Jazz on Vogue

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD: Django Reinhardt - Souvenirs de Django Reinhardt Vol. 1, 2, & 3
Nr.TitelKünstlerBewertungLänge
1Minor Swing
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1947-08-29) und Eugène Vées (am 1947-08-29)
Klarinette:
Maurice Meunier (am 1947-08-29)
Kontrabass:
Emmanuel Soudieux (am 1947-08-29)
Schlagzeug:
André Jourdan (am 1947-08-29)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (am 1947-08-29)
recording of:
Minor Swing (am 1947-08-29)
Komponist(in):
Stéphane Grappelli (jazz violinist) und Django Reinhardt (French jazz guitarist and composer)
publisher:
Publications Francis Day
Django Reinhardt2:51
2Swing 41
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1947-08-29) und Eugène Vées (am 1947-08-29)
Klarinette:
Maurice Meunier (am 1947-08-29)
Kontrabass:
Emmanuel Soudieux (am 1947-08-29)
Schlagzeug:
André Jourdan (am 1947-08-29)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (am 1947-08-29)
recording of:
Swing 41 (am 1947-08-29)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:10
3Artillerie Lourde
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (in 1947-11) und Eugène Vées (in 1947-11)
Klarinette:
Gérard Lévecque (in 1947-11)
Kontrabass:
Emmanuel Soudieux (in 1947-11)
Schlagzeug:
André Jourdan (in 1947-11)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (von 1947-11-08 bis 1947-11-13)
recording of:
Artillerie lourde (in 1947-11)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
Django Reinhardt4:15
4Peche a la mouche
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (in 1947-11) und Eugène Vées (in 1947-11)
Klarinette:
Gérard Lévecque (in 1947-11)
Kontrabass:
Emmanuel Soudieux (in 1947-11)
Schlagzeug:
André Jourdan (in 1947-11)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (von 1947-11-08 bis 1947-11-13)
recording of:
Pêche à la mouche (in 1947-11)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt2:15
5Swing Guitars
Gitarre:
Django Reinhardt (French jazz guitarist and composer) und Eugène Vées
Klarinette:
Maurice Meunier
Klavier:
Eddie Bernard
Kontrabass:
Emmanuel Soudieux
Schlagzeug:
Jacques Martinon
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (von 1947-08-25 bis 1950)
recording of:
Swing Guitars
Komponist(in):
Stéphane Grappelli (jazz violinist) und Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:03
6Belleville
E-Gitarre:
Django Reinhardt (French jazz guitarist and composer) (von 1947-10-08 bis 1947-10-13)
Gitarre:
Eugène Vées (von 1947-10-08 bis 1947-10-13, in 1947-11) und Django Reinhardt (French jazz guitarist and composer) (in 1947-11)
Klarinette:
Gérard Lévecque (von 1947-10-08 bis 1947-10-13, in 1947-11)
Kontrabass:
Emmanuel Soudieux (von 1947-10-08 bis 1947-10-13, in 1947-11)
Schlagzeug:
André Jourdan (von 1947-10-08 bis 1947-10-13, in 1947-11)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (von 1947-11-08 bis 1947-11-13)
recording of:
Belleville (von 1947-10-08 bis 1947-10-13)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt2:34
7Douce ambiance
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (in 1947-11) und Eugène Vées (in 1947-11)
Klarinette:
Gérard Lévecque (in 1947-11)
Kontrabass:
Emmanuel Soudieux (in 1947-11)
Schlagzeug:
