With Her Songs: The Atlantic Albums, 1969–1978

~ Release by Roberta Flack (see all versions of this release, 2 available)

Tracklist

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1▼CD: First Take
#TitleRatingLength
1Compared to What
recording engineer:
William Arlt (on 1969-02-25)
producer:
Joel Dorn
mixer:
Bob Liftin
baritone saxophone:
Seldon Powell (on 1969-02-25)
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-25)
drums (drum set):
Ray Lucas (on 1969-02-25)
guitar:
John Pizzarelli (on 1969-02-25)
piano and lead vocals:
Roberta Flack (singer and pianist) (on 1969-02-25)
tenor saxophone:
Frank Wess (on 1969-02-25)
trombone:
Benny Powell (jazz trombonist) (on 1969-02-25)
trumpet:
Joe Newman (US jazz trumpeter) (on 1969-02-25) and Jimmy Nottingham (on 1969-02-25)
horn arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-25)
cover recording of:
Compared to What (on 1969-02-25)
lyricist and composer:
Gene McDaniels
publisher:
Lonport
5:17
2Angelitos Negros
recording engineer:
William Arlt (on 1969-02-24)
producer:
Joel Dorn
mixer:
Bob Liftin
cello:
Charles McCracken (cellist) (on 1969-02-24) and George Ricci (on 1969-02-24)
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-24)
drums (drum set):
Ray Lucas (on 1969-02-24)
guitar:
John Pizzarelli (on 1969-02-24)
piano and lead vocals:
Roberta Flack (singer and pianist) (on 1969-02-24)
viola:
Alfred Brown (viola) (on 1969-02-24), Selwart Clarke (on 1969-02-24) and Theodore Israel (on 1969-02-24)
violin:
Emanuel Green (on 1969-02-24) and Gene Orloff (on 1969-02-24)
conductor:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer) (on 1969-02-24)
strings arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-24)
recording of:
Angelitos negros (original song) (on 1969-02-24)
lyricist:
Andrés Eloy Blanco
composer:
Manuel Álvarez Maciste (Mexican guitarist, singer, songwriter)
publisher:
Edit Mex de Musica Int
is based on:
Píntame angelitos negros (original poem)
6:57
3Our Ages or Our Hearts
recording engineer:
William Arlt (on 1969-02-25)
producer:
Joel Dorn
mixer:
Bob Liftin
cello:
Charles McCracken (cellist) (on 1969-02-25) and George Ricci (on 1969-02-25)
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-25)
drums (drum set):
Ray Lucas (on 1969-02-25)
guitar:
John Pizzarelli (on 1969-02-25)
piano and lead vocals:
Roberta Flack (singer and pianist) (on 1969-02-25)
viola:
Alfred Brown (viola) (on 1969-02-25), Selwart Clarke (on 1969-02-25) and Theodore Israel (on 1969-02-25)
violin:
Emanuel Green (on 1969-02-25) and Gene Orloff (on 1969-02-25)
conductor:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer) (on 1969-02-25)
strings arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-25)
recording of:
Our Ages or Our Hearts (on 1969-02-25)
composer:
Robert Ayers and Donny Hathaway
6:11
4I Told Jesus
recording engineer:
William Arlt (on 1969-02-25)
producer:
Joel Dorn
mixer:
Bob Liftin
baritone saxophone:
Seldon Powell (on 1969-02-25)
cello:
Charles McCracken (cellist) (on 1969-02-25) and George Ricci (on 1969-02-25)
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-25)
drums (drum set):
Ray Lucas (on 1969-02-25)
guitar:
John Pizzarelli (on 1969-02-25)
piano and lead vocals:
Roberta Flack (singer and pianist) (on 1969-02-25)
tenor saxophone:
Frank Wess (on 1969-02-25)
trombone:
Benny Powell (jazz trombonist) (on 1969-02-25)
trumpet:
Joe Newman (US jazz trumpeter) (on 1969-02-25) and Jimmy Nottingham (on 1969-02-25)
viola:
Alfred Brown (viola) (on 1969-02-25), Selwart Clarke (on 1969-02-25) and Theodore Israel (on 1969-02-25)
violin:
Emanuel Green (on 1969-02-25) and Gene Orloff (on 1969-02-25)
conductor:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer) (on 1969-02-25)
horn and strings arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
arranger:
Roberta Flack (singer and pianist)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-25)
recording of:
I Told Jesus (on 1969-02-25)
composer:
[traditional] (special purpose artist)
6:10
5Hey, That's No Way to Say Goodbye
recording engineer:
William Arlt (on 1969-02-26)
producer:
Joel Dorn
mixer:
Bob Liftin
cello:
Charles McCracken (cellist) (on 1969-02-26) and George Ricci (on 1969-02-26)
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-26)
drums (drum set):
Ray Lucas (on 1969-02-26)
guitar:
John Pizzarelli (on 1969-02-26)
piano and lead vocals:
Roberta Flack (singer and pianist) (on 1969-02-26)
viola:
Alfred Brown (viola) (on 1969-02-26), Selwart Clarke (on 1969-02-26) and Theodore Israel (on 1969-02-26)
violin:
Emanuel Green (on 1969-02-26) and Gene Orloff (on 1969-02-26)
conductor:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer) (on 1969-02-26)
strings arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-26)
cover recording of:
Hey, That’s No Way to Say Goodbye (on 1969-02-26)
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, MAM Music (publisher), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Stranger and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
54:09
6The First Time Ever I Saw Your Face
recording engineer:
William Arlt (on 1969-02-25)
producer:
Joel Dorn
mixer:
Bob Liftin
cello:
Charles McCracken (cellist) (on 1969-02-25) and George Ricci (on 1969-02-25)
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-25)
drums (drum set):
Ray Lucas (on 1969-02-25)
guitar:
John Pizzarelli (on 1969-02-25)
piano and lead vocals:
Roberta Flack (singer and pianist) (on 1969-02-25)
viola:
Alfred Brown (viola) (on 1969-02-25), Selwart Clarke (on 1969-02-25) and Theodore Israel (on 1969-02-25)
violin:
Emanuel Green (on 1969-02-25) and Gene Orloff (on 1969-02-25)
conductor:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer) (on 1969-02-25)
strings arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-25)
cover recording of:
The First Time Ever I Saw Your Face (on 1969-02-25)
lyricist and composer:
Ewan MacColl (folksinger, songwriter, actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex Music Publishing, Harmony Music Publishing (subsidiary of Viva Entertainment), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stormking Music Inc. and Westbury Music Ltd.
