of the Animals: I. Introduction and Royal March of the Lion, strings and two pianos)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:05
10Pavane, op. 50
producer:
Christopher Bishop (conductor/producer)
flute:
Gareth Morris (British flautist) (in 1968)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
NPO (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1968)
conductor:
David Willcocks (UK composer, organist, choral conductor) (in 1968)
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
composer:
Gabriel Fauré (French composer)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:52
11Cello Concerto in E minor: I. Adagio moderato (opening)
cello:
Jacqueline du Pré (cellist)
orchestra:
London Symphony Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
partial recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar3:28
12Symphony no. 5 in C-sharp minor: IV. Adagietto (conclusion)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
partial recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler3:11
13Karelia Suite: Intermezzo
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Karelia-sarja, op. 11: I. Intermezzo (Karelia Suite, op. 11: I. Intermezzo, for orchestra)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Jean Sibelius3:51
14Montagues and Capulets
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
part of:
Romeo and Juliet: Suite no. 2, op. 64ter
Сергей Сергеевич Прокофьев54:52
15The Planets: Jupiter
orchestra:
BBC Symphony Orchestra
conductor:
Sir Malcolm Sargent (conductor)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst4:51
16The Ride of the Valkyries
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-12-13 until 1972-12-14)
conductor:
Sir Adrian Boult (conductor) (from 1972-12-13 until 1972-12-14)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-12-13 until 1972-12-14)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1972-12-13 until 1972-12-14)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:27
17Ode to Joy
bass-baritone vocals:
James Morris (operatic bass-baritone)
choir vocals:
Westminster Choir (Princeton, USA)
orchestra:
The Philadelphia Orchestra
conductor:
Sir Adrian Boult (conductor) and Riccardo Muti (conductor)
chorus master:
Joseph Flummerfelt (choir master) and James Morris (operatic bass-baritone)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven3:20
2▼CD
#TitleArtistRatingLength
1Candide: Overture
orchestra:
Bournemouth Symphony Orchestra
conductor:
Andrew Litton (conductor)
recording of:
Candide: Overture
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein4:13
2Carmina Burana: O Fortuna
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
choir vocals:
London Philharmonic Chorus (in 1989-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1989-11)
conductor:
Franz Welser‐Möst (conductor) (in 1989-11)
chorus master:
Richard Cooke (chorus master/conductor) (in 1989-11)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-11)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1989-11)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:36
3Fanfare for the Common Man
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-10-08 until 1987-10-20)
conductor:
Carl Davis (conductor and composer) (from 1987-10-08 until 1987-10-20)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1987-10-08 until 1987-10-20)
recording of:
Fanfare for the Common Man (for brass and percussion orchestra) (from 1987-10-08 until 1987-10-20)
composer:
Aaron Copland (composer) (in 1942)
was commissioned by:
Cincinnati Symphony Orchestra and Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty)
premiered by:
Cincinnati Symphony Orchestra (on 1943-03-12) and Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty) (on 1943-03-12)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
Aaron Copland3:13
4Summertime
engineer:
Mark Vigars (engineer)
assistant producer:
Tony Harrison (producer and sound engineer for classical music)
producer:
David R. Murray
piano:
Wayne Marshall (British pianist, organist and conductor) (in 1988-02)
choir vocals:
The Glyndebourne Chorus (in 1988-02)
soprano vocals and soprano vocals [Bess]:
Harolyn Blackwell (soprano)
orchestra:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (in 1988, in 1988-02)
conductor:
Simon Rattle (conductor) (in 1988, in 1988-02)
chorus master:
Craig Rutenberg (pianist, vocal accompanist, coach and teacher) (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-02)
edit of:
Porgy and Bess: Act I, Scene I. "Summertime" (Clara, Chorus) by Harolyn Blackwell (soprano), Glyndebourne Chorus, London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Simon Rattle (conductor)
