Driving Music 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD: Disc 1
Nr.TitelKünstlerBewertungLänge
1Aller plus haut
Bearbeitung von:
Aller plus haut von Tina Arena
recording of:
Aller plus haut (in 1999)
Texter und Komponist(in):
J. Kapler (composer & lyricist)
arranger:
Christophe Battaglia
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Tina Arena4:01
2Soledad
recording of:
Soledad
Texter:
Lionel Florence
Komponist(in):
Pierre Jaconelli und Pascal Obispo
Pascal Obispo4:22
3Kiss Me
Techniker(in):
Russ Long (engineer) und Robert Vosgien
Produzent(in):
Steve Taylor (US CCM singer–songwriter/record producer)
Mix:
Ben Grosse (American producer and engineer)
Bass:
Justin Cary (bassist) und J.J. Plasencio
Gast-accordion:
John Mark Painter
Gast-Orgel:
Phil Madeira
Gitarre:
Sean Kelly (Sixpence guitarist)
Schlagzeug:
Dale Baker (Drummer; The Maudlin Fee)
vocals:
Leigh Nash (vocalist of Sixpence None the Richer)
phonographisches Urheberrecht (℗) von:
Squint Entertainment (in 1999)
recording of:
Kiss Me
Texter und Komponist(in):
Matt Slocum (lead guitarist for Sixpence None the Richer)
publisher:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs und Le Tigre Sur un Ballon Publishing (in 1999)
Sixpence None the Richer3.63:19
4Everybody Wants to Rule the World
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Gitarre und Solo-Gitarre:
Neil Taylor (guitarist) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
Sologesang:
Curt Smith
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) und Phonogram Ltd. (not for release label use!) (in 1985)
Musikvideos:
Everybody Wants to Rule the World von Tears for Fears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Tears for Fears3.954:09
5Ride Like the Wind
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre, Solo-Gitarre und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Hybrid-Piano und Klavier:
Michael Omartian
Perkussion:
Lenny Castro
Schlagzeug:
Tommy Taylor (US drummer)
Synthesizer:
Rob Meurer
Hintergrundgesang:
Christopher Cross (US singer‐songwriter) und Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 1979) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Ride Like the Wind
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) und Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. und Universal Music Publishing, Synch Division
Christopher Cross4.14:30
6Quelque chose de Tennessee
Gast Sprecher:
Nathalie Baye
recording of:
Quelque chose de Tennessee
Texter und Komponist(in):
Michel Berger
publisher:
Apache (SARL)
Johnny Hallyday34:11
7What’s Your Sign
Des’ree24:07
8Wishing Well
recording engineer und Mix:
Phil Legg
Produzent(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Martyn Ware
baritone saxophone, Keyboard und Perkussion und Hintergrundgesang und Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Bass:
Phil Spalding
Gitarre:
Pete Glenister
Hi-Hat [Wicked Hi-Hat]:
Clive Mngaza
Schlagzeug:
Preston Heyman
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment), CBS Records (2006–2021) (in 1987) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987)
recording of:
Wishing Well
Texter:
Terence Trent D’Arby (now known as Sananda Maitreya)
Komponist(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Sean Oliver
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music Publishers Ltd. und Young Terence Music (Publisher)
Terence Trent D’Arby3.153:32
9No Ordinary Love
recording of:
No Ordinary Love
Texter:
Sade Adu
Komponist(in):
Sade Adu und Stuart Matthewman
publisher:
Angel Music Ltd., Sony ATV Songs LLC und Sony/ATV Music Publishing UK Ltd.
Sade5:25
10I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.955:05
11Need You Tonight
assistierende(r) Techniker(in):
Paula Jones (Australian audio engineer, producer)
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Bob Clearmountain und Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
INXS (label and copyrights holder for INXS) (in 1987, in 1997), PolyGram International Music B.V. (not for release label use!) (in 1987) und Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1999)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Need You Tonight (music video) von INXS
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 59), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 16) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 114)
recording of:
Need You Tonight
Texter und Komponist(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (in 1987) und Chardonnay Investments Ltd. (in 1987)
INXS4.153:03
12Two Princes
Techniker(in):
Frank Aversa und Spin Doctors
Produzent(in):
Frank Aversa, Peter Denenberg, Frankie LaRocka und Spin Doctors
Mix:
Peter Denenberg, Frankie LaRocka und Spin Doctors
Bassgitarre:
Mark White (Spin Doctors)
Gitarre:
Eric Schenkman
Hammond-Orgel, Schlagzeug und Perkussion:
Aaron Comess
Gast Hintergrundgesang:
John Popper
vocals:
Chris Barron
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes (original version)
Verfasser(in):
Chris Barron, Aaron Comess, Eric Schenkman und Mark White (Spin Doctors)
publisher:
Mow B'jow Music, Sony Songs Inc. und Sony/ATV Music Publishing Ltd.