3.85:23
7Tryin' Times
recording engineer:
William Arlt (on 1969-02-24)
producer:
Joel Dorn
mixer:
Bob Liftin
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-24)
drums (drum set):
Ray Lucas (on 1969-02-24)
guitar:
John Pizzarelli (on 1969-02-24)
piano and lead vocals:
Roberta Flack (singer and pianist) (on 1969-02-24)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-24)
recording of:
Tryin' Times (on 1969-02-24)
writer:
Donny Hathaway and Leroy Hutson
publisher:
Don‐Pow Music
5:09
8Ballad of the Sad Young Men
recording engineer:
William Arlt (on 1969-02-26)
producer:
Joel Dorn
mixer:
Bob Liftin
cello:
Charles McCracken (cellist) (on 1969-02-26) and George Ricci (on 1969-02-26)
double bass:
Ron Carter (US jazz double-bassist) (on 1969-02-26)
drums (drum set):
Ray Lucas (on 1969-02-26)
guitar:
John Pizzarelli (on 1969-02-26)
piano and lead vocals:
Roberta Flack (singer and pianist) (on 1969-02-26)
viola:
Alfred Brown (viola) (on 1969-02-26), Selwart Clarke (on 1969-02-26) and Theodore Israel (on 1969-02-26)
violin:
Emanuel Green (on 1969-02-26) and Gene Orloff (on 1969-02-26)
conductor:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer) (on 1969-02-26)
strings arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-02-26)
recording of:
Ballad of the Sad Young Men (on 1969-02-26)
lyricist:
Fran Landesman
composer:
Tommy Wolf (US pianist/composer)
7:01
2▼CD: Chapter Two
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1Reverend Lee
recording engineer:
Lewis Hahn (on 1969-12-08)
producer:
King Curtis (saxophonist) and Joel Dorn
baritone saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.) (on 1969-12-08)
bass [electric bass]:
Chuck Rainey (American bassist) (on 1969-12-08)
drums (drum set):
Ray Lucas (on 1969-12-08)
guitar:
Eric Gale (on 1969-12-08)
percussion:
Warren Smith (jazz percussionist) (on 1969-12-08)
piano:
Donny Hathaway (on 1969-12-08)
strings:
Arnold Block (on 1969-12-08), Alfred Brown (viola) (on 1969-12-08), Peter Buonconsiglio (on 1969-12-08), Selwart Clarke (on 1969-12-08), Emanuel Green (on 1969-12-08), Leo Kahn (on 1969-12-08), Max Kahn (strings) (on 1969-12-08), Luis Eley (on 1969-12-08), Seymour Miroff (on 1969-12-08), Gene Orloff (on 1969-12-08), Raoul Polikian (on 1969-12-08), Max Pollikoff (on 1969-12-08) and Tosha Samaroff (on 1969-12-08)
tenor saxophone:
George Marge (on 1969-12-08)
trombone:
Garnett Brown (on 1969-12-08) and Chauncey Welsch (on 1969-12-08)
trumpet:
John Frosk (on 1969-12-08), John Glasel (on 1969-12-08) and Ernie Royal (on 1969-12-08)
woodwind [alto sax, flute?]:
Frank Wess (on 1969-12-08)
vocals:
Roberta Flack (singer and pianist) (on 1969-12-08)
remixer:
Lewis Hahn
arranger:
Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-12-08)
cover recording of:
Reverend Lee (on 1969-12-08)
writer:
Gene McDaniels
4:32
2Do What You Gotta Do
recording engineer:
Lewis Hahn (on 1970-03-25)
producer:
Joel Dorn
bass:
Marshall Hawkins (on 1970-03-25)
drums (drum set):
Bernard Sweetney (Jazz musician) (on 1970-03-25)
euphonium:
John Swallow (on 1970-03-25)
flute [alto, bass flute]:
Joe Gentle (on 1970-03-25) and Hubert Laws (on 1970-03-25)
harp:
Corky Hale (on 1970-03-25)
piano:
Roberta Flack (singer and pianist) (on 1970-03-25)
strings:
Sanford Allen (on 1970-03-25), Alfred Brown (viola) (on 1970-03-25), Selwart Clarke (on 1970-03-25), Noel DaCosta (Nigerian-Jamaican composer) (on 1970-03-25), Peter Dimitriades (on 1970-03-25), Harry Lookofsky (on 1970-03-25), Joe Malin (on 1970-03-25), Kermit Moore (on 1970-03-25) and Gene Orloff (on 1970-03-25)
vocals:
Roberta Flack (singer and pianist) (on 1970-03-25)
conductor:
Eumir Deodato (on 1970-03-25)
remixer:
Lewis Hahn
arranger:
Eumir Deodato and Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-03-25)
cover recording of:
Do What You Gotta Do (on 1970-03-25)
lyricist and composer:
Hazel O’Connor and Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) and Sosahamu Music Inc. (publisher; do NOT use as release label)
34:10
3Just Like a Woman
recording engineer:
Lewis Hahn (on 1970-04-01)
producer:
Joel Dorn
bass:
Terry Plumeri (on 1970-04-01)
drums (drum set):
Bernard Sweetney (Jazz musician) (on 1970-04-01)
euphonium:
John Swallow (on 1970-04-01)
flute [alto, bass flute]:
Joe Gentle (on 1970-04-01) and Hubert Laws (on 1970-04-01)
