Russie éternelle

~ Release by Igor Markevitch, Lorin Maazel (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Tableaux d'une exposition : Promenade
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1953-02)
conductor:
Igor Markevitch (conductor) (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (in 1953-02)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky1:29
2Tableaux d'une exposition : I. Gnomus
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1953-02)
conductor:
Igor Markevitch (conductor) (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: I. Gnomus (Pictures at an Exhibition: I. Gnomus, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 1 “Gnomus” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky2:28
3Tableaux d'une exposition : Promenade
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1953-02)
conductor:
Igor Markevitch (conductor) (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza, orchestrated by Ravel, 2nd promenade) (in 1953-02)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 1st) (original piano version, often called Promenade 2)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky0:55
4Tableaux d'une exposition : II. Le Vieux Château
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1953-02)
conductor:
Igor Markevitch (conductor) (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky3:24
5Tableaux d'une exposition : Promenade
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1953-02)
conductor:
Igor Markevitch (conductor) (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato non tanto, pesante, orchestrated by Ravel, 3rd promenade) (in 1953-02)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (original piano version, often called Promenade 3)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
recording of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (in 1874)
orchestration of:
Pictures at an Exhibition (original piano version)
Modest Moussorgsky0:26
6Tableaux d'une exposition : III. Les Tuileries
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1953-02)
conductor:
Igor Markevitch (conductor) (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: III. Tuileries (Pictures at an Exhibition: III. Tuileries, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) (Pictures at an Exhibition: Tuileries (Children Quarreling at Play), original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky1:14
7Tableaux d'une exposition : IV. Bydlo
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1953-02)
conductor:
Igor Markevitch (conductor) (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: IV. Bydlo (Pictures at an Exhibition: IV. Bydło, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 4 “Bydło” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky2:55
8Tableaux d'une exposition : Promenade
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1953-02)
conductor:
Igor Markevitch (conductor) (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Tranquillo, orchestrated by Ravel, 4th promenade) (in 1953-02)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 3rd) (original piano version, often called Promenade 4)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky0:39
9Tableaux d'une exposition : V. Ballet des poussins dans leurs coques
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1953-02)
conductor:
Igor Markevitch (conductor) (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: V. Ballet des poussins dans leurs coques (Pictures at an Exhibition: V. Ballet of the Unhatched Chicks, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] (Pictures at an Exhibition: IX. No. 5 "Ballet of the Unhatched Chicks", original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky1:13
10Tableaux d'une exposition : VI. Samuel Goldenberg et Schmuyle
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1953-02)
conductor:
Igor Markevitch (conductor) (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: VI. Samuel Goldenberg und Schmuyle (Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 6 “Samuel” Goldenberg und “Schmuÿle” (Pictures at an Exhibition: Samual Goldenberg and Schmuÿle, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky2:36
11Tableaux d'une exposition : VII. Place du marché à Limoges
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1953-02)
conductor:
Igor Markevitch (conductor) (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: VII. Limoges – le marché (Pictures at an Exhibition: VII. Limoges – le marché, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky1:20
12Tableaux d'une exposition : VIII. Catacombae : Sepulchrum romanum
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1953-02)
conductor:
Igor Markevitch (conductor) (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: VIII. Catacombae (Sepulchrum romanum) (Pictures at an Exhibition: VIII. Catacombae (Sepulchrum romanum), orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky1:53
13Tableaux d'une exposition : Cum mortuis in lingua mortua
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1953-02)
conductor:
Igor Markevitch (conductor) (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: Cum Mortuis in lingua mortua (Pictures at an Exhibition: Cum Mortuis in lingua mortua, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky1:50
14Tableaux d'une exposition : IX. La Cabane de Baba-yaga sur les pattes de poule
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1953-02)
conductor:
Igor Markevitch (conductor) (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: IX. La cabane sur des pattes de poules (Baba-Yaga) (Pictures at an Exhibition: XIV. The Hut on Fowl’s Legs (Baba-Yaga), orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 9 “Избушка на курьихъ ножкахъ” (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Moussorgsky3:23
15Tableaux d'une exposition : X. La Grande Porte de Kiev
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1953-02)
conductor:
Igor Markevitch (conductor) (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Pictures at an Exhibition: X. The Great Gate of Kiev, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
recording of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (in 1874)
orchestration of:
Pictures at an Exhibition (original piano version)
Modest Moussorgsky5:03
16Une nuit sur le Mont Chauve
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Lorin Maazel (conductor)
recording of:
Une nuit sur le mont chauve: Fantaisie pour l’orchestre (Night on Bald Mountain, orchestrated by Rimsky-Korsakov)
orchestrator:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1886)
composer:
Modest Mussorgsky (composer) (from 1867-06-12 until 1867-06-23)
dedicated to:
Wladimir Stassoff (Vladimir Vasilievich Stasov)
publisher:
W. Bessel & Cie (in 1886)
is based on:
St. John’s Night on the Bare Mountain (original version)
Modest Moussorgsky10:02
