Complete Decca Recordings - Phase 4 Stereo

~ Release by Leopold Stokowski (see all versions of this release, 1 available)

Tracklist

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1▼CD: Inspiration – Great Music For Chorus And Orchestra
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1The Heavens Are Telling, op. 48/4
vocals:
The Norman Luboff Choir
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Geistliche Lieder, S. 467: No. 6. Die Ehre Gottes aus der Natur (for solo piano, Liszt)
composer:
Ludwig van Beethoven (German composer)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Song for Voice and Piano, op. 48 no. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre"
part of:
Geistliche Lieder, S. 467 (for solo piano, Liszt)
4:21
2Deep River
vocals:
The Norman Luboff Choir
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Deep River (arr. Luboff)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Norman Luboff
arrangement of:
Deep River
4:27
3Largo (From “Ombra Mai Fu”, Serse, HWV 40)
vocals:
The Norman Luboff Choir
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
3:12
4Evening Prayer (Hänsel Und Gretel)
vocals:
The Norman Luboff Choir
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Evening Prayer (english setting of "Abends, will ich schlafen gehn" (Abendsegen) from "Hänsel und Gretel")
composer:
Engelbert Humperdinck (German composer)
is based on:
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir)
5:01
5Cantata: “Jesu, Joy Of Man's Desiring” BWV 147
choir vocals:
The Norman Luboff Choir
vocals:
The Norman Luboff Choir
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Jesu, Joy of Man’s Desiring
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Jesu, Joy of Man’s Desiring, BWV 147/10 (Stokowski orchestration)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
orchestration of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:43
6Vocalise, op. 34, no. 14
choir vocals:
The Norman Luboff Choir (in 1961)
vocals:
The Norman Luboff Choir
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (in 1961)
conductor:
Leopold Stokowski (conductor) (in 1961)
recording of:
Vocalise, op. 34 no. 14 (catch-all for unknown arrangements) (in 1961)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
8:06
7Praise God From Whom All Blessings Flow
vocals:
The Norman Luboff Choir
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Old Hundredth (Psalm 100; arr. Vaughan Williams)
lyricist:
William Kethe
composer:
Loys Bourgeois (French renaissance composer)
arranger:
Ralph Vaughan Williams (English composer) (in 1953)
is based on:
Old 100th (original tune)
3:00
8Pilgrims' Chorus (Tannhäuser, WWV 70)
vocals:
The Norman Luboff Choir
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
partial recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene III. "Ich hörte Harfenschlag, wie klang er traurig!"
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
4:07
9Cantata: “Sheep May Safely Graze” BWV 208
choir vocals:
The Norman Luboff Choir
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
Sheep May Safely Graze (from Cantata 208) (Stokowski orchestration)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
6:29
10Pater Noster (9 Sacred Pieces, Th 78/6)
vocals:
The Norman Luboff Choir
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
partial recording of:
Nine Church Pieces: no. 6. Our Father
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1885-04 until 1885-08)
part of:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 84)
part of:
Nine Church Pieces, TH 78, ČW 79-87 (for mixed choir)
5:20
11O Saviour, Hear Me (From “Dance Of The Blessed Sprits”, Orfeo Ed Euridice
vocals:
The Norman Luboff Choir
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Leopold Stokowski (conductor)
recording of:
O Saviour, Hear Me!