recording of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene I
George Gershwin3:11
5Irish Tune from County Derry
orchestra:
Light Music Society Orchestra
conductor:
Sir Vivian Dunn
recording of:
Irish Tune from County Derry
composer:
Percy Grainger (Australian composer 1882–1961)
version of:
Londonderry Air
Percy Grainger3:37
6When Britain really ruled the waves
baritone vocals:
Ian Wallace (English bass-baritone opera singer)
choir vocals:
Glyndebourne Festival Chorus
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) and Sir Malcolm Sargent (conductor)
Gilbert & Sullivan3:04
7Symphony no. 6 'Pastoral': V. Allegretto
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1994-11-26 until 1994-11-27)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1994-11-26 until 1994-11-27)
recorded at:
BBC Studio 7 (Manchester) in Manchester, Greater Manchester, England, United Kingdom (from 1994-11-26 until 1994-11-27)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Symphony No. 6 in F major, Op. 68 "Pastorale": V. "Shepherds' song: Cheerful and thankful feelings after the storm" Allegretto) (from 1994-11-26 until 1994-11-27)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven8:52
8Four Sea Interludes
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Four Sea Interludes from 'Peter Grimes', op. 33a
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945)
premiered at:
Cheltenham Music Festival 1945: [concert] (1945-06-13)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Works of Benjamin Britten by opus number (number: op. 33a)
is based on:
Peter Grimes, op. 33
Benjamin Britten3:55
9The Incarnation
engineer and balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
executive producer:
Katharine Copisarow (executive producer)
producer and editor:
Andrew Keener (engineer/editor/producer)
cello:
Steven Isserlis (cellist) (from 1991-05-28 until 1991-05-29)
orchestra:
London Symphony Orchestra (from 1991-05-28 until 1991-05-29)
conductor:
Gennady Rozhdestvensky (conductor) (from 1991-05-28 until 1991-05-29)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1992)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1991-05-28 until 1991-05-29)
recording of:
The Protecting Veil: IV. The Incarnation (in 1991-05)
composer:
John Tavener (20th century composer) (from 1987 until 1988)
part of:
The Protecting Veil
John Tavener3:46
10Rhapsody on a theme of Paganini: Variation 18
producer:
John Fraser (UK producer) (from 1984-05-03 until 1984-05-04)
piano:
Cécile Ousset (French pianist) (from 1984-05-03 until 1984-05-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-03 until 1984-05-04)
conductor:
Simon Rattle (conductor) (from 1984-05-03 until 1984-05-04)
balance engineer:
Michael Sheady (engineer) (from 1984-05-03 until 1984-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1984-05-03 until 1984-05-04)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile (from 1984-05-03 until 1984-05-04)
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Сергей Васильевич Рахманинов3:02
11Tea for Two
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Tahiti Trot (Tea for Two), op. 16
orchestrator:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
composer:
Vincent Youmans
part of:
Works of Dmitri Shostakovich by opus number (number: op. 16)
arrangement of:
Tea for Two (No, No, Nanette)
Дмитрий Дмитриевич Шостакович3:34
12William Tell: Overture (conclusion)
orchestra:
London Classical Players
conductor:
Sir Roger Norrington (conductor)
partial recording of:
Guillaume Tell : Ouverture (William Tell: Overture)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini6:02
13Pomp and Circumstance March No 1 'Land of Hope and Glory'
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar6:20
14Fantasia on British Sea Songs
recording engineer:
Tony Faulkner (recording engineer) (on 1994-09-10)
assistant engineer:
Matt Sakakeeny (on 1994-09-10)
producer:
Bernhard Mnich (on 1994-09-10)
orchestra:
BBC Symphony Orchestra (on 1994-09-10)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger) (on 1994-09-10)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1994)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1994-09-10)
live recording of:
Fantasia on British Sea Songs: I. Bugle Calls
arranger:
Sir Henry Wood (English conductor) (in 1905)
part of:
Fantasia on British Sea Songs
part of:
Fantasia on British Sea Songs (with extra numbers arranged by Bob Chilcott)
live recording of:
Fantasia on British Sea Songs: III. The Saucy Arethusa
composer:
[traditional] (special purpose artist)
arranger:
Sir Henry Wood (English conductor) (in 1905)
publisher:
Chappell & Co.
