Das Beste aus dem Musikladen

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1A Touch of Velvet
recording of:
A Touch Of Velvet - A Sting Of Brass
composer:
Mark Wirtz
publisher:
Bourne Music and Melodie der Welt (publisher)
Mood Mosaic3:19
2Nutbush City Limits
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1991)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
Ike & Tina Turner2:58
3It’s a Heartache
producer:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
acoustic guitar and background vocals:
Steve Wolfe (producer, songwriter and guitar player)
bass:
Kevin Dunne
drums (drum set) and percussion:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Soundbarrier Ltd. (production company)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 24)
recording of:
It’s a Heartache
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (in 1977) and RAK Publishing (in 1977)
Bonnie Tyler3.83:28
4The Night Owls
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
recording of:
The Night Owls
lyricist and composer:
Graeham Goble
publisher:
American Ragtime Music, Colgems-EMI Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Music of the World (BMI publisher), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI) and Universal/MCA Music Publishing Pty Ltd
Little River Band5:10
5Mighty Quinn
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1967)
cover recording of:
Quinn the Eskimo (The Mighty Quinn) (in 1967)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Holding and Dwarf Music (in 1968)
Manfred Mann4.52:51
6Girls, Girls, Girls
engineer:
Jeffrey Lesser and Al Scott (Oysterband, engineer, song writer)
associate producer:
Rupert Holmes
producer:
Georg Kajanus, Jeffrey Lesser and Al Scott (Oysterband, engineer, song writer)
mixer:
Jeffrey Lesser
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1974)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1975-10)
part of:
TV Cream: Real 100 Best Singles Ever (number: 51)
recording of:
Girls, Girls, Girls (in 1975-10)
lyricist and composer:
Georg Kajanus
publisher:
Chappell Morris Ltd.
recording of:
Girls, Girls, Girls
lyricist:
Nikki Sixx
composer:
Tommy Lee (Mötley Crüe drummer), Mick Mars and Nikki Sixx
publisher:
Mars Mountain Music, Sixx/Gunner Music, Tommyland Music and WB Music Corp. (1929–2019)
Sailor33:02
7If You Can’t Give Me Love
producer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980) and RAK Records Ltd. (in 1978)
produced for:
Chinnichap (production company and publisher)
recording of:
If You Can’t Give Me Love (in 1980)
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap (production company and publisher), Chinnichap Ltd. (production company), RAK Publishing Ltd. and Universal Music–MGB Songs
Suzi Quatro4.53:53
8San Francisco
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair)
publisher:
John Phillips (The Mamas & The Papas)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Wingate Music Corp.
Scott McKenzie2:56
9In the Year 2525
producer:
Zager & Evans
recording of:
In the Year 2525 (Exordium and Terminus) (in 1968)
lyricist and composer:
Rick Evans (US singer, songwriter and guitarist)
publisher:
ATV Music, Chelsea Music Publishing, Zelad Music and Zerlad Music Enterprises Ltd.
Zager & Evans43:16
10Little Man
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recording of:
Little Man (Sonny & Cher)
lyricist and composer:
Sonny Bono
publisher:
Chris Marc Music
Sonny & Cher3:17
11Mitnite Dynamos
phonographic copyright (℗) by:
Magnet Records Ltd. (in 1980)
recording of:
Midnite Dynamos
writer:
Steve Bloomfield
publisher:
Magnet Music Ltd. (publisher)
Matchbox3:04
12I Can Help
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recording of:
I Can Help
lyricist and composer:
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Billy Swan3:59
13Atlantis
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1969)
recording of:
Atlantis (Donovan song)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd., Peer International Corporation (BMI), Peer Musikverlag, peermusic (“Peermusic—the global independent”) and Peer Southern Music (publisher, affiliated to BMI in the US) (in 1968)
Donovan5:03
14Teenage Rampage
phonographic copyright (℗) by:
Chinebridge Ltd. (The Sweet) (in 1974)
recording of:
Teenage Rampage
composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
Chinnichap Music Ltd.