composer:
Christoph Willibald Gluck (composer)
arranger:
Dudley Buck (composer, organist)
4:38
2▼CD: Rimsky-Korsakov: Scheherazade
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1Scheherazade: I. The Sea and Sinbad's Ship
producer:
Tony D’Amato
solo violin:
Erich Gruenberg (on 1964-09-22)
orchestra:
London Symphony Orchestra (on 1964-09-22)
conductor:
Leopold Stokowski (conductor) (on 1964-09-22)
balance engineer:
Arthur Lilley (engineer) (on 1964-09-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-09-22)
recording of:
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship (on 1964-09-22)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Rimsky-Korsakov10:02
2Scheherazade: II. The Story of the Kalendar Prince
producer:
Tony D’Amato
solo violin:
Erich Gruenberg (on 1964-09-22)
orchestra:
London Symphony Orchestra (on 1964-09-22)
conductor:
Leopold Stokowski (conductor) (on 1964-09-22)
balance engineer:
Arthur Lilley (engineer) (on 1964-09-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-09-22)
recording of:
Scheherazade, op. 35: II. The Kalendar Prince (on 1964-09-22)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Rimsky-Korsakov11:43
3Scheherazade: III. The Young Prince and the Young Princess
producer:
Tony D’Amato
solo violin:
Erich Gruenberg (on 1964-09-22)
orchestra:
London Symphony Orchestra (on 1964-09-22)
conductor:
Leopold Stokowski (conductor) (on 1964-09-22)
balance engineer:
Arthur Lilley (engineer) (on 1964-09-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-09-22)
recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto) (on 1964-09-22)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Rimsky-Korsakov11:57
4Scheherazade: IV. Festival at Baghdad - The Sea - Shipwreck
producer:
Tony D’Amato
solo violin:
Erich Gruenberg (on 1964-09-22)
orchestra:
London Symphony Orchestra (on 1964-09-22)
conductor:
Leopold Stokowski (conductor) (on 1964-09-22)
balance engineer:
Arthur Lilley (engineer) (on 1964-09-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-09-22)
recording of:
Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman (on 1964-09-22)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Rimsky-Korsakov12:07
3▼CD: Mussorgsky: Pictures at an Exhibition / Debussy: La Cathédrale Engloutie
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1Pictures at an Exhibition: Promenade – Gnome
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-09)
conductor:
Leopold Stokowski (conductor) (in 1965-09)
recording of:
Pictures at an Exhibition: Gnomus (orchestrated by Stokowski)
orchestrator:
Leopold Stokowski (conductor)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
part of:
Pictures at an Exhibition (orchestrated by Stokowski)
recording of:
Pictures at an Exhibition: Promenade 1 (orchestrated by Stokowski)
orchestrator:
Leopold Stokowski (conductor)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
part of:
Pictures at an Exhibition (orchestrated by Stokowski)
Modest Mussorgsky4:24
2Pictures at an Exhibition: Promenade – The Old Castle
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-09)
conductor:
Leopold Stokowski (conductor) (in 1965-09)
recording of:
Pictures at an Exhibition: Promenade 2 (orchestrated by Stokowski)
orchestrator:
Leopold Stokowski (conductor)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
part of:
Pictures at an Exhibition (orchestrated by Stokowski)
recording of:
Pictures at an Exhibition: The Old Castle (orchestrated by Stokowski)
orchestrator:
Leopold Stokowski (conductor)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
part of:
Pictures at an Exhibition (orchestrated by Stokowski)
Modest Mussorgsky4:35
3Pictures at an Exhibition: Bydło
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-09)
conductor:
Leopold Stokowski (conductor) (in 1965-09)
recording of:
Pictures at an Exhibition: Bydło (orchestrated by Stokowski) (in 1965-09)
orchestrator:
Leopold Stokowski (conductor)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
part of:
Pictures at an Exhibition (orchestrated by Stokowski)
Modest Mussorgsky1:57
4Pictures at an Exhibition: Promenade – Ballet of the Unhatched Chicks
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-09)
conductor:
Leopold Stokowski (conductor) (in 1965-09)
recording of:
Pictures at an Exhibition: Ballet of the Unhatched Chicks (orchestrated by Stokowski)
orchestrator:
Leopold Stokowski (conductor)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
part of:
Pictures at an Exhibition (orchestrated by Stokowski)
recording of:
Pictures at an Exhibition: Promenade 3 (orchestrated by Stokowski)
orchestrator:
Leopold Stokowski (conductor)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
part of:
Pictures at an Exhibition (orchestrated by Stokowski)
Modest Mussorgsky2:13
5Pictures at an Exhibition: Samuel Goldenberg and Schmuÿle
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-09)
conductor:
Leopold Stokowski (conductor) (in 1965-09)
recording of:
Pictures at an Exhibition: Samuel Goldenberg and Schmuÿle (orchestrated by Stokowski) (in 1965-09)
