The Complete ’50s Albums Collection

~ Release by Elvis Presley (see all versions of this release, 1 available)

Tracklist

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1▼Digital Media
#TitleRatingLength
1Blue Suede Shoes
cover recording of:
Blue Suede Shoes
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
2:02
2I’m Counting on You
recording of:
I’m Counting on You
lyricist and composer:
Don Robertson (“Happy Whistler” songwriter)
publisher:
Carlin Music Corporation, Don Robertson Music Corp. and Ross Jungnickel, Inc.
2:26
3I Got a Woman
cover recording of:
I Got a Woman
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:27
4One‐Sided Love Affair
recording of:
One-Sided Love Affair
lyricist and composer:
Bill Campbell (US songwriter)
publisher:
EMI Unart Catalog Inc. and Sheldon Music
2:12
5I Love You Because
cover recording of:
I Love You Because
lyricist and composer:
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1949-10-12)
2:43
6Just Because
cover recording of:
Just Because
lyricist:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) and Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
composer:
Leon Chappelear and Sid Robin (US lyricist & composer)
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) and State Street Music Publ. Co. Inc. (on 1936-03-19)
2:34
7Tutti Frutti
cover recording of:
Tutti Frutti (on 1956-01-31)
lyricist:
Dorothy LaBostrie (American songwriter) and Richard Wayne Penniman
composer:
Dorothy LaBostrie (American songwriter), Joe Lubin and Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Phonogram GmbH (in 1983)
2:00
8Trying to Get to You
cover recording of:
Trying to Get to You
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific and You Look Good Music Publishing
2:34
9I’m Gonna Sit Right Down and Cry (Over You)
cover recording of:
I’m Gonna Sit Right Down and Cry (Over You)
lyricist and composer:
Howard Biggs and Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Angle Music, Coblin Music Co., Copyright Records and EMI Music Publishing Ltd. (PRS‐affiliated)
2:06
10I’ll Never Let You Go (Little Darlin’)
cover recording of:
I’ll Never Let You Go Little Darlin’
lyricist and composer:
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) and Sunshine Music Co., Inc. (on 1941-11-17)
2:26
11Blue Moon
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1954-08-15 until 1954-08-19)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1954-08-15 until 1954-08-19)
guitar:
Elvis Presley (“The King of Rock and Roll”) (from 1954-08-15 until 1954-08-19)
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1954-08-15 until 1954-08-19)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-08-15 until 1954-08-19)
cover recording of:
Blue Moon (from 1954-08-15 until 1954-08-19)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
live cover recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
2:45
12Money Honey
cover recording of:
Money Honey (on 1956-01-10)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
2:35
2▼Digital Media
#TitleRatingLength
1Rip It Up
cover recording of:
Rip It Up
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
1:55
2Love Me Tender
live recording of:
Love Me Tender
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Aura Lea
2:47
3When My Blue Moon Turns to Gold Again
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-02)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 21)
cover recording of:
When My Blue Moon Turns to Gold Again (on 1956-09-02)
writer:
Gene Sullivan (in 1940) and Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI) (on 1941-12-03)
3.352:24
4Long Tall Sally
cover recording of:
Long Tall Sally (on 1956-09-02)
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
1:56
5First in Line
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-03)
recording of:
First in Line (on 1956-09-03)
composer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
Rachel’s Own Music and Ross Jungnickel, Inc.
33:25
6Paralyzed
recording of:
Paralyzed
composer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music and Williamson Music Company
2:27
7So Glad You’re Mine
cover recording of:
So Glad You’re Mine
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
2:23
8Old Shep
cover recording of:
Old Shep
publisher:
Clyde Julian Foley (US country music musician) (on 1935-06-24)
lyricist:
Willis Arthur (lyricist)
composer:
Clyde Julian Foley (US country music musician)
publisher:
Westpar Music
4:12
9Ready Teddy
cover recording of:
Ready Teddy
lyricist and composer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Venice Music, Inc.