The Sweet3:33
15Do the Strand
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recording of:
Do the Strand
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc., E.G. Music Ltd. (publisher) (, in 1973), EG Music Publishers Ltd., Universal Music Careers and Universal Music Publishing Group
Roxy Music4:01
16Israelites
producer:
Leslie Kong
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recording of:
Israelites
writer:
Desmond Dacres and Leslie Kong
publisher:
Ackee Music Inc., Gambi Music, Twenty Nine Black Music (BMI) and Sparta Music (publisher) (in 1978)
Desmond Dekker42:28
17Halbstark
phonographic copyright (℗) by:
Universal Music Domestic (in 1965)
recording of:
Halbstark
lyricist:
Gerd Adamowsky
composer:
Frank Bartelt
publisher:
Aberbach Musikverlag (German publisher)
Die Yankees2:12
18Jolene
engineer:
Tom Pick
producer:
Bob Ferguson
banjo:
Bobby Thompson (guitar & banjo player) (on 1972-05-03) and Buck Trent (on 1972-05-03)
bass:
Bobby Dyson (on 1972-05-03)
drums (drum set):
Kenny Malone (session drummer/percussion) (on 1972-05-03)
electric guitar:
Jimmy Colvard (American session guitarist) (on 1972-05-03)
fiddle:
Johnny Gimble (on 1972-05-03) and Mack Magaha (Bluegrass Fiddler) (on 1972-05-03)
guitar:
Dolly Parton (on 1972-05-03)
guitar [rhythm guitar]:
Dave Kirby (US country singer/songwriter) (on 1972-05-03)
piano:
Hargus "Pig" Robbins (on 1972-05-03)
steel guitar:
Stu Basore (on 1972-05-03)
background vocals:
Joe Babcock (on 1972-05-03), Dolores Edgin (on 1972-05-03), June Page (on 1972-05-03) and Hurshel Wiginton (on 1972-05-03)
vocals:
Dolly Parton (on 1972-05-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1973) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1972-05-03)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 63) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 217)
recording of:
Jolene (on 1972-05-03)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton4.252:41
19I Walk the Line
recording of:
I Walk the Line
lyricist and composer:
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) and House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash2:34
20Seasons in the Sun
producer:
Terry Jacks
arranger:
Terry Jacks
phonographic copyright (℗) by:
Bell Records Inc. (record company behind the Bell Records and Mala labels) (in 1973), Arista Records, LLC (holding company - file NO releases here!) (in 1974) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980)
produced for:
Poppy Family Productions Ltd.
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 19)
cover recording of:
Seasons in the Sun
lyricist and translator:
Rod McKuen
composer:
Jacques Brel
publisher:
E.B. Marks Music Corp. and Francis, Day & Hunter Ltd. (in 1973)
translated version of:
Le Moribond
recording of:
Seasons in the Sun
lyricist and translator:
Rod McKuen
composer:
Jacques Brel
publisher:
E.B. Marks Music Corp. and Francis, Day & Hunter Ltd. (in 1973)
translated version of:
Le Moribond
Terry Jacks3.253:27
21All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Acuff-Rose Publications, Inc. (BMI) (on 1958-04-21)
The Everly Brothers2:18
2CD
#TitleArtistRatingLength
1Daddy Cool
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett (in 1976), Frank Farian (in 1976) and Liz Mitchell (in 1976)
arranger:
Steven Hammer
phonographic copyright (℗) by:
Far Music Productions GmbH (in 1976) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1976)
part of:
Cachitos Nochevieja 2022 (number: 153)
recording of:
Daddy Cool (in 1976)
lyricist:
George Reyam
composer:
Frank Farian
publisher:
BMG Music, Far Musikverlag GmbH and Intro (German publisher) (in 1976)
Boney M.43:28
2Blame It on the Boogie
engineer:
Don Murray (producer / engineer)
executive producer:
Mike Atkinson and Bobby Colomby
mixer:
John Luongo
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978) and Nathan Watts (in 1978)
congas:
Laudir de Oliveira (in 1978) and Claudio Slon (in 1978)
drums (drum set) and percussion:
Rick Morotta (US drummer/percussionist) (in 1978)
flute, saxophone and trumpet:
Seawind Horns
guitar:
Roland Bautista (in 1978), Tito Jackson (in 1978) and Mike Sembello (in 1978)
keyboard:
Greg Phillinganes (in 1978)
background vocals:
Jackie Jackson (member of the Jackson 5), Marlon Jackson and Randy Jackson (brother of Michael and Janet)
lead vocals:
Michael Jackson (“King of Pop”) (in 1978)
horn arranger:
Jerry Hey
arranger:
Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States, Dawnbreakers Studios in Los Angeles, California, United States, Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and Total Experience Recording Studios in Hollywood, Los Angeles, California, United States
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
cover recording of:
Blame It on the Boogie (in 1978)
writer:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) and Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. and Peterman & Co. Ltd.
part of:
MJ: The Musical
recording of:
Blame It on the Boogie
writer:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) and Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. and Peterman & Co. Ltd.