André Jourdan (in 1947-11)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (von 1947-11-08 bis 1947-11-13)
recording of:
Douce ambiance (in 1947-11)
Komponist(in):
Stéphane Grappelli (jazz violinist) und Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt2:21
8Swing de Paris
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (in 1947-11) und Eugène Vées (in 1947-11)
Klarinette:
Gérard Lévecque (in 1947-11)
Kontrabass:
Emmanuel Soudieux (in 1947-11)
Schlagzeug:
André Jourdan (in 1947-11)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (von 1947-11-08 bis 1947-11-13)
recording of:
Swing from Paris (in 1947-11)
Komponist(in):
Stéphane Grappelli (jazz violinist) und Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:50
9Babik
Gitarre:
Django Reinhardt (French jazz guitarist and composer) und Eugène Vées
Klarinette:
Maurice Meunier
Klavier:
Eddie Bernard
Kontrabass:
Emmanuel Soudieux
Schlagzeug:
Jacques Martinon
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (von 1947-08-25 bis 1950)
recording of:
Babik
Verfasser(in):
Django Reinhardt (French jazz guitarist and composer)
recording of:
Babik — Bi-bop
Django Reinhardt2:06
10Swingtime in the Springtime
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1947-09-07) und Eugène Vées (am 1947-09-07)
Klarinette:
Maurice Meunier (am 1947-09-07) und Hubert Rostaing (am 1947-09-07)
Kontrabass:
Emmanuel Soudieux (am 1947-09-07)
Schlagzeug:
André Jourdan (am 1947-09-07)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (am 1947-09-07)
recording of:
Swingtime in Springtime (am 1947-09-07)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:09
11Manoir de mes reves
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (in 1947-11) und Eugène Vées (in 1947-11)
Klarinette:
Gérard Lévecque (in 1947-11)
Kontrabass:
Emmanuel Soudieux (in 1947-11)
Schlagzeug:
André Jourdan (in 1947-11)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (von 1947-11-08 bis 1947-11-13)
recording of:
Manoir de mes rêves (in 1947-11)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
Django Reinhardt3:48
12Blues en mineur
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1947-08-29) und Eugène Vées (am 1947-08-29)
Klarinette:
Maurice Meunier (am 1947-08-29)
Kontrabass:
Emmanuel Soudieux (am 1947-08-29)
Schlagzeug:
André Jourdan (am 1947-08-29)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (am 1947-08-29)
recording of:
Blues en Mineur (am 1947-08-29)
Verfasser(in) und Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:28
13Swing 39
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1947-08-29) und Eugène Vées (am 1947-08-29)
Klarinette:
Maurice Meunier (am 1947-08-29)
Kontrabass:
Emmanuel Soudieux (am 1947-08-29)
Schlagzeug:
André Jourdan (am 1947-08-29)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (am 1947-08-29)
recording of:
Swing 39 (am 1947-08-29)
Komponist(in):
Stéphane Grappelli (jazz violinist) und Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt2:34
14Melodie au crepuscule
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (in 1947-11) und Eugène Vées (in 1947-11)
Klarinette:
Gérard Lévecque (in 1947-11)
Kontrabass:
Emmanuel Soudieux (in 1947-11)
Schlagzeug:
André Jourdan (in 1947-11)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (von 1947-11-08 bis 1947-11-13)
recording of:
Mélodie au crépuscule (in 1947-11)