orchestrator:
Leopold Stokowski (conductor)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
part of:
Pictures at an Exhibition (orchestrated by Stokowski)
Modest Mussorgsky2:39
6Pictures at an Exhibition: Catacombs
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-09)
conductor:
Leopold Stokowski (conductor) (in 1965-09)
recording of:
Pictures at an Exhibition: Catacombs (orchestrated by Stokowski) (in 1965-09)
orchestrator:
Leopold Stokowski (conductor)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
part of:
Pictures at an Exhibition (orchestrated by Stokowski)
Modest Mussorgsky3:47
7Pictures at an Exhibition: The Hut on Fowl’s Legs
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-09)
conductor:
Leopold Stokowski (conductor) (in 1965-09)
recording of:
Pictures at an Exhibition: The Hut on Fowl's Legs (orchestrated by Stokowski) (in 1965-09)
orchestrator:
Leopold Stokowski (conductor)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
part of:
Pictures at an Exhibition (orchestrated by Stokowski)
Modest Mussorgsky2:46
8Pictures at an Exhibition: The Great Gate of Kiev
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-09)
conductor:
Leopold Stokowski (conductor) (in 1965-09)
recording of:
Pictures at an Exhibition: The Great Gate of Kiev (orchestrated by Stokowski) (in 1965-09)
orchestrator:
Leopold Stokowski (conductor)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
part of:
Pictures at an Exhibition (orchestrated by Stokowski)
Modest Mussorgsky4:54
9Préludes, Book 1 - La Cathédrale Engloutie
producer:
Tony D’Amato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1965-09-11)
conductor:
Leopold Stokowski (conductor) (on 1965-09-11)
balance engineer:
Arthur Lilley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-09-11)
recording of:
La Cathédrale engloutie (orch. Stokowski) (on 1965-09-11)
orchestrator:
Leopold Stokowski (conductor)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
orchestration of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme
Claude Debussy6:36
4▼CD: Tchaikovsky: Selections From “Swan Lake”, “The Sleeping Beauty”
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1Swan Lake, op. 20: Introduction. Moderato assai
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
Peter Ilyich Tchaikovsky2:51
2Swan Lake, op. 20: Act I. No. 2 Valse (Tempo di valse)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
Peter Ilyich Tchaikovsky4:40
3Swan Lake, op. 20: Act I. No. 4 Pas de trois. Variation III
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
Peter Ilyich Tchaikovsky1:04
4Swan Lake, op. 20: Act I. No. 5 Pas de deux
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
Peter Ilyich Tchaikovsky1:10
5Swan Lake, op. 20: Act II. No. 10 Scène (Moderato)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
Peter Ilyich Tchaikovsky2:56
6Swan Lake, op. 20: Act II. No. 11 Scène (Allegro moderato)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Swan Lake, op. 20: Act II, no. 11: Scene: Allegro moderato – Allegro vivo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
Peter Ilyich Tchaikovsky1:23
7Swan Lake, op. 20: Act III. No. 21 Danse espagnole
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act III
part of:
Swan Lake, op. 20: Act III (ed. Drigo)
Peter Ilyich Tchaikovsky2:07
8Swan Lake, op. 20: Act IV. No. 27 Danse des petits cygnes
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Swan Lake, op. 20: Act IV, no. 27: Danse des petits cygnes: Moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act IV
Peter Ilyich Tchaikovsky4:22
9Swan Lake, op. 20: Act IV. No. 29 Scène finale (Andante)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Swan Lake, op. 20: Act IV, no. 29: Scene finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act IV
Peter Ilyich Tchaikovsky2:23
10The Sleeping Beauty, op. 66: Introduction
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
The Sleeping Beauty, op. 66: Introduction
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66)
Peter Ilyich Tchaikovsky2:30
11The Sleeping Beauty, op. 66: Prologue. no. 3 Variation IV Canari qui chante
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
Peter Ilyich Tchaikovsky0:28
12The Sleeping Beauty, op. 66: Prologue. no. 6 Valse
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Peter Ilyich Tchaikovsky3:27
13The Sleeping Beauty, op. 66: Act I. No. 8 Pas d’action
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
Peter Ilyich Tchaikovsky4:29
14The Sleeping Beauty, op. 66: Act III. No. 22 Polacca
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 22. Polacca
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Peter Ilyich Tchaikovsky3:29
15The Sleeping Beauty, op. 66: Act III. No. 23 Pas de quatre Intrada (Allegro non tanto)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 23. Pas de quatre: a. Introduction
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Peter Ilyich Tchaikovsky2:14
16The Sleeping Beauty, op. 66: Act III. No. 25 Pas de quatre (Adagio)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