Spin Doctors4.24:17
13Get Out of This House
Shawn Colvin4:17
14The World Is Stone
recording of:
The World Is Stone
Texter:
Luc Plamondon
Komponist(in):
Michel Berger
Übersetzer:
Tim Rice
publisher:
PolyGram Music Publishing Ltd. (beendet) und Sixty Fours Square Music Ltd.
übersetzte Version von:
Le monde est stone
Cyndi Lauper54:26
15All ’bout the Money
recording of:
All 'Bout the Money
Verfasser(in):
Douglas Carr (Swedish songwriter) und Meja
Meja2:54
16Sur la Route
recording of:
Sur la route
Texter und Komponist(in):
De Palmas
De Palmas3:42
2▼CD: Disc 2
Nr.TitelKünstlerBewertungLänge
2-1Where I’m Headed
vocals:
Lene Marlin
arranger:
Jørn Dahl
Musikvideos:
Where I’m Headed von Lene Marlin
recording of:
Where I’m Headed (in 1999)
Texter und Komponist(in):
Lene Marlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recording of:
Where I'm Headed
Texter und Komponist(in):
Lene Marlin
Lene Marlin3?:??
2-2On Ira
recording of:
On ira (in 1997)
Texter und Komponist(in):
Jean‐Jacques Goldman
arranger:
Erick Benzi
Jean‐Jacques Goldman?:??
2-3Seven Seconds
Techniker(in):
Ronny Lahti (Swedish musician, songwriter)
Produzent(in):
Booga Bear und Jonny Dollar (UK producer & songwriter)
Mix:
Booga Bear und Falcon & Fabian
Interpret(in):
Neneh Cherry
aufgenommen bei:
Power Play Studios in New York, New York, Vereinigte Staaten
Bearbeitung von:
7 Seconds von Youssou N’Dour & Neneh Cherry
recording of:
7 Seconds
Texter:
Neneh Cherry und Youssou N’Dour
Komponist(in):
Cameron McVey und Jonathan Sharp (UK producer aka Jonny Dollar)
publisher:
EMI Music (do not use as release label! this is a music publisher)
Youssou N’Dour & Neneh Cherry3.5?:??
2-4The Promise You Made
Produzent(in) und Mix:
Steve Hillage
Schlagzeug und Perkussion:
Louis Molino
Sologesang:
Peter Kingsbery und Anna LaCazio
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
mixed at:
Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
The Promise You Made
Texter und Komponist(in):
Peter Kingsbery
publisher:
31, Edwin Ellis Music (publisher), EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), Intersong (publisher), Nurk Twins Music (publisher), Strictly Confidential France, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
Nichion Synch Division (NICHION, INC. Synch Division) und Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Cock Robin4.5?:??
2-5Eternal Flame
recording engineer:
John Beverly Jones
zusätzliche(r) Techniker(in):
Ken Felton
Produzent(in):
Davitt Sigerson
Mix:
Frank Filipetti
E-Bass [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre [lead guitar]:
Vicki Peterson
Gitarre [rhythm guitar]:
Susanna Hoffs
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
phonographisches Urheberrecht (℗) von:
The Bangles (in 1988)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Eternal Flame von Bangles
recording of:
Eternal Flame
Verfasser(in):
Susanna Hoffs, Tom Kelly (songwriter) und Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.75?:??
2-6Tu ne m’as pas laissé le temps
recording of:
Tu ne m’as pas laissé le temps
Texter:
Lionel Florence
Komponist(in):
David Hallyday
Teil von:
Prix Vincent Scotto (Nummer: 2000)
David Hallyday?:??
2-7Everytime You Go Away
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985) und Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Everytime You Go Away
Texter und Komponist(in):
Daryl Hall
publisher:
Bright Music Ltd. (publisher), Hot Cha Music Co., Intersong Music Ltd., Six Continents Music Publishing, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Paul Young?:??