Texter:
Lawrence Riesner
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:15
15Feerie
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1947-09-07) und Eugène Vées (am 1947-09-07)
Klarinette:
Hubert Rostaing (am 1947-09-07)
Kontrabass:
Emmanuel Soudieux (am 1947-09-07)
Schlagzeug:
André Jourdan (am 1947-09-07)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (am 1947-09-07)
recording of:
Féerie (am 1947-09-07)
Verfasser(in):
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt2:20
16Dinette
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (in 1947-11) und Eugène Vées (in 1947-11)
Klarinette:
Gérard Lévecque (in 1947-11)
Kontrabass:
Emmanuel Soudieux (in 1947-11)
Schlagzeug:
André Jourdan (in 1947-11)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (von 1947-11-08 bis 1947-11-13)
recording of:
Dînette (in 1947-11)
Komponist(in):
Hubert Rostaing
Version von:
Dinah
Django Reinhardt2:52
17Stockholm
recorded in:
Paris, Île-de-France, Frankreich (am 1947-09-07)
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1947-09-07) und Eugène Vées (am 1947-09-07)
Klarinette:
Hubert Rostaing (am 1947-09-07)
Kontrabass:
Emmanuel Soudieux (am 1947-09-07)
Schlagzeug:
André Jourdan (am 1947-09-07)
Interpret(in):
Quintette du Hot Club de France und Souvenirs de Django Reinhardt (am 1947-09-07)
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (am 1947-09-07)
recording of:
Stockholm (am 1947-09-07)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:20
18Nuages
Gitarre:
Django Reinhardt (French jazz guitarist and composer) und Eugène Vées
Klarinette:
Maurice Meunier
Klavier:
Eddie Bernard
Kontrabass:
Emmanuel Soudieux
Schlagzeug:
Jacques Martinon
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (von 1947-08-25 bis 1950)
recording of:
Nuages (instrumental)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
publisher:
EMI Blackwood Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Django Reinhardt3:20
19Del salle
E-Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1947-08-29)
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1947-08-29) und Eugène Vées (am 1947-08-29)
Klarinette:
Maurice Meunier (am 1947-08-29)
Kontrabass:
Emmanuel Soudieux (am 1947-08-29)
Schlagzeug:
André Jourdan (am 1947-08-29)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (am 1947-08-29) und Radio Diffusion Franċaise Studios (Montparnasse) in Paris, Île-de-France, Frankreich (am 1947-08-29)
recording of:
Del Salle (1) (am 1947-08-29)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
recording of:
Del Salle (2) (am 1947-08-29)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:21
20Vendredi 13
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1947-09-07) und Eugène Vées (am 1947-09-07)
Klarinette:
Hubert Rostaing (am 1947-09-07)
Kontrabass:
Emmanuel Soudieux (am 1947-09-07)
Schlagzeug:
André Jourdan (am 1947-09-07)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (am 1947-09-07)
recording of:
Vendredi 13 (am 1947-09-07)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt1:58
21Sweet Chorus
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1947-10-15) und Eugène Vées (am 1947-10-15)
Klarinette:
Hubert Rostaing (am 1947-10-15)
Kontrabass:
Emmanuel Soudieux (am 1947-10-15)
Schlagzeug:
