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1CD
Nr.TitelKünstlerBewertungLänge
1Dance of the Reed Flutes from 'The Nutcracker' Op. 71
Techniker(in):
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) (in 1989-05)
Produzent(in):
Michael Woolcock (producer)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (in 1989-05)
conductor:
Marc Ermler (Mark Ermler, conductor) (in 1989-05)
phonographisches Urheberrecht (℗) von:
Conifer Records Ltd. (not for release label use!) (in 1989)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1989-05)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds) (in 1989-05)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский2:40
2Fanfare for the Common Man
Orchester:
Eos Orchestra
conductor:
Jonathan Sheffer
recording of:
Fanfare for the Common Man (for brass and percussion orchestra)
Komponist(in):
Aaron Copland (composer) (in 1942)
was commissioned by:
Cincinnati Symphony Orchestra und Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty)
uraufgeführt von:
Cincinnati Symphony Orchestra (am 1943-03-12) und Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty) (am 1943-03-12)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
Aaron Copland3:17
3Toreador's Song from 'Carmen'
Baritongesang:
Piero Cappuccilli (baritone)
Bass-Gesang:
José van Dam (Belgian operatic bass-baritone)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
Soprangesang:
Anna Moffo (soprano)
Orchester:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Lorin Maazel (conductor)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
basiert auf:
Carmen : Prélude
Teil von:
Carmen Suite no. 1
Georges Bizet5:27
4Anvil Chorus from 'Il Trovatore'
Chorgesang:
Royal Liverpool Philharmonic Choir
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Carl Davis (conductor and composer)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:05
5The Sorcerer's Apprentice
Orchester:
Orquesta Sinfónica del Estado de México (Symphony Orchestra of the State of Mexico)
conductor:
Enrique Bátiz (conductor and pianist)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
Komponist(in):
Paul Dukas (French composer) (von 1896 bis 1897)
Paul Dukas10:12
6O Fortuna from 'Carmina Burana'
Chorgesang:
Tallis Chamber Choir
Orchester:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
conductor:
Ross Pople (New Zealand-born British conductor and cellist)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:47
7Flight of the Bumblebee (arr. Roy Newsome)
conductor:
Nicholas Childs
arranger:
Roy Newsome (composer and cornet player)
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
Arrangement von:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Николай Андреевич Римский‐Корсаков1:20
81812 Overture, Op. 49
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Paavo Berglund (conductor)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
Premiere in:
Moscow (Moskau), Russland (am 1882-08-20)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1880-09 bis 1880-11)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 46) und Works of Pyotr Ilyich Tchaikovsky by opus number (Nummer: op. 49)
basiert auf:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Пётр Ильич Чайковский15:32
9Intermezzo from 'Cavalleria Rusticana'
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Libor Pešek (conductor)
recording of:
Cavalleria rusticana: Intermezzo
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:43
10Arrival of the Queen of Sheba from 'Soloman'
Orchester und Interpret(in):
City of London Sinfonia (chamber orchestra)
conductor:
Andrew Watkinson (violinist/conductor)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft und Public Domain (refers to works that are in the public domain)
Teil von:
Solomon, HWV 67: Act III
Georg Friedrich Händel3:05
11Overture from 'William Tell'
Orchester:
Sinfonia Varsovia
conductor:
Yehudi Menuhin (violinist)
recording of:
Guillaume Tell : Ouverture (Wilhelm Tell: Ouvertüre)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Hippolyte Louis-Florent Bis (librettist) und Étienne de Jouy
Teil von:
Guglielmo Tell (italian version by Calisto Bassi)
Teil von:
Guillaume Tell
Gioachino Rossini12:10
12Dies Irae from 'Requiem Mass'
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir)
Orchester:
Rundfunk‐Sinfonieorchester Saarbrücken (Saarbrücken Radio Symphony Orchestra)
conductor:
Hanns‐Martin Schneidt (harpsichordist, organist, conductor)
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1874)
Teil von:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi2:25
2CD
Nr.TitelKünstlerBewertungLänge
1Cello Concerto in E minor, Op. 85: I. Adagio - Moderato
Cello:
Alexander Baillie (English cellist)
Orchester:
BBC Philharmonic
conductor:
Sir Edward Downes (conductor)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
Sir Edward Elgar8:33
2Für Elise
Klavier:
Allan Schiller (pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1808 bis 1810)
Teil von:
Classic 100: Piano (2004) (Nummer: 15), Classic 100: Piano (2025) (Nummer: 17) und Kinsky catalogue (Beethoven WoO works) (Nummer: WoO 59)
Ludwig van Beethoven2:32
3Flower Duet from 'Lakme'Léo Delibes6:19
4Chanson de Matin
Orchester:
Britten Sinfonia
conductor:
Nicholas Cleobury (conductor)
recording of:
Chanson de matin, op. 15 no. 2 (for orchestra)
Orchestrator(in) und Komponist(in):
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1901-09-14)
Arrangement von:
Chanson de matin, op. 15 no. 2 (for violin and piano)
Sir Edward Elgar2:59
5The Carnival of the Animals: VII. Aquarium
Orchester:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
conductor:
Ross Pople (New Zealand-born British conductor and cellist)
recording of:
Le Carnaval des animaux : VII. Aquarium (Der Karneval der Tiere: VII. Das Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:17
6Eine kleine Nachtmusik (4th Movement - Allegro)Wolfgang Amadeus Mozart3:59
7Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto
Orchester:
Tonhalle‐Orchester Zürich
conductor:
David Zinman (conductor)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (Sinfonie Nr. 6 in F-Dur, Op. 68 "Pastorale": V. "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm" Allegretto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:02
8Toccata & Fugue in D Minor
Orgel:
William McVicker
recording of:
Toccata und Fuge d-Moll, BWV 565
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 565) und Bach Compendium (Nummer: BC J 37)
Johann Sebastian Bach9:32
9Rhapsody in Blue
Klavier:
Michael Boriskin (pianist)
Orchester:
Eos Orchestra
conductor:
Jonathan Sheffer
recording of:
Rhapsody in Blue (standard 1942 orchestration)
Orchestrator(in):
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Classic 100: Feel Good (2024) (Nummer: 5)
Revision von:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin17:22
10Nessun Dorma from 'Turandot'
Chorgesang:
Chorus of the Royal Opera House, Covent Garden
Tenor-Gesang:
Johan Botha (operatic tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Edward Downes (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:20
3CD
Nr.TitelKünstlerBewertungLänge
1Air ('on the G String') from Suite No.3 BWV 1068
Orchester:
City of London Sinfonia (chamber orchestra)
conductor:
Andrew Watkinson (violinist/conductor)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:04
2Canon in D, for strings (arr. Helmut May)
Orchester:
City of London Sinfonia (chamber orchestra)
conductor:
Andrew Watkinson (violinist/conductor)
arranger:
Helmut May
phonographisches Urheberrecht (℗) von:
Australian Broadcasting Corporation (ABC for short, national public broadcaster, for copyrights/licensing use only) (in 2002)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel4:26
3Symphony No. 5 in C-sharp minor: IV. Adagietto
Techniker(in):
John Timperley
Produzent(in):
Andrew Keener (engineer/editor/producer)
Orchester:
Royal Philharmonic Orchestra (von 1997-11-15 bis 1997-11-17)
conductor:
Daniele Gatti (Italian conductor) (von 1997-11-15 bis 1997-11-17)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (von 1997-11-15 bis 1997-11-17)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (von 1997-11-15 bis 1997-11-17)
Komponist(in):
Gustav Mahler (composer) (von 1901 bis 1902)
Teil von:
Symphony no. 5 (5. Sinfonie)
Gustav Mahler10:15
4Pavane
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Libor Pešek (conductor)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
Texter:
Robert de Montesquiou
Komponist(in):
Gabriel Fauré (French composer) (in 1887)
Arrangement von:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré5:44
5Adagio
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Libor Pešek (conductor)
recording of:
Adagio for Strings
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
Samuel Barber7:11
6Vltava from 'Má Vlast'
Orchester:
The Czech State Philharmonic Orchestra, Brno
conductor:
José Serebrier (Uruguayan conductor and composer)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Mein Vaterland JB 1:112: II. Vltava - Die Moldau, Die Moldau)
Komponist(in):
Bedřich Smetana (composer) (von 1874-11-20 bis 1874-12-08)
Teil von:
B. number catalogue by František Bartoš (Nummer: B. 111)
basiert auf:
La Mantovana
Teil von:
Má vlast, JB 1:112 (Mein Vaterland, My Country / My Fatherland)
Bedřich Smetana12:34
7Symphony No. 9 in E minor, Op. 95
Orchester:
The Czech State Philharmonic Orchestra, Brno
conductor:
José Serebrier (Uruguayan conductor and composer)
teilweise recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Premiere bei:
Second Concert in the Fifty Second Season (1893-12-16) (am 1893-12-16)
Premiere bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1893-12-16)
Teil von:
Classic 100: The Music You Can't Live Without (2021) (Nummer: 7), Works of Antonín Dvořák by opus number (Nummer: op. 95) und Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematisches Verzeichnis, Burghauser [B.]) (Nummer: B. 178)
Antonín Dvořák10:43
8The Planets: Jupiter, the Bringer of Jollity
Orchester:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Vernon Handley (conductor) (in 1993-10)
aufgenommen bei:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Vereinigtes Königreich (in 1993-10)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (in 1993-10)
Komponist(in):
Gustav Holst (composer) (von 1914 bis 1916)
Orchestrierung von:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
Teil von:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:03

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