1:58
10Anyplace Is Paradise
recording of:
Anyplace Is Paradise
lyricist and composer:
Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
2:28
11How’s the World Treating You
cover recording of:
How’s the World Treating You
composer:
Chet Atkins and Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI)
2:27
12How Do You Think I Feel
cover recording of:
How Do You Think I Feel
composer:
Webb Pierce and Wiley Walker
2:10
3▼Digital Media
#TitleRatingLength
1Mean Woman Blues
cover recording of:
Mean Woman Blues
lyricist and composer:
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. and Williamson Music Company
2:20
2(Let Me Be Your) Teddy Bear
recording of:
(Let Me Be Your) Teddy Bear
writer:
Bernie Lowe and Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Williamson Music Company
1:50
3Loving You
cover recording of:
Loving You
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
2:17
4Got a Lot O’ Livin’ to Do!
recording of:
Got a Lot o’ Livin’ to Do (on 1957-01-12)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
cover recording of:
Got a Lot o’ Livin’ to Do
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
42:34
5Lonesome Cowboy
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
recording of:
Lonesome Cowboy (from 1957-01-15 until 1957-01-18)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc. and Williamson Music Company
cover recording of:
Lonesome Cowboy
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc. and Williamson Music Company
43:05
6Hot Dog
cover recording of:
Hot Dog
writer:
Jerry Leiber and Mike Stoller
publisher:
Elvis Presley Music Inc., Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Silver Seahorse Music LLC and Sony/ATV Songs LLC
1:17
7(Let’s Have a) Party
recording of:
Let’s Have a Party
lyricist and composer:
Jessie Mae Robinson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gladys Music Inc., IQ Music Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
1:33
8Blueberry Hill
cover recording of:
Blueberry Hill
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
writer:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
2:42
9True Love
cover recording of:
True Love (High Society)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
part of:
The 29th Academy Award for Best Original Song (number: 2)
part of:
High Society (stage musical)
part of:
High Society (1956 film)
2:10
10Don’t Leave Me Now
cover recording of:
Don’t Leave Me Now
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. and Rachel’s Own Music
2:02
11Have I Told You Lately That I Love You
cover recording of:
Have I Told You Lately That I Love You?
lyricist and composer:
Scott Wiseman (in 1945)
publisher:
Duchess Music Corporation (BMI-affiliated), MCA Duchess Music Corporation, Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Leeds Music Ltd. (in 1982)
2:33
12I Need You So
cover recording of:
I Need You So
lyricist and composer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
Hill and Range Songs, Inc. (publisher), St. Louis Music Corp. and Unichappell Music
2:41
13Tell Me Why
cover recording of:
Tell Me Why
lyricist and composer:
Titus Turner
publisher:
Cheerio Corp.
2:07
4▼Digital Media
#TitleRatingLength
1Santa Claus Is Back in Town
recording of:
Santa Claus Is Back in Town
writer:
Jerry Leiber and Mike Stoller
publisher:
Carlin Music Corporation, Cherry River Music, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
2:26
2White Christmas
cover recording of:
White Christmas
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
EMI Allans Music Australia Pty Ltd, Irving Berlin Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
2:26
3Here Comes Santa Claus (Right Down Santa Claus Lane)
cover recording of:
Here Comes Santa Claus (Right Down Santa Claus Lane)
lyricist and composer:
Gene Autry (“The Singing Cowboy”), Oakley Haldeman (songwriter) and Harriett Melka
writer:
Oakley Haldeman (songwriter) and Harriett Melka
publisher:
Campbell Connelly & Co., EMI Davis Music Australia Pty Limited, Remick Music Corp., Warner Bros. Music Corp. and Gene Autry Music Publishing, Inc. (on 1947-11-20)
1:58
4I’ll Be Home for Christmas
cover recording of:
I’ll Be Home for Christmas
lyricist:
James Kimball Gannon
additional writer:
Buck Ram
composer:
Walter Kent
publisher:
Chappell Music Ltd., Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gannon and Kent Music Co., Piedmont Music Company, Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
1:56
5Blue Christmas
cover recording of:
Blue Christmas
writer:
Bill Hayes (songwriter) and Jay Johnson (songwriter of “Blue Christmas”)
publisher:
Anglo-Pic Music Co. Ltd., Bibo Music Publishing, Inc., J. Albert & Son Pty. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal Polygram International, Inc.