harp:
Corky Hale (on 1970-04-01)
piano:
Roberta Flack (singer and pianist) (on 1970-04-01)
strings:
Sanford Allen (on 1970-04-01), Alfred Brown (viola) (on 1970-04-01), Selwart Clarke (on 1970-04-01), Noel DaCosta (Nigerian-Jamaican composer) (on 1970-04-01), Peter Dimitriades (on 1970-04-01), Harry Lookofsky (on 1970-04-01), Joe Malin (on 1970-04-01), Kermit Moore (on 1970-04-01) and Gene Orloff (on 1970-04-01)
vocals:
Roberta Flack (singer and pianist) (on 1970-04-01)
conductor:
Eumir Deodato (on 1970-04-01)
remixer:
Lewis Hahn
arranger:
Eumir Deodato and Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-04-01)
cover recording of:
Just Like a Woman (on 1970-04-01)
lyricist and composer:
Bob Dylan (on 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons and Dwarf Music (from 1966 to present)
6:15
4Let It Be Me
recording engineer:
Lewis Hahn (on 1970-04-01)
producer:
Joel Dorn
bass:
Terry Plumeri (on 1970-04-01)
drums (drum set):
Bernard Sweetney (Jazz musician) (on 1970-04-01)
euphonium:
John Swallow (on 1970-04-01)
flute [alto, bass flute]:
Joe Gentle (on 1970-04-01) and Hubert Laws (on 1970-04-01)
harp:
Corky Hale (on 1970-04-01)
piano:
Roberta Flack (singer and pianist) (on 1970-04-01)
strings:
Sanford Allen (on 1970-04-01), Alfred Brown (viola) (on 1970-04-01), Selwart Clarke (on 1970-04-01), Noel DaCosta (Nigerian-Jamaican composer) (on 1970-04-01), Peter Dimitriades (on 1970-04-01), Harry Lookofsky (on 1970-04-01), Joe Malin (on 1970-04-01), Kermit Moore (on 1970-04-01) and Gene Orloff (on 1970-04-01)
vocals:
Roberta Flack (singer and pianist) (on 1970-04-01)
conductor:
Eumir Deodato (on 1970-04-01)
remixer:
Lewis Hahn
arranger:
Eumir Deodato and Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-04-01)
cover recording of:
Let It Be Me (on 1970-04-01)
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
translated version of:
Je t’appartiens
3.35:00
5Gone Away
recording engineer:
Lewis Hahn (on 1969-12-09)
producer:
King Curtis (saxophonist) and Joel Dorn
baritone saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.) (on 1969-12-09)
bass [electric bass]:
Chuck Rainey (American bassist) (on 1969-12-09)
drums (drum set):
Ray Lucas (on 1969-12-09)
guitar:
Eric Gale (on 1969-12-09)
percussion:
Warren Smith (jazz percussionist) (on 1969-12-09)
piano:
Donny Hathaway (on 1969-12-09)
strings:
Arnold Block (on 1969-12-09), Alfred Brown (viola) (on 1969-12-09), Peter Buonconsiglio (on 1969-12-09), Selwart Clarke (on 1969-12-09), Emanuel Green (on 1969-12-09), Leo Kahn (on 1969-12-09), Max Kahn (strings) (on 1969-12-09), Luis Eley (on 1969-12-09), Seymour Miroff (on 1969-12-09), Gene Orloff (on 1969-12-09), Raoul Polikian (on 1969-12-09), Max Pollikoff (on 1969-12-09) and Tosha Samaroff (on 1969-12-09)
tenor saxophone:
George Marge (on 1969-12-09)
trombone:
Garnett Brown (on 1969-12-09) and Chauncey Welsch (on 1969-12-09)
trumpet:
John Frosk (on 1969-12-09), John Glasel (on 1969-12-09) and Ernie Royal (on 1969-12-09)
woodwind [alto sax, flute?]:
Frank Wess (on 1969-12-09)
background vocals:
King Curtis (saxophonist) (on 1969-12-09), Roberta Flack (singer and pianist) (on 1969-12-09) and Gene McDaniels (on 1969-12-09)
vocals:
Roberta Flack (singer and pianist) (on 1969-12-09)
remixer:
Lewis Hahn
arranger:
Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-12-09)
cover recording of:
Gone Away (on 1969-12-09)
writer:
Donny Hathaway, Leroy Hutson and Curtis Mayfield
5:17
6Until It's Time for You to Go
recording engineer:
Lewis Hahn (on 1970-04-01)
producer:
Joel Dorn
bass:
Terry Plumeri (on 1970-04-01)
drums (drum set):
Bernard Sweetney (Jazz musician) (on 1970-04-01)
euphonium:
John Swallow (on 1970-04-01)
flute [alto, bass flute]:
Joe Gentle (on 1970-04-01) and Hubert Laws (on 1970-04-01)
harp:
Corky Hale (on 1970-04-01)
piano:
Roberta Flack (singer and pianist) (on 1970-04-01)
strings:
Sanford Allen (on 1970-04-01), Alfred Brown (viola) (on 1970-04-01), Selwart Clarke (on 1970-04-01), Noel DaCosta (Nigerian-Jamaican composer) (on 1970-04-01), Peter Dimitriades (on 1970-04-01), Harry Lookofsky (on 1970-04-01), Joe Malin (on 1970-04-01), Kermit Moore (on 1970-04-01) and Gene Orloff (on 1970-04-01)
vocals:
Roberta Flack (singer and pianist) (on 1970-04-01)
conductor:
Eumir Deodato (on 1970-04-01)
remixer:
Lewis Hahn
arranger:
Eumir Deodato and Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-04-01)
cover recording of:
Until It’s Time for You to Go (on 1970-04-01)
lyricist and composer:
Buffy Sainte‐Marie
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (ended), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (ended), Howe Sound Music Publishing LLC and Rondor Music (London) Ltd.
4:58
7The Impossible Dream
recording engineer:
Lewis Hahn (on 1970-03-25)
producer:
Joel Dorn
bass:
Marshall Hawkins (on 1970-03-25)
drums (drum set):
Bernard Sweetney (Jazz musician) (on 1970-03-25)
euphonium:
John Swallow (on 1970-03-25)
flute [alto, bass flute]:
Joe Gentle (on 1970-03-25) and Hubert Laws (on 1970-03-25)
harp:
Corky Hale (on 1970-03-25)
piano:
Roberta Flack (singer and pianist) (on 1970-03-25)
strings:
Sanford Allen (on 1970-03-25), Alfred Brown (viola) (on 1970-03-25), Selwart Clarke (on 1970-03-25), Noel DaCosta (Nigerian-Jamaican composer) (on 1970-03-25), Peter Dimitriades (on 1970-03-25), Harry Lookofsky (on 1970-03-25), Joe Malin (on 1970-03-25), Kermit Moore (on 1970-03-25) and Gene Orloff (on 1970-03-25)
vocals:
Roberta Flack (singer and pianist) (on 1970-03-25)
conductor:
Eumir Deodato (on 1970-03-25)
remixer:
Lewis Hahn
arranger:
Eumir Deodato and Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-03-25)
cover recording of:
The Impossible Dream (Man of La Mancha) (on 1970-03-25)
lyricist:
Joe Darion
composer:
Mitch Leigh
publisher:
Andrew Scott Inc., Andrew Scott Music, Carlin Music Corporation and Helena Music Co.
part of:
Man of La Mancha (Mitch Leigh musical)
4:42
8Business Goes on as Usual
recording engineer:
Lewis Hahn (on 1970-04-01)
producer:
Joel Dorn
bass:
Terry Plumeri (on 1970-04-01)
drums (drum set):
Bernard Sweetney (Jazz musician) (on 1970-04-01)
euphonium:
John Swallow (on 1970-04-01)
flute [alto, bass flute]:
Joe Gentle (on 1970-04-01) and Hubert Laws (on 1970-04-01)
harp:
Corky Hale (on 1970-04-01)
piano:
Roberta Flack (singer and pianist) (on 1970-04-01)
strings:
Sanford Allen (on 1970-04-01), Alfred Brown (viola) (on 1970-04-01), Selwart Clarke (on 1970-04-01), Noel DaCosta (Nigerian-Jamaican composer) (on 1970-04-01), Peter Dimitriades (on 1970-04-01), Harry Lookofsky (on 1970-04-01), Joe Malin (on 1970-04-01), Kermit Moore (on 1970-04-01) and Gene Orloff (on 1970-04-01)
vocals:
Roberta Flack (singer and pianist) (on 1970-04-01)
conductor:
Eumir Deodato (on 1970-04-01)
remixer:
Lewis Hahn
arranger:
Eumir Deodato and Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-04-01)
cover recording of:
Business Goes On as Usual (on 1970-04-01)
lyricist:
Frances Minkoff
composer:
Fred Hellerman
3:30
3▼CD: Quiet Fire
#TitleRatingLength
1Go Up Moses
producer:
Joel Dorn
bass [electric bass]:
Chuck Rainey (American bassist) (on 1971-06-10)
drums (drum set):
Bernard Purdie (on 1971-06-10)
guitar:
Hugh McCracken (on 1971-06-10)
organ:
Richard Tee (on 1971-06-10)
percussion:
Ralph MacDonald (on 1971-06-10)
piano:
Roberta Flack (singer and pianist) (on 1971-06-10)
vocals:
Roberta Flack (singer and pianist) (on 1971-06-10)
arranger:
Roberta Flack (singer and pianist)
recorded at:
Regent Sound Studios in New York, New York, United States (on 1971-06-10)
5:24
2Bridge Over Troubled Water
producer:
Joel Dorn
cello:
Seymour Barab (on 1971-01-07), Ted Hoyle (on 1971-01-07), Kermit Moore (on 1971-01-07) and George Ricci (on 1971-01-07)
piano:
Roberta Flack (singer and pianist) (on 1971-01-07)
background vocals:
Cissy Houston (on 1971-01-07)
choir vocals:
The Newark Boy Chorus (on 1971-01-07)
vocals:
Roberta Flack (singer and pianist) (on 1971-01-07)
arranger:
Eumir Deodato
recorded at:
Regent Sound Studios in New York, New York, United States (on 1971-01-07)
cover recording of:
Bridge Over Troubled Water (on 1971-01-07)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
7:17
3Sunday and Sister Jones
producer:
Joel Dorn
bass [electric bass]:
Chuck Rainey (American bassist) (on 1971-06-10)
drums (drum set):
Bernard Purdie (on 1971-06-10)
guitar:
Hugh McCracken (on 1971-06-10)
organ:
Richard Tee (on 1971-06-10)
percussion:
Ralph MacDonald (on 1971-06-10)
piano:
Roberta Flack (singer and pianist) (on 1971-06-10)
vocals:
Roberta Flack (singer and pianist) (on 1971-06-10)