2-8Babooshka
assistierende(r) Techniker(in):
John Barratt (British audio engineer) (von 1979-09 bis 1980-05)
Techniker(in):
Jon Kelly (engineer at Air London Studios) (von 1979-09 bis 1980-05)
Produzent(in):
Kate Bush und Jon Kelly (engineer at Air London Studios)
Analoger Synthesizer [CS 80] und Sologesang:
Kate Bush (von 1979-09 bis 1980-05)
Balalaika:
Paddy Bush (von 1979-09 bis 1980-05)
E-Bass:
John Giblin (von 1979-09 bis 1980-05)
E-Gitarre:
Brian Bath (von 1979-09 bis 1980-05) und Alan Murphy (UK session guitarist) (von 1979-09 bis 1980-05)
Rhodes Piano [Fender Rhodes]:
Max Middleton (von 1979-09 bis 1980-05)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel) (von 1979-09 bis 1980-05)
Hintergrundgesang:
Paddy Bush (von 1979-09 bis 1980-05) und Gary Hurst (von 1979-09 bis 1980-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980), Novercia Ltd. (in 1980) und EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-09 bis 1980-05) und Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-09 bis 1980-05)
recording of:
Babooshka (von 1979-09 bis 1980-05)
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Kate Bush Music Ltd.
Kate Bush3.4?:??
2-9Only The Very Best
recording of:
Only the Very Best (SOS d’un terrien en détresse)
Texter:
Luc Plamondon
Komponist(in):
Michel Berger
Übersetzer:
Tim Rice
publisher:
Plamondon Publishing, Sixty Fours Square Music Ltd., Strictly Confidential France und Universal Music Publishing France (not for release label use!)
übersetzte Version von:
S.O.S. d’un terrien en détresse
Peter Kingsbery?:??
2-10Crash And Burn
drum machine-Programmierung:
Walter Afanasieff und Daniel Jones (Australian singer/producer of Savage Garden)
Programmierung:
Greg Bieck und Daniel Jones (Australian singer/producer of Savage Garden)
assistierende(r) Techniker(in):
Mark Gregory (trumpeter), Pete Krawiec, Luis Quine und Tony Rambo
Techniker(in):
David Frazer (engineer) (Sologesang, Hintergrundgesang, Gitarre), Kent Matcke und David Reitzas
Koproduzent(in):
Darren Hayes und Daniel Jones (Australian singer/producer of Savage Garden)
Produzent(in):
Walter Afanasieff
Mix:
Dave Way
Akustikgitarre:
Dean Parks (American session guitarist)
Bassgitarre:
Nathan East
E-Gitarre:
Michael Thompson (session guitarist)
E-Gitarre, Keyboard und Synthesizer:
Daniel Jones (Australian singer/producer of Savage Garden)
Keyboard und Synthesizer:
Walter Afanasieff
Hintergrundgesang und Sologesang:
Darren Hayes
arranger:
Walter Afanasieff, Darren Hayes und Daniel Jones (Australian singer/producer of Savage Garden)
vocals arranger:
Walter Afanasieff und Darren Hayes
aufgenommen bei:
Wallyworld in San Rafael, California (Kalifornien), Vereinigte Staaten
zusätzlich aufgenommen bei:
Andora Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Gitarre)
mixed at:
Wallyworld Studios in San Rafael, California (Kalifornien), Vereinigte Staaten
recording of:
Crash and Burn
Komponist(in):
Darren Hayes und Daniel Jones (Australian singer/producer of Savage Garden)
publisher:
Rough Cut Music Pty. Ltd. und WB Music Corp. (1929–2019)
Savage Garden4.5?:??
2-11Belle-Île-en-Mer, Marie-Galante
recording of:
Belle-Île-en-Mer, Marie Galante
Texter:
Alain Souchon
Komponist(in):
Laurent Voulzy
Teil von:
Victoire de la chanson originale de l’année (Nummer: 1986)
Laurent Voulzy?:??
2-12Walking In Memphis
recording engineer, Techniker(in) und Mix:
Ben Wisch
Produzent(in):
Marc Cohn und Ben Wisch
Bass und Orgel:
John Leventhal
Gitarre:
Marc Cohn und John Leventhal
Hammond-Orgel:
Chris Palmaro
Keyboard:
Eric Rehl
Schlagzeug:
Dennis McDermott
Gast Hintergrundgesang:
James Taylor (singer-songwriter and guitarist)
Hintergrundgesang:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) und Darryl Tookes
vocals:
Marc Cohn
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) und Warner Music H.K. Ltd. (in 1997)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 415)
recording of:
Walking in Memphis
Texter und Komponist(in):
Marc Cohn
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.9?:??