part of:
MJ: The Musical
The Jacksons4.153:32
3Celebration
background vocals:
Kelly Barretto, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dee Dee Bryant, Gwen Hester, Cynthia Huggins, Joan Motley, Meekaeel Muhammad, Robert Bell, Robert Mickens, Elaine Sims, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Cedric Toon and Earl Toon, Jr.
lead vocals:
James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
performer:
Kool & the Gang
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980, in 2020)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 298)
recording of:
Celebration
writer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) and Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) and WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.44:57
4I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) and Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
edit of:
I Will Survive (12″ single version) by Gloria Gaynor
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:18
5Jeans On
phonographic copyright (℗) by:
Air (UK record company and label, related to Air Studios) (in 1976) and Chrysalis Copyrights Ltd. (in 1976)
recording of:
Jeans On (in 1976)
writer:
David Dundas and Roger Greenaway
publisher:
Mushroom Music Pty. Ltd. and Air Edel Associates Ltd. (from 1976 to present)
David Dundas3:18
6It’s Raining Men
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recording of:
It’s Raining Men
writer:
Paul Jabara and Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3:33
7Lady Marmalade
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?)
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
LaBelle3:17
8Yes Sir, I Can Boogie
producer:
Rolf Soja
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1977) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
lyricist:
Frank Dostal
composer:
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music and Peermusic (UK) Ltd.
Baccara4.754:29
9High Energy
phonographic copyright (℗) by:
Record Shack (in 1984)
recording of:
High Energy
writer:
Ian Levine (Hi-NRG music songwriter and producer) and Fiachra Trench
publisher:
EMI Tunes Ltd and Filmtracks Picture
Evelyn Thomas33:48
10One for You, One for Me
recording of:
One for You One for Me
lyricist:
Richard Palmer‐James (guitarist and lyricist)
composer:
Angelo La Bionda and Carmelo La Bionda
publisher:
Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Universal Music Italia s.r.l. (NOT for release label use! IT subsidiary of UMG) and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
La Bionda33:33
11Let's All Chant
phonographic copyright (℗) by:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1977)
recording of:
Let’s All Chant
writer:
Alvin Fields and Michael Zager
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Michael Zager Band3:03
12Dance Little Lady, Dance
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1976)
recording of:
Dance Little Lady Dance
writer:
Biddu (composer, songwriter, producer and musician), Ron Roker and Gerry Shury
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Music Ltd., Rondor Music Ltd. (publisher), Subiddu Music (publisher) and Warner/Chappell Music Ltd. (1996–2019)
Tina Charles3:08
13Weekend
recording of:
Weekend (Earth and Fire)
lyricist and composer:
Gerard Koerts
publisher:
Nada Music (Dutch publisher)
Earth and Fire3:31
14Kiss Me, Kiss Your Baby
recording of:
Kiss Me, Kiss Your Baby
writer:
Barry Blue (singer, producer, and songwriter)
publisher:
Arcade Music Company GmbH, ATV Music, Blueytunes, EMI Music Publishing Germany GmbH (1967–2001) and Tony Hiller Music (publisher)
Brotherhood of Man3:03
15This Will Be (an Everlasting Love)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 3) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 316)
recording of:
This Will Be (an Everlasting Love)
writer:
Chuck Jackson (songwriter/producer) and Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) and Jay’s Enterprises Inc.
Natalie Cole3.52:51
16Maledetta Primavera
phonographic copyright (℗) by:
Warner Music Italia S.r.l. (not for release label use! Italian subsidiary of Warner Music International Inc.) (in 1981, in 2013)
recording of:
Maledetta primavera
lyricist:
Paolo Amerigo Cassella
composer:
Totò Savio
publisher:
Sugarmusic Edizioni Musicali
Loretta Goggi3.54:10
17Bye Bye Baby
engineer:
Barry Hammond and Peter Tattersall
producer:
Phil Wainman
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1974)
cover recording of:
Bye, Bye, Baby (Baby Goodbye) (in 1974)
writer:
Bob Crewe and Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. and Seasons’ Four Music Inc.
recording of:
Bye, Bye, Baby (Baby Goodbye)
writer:
Bob Crewe and Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. and Seasons’ Four Music Inc.
Bay City Rollers4.52:48
18Ymca
executive producer:
Henri Belolo
producer:
Jacques Morali
edit of:
Y.M.C.A. (album version) by Village People
recording of:
Y.M.C.A.
lyricist:
Victor Edward Willis (member of the Village People)
composer:
Jacques Morali
publisher:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group, Scorpio Music (work publisher of "Scorpio Music") and Zomba Music Publishing Ltd.