arranger:
Roberta Flack (singer and pianist)
recorded at:
Regent Sound Studios in New York, New York, United States (on 1971-06-10)
5:01
4See You Then
producer:
Joel Dorn
bass [electric bass]:
Chuck Rainey (American bassist) (on 1971-06-10)
drums (drum set):
Bernard Purdie (on 1971-06-10)
guitar:
Hugh McCracken (on 1971-06-10)
organ:
Richard Tee (on 1971-06-10)
percussion:
Ralph MacDonald (on 1971-06-10)
piano:
Roberta Flack (singer and pianist) (on 1971-06-10)
vocals:
Roberta Flack (singer and pianist) (on 1971-06-10)
arranger:
Roberta Flack (singer and pianist)
recorded at:
Regent Sound Studios in New York, New York, United States (on 1971-06-10)
3:45
5Will You Still Love Me Tomorrow
recorded in:
New York, New York, United States (on 1971-04-05)
producer:
Joel Dorn
bass:
Ron Carter (US jazz double-bassist) (on 1971-04-05)
piano:
Roberta Flack (singer and pianist) (on 1971-04-05)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1971-04-05)
vocals:
Roberta Flack (singer and pianist) (on 1971-04-05)
arranger:
William Eaton (US folk/new age guitarist & string instrument player)
4:09
6To Love Somebody
producer:
Joel Dorn
bass [electric bass]:
Chuck Rainey (American bassist) (on 1971-06-10)
drums (drum set):
Bernard Purdie (on 1971-06-10)
guitar:
Hugh McCracken (on 1971-06-10)
organ:
Richard Tee (on 1971-06-10)
percussion:
Ralph MacDonald (on 1971-06-10)
piano:
Roberta Flack (singer and pianist) (on 1971-06-10)
vocals:
Roberta Flack (singer and pianist) (on 1971-06-10)
arranger:
Roberta Flack (singer and pianist)
recorded at:
Regent Sound Studios in New York, New York, United States (on 1971-06-10)
cover recording of:
To Love Somebody (on 1971-06-10)
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
part of:
50/50
6:44
7Let Them Talk
producer:
Joel Dorn
bass:
Terry Plumeri (on 1971-01-06)
bass [electric bass]:
Chuck Rainey (American bassist) (on 1971-01-06)
drums (drum set):
Grady Tate (on 1971-01-06)
piano:
Roberta Flack (singer and pianist) (on 1971-01-06)
tenor saxophone:
Joe Farrell (on 1971-01-06)
vibraphone:
David Carey (vibraphonist/percussionist) (on 1971-01-06)
vocals:
Roberta Flack (singer and pianist) (on 1971-01-06)
arranger:
Roberta Flack (singer and pianist)
recorded at:
Regent Sound Studios in New York, New York, United States (on 1971-01-06)
3:55
8Sweet Bitter Love
recorded in:
New York, New York, United States (on 1971-04-05)
producer:
Joel Dorn
piano:
Roberta Flack (singer and pianist) (on 1971-04-05)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1971-04-05)
vocals:
Roberta Flack (singer and pianist) (on 1971-04-05)
arranger:
William Eaton (US folk/new age guitarist & string instrument player)
cover recording of:
Sweet Bitter Love (on 1971-04-05)
lyricist, writer and composer:
Van McCoy
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and Van McCoy Music
6:08
4▼CD: Roberta Flack & Donny Hathaway
#TitleArtistRatingLength
1I (Who Have Nothing)
recording engineer:
Jimmy Douglass (engineer)
producer:
Joel Dorn and Arif Mardin
mixer:
Jimmy Douglass (engineer) and Arif Mardin
drums (drum set):
Bernard Purdie (from 1971-03 until 1971-10)
electric bass guitar [electric bass]:
Chuck Rainey (American bassist) (from 1971-03 until 1971-10)
electric piano:
Roberta Flack (singer and pianist) (from 1971-03 until 1971-10)
guitar:
Eric Gale (from 1971-03 until 1971-10)
percussion:
Ralph MacDonald (from 1971-03 until 1971-10)
piano:
Donny Hathaway (from 1971-03 until 1971-10)
vocals:
Roberta Flack (singer and pianist) (from 1971-03 until 1971-10) and Donny Hathaway (from 1971-03 until 1971-10)
strings arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-03 until 1971-10)
cover recording of:
I (Who Have Nothing) (from 1971-03 until 1971-10)
lyricist:
Jerry Leiber and Mike Stoller
writer:
Mogol (Italian lyricist)
composer:
Carlo Donida
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orange Sky Music Ltd., Shapiro Bernstein & Co. Ltd., Sony/ATV Songs LLC, Cotillion Music Inc. (BMI) (in 1961, in 1963), Milky Way Publishing Co., Inc. (in 1961, in 1963), Trio Music Co., Inc. (in 1961, in 1963), Walden Music (publisher) (in 1979) and Yellow Dog Music (in 1979)
translated version of:
Uno dei tanti
Roberta Flack & Donny Hathaway5:04
2You've Got a Friend
additional recording engineer:
Gene Paul
recording engineer:
Lew Hahn
producer:
Joel Dorn and Arif Mardin
mixer:
Jimmy Douglass (engineer) and Arif Mardin
drums (drum set):
Billy Cobham (from 1971-03 until 1971-10)
electric bass guitar [electric bass]:
Chuck Rainey (American bassist) (from 1971-03 until 1971-10)
electric piano:
Donny Hathaway (from 1971-03 until 1971-10)
flute:
Joe Gentle (from 1971-03 until 1971-10)
guitar:
David Spinozza (from 1971-03 until 1971-10)
percussion:
Ralph MacDonald (from 1971-03 until 1971-10)
vocals:
Roberta Flack (singer and pianist) (from 1971-03 until 1971-10) and Donny Hathaway (from 1971-03 until 1971-10)
strings arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-03 until 1971-10) and Regent Sound Studios in New York, New York, United States (from 1971-03 until 1971-10)
cover recording of:
You’ve Got a Friend (from 1971-03 until 1971-10)
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc. and Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Roberta Flack & Donny Hathaway3:26
3Baby I Love You
recording engineer:
Jimmy Douglass (engineer)
producer:
Joel Dorn and Arif Mardin
mixer:
Jimmy Douglass (engineer) and Arif Mardin
drums (drum set):
Bernard Purdie (from 1971-03 until 1971-10)
electric bass guitar [electric bass]:
Chuck Rainey (American bassist) (from 1971-03 until 1971-10)
guitar:
Eric Gale (from 1971-03 until 1971-10)
percussion:
Ralph MacDonald (from 1971-03 until 1971-10)
piano:
Donny Hathaway (from 1971-03 until 1971-10)
vocals:
Roberta Flack (singer and pianist) (from 1971-03 until 1971-10) and Donny Hathaway (from 1971-03 until 1971-10)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-03 until 1971-10)
cover recording of:
Baby I Love You (from 1971-03 until 1971-10)
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, Fourteenth Hour Music, Inc. and Pronto Music (publisher)
Roberta Flack & Donny Hathaway3:28
4Be Real Black for Me
recording engineer:
Jimmy Douglass (engineer)
producer:
Joel Dorn and Arif Mardin
mixer:
Jimmy Douglass (engineer) and Arif Mardin
drums (drum set):
Bernard Purdie (from 1971-03 until 1971-10)
electric bass guitar [electric bass]:
Chuck Rainey (American bassist) (from 1971-03 until 1971-10)
electric piano and piano:
Donny Hathaway (from 1971-03 until 1971-10)
guitar:
Eric Gale (from 1971-03 until 1971-10)
percussion:
Ralph MacDonald (from 1971-03 until 1971-10)
vocals:
Roberta Flack (singer and pianist) (from 1971-03 until 1971-10) and Donny Hathaway (from 1971-03 until 1971-10)
horn [horns] arranger and strings arranger:
Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-03 until 1971-10)
recording of:
Be Real Black for Me
writer:
Roberta Flack (singer and pianist), Donny Hathaway and Charles Mann (US soul singer)
Roberta Flack & Donny Hathaway3:34
5You've Lost That Lovin' Feelin'
recording engineer:
Jimmy Douglass (engineer)
producer:
Joel Dorn and Arif Mardin
mixer:
Jimmy Douglass (engineer) and Arif Mardin
drums (drum set):
Bernard Purdie (from 1971-03 until 1971-10)
electric bass guitar [electric bass]:
Chuck Rainey (American bassist) (from 1971-03 until 1971-10)
electric piano:
Donny Hathaway (from 1971-03 until 1971-10)
guitar:
Eric Gale (from 1971-03 until 1971-10)
percussion:
Ralph MacDonald (from 1971-03 until 1971-10)
piano:
Roberta Flack (singer and pianist) (from 1971-03 until 1971-10)
soprano saxophone [soprano sax]:
Joe Farrell (from 1971-03 until 1971-10)
vocals:
Roberta Flack (singer and pianist) (from 1971-03 until 1971-10) and Donny Hathaway (from 1971-03 until 1971-10)
strings arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-03 until 1971-10)
cover recording of:
You’ve Lost That Lovin’ Feelin’ (from 1971-03 until 1971-10)
writer:
Barry Mann, Phil Spector and Cynthia Weil
publisher:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Roberta Flack & Donny Hathaway6:39
6For All We Know
recording engineer:
Jimmy Douglass (engineer)
producer:
Joel Dorn and Arif Mardin
mixer:
Jimmy Douglass (engineer) and Arif Mardin
drums (drum set):
Bernard Purdie (from 1971-03 until 1971-10)
electric bass guitar [electric bass]:
Chuck Rainey (American bassist) (from 1971-03 until 1971-10)
flute:
Hubert Laws (from 1971-03 until 1971-10)
guitar:
Eric Gale (from 1971-03 until 1971-10)
percussion:
Ralph MacDonald (from 1971-03 until 1971-10)
