East of Melancholy

~ Release by Tara Kamangar (see all versions of this release, 2 available)

Annotation

℗ & © «2014 Delos»

Annotation last modified on 2021-08-11 12:29 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1The Lark
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
The Lark (Balakirev's transcription for piano solo)
composer:
Михаил Иванович Глинка (Mikhail Glinka, Russian composer)
piano arranger:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor) (in 1864)
arrangement of:
A Farewell to Saint Petersburg: No. 10. The Lark (Жаворонок)
Mikhail Glinka5:08
2Prelude no. 1 “Homage to Omar Khayyam”
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
Prelude no. 1 “Homage to Omar Khayyam”
composer:
André Hossein
Aminollah Hossein6:11
3Adagio From Spartacus
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
Spartacus: Adagio of Spartacus & Phrygia (for piano, Cameron)
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1955)
arranger:
Matthew Cameron (pianist)
arrangement of:
Spartacus: Adagio of Spartacus & Phrygia
Aram Khachaturian7:48
4Caravan
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
arranger:
Delbar Hakimova
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
Caravane (catch‐all for arrangements)
composer:
André Hossein
arrangement of:
Caravane
Aminollah Hossein2:27
5Prelude, op. 34 no. 10 in C‐sharp minor
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
24 Preludes, op. 34, no. 10: Moderato non troppo in C-sharp minor
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1932-12-30 until 1933-03-02)
part of:
24 Preludes, op. 34
Dmitri Shostakovich1:53
6Prelude, op. 34 no. 12 in D minor
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
24 Preludes, op. 34, no. 24: Allegretto in D minor
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1932-12-30 until 1933-03-02)
part of:
24 Preludes, op. 34
Dmitri Shostakovich1:16
7Persian Miniatures, op. 25: Solitude
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
arranger:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
Persian Miniatures, op. 25: Solitude (catch‐all for arrangements)
composer:
André Hossein
arrangement of:
Persian Miniatures, op. 25: Solitude
Aminollah Hossein3:45
8Persian Miniatures, op. 25: Call of the Desert
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
arranger:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
Persian Miniatures, op. 25: Call of the Desert (catch‐all for arrangements)
composer:
André Hossein
arrangement of:
Persian Miniatures, op. 25: Call of the Desert
Aminollah Hossein1:05
9Persian Miniatures, op. 25: Call of Remembrance
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
arranger:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
Persian Miniatures, op. 25: Call of Remembrance (catch‐all for arrangements)
composer:
André Hossein
Aminollah Hossein1:31
10Persian Miniatures, op. 25: Invitation to the Spell
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
arranger:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
Persian Miniatures, op. 25: Invitation to the Spell (catch‐all for arrangements)
composer:
André Hossein
arrangement of:
Persian Miniatures, op. 25: Call of Remembrance
arrangement of:
Persian Miniatures, op. 25: Invitation to the Spell
Aminollah Hossein2:11
11Prelude in G‐sharp minor, op. 32 no. 12
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
13 Preludes, op. 32: No. 12 in G-sharp minor. Allegro
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1910)
part of:
13 Preludes, op. 32
Sergei Rachmaninoff2:38
12Mosaics, op. 19: Scenes From Summer
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
Mosaics, op. 19: Scenes From Summer
composer:
André Hossein
Aminollah Hossein4:41
13Mosaics, op. 19: Sérénade Tartare
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
Mosaics, op. 19: Sérénade Tartare
composer:
André Hossein
Aminollah Hossein6:32
14Etude “East of Melancholy”
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
Etude “East of Melancholy”
composer:
André Hossein
Tara Kamangar2:37
15Fantastic Dances, op. 2: Festive Dance
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
Dances fantastique for Piano, op. 2: Danse de fête
composer:
Լորիս Ճգնավորյան (Loris Haykazi Tjeknavorian)
part of:
Dances fantastique for Piano, op. 2
Loris Tjeknavorian2:04
16Fantastic Dances, op. 2: Lyrical Dance
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
Dances fantastique for Piano, op. 2: Danse lyrique
composer:
Լորիս Ճգնավորյան (Loris Haykazi Tjeknavorian)
part of:
Dances fantastique for Piano, op. 2
Loris Tjeknavorian2:29
17Fantastic Dances, op. 2: Dance of Elegy
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
Dances fantastique for Piano, op. 2: Danse élégiaque
composer:
Լորիս Ճգնավորյան (Loris Haykazi Tjeknavorian)
part of:
Dances fantastique for Piano, op. 2
Loris Tjeknavorian3:55
18Fantastic Dances, op. 2: Dance of Ecstasy
assistant engineer:
Robert Gatley (engineer) and Dann Thompson (sound engineer)
engineer and producer:
Leslie Ann Jones (recording engineer)
editor:
Robert Gatley (engineer), Dann Thompson (sound engineer) and Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
piano:
Tara Kamangar
piano technician:
Mark Schecter
recorded at:
Skywalker in Nicasio, California, United States
recording of:
Dances fantastique for Piano, op. 2: Danse d’extase
composer:
Լորիս Ճգնավորյան (Loris Haykazi Tjeknavorian)
part of:
Dances fantastique for Piano, op. 2
Loris Tjeknavorian2:42