Amadeus: The Essential Mozart Collection

~ Veröffentlichung von Wolfgang Amadeus Mozart (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD: Orchestral & Instrumental Treasures
Nr.TitelBewertungLänge
1Eine kleine Nachtmusik, K. 525: Allegro
recorded in:
Great Britain (von 1985-11-08 bis 1985-11-09)
Produzent(in):
Michael Bremner (producer/engineer)
Orchester:
Academy of St Martin in the Fields (von 1985-11-08 bis 1985-11-09)
conductor:
Sir Neville Marriner (conductor) (von 1985-11-08 bis 1985-11-09)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (von 1985-11-08 bis 1985-11-09)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade Nr. 13 für Streicher G-Dur, KV 525 "Eine kleine Nachtmusik": I. Allegro) (von 1985-11-08 bis 1985-11-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
5:49
2Horn Concerto No. 4 in E-flat major, K. 495: Rondo (Allegro vivace)
Produzent(in):
Michael Bremner (producer/engineer)
Waldhorn:
Peter Damm (horn player) (in 1988-01)
Orchester:
Academy of St Martin in the Fields (in 1988-01)
conductor:
Sir Neville Marriner (conductor) (in 1988-01)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1988-01)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (in 1988-01)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Concerto for Horn no. 4 in E-flat major, K. 495
3:40
3Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": Andante
Klavier:
Mitsuko Uchida (pianist) (von 1985-10-07 bis 1985-10-10)
Orchester:
English Chamber Orchestra (von 1985-10-07 bis 1985-10-10)
conductor:
Jeffrey Tate (conductor) (von 1985-10-07 bis 1985-10-10)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (von 1985-10-07 bis 1985-10-10)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (von 1985-10-07 bis 1985-10-10)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
7:06
4Piano Sonata in C, K 545: Allegro
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Klavier:
Mitsuko Uchida (pianist) (in 1983-10)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1983-10)
recording of:
Sonata for Piano no. 16 in C major, K. 545 “Sonata facile”: I. Allegro (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 1. Allegro) (in 1983-10)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1788)
Teil von:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
4:38
5Serenade in B-flat major, K. 361 "Gran Partita": Adagio
recorded in:
London (Greater London), England, Vereinigtes Königreich (von 1984-07-25 bis 1984-07-27)
Produzent(in):
Michael Bremner (producer/engineer) und Martha de Francisco (classical producer and engineer)
Bassetthorn:
Hale Hambleton (von 1984-07-25 bis 1984-07-27) und Angela Malsbury (clarinettist) (von 1984-07-25 bis 1984-07-27)
Blasinstrumente:
Academy of St Martin in the Fields Wind Ensemble (von 1984-07-25 bis 1984-07-27)
Fagott:
Graham Sheen (bassoonist) (von 1984-07-25 bis 1984-07-27) und Felix Warnock (von 1984-07-25 bis 1984-07-27)
Horn:
Julian Baker (horn player) (von 1984-07-25 bis 1984-07-27), Timothy Brown (UK horn player) (von 1984-07-25 bis 1984-07-27), Nicholas Hill (horn player) (von 1984-07-25 bis 1984-07-27) und Colin Horton (Horn player, St. Martin in the Fields) (von 1984-07-25 bis 1984-07-27)
Klarinette:
Antony Pay (clarinetist) (von 1984-07-25 bis 1984-07-27) und Richard West (clarinettist, Academy of St. Martin in the Fields) (von 1984-07-25 bis 1984-07-27)
Kontrabass:
Raymund Koster (violist) (von 1984-07-25 bis 1984-07-27)
Oboe:
Barry Davis (classical oboist) (von 1984-07-25 bis 1984-07-27) und Celia Nicklin (oboist) (von 1984-07-25 bis 1984-07-27)
Orchester:
Wind Ensemble of the Academy of St. Martin in the Fields (von 1984-07-25 bis 1984-07-27)
conductor:
Neville Marriner (conductor) (von 1984-07-25 bis 1984-07-27)
Tonmeister(in):
Onno Scholtze (sound engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (von 1984-07-25 bis 1984-07-27)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio (von 1984-07-25 bis 1984-07-27)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1781)
Teil von:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
5:43
6Piano Concerto No. 22 in E-flat major, K. 482: Allegro – Andante cantabile – Tempo I
Klavier:
Mitsuko Uchida (pianist) (von 1986-07-20 bis 1986-07-24)
Orchester:
English Chamber Orchestra (von 1986-07-20 bis 1986-07-24)
conductor:
Jeffrey Tate (conductor) (von 1986-07-20 bis 1986-07-24)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (von 1986-07-20 bis 1986-07-24)
recording of:
Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro (von 1986-07-20 bis 1986-07-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1785-12)
Teil von:
Concerto for Piano no. 22 in E-flat major, K. 482
12:18
7Piano Sonata No. 11 in A major, K. 331 "Alla Turca": III. Allegretto
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Klavier:
Mitsuko Uchida (pianist) (in 1983-10)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1983-10)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (Klaviersonate Nr. 11 A-Dur "Alla Turca", KV 300i (KV 331): III. Alla turca. Allegretto) (in 1983-10)
komponiert in:
Paris, Île-de-France, Frankreich (in 1778)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Classic 100: Piano (2025) (Nummer: 32)
Teil von:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
3:35
8Clarinet Concerto in A major, K. 622: Adagio
recording engineer:
Onno Scholtze (sound engineer) (in 1988-09)
Produzent(in):
Mike Bremner (producer/engineer)
Klarinette:
Karl Leister (German clarinetist) (in 1988-09)
Orchester:
Academy of St Martin in the Fields (in 1988-09)
conductor:
Sir Neville Marriner (conductor) (in 1988-09)
Tonmeister(in):
Erdo Groot (sound engineer for recordings of classical music) (in 1988-09)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1988-09)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Konzert für Klarinette und Orchester A-Dur, KV 622: II. Adagio) (in 1988-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1791-09-28 bis 1791-10-07)
Teil von:
Concerto for Clarinet in A major, K. 622 (Konzert für Klarinette und Orchester A-Dur, KV 622)
7:47
9Oboe Quartet in F, K 370: Rondeau, Allegro
Bratsche / Viola:
Stephen Shingles (in 1979-09)
Cello:
Denis Vigay (cellist) (in 1979-09)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1979-09)
Instrumente:
Academy of St Martin in the Fields Chamber Ensemble (in 1979-09)
Oboe:
Neil Black (oboist) (in 1979-09)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1979-09)
recording of:
Quartet for Oboe, Violin, Viola & Cello in F major, K. 368b/370: III. Rondeau. Allegro (in 1979-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1781)
Teil von:
Quartet for Oboe, Violin, Viola & Cello in F major, K. 368b/370
4:41
10Piano Concerto No. 10 in E flat for two pianos, K 365: Rondeau, Allegro
Klavier:
Ingrid Haebler (pianist) und Ludwig Hoffmann (pianist)
Orchester:
London Symphony Orchestra
conductor:
Alceo Galliera (organist, conductor and composer)
recording of:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1779)
Teil von:
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365
7:41
11A Musical Joke, K. 522: Presto
recorded in:
Great Britain (in 1984-01)
Bratsche / Viola:
Stephen Shingles (in 1984-01)
Cello:
Denis Vigay (cellist) (in 1984-01)
Geige / Violine:
Malcolm Latchem (violinist) (in 1984-01) und Kenneth Sillito (violinist) (in 1984-01)
Horn:
Timothy Brown (UK horn player) (in 1984-01) und Nicholas Hill (horn player) (in 1984-01)
Instrumente:
Academy of St Martin in the Fields Chamber Ensemble (in 1984-01)
Kontrabass:
Raymund Koster (violist) (in 1984-01)
conductor:
Sir Neville Marriner (conductor) (in 1984-01)
recording of:
Divertimento for 2 Horns & Strings in F major, K. 522 “Ein musikalischer Spaß”: IV. Presto (in 1984-01)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1787)
Teil von:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß" (Divertimento for 2 horns & strings in F major, K. 522 "A musical joke")
4:12
12Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto
Orchester:
Academy of St Martin‐in‐the‐Fields (Academy of St Martin in the Fields) (in 1978-12)
conductor:
Sir Neville Marriner (conductor) (in 1978-12)
phonographisches Urheberrecht (℗) von:
Philips Classics (See annotation to check it's really this label.) (in 1979)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1978-12)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": III. Minuetto. Allegretto) (in 1978-12)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-08-10)
Teil von:
Symphony no. 41 in C major, K. 551 “Jupiter”
4:35
13Symphony No. 25 in G minor, K 183: Allegro con brio
Orchester:
Academy of St Martin‐in‐the‐Fields (Academy of St Martin in the Fields) (in 1978-06)
conductor:
Sir Neville Marriner (conductor) (in 1978-06)
phonographisches Urheberrecht (℗) von:
Philips Classics (See annotation to check it's really this label.) (in 1979) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1979)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1978-06)
