Award Winning British Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Fanfare for a Joyful Occasion
sound engineer:
Ben Connellan
assistant engineer:
Richard Smoker (classical engineer)
producer:
Brian Couzens (engineer/editor/producer)
editor:
Peter Newble (producer and engineer)
orchestra:
London Symphony Orchestra (from 1992-03-23 until 1992-03-24)
conductor:
Richard Hickox (conductor) (from 1992-03-23 until 1992-03-24)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-03-23 until 1992-03-24)
recording of:
Fanfare for a Joyful Occasion (from 1992-03-23 until 1992-03-24)
composer:
William Alwyn (English composer) (in 1958)
William Alwyn?:??
2Symphony no. 3 in F minor "Irish": III. Andante con moto (opening)
orchestra:
Ulster Orchestra
conductor:
Vernon Handley (conductor)
edit of:
Symphony no. 3 in F minor "Irish": III. Andante con moto by Ulster Orchestra, Vernon Handley (conductor)
partial recording of:
Symphony no. 3 in F minor, op. 28 "Irish": III. Andante con moto
composer:
Sir Charles Villiers Stanford (Irish composer) (in 1887)
part of:
Symphony no. 3 in F minor, op. 28 "Irish"
Sir Charles Villiers Stanford?:??
3Four Sea Interludes, op. 33a: IV. Storm
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Philip Couzens
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
Ulster Orchestra (from 1986-03-25 until 1986-03-27)
conductor:
Vernon Handley (conductor) (from 1986-03-25 until 1986-03-27)
recorded at:
Ulster Hall in Belfast, Belfast (Belfast City Council), County Antrim, County Down, Northern Ireland, United Kingdom (from 1986-03-25 until 1986-03-27)
recording of:
Four Sea Interludes from 'Peter Grimes', op. 33a: IV. Storm: Presto con fuoco (from 1986-03-25 until 1986-03-27)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945)
part of:
Four Sea Interludes from 'Peter Grimes', op. 33a
Benjamin Britten?:??
4We shall see Him as He is: The Unfolding of the Great Mystery
sound engineer and producer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Richard Smoker (classical engineer)
assistant producer:
Mike George (classical producer at BBC)
editor:
Peter Newble (producer and engineer)
choir vocals:
BBC National Chorus of Wales (on 1992-07-23)
soprano vocals:
Patricia Rozario (soprano) (on 1992-07-23)
tenor vocals:
John Mark Ainsley (tenor) (on 1992-07-23) and Andrew Murgatroyd (tenor) (on 1992-07-23)
orchestra:
BBC National Orchestra of Wales (on 1992-07-23)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1992-07-23)
recording of:
We Shall See Him as He Is: The Unfolding of the Great Mystery (on 1992-07-23)
composer:
John Tavener (20th century composer)
part of:
We Shall See Him As He Is
John Tavener?:??
5Symphony no. 2, op. 40: IV. Allegro con brio - Lento molto e maestoso (opening)
orchestra:
London Symphony Orchestra
conductor:
Richard Hickox (conductor)
edit of:
Symphony no. 2, op. 40: IV. Allegro con brio - Lento molto e maestoso by London Symphony Orchestra, Richard Hickox (conductor)
partial recording of:
Symphony no. 2, op. 40: IV. Allegro con brio
composer:
Malcolm Arnold (composer) (in 1953)
part of:
Symphony no. 2, op. 40
Malcolm Arnold?:??
6Sacred Choral Works: Spem in alium (opening)
choir vocals:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
edit of:
Spem in alium by The Sixteen (UK choir), Harry Christophers (conductor)
partial recording of:
Spem in alium
composer:
Thomas Tallis (composer)
Thomas Tallis?:??
7Symphony no. 1, op. 44: II. Perigourdine: Allegro bucolico e giocoso
sound engineer:
Ralph Couzens (engineer/editor/producer) (on 1995-11-13)
assistant engineer:
Richard Smoker (classical engineer) (on 1995-11-13)
producer:
Mike George (classical producer at BBC)
editor:
Peter Newble (producer and engineer)
orchestra:
BBC National Orchestra of Wales (on 1995-11-13)
conductor:
Richard Hickox (conductor) (on 1995-11-13)
concertmaster:
Lesley Hatfield (violinist) (on 1995-11-13)
recorded at:
Brangwyn Hall in Swansea, Wales, United Kingdom (on 1995-11-13)
recording of:
Symphony no. 1, op. 44: II. Perigourdine. Allegro bucolico e giocoso (on 1995-11-13)
composer:
Edmund Rubbra (British composer) (from 1935 until 1937)
part of:
Symphony no. 1, op. 44
Edmund Rubbra?:??