2-13Right Here Waiting
Techniker(in) und Mix:
David Cole (American recording engineer and producer)
Produzent(in):
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) und Richard Marx
Gitarre:
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
Keyboard:
Jeffery (C. J.) Vanston
Sologesang:
Richard Marx
arranger:
Jeffery CJ Vanston und Richard Marx
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1989)
Musikvideos:
Right Here Waiting von Richard Marx
recording of:
Right Here Waiting
Texter:
Richard Marx
Komponist(in):
Bruce Gaitsch (American guitarist, producer, engineer and arranger) und Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. und EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx3.8?:??
2-14Black Magic Woman / Gypsy Queen
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1970-06)
Techniker(in):
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) und John Fiore (engineer)
Produzent(in):
Fred Catero und Santana (US Latin, blues, & rock band)
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (von 1970-06-04 bis 1970-06-05)
Conga:
José “Chepito” Áreas (in 1970-06) und Michael Carabello (percussionist) (in 1970-06)
Conga und Perkussion:
Michael Carabello (percussionist) (von 1970-06-04 bis 1970-06-05)
Conga, Perkussion und Timbales und Timbales:
José “Chepito” Áreas (von 1970-06-04 bis 1970-06-05)
Gitarre:
Carlos Santana (von 1970-06-04 bis 1970-06-05)
Keyboard und Sologesang:
Gregg Rolie (keyboardist and vocalist) (von 1970-06-04 bis 1970-06-05)
Perkussion:
Rico Reyes (von 1970-06-04 bis 1970-06-05)
Schlagzeug:
Michael Shrieve (drummer) (von 1970-06-04 bis 1970-06-05)
tabla:
Steven Saphore (von 1970-06-04 bis 1970-06-05)
Hintergrundgesang:
Rico Reyes (von 1970-06-04 bis 1970-06-05) und Carlos Santana (von 1970-06-04 bis 1970-06-05)
vocals:
Gregg Rolie (keyboardist and vocalist) (in 1970-06)
arranger:
Santana (US Latin, blues, & rock band)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (von 1970-06-04 bis 1970-06-05)
cover recording of:
Black Magic Woman (in 1970-06)
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
cover recording of:
Gypsy Queen (in 1970-06)
Komponist(in):
Gábor Szabó (in 1966)
publisher:
Gabor & Cardigan Music, PAB Music Corp. und Wixen Music Publishing, Inc.
Santana3.7?:??
2-15Africa
recording engineer:
David Leonard (US producer and engineer), Greg Ladanyi, Jamie Ledner, Jim Horn (saxophonist, hornist, flutist and oboist), Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian (US recording and mixing engineer) und Tom Knox
Techniker(in):
Al Schmitt, Bruce Heigh, David Paich, Dick Gall (engineer/guitar technician), Greg Ladanyi, Steve Porcaro und Tom Knox
zusätzliche(r) Techniker(in):
Bruce Heigh (Aufgabe: additional recording), David Paich (Aufgabe: additional recording), Dick Gall (engineer/guitar technician) (Aufgabe: additional recording) und Steve Porcaro (Aufgabe: additional recording)
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Mix:
Elliot Scheiner (Aufgabe: for 5.1 surround sound) und Greg Ladanyi
Akustikgitarre:
Timothy B. Schmit
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate
Conga:
Lenny Castro
E-Gitarre und Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
gong und Schlagzeug:
Jeff Porcaro
Instrumente:
Lenny Castro
Keyboard:
David Paich und Steve Porcaro
Keyboard und Klavier:
David Paich
Marimba:
Joe Porcaro
Perkussion:
Lenny Castro, Jeff Porcaro und Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
Synthesizer:
Steve Porcaro
Hintergrundgesang:
Bobby Kimball, Steve Lukather (guitarist, vocalist, composer, producer and arranger), David Paich und Timothy B. Schmit
Sologesang:
Jean-Michel Byron, Bobby Kimball und David Paich
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
Musikvideos:
Africa von Toto (US rock group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 105) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 452)
recording of:
Africa (Toto)
Verfasser(in):
Jeffrey Porcaro und David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.1?:??
2-16Rio Grande
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten
mixed at:
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Frankreich
recording of:
Rio Grande
Texter:
Claude Moine
Komponist(in):
Pierre Papadiamandis (French songwriter)
Teil von:
Prix Vincent Scotto (Nummer: 1994)
Version von:
Rio Grande
Eddy Mitchell?:??

Nennungen

Veröffentlichungsgruppe

Teil von:Driving Music (French compilation series jointly published by RTL2 and Sony Music Media) (Nummer: 2) (Reihenfolge: 2)