Then and Now

~ Release by Red Rodney (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Woody 'n' You
engineer:
Bill Allen (engineer) and Bob Katz (American engineer)
producer:
Bob Belden and David Chesky
editor:
Jeremy Kipnis
bass:
Jay Anderson (jazz bassist) (from 1992-05-13 until 1992-05-14)
flugelhorn:
Red Rodney (from 1992-05-13 until 1992-05-14)
membranophone:
Jimmy Madison (from 1992-05-13 until 1992-05-14)
piano:
Garry Dial (from 1992-05-13 until 1992-05-14)
saxophone:
Chris Potter (jazz saxophonist) (from 1992-05-13 until 1992-05-14)
recorded at:
BMG Studios in Theater District, New York, New York, United States (from 1992-05-13 until 1992-05-14)
recording of:
Woody ’n’ You (in 1992-05)
composer:
Dizzy Gillespie
6:08
2Marmaduke
engineer:
Bill Allen (engineer) and Bob Katz (American engineer)
producer:
Bob Belden and David Chesky
editor:
Jeremy Kipnis
bass:
Jay Anderson (jazz bassist) (from 1992-05-13 until 1992-05-14)
flugelhorn:
Red Rodney (from 1992-05-13 until 1992-05-14)
membranophone:
Jimmy Madison (from 1992-05-13 until 1992-05-14)
piano:
Garry Dial (from 1992-05-13 until 1992-05-14)
saxophone:
Chris Potter (jazz saxophonist) (from 1992-05-13 until 1992-05-14)
recorded at:
BMG Studios in Theater District, New York, New York, United States (from 1992-05-13 until 1992-05-14)
recording of:
Marmaduke (in 1992-05)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
5:41
3Little Suede Shoes
engineer:
Bill Allen (engineer) and Bob Katz (American engineer)
producer:
Bob Belden and David Chesky
editor:
Jeremy Kipnis
bass:
Jay Anderson (jazz bassist) (from 1992-05-13 until 1992-05-14)
flugelhorn:
Red Rodney (from 1992-05-13 until 1992-05-14)
membranophone:
Jimmy Madison (from 1992-05-13 until 1992-05-14)
piano:
Garry Dial (from 1992-05-13 until 1992-05-14)
saxophone:
Chris Potter (jazz saxophonist) (from 1992-05-13 until 1992-05-14)
recorded at:
BMG Studios in Theater District, New York, New York, United States (from 1992-05-13 until 1992-05-14)
recording of:
My Little Suede Shoes (in 1992-05)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
6:33
4Un Poco Loco
engineer:
Bill Allen (engineer) and Bob Katz (American engineer)
producer:
Bob Belden and David Chesky
editor:
Jeremy Kipnis
bass:
Jay Anderson (jazz bassist) (from 1992-05-13 until 1992-05-14)
flugelhorn:
Red Rodney (from 1992-05-13 until 1992-05-14)
membranophone:
Jimmy Madison (from 1992-05-13 until 1992-05-14)
piano:
Garry Dial (from 1992-05-13 until 1992-05-14)
saxophone:
Chris Potter (jazz saxophonist) (from 1992-05-13 until 1992-05-14)
recorded at:
BMG Studios in Theater District, New York, New York, United States (from 1992-05-13 until 1992-05-14)
recording of:
Un poco loco (in 1992-05)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
6:25
5The Scene Is Clean
engineer:
Bill Allen (engineer) and Bob Katz (American engineer)
producer:
Bob Belden and David Chesky
editor:
Jeremy Kipnis
bass:
Jay Anderson (jazz bassist) (from 1992-05-13 until 1992-05-14)
flugelhorn:
Red Rodney (from 1992-05-13 until 1992-05-14)
membranophone:
Jimmy Madison (from 1992-05-13 until 1992-05-14)
piano:
Garry Dial (from 1992-05-13 until 1992-05-14)
saxophone:
Chris Potter (jazz saxophonist) (from 1992-05-13 until 1992-05-14)
recorded at:
BMG Studios in Theater District, New York, New York, United States (from 1992-05-13 until 1992-05-14)
recording of:
The Scene Is Clean (in 1992-05)
composer:
Tadd Dameron
arranger:
Joe Lovano (American jazz artist)
publisher:
Bregman, Vocco & Conn, Inc.