André Jourdan (am 1947-10-15)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (am 1947-10-15)
recording of:
Sweet Chorus (am 1947-10-15)
Komponist(in):
Stéphane Grappelli (jazz violinist) und Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:02
22Crepuscule
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1947-10-15) und Eugène Vées (am 1947-10-15)
Klarinette:
Hubert Rostaing (am 1947-10-15)
Kontrabass:
Emmanuel Soudieux (am 1947-10-15)
Schlagzeug:
André Jourdan (am 1947-10-15)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (am 1947-10-15)
recording of:
Crépuscule (am 1947-10-15)
Komponist(in):
Francis Blanche und Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:56
23Songe d'automne
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1947-10-15) und Eugène Vées (am 1947-10-15)
Klarinette:
Hubert Rostaing (am 1947-10-15)
Kontrabass:
Emmanuel Soudieux (am 1947-10-15)
Schlagzeug:
André Jourdan (am 1947-10-15)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (am 1947-10-15)
Django Reinhardt3:21
24Folie a amphion
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (in 1947-11) und Eugène Vées (in 1947-11)
Klarinette:
Gérard Lévecque (in 1947-11)
Kontrabass:
Emmanuel Soudieux (in 1947-11)
Schlagzeug:
André Jourdan (in 1947-11)
Interpret(in):
Quintette du Hot Club de France
aufgenommen bei:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in Frankreich (von 1947-11-08 bis 1947-11-13)
recording of:
Folie à Amphion (in 1947-11)
Komponist(in):
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt2:57
2▼CD: Dizzy Gillespie - Pleyel Jazz Concert Vol 1 - 1948 / Max Roach (1949)
Nr.TitelKünstlerBewertungLänge
1Round About Midnight
alto saxophone:
John Brown (alto saxophone player) (am 1948-02-28) und Howard Johnson (saxophone (1905-1991)) (am 1948-02-28)
baritone saxophone:
Cecil Payne (am 1948-02-28)
Conga:
Chano Pozo (am 1948-02-28)
Instrumente:
Kenny Dorham (US jazz trumpeter, singer, and composer) (am 1948-02-28)
Klavier:
Al Haig (am 1948-02-28) und John Lewis (pianist, member of Modern Jazz Quartet) (am 1948-02-28)
Kontrabass:
John Brown (bass) (am 1948-02-28) und Al McKibbon (double bassist) (am 1948-02-28)
Posaune:
Ted Kelly (US jazz trombonist) (am 1948-02-28), William Sheperd (am 1948-02-28) und William Shepherd (US jazz trombonist) (am 1948-02-28)
Saxophon:
James Moody (jazz saxophonist) (am 1948-02-28)
Schlagzeug:
Kenny Clarke (am 1948-02-28)
Solo-alto saxophone:
Howard Johnson (tuba & baritone saxophone) (am 1948-02-28)
Solo-Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1948-02-28)
Solo-Posaune:
Ted Kelly (US jazz trombonist) (am 1948-02-28)
Solo-Trompete:
Dizzy Gillespie (am 1948-02-28)
Tenorsaxophon:
Joe Gayles (am 1948-02-28) und George Nicholas (Australian producer, composer, and mixer) (am 1948-02-28)
Trompete:
Dave Burns (trumpet) (am 1948-02-28), Ernest Bailey (am 1948-02-28), Dizzy Gillespie (am 1948-02-28), Elmon Wright (US 1940-70s jazz trumpeter) (am 1948-02-28) und Lammar Wright, Jr. (am 1948-02-28)
vocals:
Kenny Hagood (am 1948-02-28)
aufgenommen bei:
Salle Pleyel (1927-) in Paris, Île-de-France, Frankreich (am 1948-02-28)
live recording of:
’Round Midnight (am 1948-02-28)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Dizzy Gillespie8:45
2Algo Bueno Woody'n You
alto saxophone:
Howard Johnson (saxophone (1905-1991)) (am 1948-02-28)