recording of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio (in 1978-06)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1773 bis 1773-10-05)
Teil von:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor"
7:38
2▼CD: Operatic and Choral Favourites
Nr.TitelBewertungLänge
1Le Nozze di Figaro: Overture
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1985-08)
künstlerische Leitung:
Ubaldo Gardini (vocal/language coach, violinist) (in 1985-08)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Orchester:
Academy of St Martin in the Fields (in 1985-08)
conductor:
Sir Neville Marriner (conductor) (in 1985-08)
concertmaster:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1985-08)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1985-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Die Hochzeit des Figaro (German translation)
Teil von:
Le nozze di Figaro, K. 492 (Die Hochzeit des Figaro, K 492)
4:13
2Ave verum corpus, K 618
Produzent(in):
Vittorio Negri (conductor)
Orgel:
John Constable (pianist) (in 1971-04)
Chorgesang:
London Symphony Chorus (in 1971-04)
vocals:
London Symphony Chorus (in 1971-04)
Orchester:
London Symphony Orchestra (in 1971-04)
conductor:
Sir Colin Davis (English conductor) (in 1971-04)
chorus master:
Arthur Oldham (chorus master)
phonographisches Urheberrecht (℗) von:
Philips Classics (See annotation to check it's really this label.) (in 1972)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1971-04)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (in 1971-04)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (bis 1791-06-18)
Teil von:
Köchelverzeichnis (first edition, 1862, K¹) (Nummer: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (Nummer: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (Nummer: K. 618), Köchelverzeichnis (original numbering) (Nummer: 618) und Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. 618)
3:57
3Die Zauberflöte: Overture
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (in 1984-01)
recording of:
Die Zauberflöte: Ouvertüre (Die Zauberflöte, K. 620: Ouvertüre) (in 1984-01)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Teil von:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
7:15
4Die Zauberflöte: "Der Vogellänger bin ich ja"
Baritongesang [Papageno]:
Mikael Melbye (bass-baritone) (in 1984-01)
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (in 1984-01)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1984-01)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt I
3:06
5Die Zauberflöte: "Der Hölle Rache"
Chorgesang:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1984-01)
Soprangesang:
Luciana Serra (soprano) (in 1984-01)
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1984-01)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt II
2:59
6Die Zauberflöte: "Pa-pa-pa-pa"
recorded in:
Dresden, Sachsen, Deutschland (in 1984-01)
Baritongesang [Papageno]:
Mikael Melbye (bass-baritone) (in 1984-01)
Soprangesang [Papagena]:
Maria Venuti (soprano) (in 1984-01)
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (in 1984-01)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1984-01)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
enthalten in:
「パ、パ、パ、パ」〜オペラ「魔笛」より
Teil von:
Die Zauberflöte, K. 620: Akt II
2:38
7Exsultate, jubilate, K 165: Alleluja
Soprangesang:
Elly Ameling (soprano)
Orchester:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Teil von:
Exsultate, jubilate, K. 158a/165
2:45
8Requiem in D minor, K 626: Introitus: Requiem
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Chorgesang:
Academy of St Martin in the Fields Chorus (in 1990-02)
Soprangesang:
Sylvia McNair (soprano) (in 1990-02)
Orchester:
Academy of St Martin in the Fields (in 1990-02)
conductor:
Sir Neville Marriner (conductor) (in 1990-02)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-02)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1990-02)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (Süßmayr Edition; choir and soprano solo) (in 1990-02)
Orchestrator(in):
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) und Franz Xaver Süßmayr
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
zusätzliche(r) Komponist(in):
Franz Xaver Süßmayr
basiert auf:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
Teil von:
Requiem in D minor, K. 626 (Süßmayr edition)
5:04
9Requiem in D minor, K 626: Dies Irae
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Chorgesang:
Academy of St Martin in the Fields Chorus (in 1990-02)
Orchester:
Academy of St Martin in the Fields (in 1990-02)
conductor:
Sir Neville Marriner (conductor) (in 1990-02)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-02)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1990-02)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (in 1990-02)
Orchestrator(in):
Franz Xaver Süßmayr
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
zusätzliche(r) Komponist(in):
Joseph Leopold Eybler (Austrian composer)
Teil von:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
2:00
10Requiem in D minor, K 626: Confutatis
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Chorgesang:
Academy of St Martin in the Fields Chorus (in 1990-02)
Orchester:
Academy of St Martin in the Fields (in 1990-02)
conductor:
Sir Neville Marriner (conductor) (in 1990-02)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-02)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1990-02)
recording of:
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis maledictis (Süßmayr Edition; choir) (in 1990-02)
Orchestrator(in):
Franz Xaver Süßmayr
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
zusätzliche(r) Komponist(in):
Joseph Leopold Eybler (Austrian composer) und Franz Xaver Süßmayr
Teil von:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
2:28
11Requiem in D minor, K 626: Lacrimosa
Produzent(in):
Erik Smith (British producer, pianist and harpsichordist)
Chorgesang:
Academy of St Martin in the Fields Chorus (in 1990-02)
Solo Bass-Gesang:
Robert Lloyd (operatic bass)
Solo contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
Solo Soprangesang:
Sylvia McNair (soprano)
Solo Tenor-Gesang:
Francisco Araiza (tenor)
Orchester:
Academy of St Martin in the Fields (in 1990-02)
conductor:
Sir Neville Marriner (conductor) (in 1990-02)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1990-02)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1990-02)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1990-02)
Orchestrator(in):
Franz Xaver Süßmayr
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
zusätzliche(r) Komponist(in):
Joseph Leopold Eybler (Austrian composer) und Franz Xaver Süßmayr (von 1791 bis 1792)
Teil von:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
3:35
12Don Giovanni: Overture
Orchester:
Academy of St Martin in the Fields (in 1990-07)
conductor:
Sir Neville Marriner (conductor) (in 1990-07)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (vom 1991 bis heute)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1990-07)
recording of:
Don Giovanni: Ouvertura (in 1990-07)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
6:05
13Don Giovanni: "Là ci darem la mano"
Baritongesang [Don Giovanni]:
Thomas Allen (baritone)
Soprangesang [Zerlina]:
Marie McLaughlin (soprano)
Orchester:
Academy of St Martin in the Fields (in 1990-07)
conductor:
Sir Neville Marriner (conductor) (in 1990-07)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (vom 1991 bis heute)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1990-07)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1990-07)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
recording of:
Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): IV. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Là ci darem la mano"
vorher zugeschrieben zu:
Wolfgang Amadeus Mozart (classical composer)
Teil von:
Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious)
3:17
14Don Giovanni: "Don Giovanni, a cenar teco m'invitasti"
Baritongesang:
Sir Thomas Allen (baritone) (in 1990-07)
Bass-Gesang:
Simone Alaimo (bass-baritone) (in 1990-07) und Robert Lloyd (operatic bass) (in 1990-07)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1990-07)
Orchester:
Academy of St Martin in the Fields (in 1990-07)
conductor:
Sir Neville Marriner (conductor) (in 1990-07)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (vom 1991 bis heute)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1990-07)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (in 1990-07)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto II
6:41
15Das Bandel, K 411
Cembalo:
Klaus von Wildemann (Klaus von Wildermann, pianist)
Baritongesang und Bass-Gesang:
Anton Scharinger (bass-baritone)
Soprangesang:
Julie Kaufmann (soprano)
Tenor-Gesang:
Hans Peter Blochwitz (tenor)
Orchester:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Song for 3 Voices, 2 Violins, Viola and Bass in G major, K. 441: Andante sostenuto. (Soprano, Tenor, Bass) "Liebes Manndel, wo ist's Bandel?"
