Asylum Years

~ Release by Tom Waits (see all versions of this release, 6 available)

Tracklist

| |
1▼Cassette: Cassette One
#TitleRatingLength
A1Ol' 55
?:??
A2Martha
recorded in:
Hollywood, Los Angeles, California, United States (in 1972)
sound engineer:
Dayton “Bones” Howe
engineer and mixer:
Richie Moore (engineer)
producer:
Jerry Yester
drums (drum set):
John Seiter (in 1972)
guest cello:
Jesse Ehrlich (in 1972)
guitar:
Shep Cooke (in 1972)
piano:
Tom Waits (in 1972)
trumpet:
Delbert Bennett (in 1972)
vocals:
Tom Waits (in 1972)
recorded at:
Sunset Hills Studio in Hollywood, Los Angeles, California, United States (in 1972)
mixed at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
Martha (in 1972)
lyricist and composer:
Thomas Alan Waits
3.35?:??
A3Rosie
?:??
A4I Hope That I Don't Fall in Love With You
recorded in:
Hollywood, Los Angeles, California, United States (in 1972)
engineer and mixer:
Richie Moore (engineer)
producer:
Jerry Yester
cello:
Jesse Ehrlich (in 1972)
drums (drum set):
John Seiter (in 1972)
guitar:
Shep Cooke (in 1972)
piano:
Tom Waits (in 1972)
trumpet:
Delbert Bennett (in 1972)
vocals:
Tom Waits (in 1972)
recorded at:
Sunset Hills Studio in Hollywood, Los Angeles, California, United States (in 1972)
mixed at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
I Hope That I Don’t Fall in Love With You (in 1972)
lyricist and composer:
Tom Waits
publisher:
Jalma Music
3.65?:??
A5Ice Cream Man
recorded in:
Hollywood, Los Angeles, California, United States (in 1972)
engineer and mixer:
Richie Moore (engineer)
producer:
Jerry Yester
cello:
Jesse Ehrlich (in 1972)
drums (drum set):
John Seiter (in 1972)
guitar:
Shep Cooke (in 1972)
piano:
Tom Waits (in 1972)
trumpet:
Delbert Bennett (in 1972)
vocals:
Tom Waits (in 1972)
recorded at:
Sunset Hills Studio in Hollywood, Los Angeles, California, United States (in 1972)
mixed at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States
recording of:
Ice Cream Man (in 1972)
lyricist and composer:
Tom Waits
3?:??
A6New Coat of Paint
assistant engineer:
Geoff Howe
engineer and producer:
Dayton “Bones” Howe
double bass:
Jim Hughart (in 1974)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (in 1974)
piano:
Tom Waits (in 1974)
tenor saxophone:
Pete Christlieb (in 1974)
vocals:
Tom Waits (in 1974)
arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1974)
recording of:
New Coat of Paint (in 1974)
lyricist and composer:
Tom Waits
publisher:
Six Palms Music Corporation
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
3.5?:??
A7San Diego Serenade
?:??
B1Diamonds on My Windshield
?:??
B2(Looking for) The Heart of Saturday Night
recording of:
(Looking for) The Heart of Saturday Night
lyricist and composer:
Tom Waits
?:??
B3Tom Traubert's Blues
sound engineer and producer:
Dayton “Bones” Howe
vocals:
Tom Waits
recording of:
Tom Traubert’s Blues (Four Sheets to the Wind in Copenhagen)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
is based on:
Waltzing Matilda
?:??
B4Step Right Up
?:??
B5The Piano Has Been Drinking
?:??
2▼Cassette: Cassette Two
#TitleRatingLength
C1Potter's Field
sound engineer and producer:
Dayton “Bones” Howe
vocals:
Tom Waits
conductor:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
recording of:
Potter's Field
orchestrator:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
lyricist:
Tom Waits
composer:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) and Tom Waits
?:??
C2Burma Shave
?:??
C3I Never Talk to Strangers
sound engineer and producer:
Dayton “Bones” Howe
assistant engineer:
Geoff Howe
vocals:
Bette Midler (from 1977-07-28 until 1977-08-15) and Tom Waits (from 1977-07-28 until 1977-08-15)
conductor:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) (from 1977-07-28 until 1977-08-15)
performer:
Bette Midler (from 1977-07-28 until 1977-08-15)
recording of:
I Never Talk to Strangers (from 1977-07-28 until 1977-08-15)
orchestrator:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
lyricist and composer:
Tom Waits
?:??
C4Eggs and Sausage
?:??
C5Better Off Without a Wife
engineer and producer:
Bones Howe
double bass [upright bass]:
Jim Hughart (from 1975-07-30 until 1975-07-31)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (from 1975-07-30 until 1975-07-31)
electric piano:
Mike Melvoin (from 1975-07-30 until 1975-07-31)
piano:
Tom Waits (from 1975-07-30 until 1975-07-31)
vocals:
Tom Waits (from 1975-07-30 until 1975-07-31)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1975-07-30 until 1975-07-31)
live recording of:
Better Off Without a Wife (from 1975-07-30 until 1975-07-31)
lyricist and composer:
Tom Waits
3?:??
D1Romeo Is Bleeding
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
bass:
Jim Hughart (from 1978-07 until 1978-08)
congas:
Bobbye Hall (from 1978-07 until 1978-08)
drums (drum set):
Chip White (from 1978-07 until 1978-08)
electric guitar:
Tom Waits (from 1978-07 until 1978-08)
guitar:
Ray Crawford (from 1978-07 until 1978-08)
organ:
Charles Kynard (from 1978-07 until 1978-08)
tenor saxophone:
Frank Vicari (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Romeo Is Bleeding (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
4?:??
D2$29.00
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
bass:
Byron Miller (bass guitarist) (from 1978-07 until 1978-08)
drums (drum set):
Ricky Lawson (from 1978-07 until 1978-08)
electric guitar:
Roland Bautista (from 1978-07 until 1978-08) and Tom Waits (from 1978-07 until 1978-08)
electric piano:
George Duke (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
$29.00 (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
3.5?:??
D3Christmas Card From a Hooker in Minneapolis
assistant sound engineer:
Geoff Howe (from 1978-07 until 1978-08) and Ralph Osborn (engineer) (from 1978-07 until 1978-08)
sound engineer:
Dayton “Bones” Howe (from 1978-07 until 1978-08)
engineer and producer:
Dayton “Bones” Howe
electric piano:
George Duke (from 1978-07 until 1978-08)
piano:
Tom Waits (from 1978-07 until 1978-08)
vocals:
Tom Waits (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Christmas Card From a Hooker in Minneapolis (from 1978-07 until 1978-08)
lyricist and composer:
Tom Waits
4?:??
D4Heartattack and Vine
engineer:
Dayton “Bones” Howe (from 1980-06-16 until 1980-07-15) and Geoff Howe (from 1980-06-16 until 1980-07-15)
producer:
Dayton “Bones” Howe
baritone saxophone and tenor saxophone:
Plas Johnson (from 1980-06-16 until 1980-07-15)
bass:
Larry Taylor (US bassist) (from 1980-06-16 until 1980-07-15)
drums (drum set):
John Thomassie (from 1980-06-16 until 1980-07-15)
electric guitar:
Tom Waits (from 1980-06-16 until 1980-07-15)
vocals:
Tom Waits (from 1980-06-16 until 1980-07-15)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1980-06-16 until 1980-07-15)
recording of:
Heartattack and Vine (from 1980-06-16 until 1980-07-15)
lyricist and composer:
Tom Waits
publisher:
Jalma Music
?:??
D5Jersey Girl
engineer:
Dayton “Bones” Howe (from 1980-06-16 until 1980-07-15) and Geoff Howe (from 1980-06-16 until 1980-07-15)
producer:
Dayton “Bones” Howe
12 string guitar:
Roland Bautista (from 1980-06-16 until 1980-07-15)
bass:
Greg Cohen (from 1980-06-16 until 1980-07-15)
drums (drum set):
John Thomassie (from 1980-06-16 until 1980-07-15)
electric guitar:
Tom Waits (from 1980-06-16 until 1980-07-15)
glockenspiel and percussion:
Victor Feldman (jazz musician) (from 1980-06-16 until 1980-07-15)
vocals:
Tom Waits (from 1980-06-16 until 1980-07-15)
conductor:
Jerry Yester (from 1980-06-16 until 1980-07-15)
arranger:
Jerry Yester
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1980-06-16 until 1980-07-15)
recording of:
Jersey Girl (from 1980-06-16 until 1980-07-15)
lyricist and composer:
Tom Waits
?:??