Conga:
Chano Pozo (am 1948-02-28)
Instrumente:
Kenny Dorham (US jazz trumpeter, singer, and composer) (am 1948-02-28)
Klavier:
Al Haig (am 1948-02-28) und John Lewis (pianist, member of Modern Jazz Quartet) (am 1948-02-28)
Posaune:
Ted Kelly (US jazz trombonist) (am 1948-02-28) und William Sheperd (am 1948-02-28)
Saxophon:
James Moody (jazz saxophonist) (am 1948-02-28)
Schlagzeug:
Kenny Clarke (am 1948-02-28)
Solo-Kontrabass:
John Brown (bass) (am 1948-02-28)
Solo-Trompete:
Dizzy Gillespie (am 1948-02-28)
Trompete:
Benny Bailey (am 1948-02-28), Dave Burns (trumpet) (am 1948-02-28) und Lammar Wright, Jr. (am 1948-02-28)
vocals:
Kenny Hagood (am 1948-02-28)
aufgenommen bei:
Salle Pleyel (1927-) in Paris, Île-de-France, Frankreich (am 1948-02-28)
recording of:
Woody ’n’ You (am 1948-02-28)
Komponist(in):
Dizzy Gillespie
Dizzy Gillespie3:16
3I Can't Get Started
alto saxophone:
John Brown (alto saxophone player) (am 1948-02-28) und Howard Johnson (saxophone (1905-1991)) (am 1948-02-28)
baritone saxophone:
Cecil Payne (am 1948-02-28)
Conga:
Chano Pozo (am 1948-02-28)
Instrumente:
Kenny Dorham (US jazz trumpeter, singer, and composer) (am 1948-02-28)
Klavier:
Al Haig (am 1948-02-28) und John Lewis (pianist, member of Modern Jazz Quartet) (am 1948-02-28)
Kontrabass:
John Brown (bass) (am 1948-02-28) und Al McKibbon (double bassist) (am 1948-02-28)
Posaune:
Ted Kelly (US jazz trombonist) (am 1948-02-28), William Sheperd (am 1948-02-28) und William Shepherd (US jazz trombonist) (am 1948-02-28)
Saxophon:
James Moody (jazz saxophonist) (am 1948-02-28)
Schlagzeug:
Kenny Clarke (am 1948-02-28)
Solo-Trompete:
Dizzy Gillespie (am 1948-02-28)
Tenorsaxophon:
Joe Gayles (am 1948-02-28) und George Nicholas (Australian producer, composer, and mixer) (am 1948-02-28)
Trompete:
Dave Burns (trumpet) (am 1948-02-28), Ernest Bailey (am 1948-02-28), Dizzy Gillespie (am 1948-02-28), Elmon Wright (US 1940-70s jazz trumpeter) (am 1948-02-28) und Lammar Wright, Jr. (am 1948-02-28)
vocals:
Kenny Hagood (am 1948-02-28)
aufgenommen bei:
Salle Pleyel (1927-) in Paris, Île-de-France, Frankreich (am 1948-02-28)
live recording of:
I Can’t Get Started (am 1948-02-28)
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dizzy Gillespie3:47
4Ool-Ya-Koo
alto saxophone:
John Brown (alto saxophone player) (am 1948-02-28) und Howard Johnson (saxophone (1905-1991)) (am 1948-02-28)
baritone saxophone:
Cecil Payne (am 1948-02-28)
Conga:
Chano Pozo (am 1948-02-28)
Instrumente:
Kenny Dorham (US jazz trumpeter, singer, and composer) (am 1948-02-28)
Klavier:
Al Haig (am 1948-02-28) und John Lewis (pianist, member of Modern Jazz Quartet) (am 1948-02-28)
Kontrabass:
John Brown (bass) (am 1948-02-28) und Al McKibbon (double bassist) (am 1948-02-28)
Posaune:
Ted Kelly (US jazz trombonist) (am 1948-02-28), William Sheperd (am 1948-02-28) und William Shepherd (US jazz trombonist) (am 1948-02-28)
Saxophon:
James Moody (jazz saxophonist) (am 1948-02-28)
Schlagzeug:
Kenny Clarke (am 1948-02-28)
Solo-Trompete:
Dizzy Gillespie
Tenorsaxophon:
Joe Gayles (am 1948-02-28) und George Nicholas (Australian producer, composer, and mixer) (am 1948-02-28)
Trompete:
Dave Burns (trumpet) (am 1948-02-28), Ernest Bailey (am 1948-02-28), Dizzy Gillespie (am 1948-02-28), Elmon Wright (US 1940-70s jazz trumpeter) (am 1948-02-28) und Lammar Wright, Jr. (am 1948-02-28)