12:10
6Santa Bring My Baby Back (To Me)
recording of:
Santa Bring My Baby Back (to Me)
writer:
Claude Demetrius and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Carlin Music Corporation, Cherry Lane Music Co., Gladys Music, Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
1:55
7O Little Town of Bethlehem
cover recording of:
O Little Town of Bethlehem (traditional carol with the tune “St. Louis”, as commonly sung in the U.S.)
lyricist:
Phillips Brooks (in 1868)
composer:
Lewis Henry Redner (in 1868)
is based on:
St. Louis (hymn tune)
2:39
8Silent Night
recording of:
Silent Night (Christmas carol, English translation)
lyricist:
Josef Mohr (composer/author) (in 1816)
composer:
Franz Xaver Gruber (composer/author) (in 1818)
translator:
John Freeman Young (in 1859)
part of:
Roud Folk Song Index (number: 27088)
translated version of:
Stille Nacht, heilige Nacht
2:27
9(There’ll Be) Peace in the Valley for Me
engineer:
Thorne Nogar
producer:
Steve Sholes
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-01-13)
drums (drum set):
D.J. Fontana (on 1957-01-13)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-01-13)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1957-01-13)
background vocals:
The Jordanaires (southern gospel group) (on 1957-01-13)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-01-13)
vocals:
The Jordanaires (southern gospel group) (on 1957-01-13)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-01-13)
cover recording of:
There’ll Be Peace in the Valley for Me (on 1957-01-13)
publisher:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”) (on 1939-01-25)
lyricist and composer:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
publisher:
Carlin Music Corp., Rightsong Music, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
33:24
10I Believe
cover recording of:
I Believe (on 1957-01-12)
writer:
Ervin Drake (songwriter), Irvin Graham, Jimmy Shirl (songwriter) and Al Stillman
publisher:
Adaken Music, Cromwell Music, Inc., Gentlemen Jim Music Corp., Hampshire House Publishing Corp., L and S Freedom Music, Lindabet Music Corporation, Tadzio Music Corp., The Songwriters Guild, The Stillman Song Company and TRO Essex Music Ltd.
2:07
11Take My Hand, Precious Lord
cover recording of:
Take My Hand, Precious Lord
lyricist and arranger:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
additional composer:
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
composer:
[traditional] (special purpose artist)
previously attributed to:
George Nelson Allen (American composer from the 1800s)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:20
12It Is No Secret (What God Can Do)
cover recording of:
It Is No Secret
lyricist and composer:
Stuart Hamblen
publisher:
Duchess Music Corporation (BMI-affiliated), Hamblen Music, MCA Music Ltd. and Songs of Universal, Inc. (BMI)
3:54
5▼Digital Media
#TitleRatingLength
1Hound Dog
cover recording of:
Hound Dog
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
2:19
2Loving You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-02-23 until 1957-02-24)
drums (drum set):
D.J. Fontana (from 1957-02-23 until 1957-02-24)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-02-23 until 1957-02-24) and Elvis Presley (“The King of Rock and Roll”) (from 1957-02-23 until 1957-02-24)
piano:
Dudley Brooks (from 1957-02-23 until 1957-02-24)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-02-24)
vocals:
The Jordanaires (southern gospel group) (from 1957-02-23 until 1957-02-24)
additional performer:
The Jordanaires (southern gospel group) (on 1957-02-24)
phonographic copyright (℗) by:
BMG Music and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-02-23 until 1957-02-24)
recording of:
Loving You (from 1957-02-23 until 1957-02-24)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
cover recording of:
Loving You
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
42:17
3All Shook Up
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-12 until 1957-01-13)
drums (drum set):
D.J. Fontana (from 1957-01-12 until 1957-01-13)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-12 until 1957-01-13) and Elvis Presley (“The King of Rock and Roll”) (from 1957-01-12 until 1957-01-13)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1957-01-12 until 1957-01-13)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (southern gospel group) (from 1957-01-12 until 1957-01-13)
remixer:
Dennis Ferrante
additional performer:
The Jordanaires (southern gospel group)
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-01-12 until 1957-01-13) and Bloch Arena in Honolulu, Hawaii, United States (on 1961-03-25)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 18) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 353)
cover recording of:
All Shook Up (on 1957-01-12)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) and Shalimar Music Corp.