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Teil von:
Köchelverzeichnis (original numbering) (Nummer: 441) und Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. 441)
3:33
16Die Entfuhrung aus dem Serail: Chorus of Janissaries (Turkish Finale)
Chorgesang:
The John Alldis Choir
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Colin Davis (English conductor)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange"
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Christoph Friedrich Bretzner
zusätzlich Librettist:
Johann Gottlieb Stephanie ('The Younger')
Teil von:
Die Entführung aus dem Serail, K. 384: Akt III
1:30
17Le Nozze di Figaro: "Non più andrai"
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1985-08)
künstlerische Leitung:
Ubaldo Gardini (vocal/language coach, violinist) (in 1985-08)
bass-baritone vocals:
José van Dam (Belgian operatic bass-baritone) (in 1985-08)
Bass-Gesang [Figaro]:
José van Dam (Belgian operatic bass-baritone)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1985-08)
vocals:
José van Dam (Belgian operatic bass-baritone) (in 1985-08)
Orchester:
Academy of St Martin in the Fields (in 1985-08)
conductor:
Sir Neville Marriner (conductor) (in 1985-08)
concertmaster:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1985-08)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1985-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
3:56
18Le Nozze di Figaro: "Voi che sapete"
künstlerische Leitung:
Ubaldo Gardini (vocal/language coach, violinist) (in 1985-08)
Mezzosoprangesang [Cherubino]:
Agnes Baltsa (mezzo-soprano) (in 1985-05)
Orchester:
Academy of St Martin in the Fields (in 1985-05)
conductor:
Sir Neville Marriner (conductor) (in 1985-05)
concertmaster:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1985-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1985-05)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
3:01
19Das Veilchen, K 476
Klavier:
Dalton Baldwin (American pianist) (in 1977-08)
Soprangesang:
Elly Ameling (soprano) (in 1977-08)
aufgenommen bei:
Musis Sacrum in Arnhem, Gelderland (Provinz Gelderland), Niederlande, Kingdom of the Netherlands (in 1977-08)
recording of:
Song for Voice & Piano in G major, K. 476 “Das Veilchen”: “Ein Veilchen auf der Wiese stand” (in 1977-08)
Texter:
Johann Wolfgang von Goethe
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1785)
Teil von:
Köchelverzeichnis (original numbering) (Nummer: 476) und Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. 476)
basiert auf:
Das Veilchen
2:40
20Cosi fan Tutte: "Soave sia il vento"
Bass-Gesang und Bass-Gesang [Don Alfonso]:
José van Dam (Belgian operatic bass-baritone)
Soprangesang [Dorabella]:
Anne Sofie von Otter (mezzo-soprano)
Soprangesang [Fiordiligi]:
Karita Mattila (soprano)
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto I
3:25
21Vesperae solennes de Confessore, K 339: Laudate Dominum
Chorgesang:
Rundfunkchor Leipzig
Soprangesang:
Edith Mathis (soprano)
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1780)
Teil von:
Vesperae solennes de confessore, K. 339
4:07

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ASIN:UK: B000027DVA [Info]