A Voice From on High

~ Veröffentlichung von Bill Monroe and the Bluegrass Boys (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1Let the Light Shine Down on Me
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jackie Phelps (am 1955-01-28)
Kontrabass:
William D. Killen (am 1955-01-28)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1955-01-28)
Baritongesang:
Charlie Cline (am 1955-01-28)
Bass-Gesang:
Bobby Hicks (American bluegrass fiddler) (am 1955-01-28)
recording of:
Let the Light Shine Down on Me (am 1955-01-28)
Komponist(in):
Dot Swan
1:55
A2Lord Protect My Soul
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-10-15)
Kontrabass und Bass-Gesang:
Joel Price (am 1950-10-15)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-10-15)
Baritongesang:
Rudy Lyle (am 1950-10-15)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-10-15)
recording of:
Lord Protect My Soul (am 1950-10-15)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
2:30
A3Wait a Little Longer, Please Jesus
Produzent(in):
Paul Cohen (Nashville country producer)
Fiddle:
Charlie Cline (am 1955-01-28) und Bobby Hicks (American bluegrass fiddler) (am 1955-01-28)
Gitarre:
Jackie Phelps (am 1955-01-28)
Kontrabass:
Buddy Killen (am 1955-01-28)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1955-01-28)
Baritongesang:
Charlie Cline (am 1955-01-28)
Bass-Gesang:
Bobby Hicks (American bluegrass fiddler) (am 1955-01-28)
Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1955-01-28) und Jackie Phelps (am 1955-01-28)
recording of:
Wait a Little Longer Please, Jesus (am 1955-01-28)
Texter und Komponist(in):
Hazel Houser
2:34
A4A Voice From on High
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-14)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-14)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-14)
Baritongesang:
Charlie Cline (am 1954-01-14)
recording of:
A Voice From on High (am 1954-01-14)
Texter und Komponist(in):
Bessie Lee Mauldin und Bill Monroe (“The Father of Bluegrass”)
2:34
A5I'm Working on a Building
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-14)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-14, am 1954-01-25)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-14, am 1954-01-25)
Baritongesang:
Charlie Cline (am 1954-01-14, am 1954-01-25)
Bass-Gesang:
Milton Estes (am 1954-01-14, am 1954-01-25)
recording of:
I’m Working on the Building (Carter version, verses begin "If I was...") (am 1954-01-14)
Texter und Komponist(in):
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
Version von:
Working on the Building
2:41
A6Don't Put Off Until Tomorrow
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Don't Put Off Until Tomorrow (am 1952-07-18)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”) und Pete Pyle
2:33
B1He Will Set Your Fields Afire
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-14)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-14)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-14)
Baritongesang:
Charlie Cline (am 1954-01-14)
Bass-Gesang:
Milton Estes (am 1954-01-14)
recording of:
He Will Set Your Fields Afire (am 1954-01-14)
Komponist(in):
Wilbur Jones (“The Father of Bluegrass”)
2:38
B2Get Down on Your Knees and Pray
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Carter Stanley (am 1951-07-06)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1951-07-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-07-06)
Baritongesang:
Rudy Lyle (am 1951-07-06)
Bass-Gesang:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-07-06)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-07-06)
recording of:
Get Down on Your Knees and Pray (am 1951-07-06)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:58
B3Boat of Love
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-04-08)
Kontrabass und Baritongesang:
Joel Price (am 1950-04-08)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-04-08)
Bass-Gesang:
Birch Monroe (am 1950-04-08)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-04-08)
recording of:
Boat of Love (am 1950-04-08)
Texter und Komponist(in):
James B. Smith (“The Father of Bluegrass”)
2:41
B4Walking in Jerusalem Just Like John
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Baritongesang:
Charlie Cline (am 1952-07-18)
Bass-Gesang:
Boudleaux Bryant (am 1952-07-18)
Sologesang:
Jimmy Martin (US bluegrass musician) (am 1952-07-18) und Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Walking in Jerusalem Just Like John (am 1952-07-18)
Texter und Komponist(in):
[traditional] (special purpose artist)
vorher zugeschrieben zu:
Bill Monroe (“The Father of Bluegrass”)
1:57
B5River of Death
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-10-15)
Kontrabass und Bass-Gesang:
Joel Price (am 1950-10-15)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-10-15)
Baritongesang:
Rudy Lyle (am 1950-10-15)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-10-15)
recording of:
River of Death (am 1950-10-15)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:30

Nennungen

Veröffentlichungsgruppe

Wikidata:Q133521531 [Info]