3.652:00
4Heartbreak Hotel
recording of:
Heartbreak Hotel
writer:
Mae Boren Axton, Tommy Durden and Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
2:10
5Jailhouse Rock
recording of:
Jailhouse Rock
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC and Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
2:29
6Love Me
cover recording of:
Love Me
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
2:47
7Too Much
cover recording of:
Too Much
writer:
Lee Rosenberg and Bernard Weinman
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., MCS Music Ltd. and Southern Belle Music
2:36
8Don’t Be Cruel
recording of:
Don’t Be Cruel
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. and Williamson Music Company
2:06
9That’s When Your Heartaches Begin
cover recording of:
That’s When Your Heartaches Begin
writer:
Fred Fisher, Billy Hill (US songwriter) and William Raskin
publisher:
Fred Fisher Music Co., Inc. and Sony/ATV Tunes LLC (ASCAP)
3:25
10(Let Me Be Your) Teddy Bear
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1957-01-15 until 1957-01-18)
vocals:
Elvis Presley (“The King of Rock and Roll”) and The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
additional performer:
The Jordanaires (southern gospel group) (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Entertainment (in 1957), BMG Music (in 1957) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 26)
recording of:
(Let Me Be Your) Teddy Bear (from 1957-01-15 until 1957-01-18)
writer:
Bernie Lowe and Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Williamson Music Company
cover recording of:
(Let Me Be Your) Teddy Bear
writer:
Bernie Lowe and Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. and Williamson Music Company
2.751:50
11Love Me Tender
recording of:
Love Me Tender
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Aura Lea
2:44
12Treat Me Nice
recording of:
Treat Me Nice
writer:
Jerry Leiber and Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
2:14
13Any Way You Want Me (That’s How I Will Be)
recording of:
Any Way You Want Me
writer:
Cliff Owens and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Rachel’s Own Music and Ross Jungnickel, Inc.
2:17
14I Want You, I Need You, I Love You
recording of:
I Want You, I Need You, I Love You
writer:
Ira Kosloff and Maurice Mysels
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music and Williamson Music Company
2:40
6▼Digital Media
#TitleRatingLength
1King Creole
engineer:
Thorne Nogar (from 1958-01 until 1958-02) and Phil Wisdom (from 1958-01 until 1958-02)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1958-01-15 until 1958-01-23), Neal Matthews (from 1958-01-15 until 1958-01-23) and Ray Siegel (from 1958-01-15 until 1958-01-23)
bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1958-01-15 until 1958-01-23)
clarinet:
Mahlon Clark (from 1958-01-15 until 1958-01-23)
cymbal:
Hoyt Hawkins (from 1958-01-15 until 1958-01-23)
drums (drum set):
D.J. Fontana (from 1958-01-15 until 1958-01-23) and Bernie Mattinson (from 1958-01-15 until 1958-01-23)
guitar:
Neal Matthews (from 1958-01-15 until 1958-01-23), Scotty Moore (American guitarist and recording engineer) (from 1958-01-15 until 1958-01-23) and Elvis Presley (“The King of Rock and Roll”) (from 1958-01-15 until 1958-01-23)
piano:
Dudley Brooks (from 1958-01-15 until 1958-01-23)
saxophone:
Justin Gordon (from 1958-01-15 until 1958-01-23)
trombone:
Elmer Schneider (from 1958-01-15 until 1958-01-23) and Warren Smith (jazz trombonist) (from 1958-01-15 until 1958-01-23)
trumpet:
John Ed Buckner (from 1958-01-15 until 1958-01-23)
tuba:
Ray Siegel (from 1958-01-15 until 1958-01-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1958-01-23)
vocals:
The Jordanaires (southern gospel group) (from 1958-01-15 until 1958-01-23)
additional performer:
The Jordanaires (southern gospel group) (on 1958-01-23)
phonographic copyright (℗) by:
BMG Entertainment (in 1958), BMG Music (in 1958) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-16, on 1958-01-23)
cover recording of:
King Creole (from 1958-01-15 until 1958-01-23)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Cherry Lane Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
4.22:11
2As Long as I Have You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1958-01-15 until 1958-01-23), Neal Matthews (from 1958-01-15 until 1958-01-23) and Ray Siegel (from 1958-01-15 until 1958-01-23)
bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1958-01-15 until 1958-01-23)
clarinet:
Mahlon Clark (from 1958-01-15 until 1958-01-23)
cymbal:
Hoyt Hawkins (from 1958-01-15 until 1958-01-23)
drums (drum set):
D.J. Fontana (from 1958-01-15 until 1958-01-23) and Bernie Mattinson (from 1958-01-15 until 1958-01-23)
guitar:
Neal Matthews (from 1958-01-15 until 1958-01-23), Scotty Moore (American guitarist and recording engineer) (from 1958-01-15 until 1958-01-23) and Elvis Presley (“The King of Rock and Roll”) (from 1958-01-15 until 1958-01-23)
piano:
Dudley Brooks (from 1958-01-15 until 1958-01-23)
saxophone:
Justin Gordon (from 1958-01-15 until 1958-01-23)
trombone:
Elmer Schneider (from 1958-01-15 until 1958-01-23) and Warren Smith (jazz trombonist) (from 1958-01-15 until 1958-01-23)
trumpet:
John Ed Buckner (from 1958-01-15 until 1958-01-23)
tuba:
Ray Siegel (from 1958-01-15 until 1958-01-23)
vocals:
The Jordanaires (southern gospel group) (from 1958-01-15 until 1958-01-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-16, on 1958-01-23)
cover recording of:
As Long as I Have You (from 1958-01-15 until 1958-01-23)
writer:
Ben Weisman and Fred Wise
publisher:
Chappell & Co., Erika Publishing and Gladys Music Inc.
2.51:53
3Hard Headed Woman
engineer:
Thorne Nogar (from 1958-01 until 1958-02) and Phil Wisdom (from 1958-01 until 1958-02)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1958-01-15 until 1958-01-23), Neal Matthews (from 1958-01-15 until 1958-01-23) and Ray Siegel (from 1958-01-15 until 1958-01-23)
bongos:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1958-01-15 until 1958-01-23)
clarinet:
Mahlon Clark (from 1958-01-15 until 1958-01-23)
cymbal:
Hoyt Hawkins (from 1958-01-15 until 1958-01-23)
drums (drum set):
D.J. Fontana (from 1958-01-15 until 1958-01-23) and Bernie Mattinson (from 1958-01-15 until 1958-01-23)
guitar:
Neal Matthews (from 1958-01-15 until 1958-01-23), Scotty Moore (American guitarist and recording engineer) (from 1958-01-15 until 1958-01-23) and Elvis Presley (“The King of Rock and Roll”) (from 1958-01-15 until 1958-01-23)
piano:
Dudley Brooks (from 1958-01-15 until 1958-01-23)
saxophone:
Justin Gordon (from 1958-01-15 until 1958-01-23)
trombone:
Elmer Schneider (from 1958-01-15 until 1958-01-23) and Warren Smith (jazz trombonist) (from 1958-01-15 until 1958-01-23)
trumpet:
John Ed Buckner (from 1958-01-15 until 1958-01-23)
tuba:
Ray Siegel (from 1958-01-15 until 1958-01-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (from 1958-01-15 until 1958-01-23)
additional performer:
The Jordanaires (southern gospel group)
phonographic copyright (℗) by:
BMG Entertainment (in 1958), BMG Music (in 1958) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-01-15 until 1958-01-16, on 1958-01-23)
cover recording of:
Hard Headed Woman (on 1958-01-15)
lyricist and composer:
Claude Demetrius
publisher:
Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated) and Williamson Music Company
recording of:
Hard Headed Woman
lyricist and composer:
Claude Demetrius
publisher:
Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated) and Williamson Music Company
3.451:56
4Trouble
engineer:
Thome Nogar
additional vocals:
The Jordanaires (southern gospel group) (on 1958-01-15)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1958-01-15)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-01-15)
recording of:
Trouble (Elvis Presley) (on 1958-01-15)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Jerome Leiber Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Purple Starfish Music, Sony Songs and Sony/ATV Songs LLC
3.652:19
5Dixieland Rock
cover recording of:
Dixieland Rock
writer:
Rachel Frank and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Rachel’s Own Music and Williamson Music Company
1:49
6Don’t Ask Me Why
cover recording of:
Don’t Ask Me Why (on 1958-01-16)
writer:
Ben Weisman and Fred Wise
publisher:
Chappell & Co. and Erika Publishing
22:09
7Lover Doll
recording of:
Lover Doll
writer:
Abner Silver and Sid Wayne
2:13
8Crawfish
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-01-15)
cover recording of:
Crawfish (on 1958-01-15)
lyricist:
Fred Wise
composer:
Ben Weisman
publisher:
Chappell & Co. and Erika Publishing
3.51:52
9Young Dreams