vocals:
Kenny Hagood (am 1948-02-28)
aufgenommen bei:
Salle Pleyel (1927-) in Paris, Île-de-France, Frankreich (am 1948-02-28)
live recording of:
Ool-Ya-Koo (am 1948-02-28)
Komponist(in):
Walter “Gil” Fuller (jazz composer & arranger) und Dizzy Gillespie
Dizzy Gillespie5:10
5Afro-Cuban Drum Suite
alto saxophone:
John Brown (alto saxophone player) (am 1948-02-28) und Howard Johnson (saxophone (1905-1991)) (am 1948-02-28)
baritone saxophone:
Cecil Payne (am 1948-02-28)
Conga und Solo-Conga:
Chano Pozo (am 1948-02-28)
Instrumente:
Kenny Dorham (US jazz trumpeter, singer, and composer) (am 1948-02-28)
Klavier:
Al Haig (am 1948-02-28) und John Lewis (pianist, member of Modern Jazz Quartet) (am 1948-02-28)
Kontrabass:
John Brown (bass) (am 1948-02-28) und Al McKibbon (double bassist) (am 1948-02-28)
Posaune:
Ted Kelly (US jazz trombonist) (am 1948-02-28), William Sheperd (am 1948-02-28) und William Shepherd (US jazz trombonist) (am 1948-02-28)
Saxophon:
James Moody (jazz saxophonist) (am 1948-02-28)
Schlagzeug:
Kenny Clarke (am 1948-02-28)
Solo-Trompete:
Dizzy Gillespie (am 1948-02-28)
Tenorsaxophon:
Joe Gayles (am 1948-02-28) und George Nicholas (Australian producer, composer, and mixer) (am 1948-02-28)
Trompete:
Dave Burns (trumpet) (am 1948-02-28), Ernest Bailey (am 1948-02-28), Dizzy Gillespie (am 1948-02-28), Elmon Wright (US 1940-70s jazz trumpeter) (am 1948-02-28) und Lammar Wright, Jr. (am 1948-02-28)
vocals:
Kenny Hagood (am 1948-02-28)
aufgenommen bei:
Salle Pleyel (1927-) in Paris, Île-de-France, Frankreich (am 1948-02-28)
live recording of:
Afro-Cuban Jazz Suite (am 1948-02-28)
Komponist(in):
Chico O’Farrill
Dizzy Gillespie5:48
6Things to Come
alto saxophone:
John Brown (alto saxophone player) (am 1948-02-28) und Howard Johnson (saxophone (1905-1991)) (am 1948-02-28)
baritone saxophone:
Cecil Payne (am 1948-02-28)
Conga:
Chano Pozo (am 1948-02-28)
Instrumente:
Kenny Dorham (US jazz trumpeter, singer, and composer) (am 1948-02-28)
Klavier:
Al Haig (am 1948-02-28) und John Lewis (pianist, member of Modern Jazz Quartet) (am 1948-02-28)
Kontrabass:
Al McKibbon (double bassist) (am 1948-02-28)
Posaune:
Ted Kelly (US jazz trombonist) (am 1948-02-28), William Sheperd (am 1948-02-28) und William Shepherd (US jazz trombonist) (am 1948-02-28)
Saxophon:
James Moody (jazz saxophonist) (am 1948-02-28)
Schlagzeug:
Kenny Clarke (am 1948-02-28)
Solo-Kontrabass:
John Brown (bass) (am 1948-02-28)
Solo-Trompete:
Dizzy Gillespie (am 1948-02-28)
Tenorsaxophon:
Joe Gayles (am 1948-02-28) und George Nicholas (Australian producer, composer, and mixer) (am 1948-02-28)
Trompete:
Dave Burns (trumpet) (am 1948-02-28), Ernest Bailey (am 1948-02-28), Dizzy Gillespie (am 1948-02-28), Elmon Wright (US 1940-70s jazz trumpeter) (am 1948-02-28) und Lammar Wright, Jr. (am 1948-02-28)
vocals:
Kenny Hagood (am 1948-02-28)
aufgenommen bei:
Salle Pleyel (1927-) in Paris, Île-de-France, Frankreich (am 1948-02-28)
live recording of:
Things to Come (am 1948-02-28)
Komponist(in):
Walter “Gil” Fuller (jazz composer & arranger) und Dizzy Gillespie
Dizzy Gillespie3:07
7Ool-Pop-a-Da
alto saxophone:
John Brown (alto saxophone player) (am 1948-02-28) und Howard Johnson (saxophone (1905-1991)) (am 1948-02-28)