Peter Ilyich Tchaikovsky1:50
17The Sleeping Beauty, op. 66: Act III. No. 28 Pas de deux Adagio
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 28. Pas des deux: c. Adagio
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Peter Ilyich Tchaikovsky3:35
18The Sleeping Beauty, op. 66: No. 30 Finale. Apothéose
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Peter Ilyich Tchaikovsky2:20
5▼CD: Vivaldi: The Four Seasons
#TitleArtistRatingLength
1Concerto no. 1 for Violin and Strings in E major, RV 269 “La primavera”: I. Allegro
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:32
2Concerto no. 1 for Violin and Strings in E major, RV 269 “La primavera”: II. Largo
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:34
3Concerto no. 1 for Violin and Strings in E major, RV 269 “La primavera”: III. Danza pastorale. Allegro
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:29
4Concerto no. 2 for Violin and Strings in G minor, RV 315 “L’estate”: I. Allegro non molto – Allegro
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi5:54
5Concerto no. 2 for Violin and Strings in G minor, RV 315 “L’estate”: II. Adagio – Presto – Adagio
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:32
6Concerto no. 2 for Violin and Strings in G minor, RV 315 “L’estate”: III. Presto (Tempo impetuoso d’estate)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto (catch-all for arrangements)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (catch‐all for arrangements)
Antonio Vivaldi3:03
7Concerto no. 3 for Violin and Strings in F major, RV 293 “L’autunno”: I. Ballo, e canto de’ villanelli. Allegro
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi5:11
8Concerto no. 3 for Violin and Strings in F major, RV 293 “L’autunno”: II. Ubriachi dormienti. Adagio molto
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:09
9Concerto no. 3 for Violin and Strings in F major, RV 293 “L’autunno”: III. La caccia. Allegro
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:46
10Concerto no. 4 for Violin and Strings in F minor, RV 297 “L’inverno”: I. Allegro non molto
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi4:04
11Concerto no. 4 for Violin and Strings in F minor, RV 297 “L’inverno”: II. Largo
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:28
12Concerto no. 4 for Violin and Strings in F minor, RV 297 “L’inverno”: III. Allegro
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leopold Stokowski (conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:25
6▼CD: Orchestral Music From The Ring
#TitleArtistRatingLength
1Die Walküre: The Ride of the Valkyries
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (in 1966-06)
conductor:
Leopold Stokowski (conductor) (in 1966-06)
balance engineer:
Arthur Lilley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-06)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1966-06)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:09
2Siegfried: Forest Murmurs
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (in 1966-06)
conductor:
Leopold Stokowski (conductor) (in 1966-06)
balance engineer:
Arthur Lilley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-06)
recording of:
Siegfried: Waldweben (Forest Murmurs) (in 1966-06)
composer:
Richard Wagner (composer) (from 1856 until 1871)
part of:
Siegfried, WWV 86C: Akt II, Scene II "Wir sind zur Stelle; bleib’ hier steh’n!"
Richard Wagner9:15
3Das Rheingold: Entrance of the Gods into Valhalla
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (in 1966-06)
conductor:
Leopold Stokowski (conductor) (in 1966-06)
balance engineer:
Arthur Lilley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-06)
recording of:
Excerpt from Das Rheingold: Entrance of the Gods into Valhalla (in 1966-06)
composer:
Richard Wagner (composer) (from 1851 until 1854)
part of:
Das Rheingold: Scene IV
Richard Wagner7:40
4Götterdämmerung: Dawn and Siegfried’s Rhine Journey
producer:
Tony D’Amato
horn:
Barry Tuckwell (hornist / conductor) (in 1966-06)
solo horn:
Barry Tuckwell (hornist / conductor)
orchestra:
London Symphony Orchestra (in 1966-06)
conductor:
Leopold Stokowski (conductor) (in 1966-06)
balance engineer:
Arthur Lilley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-06)
recording of:
Excerpt from Götterdämmerung, WWV 86D: Vorspiel: Siegfrieds Rheinfahrt (in 1966-06)
composer:
Richard Wagner (composer) (from 1869-10-02 until 1873-12-24)
librettist:
Richard Wagner (composer)
part of:
Götterdämmerung, WWV 86D: Vorspiel
Richard Wagner11:57
5Götterdämmerung: Siegfried’s Death and Funeral Music
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (in 1966-06)
conductor:
Leopold Stokowski (conductor) (in 1966-06)
balance engineer:
Arthur Lilley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1966-06)
recording of:
Excerpt from Götterdämmerung, WWV 86D: Akt III, Scene II. Trauermusik beim Tode Siegfrieds (Funeral March) (in 1966-06)
composer:
Richard Wagner (composer) (from 1869 until 1874, from 1872-01-04 until 1874-11-21)
part of:
Götterdämmerung, WWV 86D: Akt III, Scene II "Hoiho?" - "Hoiho!"