piano:
Roberta Flack (singer and pianist) (from 1971-03 until 1971-10)
vocals:
Donny Hathaway (from 1971-03 until 1971-10)
strings arranger and woodwind [woodwinds] arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-03 until 1971-10)
cover recording of:
For All We Know (1934 song) (from 1971-03 until 1971-10)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
Roberta Flack & Donny Hathaway3:40
7Where Is the Love
recording engineer:
Jimmy Douglass (engineer)
producer:
Joel Dorn and Arif Mardin
mixer:
Jimmy Douglass (engineer) and Arif Mardin
drums (drum set):
Bernard Purdie (from 1971-03 until 1971-10)
electric bass guitar [electric bass]:
Chuck Rainey (American bassist) (from 1971-03 until 1971-10)
electric piano and piano:
Donny Hathaway (from 1971-03 until 1971-10)
guitar:
Eric Gale (from 1971-03 until 1971-10)
percussion:
Ralph MacDonald (from 1971-03 until 1971-10)
vibraphone [vibes]:
Jack Jennings (from 1971-03 until 1971-10)
vocals:
Roberta Flack (singer and pianist) (from 1971-03 until 1971-10) and Donny Hathaway (from 1971-03 until 1971-10)
performer:
Donny Hathaway (from 1971-03 until 1971-10)
strings arranger and woodwind [woodwinds] arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-03 until 1971-10)
recording of:
Where Is the Love (from 1971-03 until 1971-10)
writer:
Ralph MacDonald and William Salter (songwriter, bassist, producer)
publisher:
Antisia Music Inc. and BMG Ruby Songs
Roberta Flack & Donny Hathaway2:47
8When Love Has Grown
recording engineer:
Jimmy Douglass (engineer)
producer:
Joel Dorn and Arif Mardin
mixer:
Jimmy Douglass (engineer) and Arif Mardin
drums (drum set):
Bernard Purdie (from 1971-03 until 1971-10)
electric bass guitar [electric bass]:
Chuck Rainey (American bassist) (from 1971-03 until 1971-10)
electric piano and piano:
Donny Hathaway (from 1971-03 until 1971-10)
flute:
Hubert Laws (from 1971-03 until 1971-10)
guitar:
Eric Gale (from 1971-03 until 1971-10)
percussion:
Ralph MacDonald (from 1971-03 until 1971-10)
vocals:
Roberta Flack (singer and pianist) (from 1971-03 until 1971-10) and Donny Hathaway (from 1971-03 until 1971-10)
horn [horns] arranger and strings arranger:
Donny Hathaway
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-03 until 1971-10)
recording of:
When Love Has Grown
writer:
Donny Hathaway
Roberta Flack & Donny Hathaway3:27
9Come Ye Disconsolate
recording engineer:
Jimmy Douglass (engineer)
producer:
Joel Dorn and Arif Mardin
mixer:
Jimmy Douglass (engineer) and Arif Mardin
drums (drum set):
Bernard Purdie (from 1971-03 until 1971-10)
electric bass guitar [electric bass]:
Chuck Rainey (American bassist) (from 1971-03 until 1971-10)
guitar:
Eric Gale (from 1971-03 until 1971-10)
organ:
Roberta Flack (singer and pianist) (from 1971-03 until 1971-10)
percussion:
Ralph MacDonald (from 1971-03 until 1971-10)
piano:
Donny Hathaway (from 1971-03 until 1971-10)
vocals:
Roberta Flack (singer and pianist) (from 1971-03 until 1971-10) and Donny Hathaway (from 1971-03 until 1971-10)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-03 until 1971-10)
recording of:
Come Ye Disconsolate
writer:
Thomas Moore (writer of spiritual books) and Samuel Webbe
Roberta Flack & Donny Hathaway4:53
10Mood
recording engineer:
Jimmy Douglass (engineer)
producer:
Joel Dorn and Arif Mardin
mixer:
Jimmy Douglass (engineer) and Arif Mardin
drums (drum set):
Bernard Purdie (from 1971-03 until 1971-10)
electric bass guitar [electric bass]:
Chuck Rainey (American bassist) (from 1971-03 until 1971-10)
electric piano:
Donny Hathaway (from 1971-03 until 1971-10)
guitar:
Eric Gale (from 1971-03 until 1971-10)
percussion:
Ralph MacDonald (from 1971-03 until 1971-10)
piano:
Roberta Flack (singer and pianist) (from 1971-03 until 1971-10)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-03 until 1971-10)
recording of:
Mood
writer:
Roberta Flack (singer and pianist)
Roberta Flack & Donny Hathaway7:05
5▼CD: Killing Me Softly
#TitleRatingLength
1Killing Me Softly With His Song
producer:
Joel Dorn
piano:
Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 273) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 361)
cover recording of:
Killing Me Softly With His Song
lyricist:
Norman Gimbel
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC and Fox-Gimbel Productions Inc. (in 1972)