Village People4.153:43
19Barracuda
producer:
Mike Flicker
acoustic guitar:
Nancy Wilson (guitarist/singer of “Heart”) (from 1977-02 until 1977-04)
bass guitar:
Steve Fossen (from 1977-02 until 1977-04)
drums (drum set):
Michael Derosier (from 1977-02 until 1977-04)
electric guitar:
Roger Fisher (US rock guitarist) (from 1977-02 until 1977-04)
guitar and mellotron:
Howard Leese (from 1977-02 until 1977-04)
lead vocals:
Ann Wilson (lead singer of Heart) (from 1977-02 until 1977-04)
arranger:
Heart (rock band, Ann and Nancy Wilson)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States (from 1977-02 until 1977-04)
mixed at:
Royaltone Studios in North Hollywood, Los Angeles, California, United States and Kaye–Smith Studios in Seattle, Washington, United States (from 1977-02 until 1977-04)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 34)
recording of:
Barracuda (from 1977-02 until 1977-04)
writer:
Michael Derosier, Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) and Nancy Wilson (guitarist/singer of “Heart”)
publisher:
BMG Songs, Inc., IQ Music Ltd., Know Music, Of the Roses Music, Play My Music, Rosebud Music, Strange Euphoria Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Universal/MCA Music Ltd. (not for release label use!) and Wilsongs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Heart4.154:23
20Acid Queen
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1975)
cover recording of:
The Acid Queen
lyricist:
Pete Townshend (of The Who)
composer:
Pete Townshend (of The Who) (in 1969)
publisher:
Eel Pie Publishing Ltd. and Fabulous Music, Ltd. (this is a publisher, not an imprint!)
Tina Turner42:59
21Life Is for Living
assistant engineer:
Liz Biddiscombe
engineer:
Martin Lawrence (engineer)
producer:
Barclay James Harvest and Martin Lawrence (engineer)
bass, guitar and keyboard:
Les Holroyd
drums (drum set):
Mel Pritchard
guitar:
John Lees
keyboard:
Stuart “Woolly” Wolstenholme
vocals:
Les Holroyd, John Lees and Stuart “Woolly” Wolstenholme
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
recording of:
Life Is for Living
lyricist and composer:
Les Holroyd
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and St. Anne’s Music Ltd.
Barclay James Harvest3:38
3CD
#TitleArtistRatingLength
1Heart of Glas
assistant engineer:
Grey Russell
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison
drums (drum set):
Clem Burke
guitar:
Frank Infante and Chris Stein
keyboard:
Jimmy Destri
vocals:
Deborah Harry
phonographic copyright (℗) by:
Chrysalis (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978) and Chrysalis Records, Inc. (not for release label use!) (in 1979)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
part of:
TV Cream: Real 100 Best Singles Ever (number: 2), Indie 88: Top 500 Indie Rock Songs (number: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 138) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 255)
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
version of:
Once I Had a Love
Blondie4.33:56
2I Can’t Stand the Rain
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1981)
cover recording of:
I Can’t Stand the Rain
writer:
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) and Ann Peebles
publisher:
Irving Music, Inc. and JEC Publishing (in 1977)
Eruption3:06
3Young Guns (Go for It)
producer:
Steve Brown (engineer/music producer) and George Michael
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
recording of:
Young Guns (Go for It!)
lyricist and composer:
George Michael
publisher:
Morrison Leahy Music Ltd.
Wham!3:41
4Wild Boys
engineer, audio engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Duran Duran (English rock band) and Nile Rodgers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984, in 1998)
part of:
Cachitos Nochevieja 2022 (number: 54)
recording of:
The Wild Boys
writer:
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) and Simon John Charles Le Bon (singer for Duran Duran)
publisher:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. and Noticevale Ltd.
live recording of:
The Wild Boys
writer:
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) and Simon John Charles Le Bon (singer for Duran Duran)
publisher:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. and Noticevale Ltd.