cover recording of:
Young Dreams
writer:
Martin Kalmanoff (ASCAP songwriter) and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Dandy Dittys and Rachel’s Own Music
2:25
10Steadfast, Loyal and True
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1958-02-11) and Ray Siegel (on 1958-02-11)
drums (drum set):
D.J. Fontana (on 1958-02-11) and Bernie Mattinson (on 1958-02-11)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1958-02-11) and Tiny Timbrell (on 1958-02-11)
piano:
Dudley Brooks (on 1958-02-11)
vocals:
The Jordanaires (southern gospel group) (on 1958-02-11)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1958-02-11)
recording of:
Steadfast, Loyal and True (from 1958-01-15 until 1958-01-23)
writer:
Jerry Leiber and Mike Stoller
publisher:
Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP) and Silver Seahorse Music LLC
21:19
11New Orleans
engineer:
Thorne Nogar (from 1958-01 until 1958-02) and Phil Wisdom (from 1958-01 until 1958-02)
cover recording of:
New Orleans (on 1958-01-15)
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC and Williamson Music Company
2.52:01
12Danny
recording of:
Lonely Blue Boy (Danny)
writer:
Ben Weisman and Fred Wise
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Erika Publishing
1:52
7▼Digital Media
#TitleRatingLength
1That’s All Right
cover recording of:
That’s All Right
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
1:58
2Lawdy Miss Clawdy
cover recording of:
Lawdy Miss Clawdy
lyricist and composer:
Lloyd Price (US R&B/soul singer) (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC and Venice Music
2:10
3Mystery Train
cover recording of:
Mystery Train
writer:
Junior Parker and Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Hilo Music Inc. (in 1953)
2:28
4Playing for Keeps
cover recording of:
Playing for Keeps
lyricist and composer:
Stan Kesler (US session musician, composer and producer)
2:54
5Poor Boy
recording of:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley)
lyricist and composer:
Ken Darby
publisher:
Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
2:16
6My Baby Left Me
cover recording of:
My Baby Left Me
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
2:15
7I Was the One
recording of:
I Was the One
writer:
Hal Blair, Claude Demetrius, Bill Peppers and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. and Rachel’s Own Music
2:35
8Shake, Rattle and Roll
cover recording of:
Shake, Rattle and Roll
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
2:30
9I’m Left, You’re Right, She’s Gone
cover recording of:
I’m Left, You’re Right, She’s Gone
writer:
Stan Kesler (US session musician, composer and producer) and Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2:38
10You’re a Heartbreaker
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1954-11 until 1954-12)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1954-11 until 1954-12)
guitar:
Elvis Presley (“The King of Rock and Roll”) (from 1954-11 until 1954-12)
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1954-11 until 1954-12)
phonographic copyright (℗) by:
BMG Music (in 1954)
recorded at:
Sun Studio in Memphis, Tennessee, United States (from 1954-11 until 1954-12)
recording of:
You’re a Heartbreaker (from 1954-11 until 1954-12)
writer:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
cover recording of:
You’re a Heartbreaker (from 1954-12 until 1955-12)
writer:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2.52:13
11I Don’t Care If the Sun Don’t Shine
cover recording of:
I Don’t Care If the Sun Don’t Shine
lyricist and composer:
Mack David (American lyricist and songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
2:30
12Let Me
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (Percussion) (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (Session Musician (Guitar)) (from 1956-08-24 until 1956-09-04)
vocals:
Jon Dodson (from 1956-08-24 until 1956-09-04), Charles Prescott (from 1956-08-24 until 1956-09-04) and Rad Robinson (from 1956-08-24 until 1956-09-04)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
recording of:
Let Me (from 1956-08-24 until 1956-09-04)
writer:
Vera Matson and Elvis Presley (“The King of Rock and Roll”)
publisher:
Elvis Presley Music Inc. and R&H Music
42:09
8▼Digital Media
#TitleRatingLength
1Blue Moon of Kentucky