Richard Wagner11:56
7▼CD: Tchaikovsky: Symphony no. 5
#TitleArtistRatingLength
1Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966-09)
conductor:
Leopold Stokowski (conductor) (in 1966-09)
recording of:
Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima (in 1966-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Peter Ilyich Tchaikovsky15:46
2Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966-09)
conductor:
Leopold Stokowski (conductor) (in 1966-09)
recording of:
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza (in 1966-09)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Peter Ilyich Tchaikovsky15:00
3Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966-09)
conductor:
Leopold Stokowski (conductor) (in 1966-09)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (in 1966-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Peter Ilyich Tchaikovsky6:33
4Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966-09)
conductor:
Leopold Stokowski (conductor) (in 1966-09)
recording of:
Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso (Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace) (in 1966-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Peter Ilyich Tchaikovsky12:57
8▼CD: Handel: Messiah Highlights
#TitleArtistRatingLength
1Overture
orchestra:
London Symphony Orchestra (on 1966-09-20)
conductor:
Leopold Stokowski (conductor) (on 1966-09-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-09-20)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (on 1966-09-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:27
2Every Valley Shall Be Exalted
tenor vocals:
Kenneth Bowen (tenor) (on 1966-09-20)
orchestra:
London Symphony Orchestra (on 1966-09-20)
conductor:
Leopold Stokowski (conductor) (on 1966-09-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-09-20)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (on 1966-09-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:19
3And the Glory of the Lord
choir vocals:
London Symphony Chorus (on 1966-09-20)
orchestra:
London Symphony Orchestra (on 1966-09-20)
conductor:
Leopold Stokowski (conductor) (on 1966-09-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-09-20)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (on 1966-09-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:57
4Pastoral Symphon
orchestra:
London Symphony Orchestra (on 1966-09-20)
conductor:
Leopold Stokowski (conductor) (on 1966-09-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-09-20)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (on 1966-09-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:51
5Then Shall the Eyes of the Blind Be Opened / He Shall Feed His Flock / Come Unto Him
contralto vocals:
Norma Procter (contralto) (on 1966-09-20)
soprano vocals:
Sheila Armstrong (soprano) (on 1966-09-20)
orchestra:
London Symphony Orchestra (on 1966-09-20)
conductor:
Leopold Stokowski (conductor) (on 1966-09-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-09-20)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto) (on 1966-09-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (on 1966-09-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel8:50
6Thy Rebuke Hath Broken His Heart / Behold and See If There Be Any Sorrow
tenor vocals:
Kenneth Bowen (tenor) (on 1966-09-20)
orchestra:
London Symphony Orchestra (on 1966-09-20)
conductor:
Leopold Stokowski (conductor) (on 1966-09-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-09-20)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (on 1966-09-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (on 1966-09-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:46
7He Was Cut Off Out of the Land of the Living / But Thou Didst Not Leave His Sould in Hell
tenor vocals:
Kenneth Bowen (tenor) (on 1966-09-20)
orchestra:
London Symphony Orchestra (on 1966-09-20)
conductor:
Leopold Stokowski (conductor) (on 1966-09-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-09-20)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (on 1966-09-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (on 1966-09-20)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:22
8Why Do the Nations
bass vocals:
John Cameron (baritone) (on 1966-09-20)
orchestra:
London Symphony Orchestra (on 1966-09-20)
conductor:
Leopold Stokowski (conductor) (on 1966-09-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-09-20)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (on 1966-09-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel5:46
9Hallelujah!