arrangement of:
The Saucy Arethusa
part of:
Fantasia on British Sea Songs
part of:
Fantasia on British Sea Songs (with extra numbers arranged by Bob Chilcott)
live recording of:
Fantasia on British Sea Songs: IV. Tom Bowling
composer:
Charles Dibdin
arranger:
Sir Henry Wood (English conductor) (in 1905)
arrangement of:
Poor Tom Bowling
part of:
Fantasia on British Sea Songs
part of:
Fantasia on British Sea Songs (with extra numbers arranged by Bob Chilcott)
live recording of:
Fantasia on British Sea Songs: V. Jack’s the Lad (Hornpipe)
composer:
[traditional] (special purpose artist)
arranger:
Sir Henry Wood (English conductor) (in 1905)
publisher:
Chappell & Co.
arrangement of:
The Sailor’s Hornpipe (traditional hornpipe melody)
part of:
Fantasia on British Sea Songs
part of:
Fantasia on British Sea Songs (with extra numbers arranged by Bob Chilcott)
live recording of:
Fantasia on British Sea Songs: VI. Farewell ye Spanish Ladies
composer:
[traditional] (special purpose artist)
arranger:
Sir Henry Wood (English conductor) (in 1905)
arrangement of:
Spanish Ladies (“British sailors” version)
part of:
Fantasia on British Sea Songs
live recording of:
Fantasia on British Sea Songs: VII. Home Sweet Home
composer:
Sir Henry Rowley Bishop
arranger:
Sir Henry Wood (English conductor) (in 1905)
arrangement of:
Home! Sweet Home! (Mid pleasures and palaces though we may roam, be it ever so humble there's no place like home)
part of:
Fantasia on British Sea Songs
part of:
Fantasia on British Sea Songs (with extra numbers arranged by Bob Chilcott)
live recording of:
Fantasia on British Sea Songs: VIII. See, the Conqu’ring Hero Comes
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Henry Wood (English conductor) (in 1905)
publisher:
Chappell & Co.
arrangement of:
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
part of:
Fantasia on British Sea Songs
part of:
Fantasia on British Sea Songs (with extra numbers arranged by Bob Chilcott)
Sir Henry Wood11:20
15Rule, Britannia!
recording engineer:
Tony Faulkner (recording engineer) (on 1994-09-10)
assistant engineer:
Matt Sakakeeny (on 1994-09-10)
producer:
Bernhard Mnich (on 1994-09-10)
baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (on 1994-09-10)
choir vocals:
BBC Singers (professional chamber choir of the BBC) (on 1994-09-10) and BBC Symphony Chorus (amateur chorus associated with the BBC Symphony Orchestra) (on 1994-09-10)
vocals:
Bryn Terfel (bass‐baritone opera singer)
orchestra:
BBC Symphony Orchestra (on 1994-09-10)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger) (on 1994-09-10)
chorus master:
Stephen Jackson (choral conductor) (on 1994-09-10)
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1994)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1994-09-10)
recording of:
Rule, Britannia!
lyricist:
James Thomson (Scottish poet, 1700-1748) (in 1740)
composer:
Thomas Arne (composer)
part of:
Roud Folk Song Index (number: 10790)
part of:
Alfred: Act III
live recording of:
Rule, Britannia! (orchestrated by Sargent)
orchestrator:
Sir Malcolm Sargent (conductor)
lyricist:
James Thomson (Scottish poet, 1700-1748)
composer:
Thomas Arne (composer) (in 1740)
publisher:
Oxford University Press
orchestration of:
Rule, Britannia!
Thomas Arne4:26
16Jerusalem
choir vocals:
BBC Singers (professional chamber choir of the BBC) and BBC Symphony Chorus (amateur chorus associated with the BBC Symphony Orchestra)
orchestra:
BBC Symphony Orchestra
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
recording of:
Jerusalem (anthem by Hubert Parry)
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
Hubert Parry (English composer) (in 1916)
is based on:
Jerusalem (poem by Blake)
Sir Hubert Parry2:33

Credits

Release

ASIN:UK: B00004W3LU [info]