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-07-05, on 1954-07-07)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05, on 1954-07-07)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05, on 1954-07-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05, on 1954-07-07)
phonographic copyright (℗) by:
BMG Music (in 1954)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05, on 1954-07-07)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 49)
cover recording of:
Blue Moon of Kentucky (on 1954-07-05)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
cover recording of:
Blue Moon of Kentucky (on 1954-07-07)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2.652:05
2Young and Beautiful
cover recording of:
Young and Beautiful
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Abner Silver
publisher:
Blen Music, Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated) and Rachel’s Own Music
2:06
3(You’re So Square) Baby I Don’t Care
cover recording of:
(You’re So Square) Baby I Don’t Care
lyricist:
Jerry Leiber (in 1957)
composer:
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
1:53
4Milkcow Blues Boogie
cover recording of:
Milk Cow Blues (Kokomo Arnold's version)
lyricist and arranger:
Kokomo Arnold
composer:
[traditional] (special purpose artist) and Kokomo Arnold
publisher:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Corp. (USA, affiliated with ASCAP)
version of:
Milk Cow Blues
2:39
5Good Rockin’ Tonight
cover recording of:
Good Rockin’ Tonight
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. and Wixen Music UK Ltd.
2:14
6Baby, Let’s Play House
cover recording of:
Baby Let’s Play House
lyricist and composer:
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. and LPGV Music (BMI)
2:18
7Is It So Strange
cover recording of:
Is It So Strange
lyricist and composer:
Faron Young
publisher:
Chappell & Co., Inc. (USA), Elvis Presley Music, Elvis Presley Music Inc., Johnny Bienstock Music and Unichappell Music
2:31
8We’re Gonna Move
cover recording of:
We’re Gonna Move (on 1956-08-24)
writer:
Vera Matson and Elvis Presley (“The King of Rock and Roll”)
publisher:
Elvis Presley Music Inc., R&H Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1973)
42:32
9I Want to Be Free
cover recording of:
I Want to Be Free (on 1957-05-03)
writer:
Jerry Leiber and Mike Stoller
publisher:
Elvis Presley Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC and Sony/ATV Songs LLC
42:16
10I Forgot to Remember to Forget
cover recording of:
I Forgot to Remember to Forget
writer:
Charlie Feathers and Stan Kesler (US session musician, composer and producer)
publisher:
Carlin Music Corporation and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:31
11Don’t Leave Me Now
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09) and Neal Matthews (from 1957-04-30 until 1957-05-09)
drums (drum set):
D.J. Fontana (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09) and Elvis Presley (“The King of Rock and Roll”) (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09)
piano:
Dudley Brooks (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09) and Mike Stoller (from 1957-04-30 until 1957-05-09)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (southern gospel group) (from 1957-02-23 until 1957-02-24, from 1957-04-30 until 1957-05-09)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-02-23 until 1957-02-24, on 1957-04-30, on 1957-05-03, from 1957-05-08 until 1957-05-09)
cover recording of:
Don’t Leave Me Now (from 1957-02-23 until 1957-02-24)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. and Rachel’s Own Music
cover recording of:
Don’t Leave Me Now (from 1957-04-30 until 1957-05-09)
writer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. and Rachel’s Own Music
2.52:05
12Harbor Lights
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-07-05)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05)
cover recording of:
Harbour Lights (from 1954-07 until 1955-07)
lyricist:
Jimmy Kennedy (Irish songwriter)
composer:
Hugh Williams (aka Hugh Williams)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Peter Maurice Music Co. Ltd.
recording of:
Harbour Lights
lyricist:
Jimmy Kennedy (Irish songwriter)
composer:
Hugh Williams (aka Hugh Williams)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Peter Maurice Music Co. Ltd.
42:36
9▶Digital Media