choir vocals:
London Symphony Chorus (on 1966-09-20)
orchestra:
London Symphony Orchestra (on 1966-09-20)
conductor:
Leopold Stokowski (conductor) (on 1966-09-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-09-20)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (on 1966-09-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:51
10I Know That My Redeemer Liveth
soprano vocals:
Sheila Armstrong (soprano) (on 1966-09-20)
orchestra:
London Symphony Orchestra (on 1966-09-20)
conductor:
Leopold Stokowski (conductor) (on 1966-09-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-09-20)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (on 1966-09-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel7:22
11Since by Man Came Death
choir vocals:
London Symphony Chorus (on 1966-09-20)
orchestra:
London Symphony Orchestra (on 1966-09-20)
conductor:
Leopold Stokowski (conductor) (on 1966-09-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-09-20)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (on 1966-09-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:19
12Amen
choir vocals:
London Symphony Chorus (on 1966-09-20)
orchestra:
London Symphony Orchestra (on 1966-09-20)
conductor:
Leopold Stokowski (conductor) (on 1966-09-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-09-20)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (on 1966-09-20)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:44
9▼CD: Stravinsky: Firebird Suite / Tchaikovsky: Marche Slave / Mussorgsky: Night on the Bare Mountain
#TitleArtistRatingLength
1Night on the Bare Mountain
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (from 1967-06-16 until 1967-06-19)
conductor:
Leopold Stokowski (conductor) (from 1967-06-16 until 1967-06-19)
balance engineer:
Arthur Lilley (engineer) (from 1967-06-16 until 1967-06-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-06-16 until 1967-06-19)
recording of:
A Night on Bare Mountain (orchestrated by Stokowski) (from 1967-06-16 until 1967-06-19)
orchestrator:
Leopold Stokowski (conductor)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
is based on:
Une nuit sur le mont chauve: Fantaisie pour l’orchestre (Night on Bald Mountain, orchestrated by Rimsky-Korsakov)
Modest Mussorgsky9:22
2Marche Slave, op. 31
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (from 1967-06-16 until 1967-06-19)
conductor:
Leopold Stokowski (conductor) (from 1967-06-16 until 1967-06-19)
balance engineer:
Arthur Lilley (engineer) (from 1967-06-16 until 1967-06-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-06-16 until 1967-06-19)
recording of:
Marche slave in B-flat minor, op. 31 (from 1967-06-16 until 1967-06-19)
premiered in:
Moscow, Russia (on 1876-11-18)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-09 until 1876-10)
part of:
The Tchaikovsky Handbook (number: TH 45), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 42) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 31)
is based on:
Боже, Царя храни! (God Save the Tsar!)
Peter Ilyich Tchaikovsky9:45
3Firebird Suite: Introduction
engineer:
Arthur Lilley (engineer) (from 1967-06-16 until 1967-06-19)
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (from 1967-06-16 until 1967-06-19)
conductor:
Leopold Stokowski (conductor) (from 1967-06-16 until 1967-06-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-06-16 until 1967-06-19)
recording of:
L’Oiseau de feu: I. Introduction (“Concert suite for orchestra No. 2” 1919 version) (from 1967-06-16 until 1967-06-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
recording of:
L’Oiseau de feu: I. L’Oiseau de feu et sa danse (“Concert suite for orchestra No. 2” 1919 version) (from 1967-06-16 until 1967-06-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:31
4Firebird Suite: Dance of the Firebird
engineer:
Arthur Lilley (engineer) (from 1967-06-16 until 1967-06-19)
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (from 1967-06-16 until 1967-06-19)
conductor:
Leopold Stokowski (conductor) (from 1967-06-16 until 1967-06-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-06-16 until 1967-06-19)
recording of:
L’Oiseau de feu: I. Variation de l’Oiseau de feu (“Concert suite for orchestra No. 2” 1919 version) (from 1967-06-16 until 1967-06-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky1:09
5Firebird Suite: Round Dance of the Princesses
engineer:
Arthur Lilley (engineer) (from 1967-06-16 until 1967-06-19)
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (from 1967-06-16 until 1967-06-19)
conductor:
Leopold Stokowski (conductor) (from 1967-06-16 until 1967-06-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-06-16 until 1967-06-19)
recording of:
L’Oiseau de feu: II. Ronde des princesses (Khorovode) (“Concert suite for orchestra No. 2” 1919 version) (from 1967-06-16 until 1967-06-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky5:42
