Cantatas, BWV 146–147

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Kantate, BWV 146 “Wir müssen durch viel Trübsal”: I. Sinfonia
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1973-03 until 1973-04)
conductor:
Helmuth Rilling (conductor) (from 1973-03 until 1973-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": I. Sinfonia (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: I. Allegro
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
Johann Sebastian Bach8:15
2Kantate, BWV 146 “Wir müssen durch viel Trübsal”: II. Coro “Wir müssen durch viel Trübsal”
choir vocals:
Gächinger Kantorei Stuttgart (from 1973-03 until 1973-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1973-03 until 1973-04)
conductor:
Helmuth Rilling (conductor) (from 1973-03 until 1973-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": II. Coro "Wir müssen durch viel Trübsal" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: II. Adagio
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
Johann Sebastian Bach6:46
3Kantate, BWV 146 “Wir müssen durch viel Trübsal”: III. Aria (Alt) “Ich will nach dem Himmel zu”
alto vocals:
Marga Höffgen (contralto) (from 1973-03 until 1973-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1973-03 until 1973-04)
conductor:
Helmuth Rilling (conductor) (from 1973-03 until 1973-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": III. Aria (Alt) "Ich will nach dem Himmel zu" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
Johann Sebastian Bach8:32
4Kantate, BWV 146 “Wir müssen durch viel Trübsal”: IV. Recitativo (Sopran) “Ach! wer doch schon im Himmel wär”
soprano vocals:
Helen Donath (soprano) (from 1973-03 until 1973-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1973-03 until 1973-04)
conductor:
Helmuth Rilling (conductor) (from 1973-03 until 1973-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": IV. Recitativo (Sopran) "Ach! wer doch schon im Himmel wär" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
Johann Sebastian Bach2:13
5Kantate, BWV 146 “Wir müssen durch viel Trübsal”: V. Aria (Sopran) “Ich säe meine Zähren”
soprano vocals:
Helen Donath (soprano) (from 1973-03 until 1973-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1973-03 until 1973-04)
conductor:
Helmuth Rilling (conductor) (from 1973-03 until 1973-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": V. Aria (Sopran) "Ich säe meine Zähren" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
Johann Sebastian Bach6:00
6Kantate, BWV 146 “Wir müssen durch viel Trübsal”: VI. Recitativo (Tenor) “Ich bin bereit”
tenor vocals:
Kurt Equiluz (tenor) (from 1973-03 until 1973-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1973-03 until 1973-04)
conductor:
Helmuth Rilling (conductor) (from 1973-03 until 1973-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": VI. Recitativo (Tenor) "Ich bin bereit" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
Johann Sebastian Bach1:35
7Kantate, BWV 146 “Wir müssen durch viel Trübsal”: VII. Aria (Duetto Tenor, Bass) “Wie will ich mich freuen”
bass vocals:
Hanns-Friedrich Kunz (German bass and conductor) (from 1973-03 until 1973-04)
tenor vocals:
Kurt Equiluz (tenor) (from 1973-03 until 1973-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1973-03 until 1973-04)
conductor:
Helmuth Rilling (conductor) (from 1973-03 until 1973-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": VII. Aria (Duetto Tenor, Bass) "Wie will ich mich freuen" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
Johann Sebastian Bach5:45
8Kantate, BWV 146 “Wir müssen durch viel Trübsal”: VIII. Choral “Denn wer selig dahin fähret”
choir vocals:
Gächinger Kantorei Stuttgart (from 1973-03 until 1973-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1973-03 until 1973-04)
conductor:
Helmuth Rilling (conductor) (from 1973-03 until 1973-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": VIII. Choral "Denn wer selig dahin fähret" (from 1973-03 until 1973-04)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Breitkopf 389 Choralgesänge (number: 360)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
Johann Sebastian Bach1:04
9Kantate, BWV 147 “Herz und Mund und Tat und Leben”: I. Coro “Herz und Mund und Tat und Leben”
choir vocals:
Frankfurter Kantorei (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:36
10Kantate, BWV 147 “Herz und Mund und Tat und Leben”: II. Recitativo (Tenor) “Gebenedeiter Mund!”
tenor vocals:
Kurt Equiluz (tenor) (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:53
11Kantate, BWV 147 “Herz und Mund und Tat und Leben”: III. Aria (Alt) “Schäme dich, o Seele, nicht”
alto vocals:
Helen Watts (contralto) (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:54
12Kantate, BWV 147 “Herz und Mund und Tat und Leben”: IV. Recitativo (Bass) “Verstockung kann Gewaltige verblenden”
bass vocals:
Wolfgang Schöne (bass-baritone) (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:49
13Kantate, BWV 147 “Herz und Mund und Tat und Leben”: V. Aria (Sopran) “Bereite dir, Jesu, noch itzo die Bahn”
soprano vocals:
Arleen Augér (soprano) (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:08
14Kantate, BWV 147 “Herz und Mund und Tat und Leben”: VI. Choral “Wohl mir, daß ich Jesum habe”
choir vocals:
Frankfurter Kantorei (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:58
15Kantate, BWV 147 “Herz und Mund und Tat und Leben”: VII. Aria (Tenor) “Hilf, Jesu, hilf, daß ich auch dich bekenne”
tenor vocals:
Kurt Equiluz (tenor) (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:04
16Kantate, BWV 147 “Herz und Mund und Tat und Leben”: VIII. Recitativo (Alt) “Der höchsten Allmacht Wunderhand”
alto vocals:
Helen Watts (contralto) (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:49
17Kantate, BWV 147 “Herz und Mund und Tat und Leben”: IX. Aria (Bass) “Ich will von Jesu Wundern singen”
bass vocals:
Wolfgang Schöne (bass-baritone) (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:14
18Kantate, BWV 147 “Herz und Mund und Tat und Leben”: X. Choral “Jesus bleibet meine Freude”
choir vocals:
Frankfurter Kantorei (from 1976-09 until 1977-06) and Gächinger Kantorei Stuttgart (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:53

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 45) (order: 45)