baritone saxophone:
Cecil Payne (am 1948-02-28)
Conga:
Chano Pozo (am 1948-02-28)
Instrumente:
Kenny Dorham (US jazz trumpeter, singer, and composer) (am 1948-02-28)
Klavier:
Al Haig (am 1948-02-28) und John Lewis (pianist, member of Modern Jazz Quartet) (am 1948-02-28)
Kontrabass:
John Brown (bass) (am 1948-02-28) und Al McKibbon (double bassist) (am 1948-02-28)
Posaune:
Ted Kelly (US jazz trombonist) (am 1948-02-28), William Sheperd (am 1948-02-28) und William Shepherd (US jazz trombonist) (am 1948-02-28)
Saxophon:
James Moody (jazz saxophonist) (am 1948-02-28)
Schlagzeug:
Kenny Clarke (am 1948-02-28)
Tenorsaxophon:
Joe Gayles (am 1948-02-28) und George Nicholas (Australian producer, composer, and mixer) (am 1948-02-28)
Trompete:
Dave Burns (trumpet) (am 1948-02-28), Ernest Bailey (am 1948-02-28), Dizzy Gillespie (am 1948-02-28), Elmon Wright (US 1940-70s jazz trumpeter) (am 1948-02-28) und Lammar Wright, Jr. (am 1948-02-28)
vocals:
Kenny Hagood (am 1948-02-28)
aufgenommen bei:
Salle Pleyel (1927-) in Paris, Île-de-France, Frankreich (am 1948-02-28)
recording of:
Oop-Pop-A-Da (am 1948-02-28)
Komponist(in):
Babs Gonzales
Dizzy Gillespie4:54
8Two Bass Hit
alto saxophone:
John Brown (alto saxophone player) (am 1948-02-28) und Howard Johnson (saxophone (1905-1991)) (am 1948-02-28)
baritone saxophone:
Cecil Payne (am 1948-02-28)
Conga:
Chano Pozo (am 1948-02-28)
Instrumente:
Kenny Dorham (US jazz trumpeter, singer, and composer) (am 1948-02-28)
Klavier:
Al Haig (am 1948-02-28) und John Lewis (pianist, member of Modern Jazz Quartet) (am 1948-02-28)
Kontrabass:
John Brown (bass) (am 1948-02-28) und Al McKibbon (double bassist) (am 1948-02-28)
Posaune:
Ted Kelly (US jazz trombonist) (am 1948-02-28), William Sheperd (am 1948-02-28) und William Shepherd (US jazz trombonist) (am 1948-02-28)
Saxophon:
James Moody (jazz saxophonist) (am 1948-02-28)
Schlagzeug:
Kenny Clarke (am 1948-02-28)
Tenorsaxophon:
Joe Gayles (am 1948-02-28) und George Nicholas (Australian producer, composer, and mixer) (am 1948-02-28)
Trompete:
Dave Burns (trumpet) (am 1948-02-28), Ernest Bailey (am 1948-02-28), Dizzy Gillespie (am 1948-02-28), Elmon Wright (US 1940-70s jazz trumpeter) (am 1948-02-28) und Lammar Wright, Jr. (am 1948-02-28)
vocals:
Kenny Hagood (am 1948-02-28)
aufgenommen bei:
Salle Pleyel (1927-) in Paris, Île-de-France, Frankreich (am 1948-02-28)
live recording of:
Two Bass Hit (am 1948-02-28)
Komponist(in):
Dizzy Gillespie und John Lewis (pianist, member of Modern Jazz Quartet)
Dizzy Gillespie4:01
9Good Bait
alto saxophone:
John Brown (alto saxophone player) (am 1948-02-28) und Howard Johnson (saxophone (1905-1991)) (am 1948-02-28)
baritone saxophone:
Cecil Payne (am 1948-02-28)
Conga:
Chano Pozo (am 1948-02-28)
Instrumente:
Kenny Dorham (US jazz trumpeter, singer, and composer) (am 1948-02-28)
Klavier:
Al Haig (am 1948-02-28) und John Lewis (pianist, member of Modern Jazz Quartet) (am 1948-02-28)
Kontrabass:
John Brown (bass) (am 1948-02-28) und Al McKibbon (double bassist) (am 1948-02-28)
Posaune:
Ted Kelly (US jazz trombonist) (am 1948-02-28), William Sheperd (am 1948-02-28) und William Shepherd (US jazz trombonist) (am 1948-02-28)
Saxophon:
James Moody (jazz saxophonist) (am 1948-02-28)
Schlagzeug:
Kenny Clarke (am 1948-02-28)
