Rock Legends

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Rocking All Over the World
registrazione cover di:
Rockin’ All Over the World
paroliere e compositore:
John Fogerty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company e Intersong Ltd. (publisher) (nel 1977)
Status Quo3:35
2Nights in White Satin
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1967)
registrazione di:
Nights in White Satin (nel 1967)
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues4:29
3Maggie May
produttore:
Rod Stewart
celesta :
Pete Sears (nel 1971)
chitarra a 12 corde , chitarra basso e chitarra elettrica :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971)
chitarra acustica :
Martin Quittenton (guitarist for Steamhammer) (nel 1971)
mandolino :
Ray Jackson (nel 1971) e David Lindley (nel 1971)
membranofono e piatti :
Micky Waller (nel 1971)
organo Hammond :
Ian McLagan (nel 1971)
voce principale:
Rod Stewart (nel 1971)
diritti fonografici (℗) detenuti da:
Mercury Records Inc. (copyrights use only) (nel 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1971) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1971)
registrazione di:
Maggie May (nel 1971)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:18
4Dreadlock Holiday
produttore:
Graham Gouldman e Eric Stewart
batteria e tamburello :
Stuart Tosh
chitarra basso e chitarra e voce di accompagnamento e voce principale:
Graham Gouldman
chitarra e organo :
Rick Fenn
congas, campanaccio, marimba, timbales e triangolo :
Paul Burgess (UK rock drummer)
pianoforte elettrico, maracas e organo :
Eric Stewart
sintetizzatore :
Duncan Mackay (UK keyboardist/synthesizerist)
voce di accompagnamento:
Rick Fenn, Eric Stewart e Stuart Tosh
registrata presso:
Strawberry Studios South in Dorking, Surrey, England, Regno Unito (nel 1977)
registrazione di:
Dreadlock Holiday (nel 1977)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Man-Ken Music Ltd.
10cc45:03
5So Tired
tecnico:
Max Norman
produttore:
Bob Daisley, Max Norman e Ozzy Osbourne
tecnico di missaggio:
Tony Bongiovi
batteria :
Tommy Aldridge
chitarra :
Jake E. Lee
chitarra basso :
Bob Daisley
tastiera :
Don Airey
voce di accompagnamento:
Bob Daisley e Jake E. Lee
voce principale:
Ozzy Osbourne
arrangiatore strumenti:
Louis Clark
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983)
registrata presso:
Ridge Farm Studios in Dorking, Surrey, England, Regno Unito (nel 1983)
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione di:
So Tired
paroliere e compositore:
Ozzy Osbourne
editore:
Virgin Music (Publishers) Ltd., EMI Virgin Music Ltd. (do not use this as a release label!) (nel 1983), Monowise Ltd. (nel 1983) e Nymph Music, Inc. (nel 1983)
Ozzy Osbourne3.754:01
6She's Not There
tecnico di registrazione:
Tom Vicari (il 1977-08-05)
produttore:
Tom Coster e Carlos Santana
tecnico di missaggio:
Chris Minto (engineer) e Tom Vicari
batteria :
Graham Lear (il 1977-08-05)
chitarra :
Carlos Santana (il 1977-08-05)
chitarra basso :
David Margen (il 1977-08-05)
percussione :
Pete Escovedo (il 1977-08-05) e Raul Rekow (il 1977-08-05)
tastiera :
Tom Coster (il 1977-08-05)
voce:
Greg Walker (ex-member of Santana) (il 1977-08-05)
arrangiatore archi :
Tom Coster
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrata presso:
CBS Studios (San Francisco) in San Francisco, California, Stati Uniti (il 1977-08-05)
mixata presso:
The Automatt in San Francisco, California, Stati Uniti
registrazione cover di:
She’s Not There (il 1977-08-05)
paroliere e compositore:
Rod Argent
editore:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA e Parker Music
sub-editore:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Santana3.254:06
7Hold On Tight
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
basso :
Kelly Groucutt (nel 1981)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1981)
chitarra , pianoforte e sintetizzatore :
Jeff Lynne (nel 1981) e Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1981)
pianoforte elettrico :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1981)
voce principale:
Jeff Lynne (nel 1981)
direttore d'orchestra:
Rainer Pietsch (musician, songwriter and arranger) (nel 1981)
diritti fonografici (℗) detenuti da:
Jet Records (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981, nel 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1981)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (nel 1981)
registrazione di:
Hold On Tight (nel 1981)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Ltd. (British branch), Polygon Publishing Ltd., EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.153:10
8Let's GrooveEarth, Wind & Fire3:36
9Albatross
produttore:
Mike Vernon
basso elettrico :
John McVie (il 1968-10-06)
batteria :
Mick Fleetwood (il 1968-10-06)
chitarra :
Peter Green (former member of Fleetwood Mac) (il 1968-10-06) e Danny Kirwan (Fleetwood Mac) (il 1968-10-06)
diritti fonografici (℗) detenuti da:
Blue Horizon Records (nel 1968) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1968)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 52)
registrazione di:
Albatross (il 1968-10-06)
compositore:
Peter Green (former member of Fleetwood Mac)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited e Palan Music Publishing Ltd.