Duran Duran4.054:17
5Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:55
6Cambodia
producer:
Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
Cherry Pop (a division of Cherry Red Records Ltd.), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1981, in 2001), RAK, EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recording of:
Cambodia
writer:
Marty Wilde and Ricky Wilde
publisher:
2P'sW Music, EMI Music (do not use as release label! this is a music publisher), Finchley Music Corp., Music & Media International, RAK Publishing Ltd., Rickim Music Ltd. and Warner/Chappell Music Scandinavia AB
Kim Wilde53:57
7Love Makes You Crazy
phonographic copyright (℗) by:
Dramatico Entertainment Ltd. (not release label) (in 2010)
recording of:
Love Makes You Crazy
composer:
Mike Batt
Mike Batt4:19
8Let’s Heart It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Deniece Williams3.64:21
9Rich Girl
phonographic copyright (℗) by:
BMG Entertainment (in 1976), BMG Music (in 1976) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 14)
recording of:
Rich Girl
lyricist and composer:
Daryl Hall (in 1976)
publisher:
Unichappell Music, Inc. and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Hall & Oates4.152:24
10Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3.954:23
11Such a Shame
producer:
Tim Friese‐Greene
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Such a Shame
lyricist and composer:
Mark Hollis
publisher:
Hollis Songs Ltd., Island Music (Island Music Ltd.), Island Music Ltd., Universal Music Ltd. (Hong Kong holding company - do not use as imprint. Legal name of Universal Music Hong Kong.), Universal–Songs of PolyGram International, Inc. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Talk Talk44:26
12John Wayne Is Big Leggy
phonographic copyright (℗) by:
Regard Records (in 1982)
recording of:
John Wayne Is Big Leggy
writer:
Paul Caplin, Kate Garner and Jeremy Healy
publisher:
Carlin Music Corporation, Chrysalis Music Ltd. (music publisher, affiliated with PRS) and EMI Music Publishing Ltd. (PRS‐affiliated)
Haysi Fantayzee3:20
13Breakaway
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1982, in 1983)
cover recording of:
Breakaway
writer:
Jackie DeShannon and Sharon Sheeley
publisher:
United Artists Music Ltd.
Tracey Ullman3.652:36
14Ça plane pour moi
producer:
Lou Deprijck
phonographic copyright (℗) by:
BMG Belgium (in 1977)
recording of:
Ça plane pour moi (in 1977)
lyricist:
Yves Lacomblez
composer:
Lou Deprijck
publisher:
Klugerpartners and Universal Publishing
Plastic Bertrand4.652:58
15Comment ça va
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1983)
recording of:
Comment ça va ? (english-french version)
lyricist and composer:
Eddy de Heer
The Shorts3:35
16Morning Sky
phonographic copyright (℗) by:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Morning Sky
lyricist and composer:
Hans Bouwens
George Baker Selection3:20
17Fashion Pack
phonographic copyright (℗) by:
BMG Ariola München GmbH (in 1978)
recording of:
Fashion Pack
lyricist:
Amanda Lear
composer:
Anthony Monn
publisher:
Arabella Musikverlag GmbH
Amanda Lear3:52
18You Make Me Feel Like Dancing
recording engineer:
Bill Schnee
assistant engineer:
Dana Latham
producer:
Richard Perry (producer)
bass:
Chuck Rainey (American bassist)
clavinet:
John Barns
drums (drum set):
Steve Gadd (drummer)
guitar:
Larry Carlton and Ray Parker Jr.
background vocals:
Clydie King, Becky Louis and Sherlie Matthews (US vocalist)
vocals:
Leo Sayer
conductor:
Gene Page (conductor, composer, arranger and record producer)
strings arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographic copyright (℗) by:
Chrysalis (in 1976) and Silverbird Ltd. (in 1976)
recording of:
You Make Me Feel Like Dancing
lyricist:
Leo Sayer
composer:
Vini Poncia
publisher:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music and Silverbird Songs Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer53:37
19A.I.E. (a Mwana)
recording of:
Aie a Mwana
lyricist:
Joseph Avion and Michel Jaspar
writer:
Jean Kluger (Belgian producer, publisher, songwriter) and Daniel Vangarde
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
version of:
AIEAOA
Black Blood2:53
20Arms of Mary
producer:
Howard Albert and Ron Albert
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1975)
recording of:
Arms of Mary (in 1976)
lyricist and composer:
Iain Sutherland (Sutherland Brothers)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Island Music Ltd., Skerry Rock Ltd. and Smash Brothers Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sutherland Brothers & Quiver52:37
21Nights in White Satin
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. and Tyler Music Ltd.
The Moody Blues4.44:26

Credits

Release

manufactured in:Europe
photography:Radio Bremen
design:www.waps.net (designers, Hamburg)
distributed by:Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09)
copyrighted (©) by and phonographic copyright (℗) by:Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 2012)
licensed from:EMI Music Special Markets
Licensemusic.com ApS
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988)
mastered at:MM Sound in Steinhagen (Steinhagen, North Rhine-Westphalia), Nordrhein-Westfalen (North Rhine-Westphalia), Germany
Discogs:https://www.discogs.com/release/19737514 [info]
ASIN:DE: B009IP61JM [info]