3.554:50
2Jesse
producer:
Joel Dorn
piano:
Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
cover recording of:
Jesse
lyricist and composer:
Janis Ian
publisher:
Frank Music Corp., Rude Girl Publishing and Taosongs Two
4:04
3No Tears (In the End)
producer:
Joel Dorn
piano:
Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
No Tears (In the End)
writer:
Ralph MacDonald and William Salter (songwriter, bassist, producer)
4:59
4I'm the Girl
producer:
Joel Dorn
piano:
Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
cover recording of:
I’m the Girl
lyricist and composer:
James H. Shelton (composer of “Lilac Wine”)
4:57
5River
producer:
Joel Dorn
piano:
Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
cover recording of:
River
lyricist and composer:
Gene McDaniels
5:04
6Conversation Love
producer:
Joel Dorn
piano:
Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
Conversation Love
lyricist and composer:
Terry Plumeri and Bill Seighman
3:43
7When You Smile
producer:
Joel Dorn
piano:
Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
When You Smile
writer:
Ralph MacDonald and William Salter (songwriter, bassist, producer)
publisher:
Antisia Music Inc. and BMG Ruby Songs
3:45
8Suzanne
producer:
Joel Dorn
piano:
Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
cover recording of:
Suzanne (English original song by Leonard Cohen)
lyricist:
Leonard Cohen (Canadian singer‐songwriter and poet) (in 1966)
composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. and Writers Workshop Ltd.
9:47
6▼CD: Feel Like Makin’ Love
#TitleRatingLength
1Feelin' That Glow
5:47
2I Wanted It Too
2:51
3I Can See the Sun in Late December
recording of:
I Can See the Sun in Late December
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. and 大洋音楽 (Taiyō Music)
12:47
4Some Gospel According to Matthew
2:40
5Feel Like Makin' Love
recorded in:
New York, New York, United States (on 1973-06-13)
producer:
Eugene McDaniels and Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist) (on 1973-06-13)
arranger:
Roberta Flack (singer and pianist) and L. Leon Pendarvis
recording of:
Feel Like Makin’ Love (on 1973-06-13)
lyricist and composer:
Eugene McDaniels
publisher:
Skyforest Music Co., Inc. and 日音 Synch事業部 (NICHION, INC. Synch Division)
2:55
6Mr. Magic
cover recording of:
Mister Magic (Mr. Magic)
composer:
Ralph MacDonald and William Salter (songwriter, bassist, producer)
3:58
7Early Ev'ry Midnite
5:53
8Old Heartbreak Top Ten
4:23
9She's Not Blind
5:28
7▼CD: Blue Lights in the Basement
#TitleArtistRatingLength
1Why Don't You Move in With Me
Roberta Flack4:54
2The Closer I Get to You
executive producer:
Ahmet Ertegun (US songwriter/producer)
producer:
Joe Ferla, Roberta Flack (singer and pianist) and Gene McDaniels
vocals:
Donny Hathaway
recording of:
The Closer I Get to You
writer:
Reggie Lucas and James Mtume (jazz/funk musician)
publisher:
Ensign Music Corporation and Scarab Publıshıng Corporatıon
Roberta Flack with Donny Hathaway4:41
3Fine, Fine Day
Roberta Flack4:51
4This Time I'll Be Sweeter
Roberta Flack4:27
525th of Last December
Roberta Flack4:31
6After You
Roberta Flack3:53
7I'd Like to Be Baby to You
recording of:
(I'd Like to Be) Baby to You
writer:
Morgan Ames
Roberta Flack4:40
8Soul Deep
Roberta Flack2:24
9Love Is the Healing
Roberta Flack3:45
10Where I'll Find You
Roberta Flack3:12
8▼CD: Roberta Flack
#TitleRatingLength
1What a Woman Really Means
4:49
2You Are Everything
4:35
3Independent Man
4:56
4If Ever I See You Again
producer:
Joseph Brooks (US songwriter/film director)
conductor:
Joseph Brooks (US songwriter/film director)
arranger:
Joseph Brooks (US songwriter/film director)
recording of:
If Ever I See You Again
lyricist and composer:
Joseph Brooks (US songwriter/film director)
3:37
5And the Feeling's Good
cover recording of:
And the Feeling’s Good
lyricist:
Norman Gimbel
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Fox-Gimbel Productions Inc., New Thunder Music Co. and Rodali Music
3:08
6Knowing That We Are Made for Each Other
3:36
7Come Share My Love
3:45
8Baby I Love You So
cover recording of:
Baby I Love You
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, Fourteenth Hour Music, Inc. and Pronto Music (publisher)
4:53
9When It's Over
3:28