6Firebird Suite: Dance Infernal of King Kastchei
engineer:
Arthur Lilley (engineer) (from 1967-06-16 until 1967-06-19)
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (from 1967-06-16 until 1967-06-19)
conductor:
Leopold Stokowski (conductor) (from 1967-06-16 until 1967-06-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-06-16 until 1967-06-19)
recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version) (from 1967-06-16 until 1967-06-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky4:31
7Firebird Suite: Lullaby
engineer:
Arthur Lilley (engineer) (from 1967-06-16 until 1967-06-19)
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (from 1967-06-16 until 1967-06-19)
conductor:
Leopold Stokowski (conductor) (from 1967-06-16 until 1967-06-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-06-16 until 1967-06-19)
recording of:
L’Oiseau de feu: III. Berceuse (“Concert suite for orchestra No. 2” 1919 version) (from 1967-06-16 until 1967-06-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:46
8Firebird Suite: Finale
engineer:
Arthur Lilley (engineer) (from 1967-06-16 until 1967-06-19)
producer:
Tony D’Amato
orchestra:
London Symphony Orchestra (from 1967-06-16 until 1967-06-19)
conductor:
Leopold Stokowski (conductor) (from 1967-06-16 until 1967-06-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-06-16 until 1967-06-19)
recording of:
L’Oiseau de feu: III. Finale (“Concert suite for orchestra No. 2” 1919 version) (from 1967-06-16 until 1967-06-19)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:23
10▼CD: Beethoven: Symphony no. 9 “Choral”
#TitleArtistRatingLength
1Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso
producer:
Marty Wargo
orchestra:
London Symphony Orchestra (in 1967-09)
conductor:
Leopold Stokowski (conductor) (in 1967-09)
balance engineer:
Arthur Lilley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-09)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso (in 1967-09)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven15:04
2Symphony no. 9 in D minor, op. 125: II. Molto vivace
producer:
Marty Wargo
orchestra:
London Symphony Orchestra (in 1967-09)
conductor:
Leopold Stokowski (conductor) (in 1967-09)
balance engineer:
Arthur Lilley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-09)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”, S. 464 no. 9: II. Molto vivace - Presto - Da capo tutto - Coda - Presto (for piano, Liszt) (in 1967-09)
composer:
Ludwig van Beethoven (German composer) (from 1823 until 1824)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto
part of:
Symphony no. 9 in D minor, op. 125 “Choral”, S. 464 no. 9 (for piano, Liszt)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven11:02
3Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile
producer:
Marty Wargo
orchestra:
London Symphony Orchestra (in 1967-09)
conductor:
Leopold Stokowski (conductor) (in 1967-09)
balance engineer:
Arthur Lilley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-09)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo (in 1967-09)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven15:06
4Symphony no. 9 in D minor, op. 125: IV. Presto: “O Freunde, nicht diese Töne” – Andante maestoso – Allegro energico, sempre ben marcato
producer:
Marty Wargo
baritone vocals:
Donald McIntyre (bass-baritone) (in 1967-09)
choir vocals:
London Symphony Chorus (in 1967-09)
contralto vocals:
Helen Watts (contralto) (in 1967-09)
soprano vocals:
Heather Harper (soprano) (in 1967-09)
tenor vocals:
Alexander Young (tenor) (in 1967-09)
orchestra:
London Symphony Orchestra (in 1967-09)
conductor:
Leopold Stokowski (conductor) (in 1967-09)
balance engineer:
Arthur Lilley (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-09)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (in 1967-09)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven26:09
11▶CD: Berlioz: Symphonie fantastique
12▶CD: Tchaikovsky: Romeo And Juliet – Fantasy Overture / Mussorgsky: Boris Godunov: Symphonic Synthesis
13▶CD: Tchaikovsky: Ouverture solennelle “1812” / Borodin: Polovtsian Dances / Stravinsky: Pastorale
14▶CD: Beethoven: Symphony no. 5 / Schubert: Symphony no. 8
15▶CD: Debussy: La Mer / Ravel: Daphnis & Chloë - Suite no. 2 / Berlioz: La Damnation de Faust / Ives: Orchestral Set no. 2 / Messiaen: L'Ascension
16▶CD: Ravel: Fanfare from "L'Eventail de Jeanne" / Franck: Symphony in D minor
17▶CD: Anniversary Concert
18▶CD: Brahms: Symphony no. 1
19▶CD: Elgar: Enigma Variations
20▶CD: Bach Orchestral Transcriptions By Leopold Stokowski
21▶CD: Rimsky-Korsakov: Capriccio Espagnol / Scriabin: Le Poème de l'Extase
22▶CD: Beethoven: Symphony no. 7 / Egmont Overture
23▶CD: Leopold Stokowski - A Memoir