8Capriol Suite: VI. Mattachins
sound engineer:
Ralph Couzens (engineer/editor/producer)
producer:
Tim Oldham (editor / producer)
orchestra:
Ulster Orchestra (from 1989-08-21 until 1989-08-22)
conductor:
Vernon Handley (conductor) (from 1989-08-21 until 1989-08-22)
recorded at:
Ulster Hall in Belfast, Belfast (Belfast City Council), County Antrim, County Down, Northern Ireland, United Kingdom (from 1989-08-21 until 1989-08-22)
recording of:
Capriol Suite: VI. Mattachins (Sword Dance) (for orchestra) (from 1989-08-21 until 1989-08-22)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: VI. Mattachins (Sword Dance) (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock?:??
9Hope the Hornblower (orch. Frederick Bye)
baritone vocals:
Stephen Varcoe (bass-baritone)
orchestra:
City of London Sinfonia (chamber orchestra)
conductor:
Richard Hickox (conductor)
recording of:
Hope the Hornblower (catch-all for arrangements)
composer:
John Ireland (English composer)
arrangement of:
Hope the Hornblower (for voice and piano)
John Ireland?:??
10The Canterbury Pilgrims: XII. The Poor Parson of a Town (opening)
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Richard Hickox (conductor)
edit of:
The Canterbury Pilgrims: XII. The Poor Parson of a Town by London Symphony Orchestra, London Symphony Chorus, Richard Hickox (conductor)
partial recording of:
The Canterbury Pilgrims: XII. The Poor Parson of a Town
composer:
Sir George Dyson (composer)
part of:
The Canterbury Pilgrims
Sir George Dyson?:??
11Winter Legends: III. Molto moderato - Allegro molto (opening)
solo piano:
Margaret Fingerhut (pianist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Bryden Thomson (conductor)
edit of:
Winter Legends: III. Molto moderato - Allegro molto by London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Bryden Thomson (conductor), Margaret Fingerhut (pianist)
partial recording of:
Winter Legends, GP 303: III. Molto moderato - Allegro molto
composer:
Sir Arnold Bax (English composer) (from 1929 until 1930)
part of:
Winter Legends, GP 303
Sir Arnold Bax?:??
12The Early Morning
piano:
Graham Johnson (pianist)
soprano vocals:
Felicity Lott (soprano)
recording of:
The Country Lover: No. 4. The Early Morning
lyricist:
Hilaire Belloc (French-English writer)
composer:
Graham Peel (composer, 1877-1937)
part of:
The Country-Lover
Graham Peel?:??
13Symphony no. 3: Part 2: Fast Blues. Allegro
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1993-12-03 until 1993-12-04)
assistant engineer:
Richard Smoker (classical engineer) (from 1993-12-03 until 1993-12-04)
producer:
Brian Couzens (engineer/editor/producer)
editor:
Ben Connellan
soprano vocals:
Faye Robinson (soprano) (from 1993-12-03 until 1993-12-04)
orchestra:
Bournemouth Symphony Orchestra (from 1993-12-03 until 1993-12-04)
conductor:
Richard Hickox (conductor) (from 1993-12-03 until 1993-12-04)
recorded at:
Winter Gardens (Bournemouth) in Bournemouth, Dorset, England, United Kingdom (from 1993-12-03 until 1993-12-04)
recording of:
Symphony no. 3: Part II. 5. Fast blues (from 1993-12-03 until 1993-12-04)
composer:
Sir Michael Tippett (composer) (from 1970 until 1972)
part of:
Symphony no. 3
Sir Michael Tippett?:??
14King Arthur: Suite for Orchestra: II. Scherzo: Doom - Wild Dance (opening)
orchestra:
BBC Philharmonic
conductor:
Richard Hickox (conductor)
partial recording of:
Suite from King Arthur: II. Scherzo
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
Suite from King Arthur
Benjamin Britten?:??
15Dido and Aeneas: Dido: 'When I am laid in earth'
choir vocals:
Taverner Choir
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell?:??
16The Apostles, op. 49: I. The Calling of the Apostles: The Dawn - Morning Psalm (opening)
orchestra:
London Symphony Orchestra
conductor:
Richard Hickox (conductor)
partial recording of:
The Apostles, op. 49: Part I: I. The Calling of the Apostles: Morning Psalm (within the Temple)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part I: I. The Calling of the Apostles
Edward Elgar?:??