6:53
6Early Autumn
engineer:
Bill Allen (engineer) and Bob Katz (American engineer)
producer:
Bob Belden and David Chesky
editor:
Jeremy Kipnis
bass:
Jay Anderson (jazz bassist) (from 1992-05-13 until 1992-05-14)
flugelhorn:
Red Rodney (from 1992-05-13 until 1992-05-14)
membranophone:
Jimmy Madison (from 1992-05-13 until 1992-05-14)
piano:
Garry Dial (from 1992-05-13 until 1992-05-14)
saxophone:
Chris Potter (jazz saxophonist) (from 1992-05-13 until 1992-05-14)
recorded at:
BMG Studios in Theater District, New York, New York, United States (from 1992-05-13 until 1992-05-14)
instrumental recording of:
Early Autumn (in 1992-05)
lyricist:
Johnny Mercer (in 1949)
composer:
Ralph Burns (in 1949) and Woody Herman (in 1949)
5:27
7Confirmation
engineer:
Bill Allen (engineer) and Bob Katz (American engineer)
producer:
Bob Belden and David Chesky
editor:
Jeremy Kipnis
bass:
Jay Anderson (jazz bassist) (from 1992-05-13 until 1992-05-14)
flugelhorn:
Red Rodney (from 1992-05-13 until 1992-05-14)
membranophone:
Jimmy Madison (from 1992-05-13 until 1992-05-14)
piano:
Garry Dial (from 1992-05-13 until 1992-05-14)
saxophone:
Chris Potter (jazz saxophonist) (from 1992-05-13 until 1992-05-14)
recorded at:
BMG Studios in Theater District, New York, New York, United States (from 1992-05-13 until 1992-05-14)
recording of:
Confirmation (in 1992-05)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music/BMI (BMI)
6:18
8Congo Blues
engineer:
Bill Allen (engineer) and Bob Katz (American engineer)
producer:
Bob Belden and David Chesky
editor:
Jeremy Kipnis
bass:
Jay Anderson (jazz bassist) (from 1992-05-13 until 1992-05-14)
flugelhorn:
Red Rodney (from 1992-05-13 until 1992-05-14)
membranophone:
Jimmy Madison (from 1992-05-13 until 1992-05-14)
piano:
Garry Dial (from 1992-05-13 until 1992-05-14)
saxophone:
Chris Potter (jazz saxophonist) (from 1992-05-13 until 1992-05-14)
recorded at:
BMG Studios in Theater District, New York, New York, United States (from 1992-05-13 until 1992-05-14)
recording of:
Congo Blues (in 1992-05)
composer:
Red Norvo
4:13
9If You Could See Me Now
engineer:
Bill Allen (engineer) and Bob Katz (American engineer)
producer:
Bob Belden and David Chesky
editor:
Jeremy Kipnis
bass:
Jay Anderson (jazz bassist) (from 1992-05-13 until 1992-05-14)
flugelhorn:
Red Rodney (from 1992-05-13 until 1992-05-14)
membranophone:
Jimmy Madison (from 1992-05-13 until 1992-05-14)
piano:
Garry Dial (from 1992-05-13 until 1992-05-14)
saxophone:
Chris Potter (jazz saxophonist) (from 1992-05-13 until 1992-05-14)
recorded at:
BMG Studios in Theater District, New York, New York, United States (from 1992-05-13 until 1992-05-14)
instrumental recording of:
If You Could See Me Now (jazz standard) (in 1992-05)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
5:50
10Yard's Pad
engineer:
Bill Allen (engineer) and Bob Katz (American engineer)
producer:
Bob Belden and David Chesky
editor:
Jeremy Kipnis
bass:
Jay Anderson (jazz bassist) (from 1992-05-13 until 1992-05-14)
flugelhorn:
Red Rodney (from 1992-05-13 until 1992-05-14)
membranophone:
Jimmy Madison (from 1992-05-13 until 1992-05-14)
piano:
Garry Dial (from 1992-05-13 until 1992-05-14)
saxophone:
Chris Potter (jazz saxophonist) (from 1992-05-13 until 1992-05-14)
recorded at:
BMG Studios in Theater District, New York, New York, United States (from 1992-05-13 until 1992-05-14)
6:08
11Crazeology
engineer:
Bill Allen (engineer) and Bob Katz (American engineer)
producer:
Bob Belden and David Chesky
editor:
Jeremy Kipnis
bass:
Jay Anderson (jazz bassist) (from 1992-05-13 until 1992-05-14)
flugelhorn:
Red Rodney (from 1992-05-13 until 1992-05-14)
membranophone:
Jimmy Madison (from 1992-05-13 until 1992-05-14)
piano:
Garry Dial (from 1992-05-13 until 1992-05-14)
saxophone:
Chris Potter (jazz saxophonist) (from 1992-05-13 until 1992-05-14)
recorded at:
BMG Studios in Theater District, New York, New York, United States (from 1992-05-13 until 1992-05-14)
recording of:
Crazeology (in 1992-05)
composer:
Benny Harris
5:12
12The Interview
producer:
Bob Belden and David Chesky
editor:
Jeremy Kipnis
recorded at:
BMG Studios in Theater District, New York, New York, United States (from 1992-05-13 until 1992-05-14)
9:51