Fleetwood Mac43:08
10Take It on the Run
assistente tecnico:
Tom Cummings (engineer) e Jeff Eccles
tecnico:
Kevin Beamish
co-produttore:
Alan Gratzer (drummer)
produttore:
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) e Gary Richrath (guitarist and songwriter)
basso :
Bruce Hall (US bassist for REO Speedwagon)
batteria :
Alan Gratzer (drummer)
chitarra :
Gary Richrath (guitarist and songwriter)
chitarra acustica e voce principale:
Kevin Cronin (guitarist, singer and songwriter)
sintetizzatore :
Neal Doughty (keyboards)
arrangiatore:
Kevin Cronin (guitarist, singer and songwriter)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980)
registrazione di:
Take It on the Run (il 1980-09-18)
paroliere e compositore:
Gary Richrath (guitarist and songwriter)
editore:
HoriPro Entertainment Group, Slam Dunk Music (work publisher) e 大洋音楽 (Taiyō Music)
REO Speedwagon3.754:04
11European Female
produttore:
Steve Churchyard
tecnico di missaggio:
Tony Visconti
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1987)
video musicali:
European Female di The Stranglers
registrazione di:
European Female (In Celebration Of)
paroliere e compositore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Colgems-EMI Music Inc., Complete Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Plugshaft Ltd.
The Stranglers34:05
12Kiss on My List
diritti fonografici (℗) detenuti da:
RCA Records Ltd. (RCA Records, not for release label use! for the imprint, please use “RCA” instead) (nel 1980)
registrazione di:
Kiss on My List
autore:
Janna Allen (songwriter) e Daryl Hall
editore:
Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian e Unichappell Music, Inc.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Hall & Oates4.653:52
13Nothing Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
registrazione cover di:
Nothing’s Gonna Stop Us Now
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:29
14Don't Answer Me
assistente tecnico:
Tony Richards (recording engineer)
tecnico e produttore:
Alan Parsons (of The Alan Parsons Project)
produttore esecutivo:
Eric Woolfson
batteria e percussione :
Stuart Elliott (session drummer, member of Cockney Rebel)
chitarra :
Ian Bairnson
chitarra acustica :
Ian Bairnson e David Paton (of Pilot)
chitarra basso :
David Paton (of Pilot)
sassofono :
Mel Collins
sintetizzatore [Fairlight] :
Alan Parsons (of The Alan Parsons Project)
tastiera e voce di accompagnamento:
Chris Rainbow e Eric Woolfson
voce principale:
Eric Woolfson
direttore d'orchestra:
Andrew Powell (known for contributions to Alan Parsons Project)
arrangiatore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
registrazione di:
Don’t Answer Me
autore:
Alan Parsons (of The Alan Parsons Project) e Eric Woolfson
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Careers Music, Inc. e Woolfsongs Ltd.
The Alan Parsons Project3.84:12
15Runaway Boys
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1980) e EMI America Records, Inc. (holding – file NO releases here!) (nel 1982)
registrazione di:
Runaway Boys
autore:
Slim Jim Phantom e Brian Setzer
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Stray Cats3.653:03
16Every Day Hurts
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1979) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1979)
registrazione di:
Every Day Hurts
autore:
Vic Emerson (English keyboardist, synthesizer, arranger and songwriter), John Stimpson e Paul Young (Sad Café, Mike + The Mechanics)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e St. Anne’s Music Ltd.
Sad Café44:06
17Show Me the Way
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1976)
registrazione di:
Show Me the Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e United Artists Music Co., Inc.
Peter Frampton4:05
18Banana Republic
registrazione di:
Banana Republic
autore:
Pete Briquette e Bob Geldof
The Boomtown Rats3:20

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