17Dans les steppes de l'Asie Centrale
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra) (in 1959-12)
conductor:
Igor Markevitch (conductor) (in 1959-12)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1959-12)
recording of:
В Средней Азии (In the Steppes of Central Asia) (in 1959-12)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) (in 1880)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
premiered at:
[concert] (1880-04-20) (premiere concert for Borodin's In the Steppes of Central Asia)
publisher:
[unknown] (special purpose label - DO NOT USE!) (in 1882)
Alexandre Borodine8:35
18Russian et Ludmilla : Ouverture
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra) (in 1959-12)
conductor:
Igor Markevitch (conductor) (in 1959-12)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1959-12)
recording of:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture) (in 1959-12)
composer:
Mikhail Glinka (Russian composer) (from 1837 until 1842)
part of:
Руслан и Людмила (Ruslan and Lyudmila)
Michael Ivanovitch Glinka5:30
2▼CD
#TitleArtistRatingLength
1Le Coq d'or : 1. Le Roi Dodon dans son palais
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra) (in 1958-06)
conductor:
Igor Markevitch (conductor) (in 1958-06)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (in 1958-06)
recording of:
Четыре музыкальных картины из оперы «Золотой петушок»: I. Царь Додон у себя дома (Four Musical Pictures from the Opera "The Golden Cockerel": I. Introduction and Dodon's Sleep) (in 1958-06)
additional composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1913) and Максимилиан Штейнберг (Maximilian Steinberg, Russian composer) (in 1913)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1907)
part of:
Четыре музыкальных картины из оперы «Золотой петушок» (Four Musical Pictures from the Opera "The Golden Cockerel", The Golden Cockerel Suite)
Nikolaï Rimsky-Korsakov8:48
2Le Coq d'or : 2. Le Roi Dodon au champ de bataille
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra) (in 1958-06)
conductor:
Igor Markevitch (conductor) (in 1958-06)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (in 1958-06)
recording of:
Четыре музыкальных картины из оперы «Золотой петушок»: II. Царь Додон в походе (Four Musical Pictures from the Opera "The Golden Cockerel": II. King Dodon on the Battlefield) (in 1958-06)
additional composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1913) and Максимилиан Штейнберг (Maximilian Steinberg, Russian composer) (in 1913)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1907)
part of:
Четыре музыкальных картины из оперы «Золотой петушок» (Four Musical Pictures from the Opera "The Golden Cockerel", The Golden Cockerel Suite)
Nikolaï Rimsky-Korsakov4:14
3Le Coq d'or : 3. Le Roi Dodon et la Reine Shemakka
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra) (in 1958-06)
conductor:
Igor Markevitch (conductor) (in 1958-06)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (in 1958-06)
recording of:
Четыре музыкальных картины из оперы «Золотой петушок»: III. Царь Додон у Шемаханской царицы (Four Musical Pictures from the Opera "The Golden Cockerel": III. Queen of Shamakha's Dance - King Dodon's Dance) (in 1958-06)
additional composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1913) and Максимилиан Штейнберг (Maximilian Steinberg, Russian composer) (in 1913)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1907)
part of:
Четыре музыкальных картины из оперы «Золотой петушок» (Four Musical Pictures from the Opera "The Golden Cockerel", The Golden Cockerel Suite)
Nikolaï Rimsky-Korsakov6:46
4Le Coq d'or : 4. Mariage et fin lamentable du roi Dodon
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra) (in 1958-06)
conductor:
Igor Markevitch (conductor) (in 1958-06)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (in 1958-06)
recording of:
Четыре музыкальных картины из оперы «Золотой петушок»: IV. Свадьба и печальный конец Додона (Four Musical Pictures from the Opera "The Golden Cockerel": IV. Wedding Procession - Death of King Dodon - Finale) (in 1958-06)
additional composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1913) and Максимилиан Штейнберг (Maximilian Steinberg, Russian composer) (in 1913)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1907)
part of:
Четыре музыкальных картины из оперы «Золотой петушок» (Four Musical Pictures from the Opera "The Golden Cockerel", The Golden Cockerel Suite)
Nikolaï Rimsky-Korsakov6:25
5Nuit de Mai : Ouverture
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra) (in 1958-06)
conductor:
Igor Markevitch (conductor) (in 1958-06)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (in 1958-06)
recording of:
Майская ночь: Увертюра (May Night: Overture) (in 1958-06)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
part of:
Майская ночь (May Night, May Night)
Nikolaï Rimsky-Korsakov8:52
6La Grande Pâque russe : Ouverture, op. 36
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra) (in 1957-11)
conductor:
Igor Markevitch (conductor) (in 1957-11)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (in 1957-11)
recording of:
Russian Easter Festival Overture, op. 36 (in 1957-11)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (from 1887-08 until 1888-04)
publisher:
Musikverlag M. P. Belaieff (in 1890)
part of:
Works of Nikolai Rimsky-Korsakov by opus number (number: op. 36)
Nikolaï Rimsky-Korsakov14:49
7Capriccio espagnol, op. 34: I. Alborada
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio espagnol, op. 34: I. Alborada (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolaï Rimsky-Korsakov1:11
8Capriccio espagnol, op. 34: II. Variazioni
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: II. Variazioni (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolaï Rimsky-Korsakov4:47
9Capriccio espagnol, op. 34: III. Alborada
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: III. Alborada (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolaï Rimsky-Korsakov1:11
10Capriccio espagnol, op. 34: IV. Scena e canto gitano
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: IV. Scena e canto gitano (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolaï Rimsky-Korsakov4:27
11Capriccio espagnol, op. 34: V. Fandango asturiano
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: V. Fandango asturiano (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolaï Rimsky-Korsakov3:11
12Fragment de l'Apocalypse : Tableau symphonique pour orchestre, Op. 66
orchestra:
Orchestre Lamoureux (Lamoureux Orchestra) (in 1960-05)
conductor:
Igor Markevitch (conductor) (in 1960-05)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-05)
recording of:
From the Apocalypse, op. 66 (in 1960-05)
composer:
Анатолий Константинович Лядов (Anatoly Lyadov, Russian composer)
part of:
Works of Anatoly Lyadov by opus number (number: op. 66)
Anatole Liadov6:26