17Violin Concerto: II. Vivace (opening)
solo violin:
Lydia Mordkovitch (violinist)
orchestra:
City of London Sinfonia (chamber orchestra)
conductor:
Richard Hickox (conductor)
edit of:
Violin Concerto: II. Vivace by Lydia Mordkovitch (violinist), City of London Sinfonia (chamber orchestra), Richard Hickox (conductor)
partial recording of:
Violin Concerto: II. Vivace
composer:
Sir George Dyson (composer)
part of:
Violin Concerto
Sir George Dyson?:??
18A Solway Symphony: III. The Sou'west wind: Vivace (opening)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Alasdair Mitchell (conductor)
edit of:
A Solway Symphony: III. The Sou'west Wind. Vivace by The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra), Alasdair Mitchell (conductor)
partial recording of:
Solway: III. The Sou'west Wind. Vivace
composer:
Sir John Blackwood McEwen (composer)
part of:
Solway
Sir John Blackwood McEwen?:??
19English Dances: Second Set, op. 53: I. Allegro non troppo
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-02-07 until 1990-02-08)
conductor:
Bryden Thomson (conductor) (from 1990-02-07 until 1990-02-08)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1990-02-07 until 1990-02-08)
recording of:
English Dances, Set 2, op. 33: I. Allegro non troppo (for orchestra) (from 1990-02-07 until 1990-02-08)
composer:
Malcolm Arnold (composer)
part of:
English Dances, Set 2, op. 33
Malcolm Arnold?:??
20Piano Concerto no. 2: III. Allegro con fuoco (conclusion)
solo piano:
Howard Shelley (British pianist and conductor)
orchestra:
London Symphony Orchestra
conductor:
Richard Hickox (conductor)
edit of:
Piano Concerto no. 2: III. Allegro con fuoco by London Symphony Orchestra, Richard Hickox (conductor), Howard Shelley (British pianist and conductor)
partial recording of:
Piano Concerto no. 2: III. Allegro con fuoco
composer:
William Alwyn (English composer)
part of:
Piano Concerto no. 2
William Alwyn?:??
21Three Carol-Anthems: A Spotless Rose
choir vocals:
The Finzi Singers (from 1994-02-10 until 1994-02-11)
conductor:
Paul Spicer (composer, conductor, organist and producer) (from 1994-02-10 until 1994-02-11)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1994-02-10 until 1994-02-11)
recording of:
A Spotless Rose (from 1994-02-10 until 1994-02-11)
lyricist:
[anonymous] (special purpose artist)
composer:
Herbert Howells (English composer) (in 1919)
translator:
Catherine Winkworth
publisher:
Galaxy Music Corp. and Stainer & Bell
is based on:
Es ist ein Ros entsprungen (original anonymous version)
part of:
Three Carol-Anthems
Herbert Howells?:??
22Dance of Wild Irravel (conclusion)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Bryden Thomson (conductor)
edit of:
Dance of Wild Irravel by London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Bryden Thomson (conductor)
partial recording of:
Four Orchestral Pieces, GP 152: No. 4. Dance of Wild Irravel
composer:
Sir Arnold Bax (English composer) (in 1912)
part of:
Four Orchestral Pieces, GP 152
Sir Arnold Bax?:??
23Richard III: A Shakespeare Scenario (arr Christopher Palmer): 2 Coronation
sound engineer:
Ralph Couzens (engineer/editor/producer)
assistant engineer:
Richard Lee (engineer)
producer:
Brian Couzens (engineer/editor/producer)
editor:
Jeffrey Ginn (engineer)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Richard III: A Shakespeare Scenario: II. Coronation
composer:
William Walton (British composer and conductor)
arranger:
Christopher Palmer (arranger) (in 1990)
part of:
Richard III: A Shakespeare Scenario
William Walton?:??
24The Light of Life, op. 29: 16. Light of the World, we know Thy praise
sound engineer:
Ralph Couzens (engineer/editor/producer)
producer:
Brian Couzens (engineer/editor/producer)
editor:
Peter Newble (producer and engineer)
organ:
John Scott (organist, choirmaster)
choir vocals:
London Symphony Chorus
orchestra:
London Symphony Orchestra
conductor:
Richard Hickox (conductor)
chorus master:
Stephen Westrop (chorus master)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom
recording of:
The Light of Life, op. 29 no. 16: Light of the World, we know Thy praise
composer:
Edward Elgar (composer)
librettist:
Edward Capel-Cure (Clergyman)
part of:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Edward Elgar?:??