Tenorsaxophon:
Joe Gayles (am 1948-02-28) und George Nicholas (Australian producer, composer, and mixer) (am 1948-02-28)
Trompete:
Dave Burns (trumpet) (am 1948-02-28), Ernest Bailey (am 1948-02-28), Dizzy Gillespie (am 1948-02-28), Elmon Wright (US 1940-70s jazz trumpeter) (am 1948-02-28) und Lammar Wright, Jr. (am 1948-02-28)
vocals:
Kenny Hagood (am 1948-02-28)
aufgenommen bei:
Salle Pleyel (1927-) in Paris, Île-de-France, Frankreich (am 1948-02-28)
live recording of:
Good Bait (am 1948-02-28)
Texter:
Tadd Dameron
Komponist(in):
Count Basie (pianist) und Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dizzy Gillespie5:19
10Baby Sis
Klavier:
Al Haig (am 1949-05-15)
Kontrabass:
Tommy Potter (am 1949-05-15)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-05-15)
Tenorsaxophon:
James Moody (jazz saxophonist) (am 1949-05-15)
Trompete:
Kenny Dorham (US jazz trumpeter, singer, and composer) (am 1949-05-15)
Interpret(in):
Max Roach Quintet
aufgenommen bei:
Studio Technisonor in Paris, Île-de-France, Frankreich (am 1949-05-15)
Max Roach5:31
11Tomorrow
Klavier:
Al Haig (am 1949-05-15)
Kontrabass:
Tommy Potter (am 1949-05-15)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-05-15)
Tenorsaxophon:
James Moody (jazz saxophonist) (am 1949-05-15)
Trompete:
Kenny Dorham (US jazz trumpeter, singer, and composer) (am 1949-05-15)
Interpret(in):
Max Roach Quintet
aufgenommen bei:
Studio Technisonor in Paris, Île-de-France, Frankreich (am 1949-05-15)
Max Roach6:03
12Prince Albert
Bass und Kontrabass:
Tommy Potter (am 1949-05-15)
Klavier:
Al Haig (am 1949-05-15)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-05-15)
Tenorsaxophon:
James Moody (jazz saxophonist) (am 1949-05-15)
Trompete:
Kenny Dorham (US jazz trumpeter, singer, and composer) (am 1949-05-15)
Interpret(in):
Max Roach Quintet
aufgenommen bei:
Studio Technisonor in Paris, Île-de-France, Frankreich (am 1949-05-15)
recording of:
Prince Albert (am 1949-05-15)
Komponist(in):
Kenny Dorham (US jazz trumpeter, singer, and composer)
Max Roach5:49
13Just Moody
recorded in:
Lausanne, Vaud (Kanton Waadt), Schweiz (am 1949-04-30)
Bass und Kontrabass:
Alvin "Buddy" Banks (jazz bassist) (am 1949-04-30)
Klavier:
Art Simmons (am 1949-04-30)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-04-30) und Clarence Terry (am 1949-04-30)
Tenorsaxophon:
James Moody (jazz saxophonist) (am 1949-04-30)
vocals:
Al Edwards (jazz vocalist) (am 1949-04-30)
Interpret(in):
James Moody Quartet
Max Roach3:04
14Maximum
Bass und Kontrabass:
Tommy Potter (am 1949-05-15)
Klavier:
Al Haig (am 1949-05-15)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-05-15)
Tenorsaxophon:
James Moody (jazz saxophonist) (am 1949-05-15)
Trompete:
Kenny Dorham (US jazz trumpeter, singer, and composer) (am 1949-05-15)
Interpret(in):
Max Roach Quintet
aufgenommen bei:
Studio Technisonor in Paris, Île-de-France, Frankreich (am 1949-05-15)
Max Roach3:28
3▼CD: Roy Eldridge and His Little Jazz / Roy Eldridge Joue Pour La Danse
Nr.TitelKünstlerBewertungLänge
1The Heat Is On (Très chaud)
recorded in:
Paris, Île-de-France, Frankreich (am 1951-03-28)
Klavier:
Claude Bolling (am 1951-03-28)
Kontrabass:
Guy de Fatto (am 1951-03-28)
Schlagzeug:
Armand Molinetti (am 1951-03-28)
Tenorsaxophon:
Don Byas (am 1951-03-28)
Trompete:
Roy Eldridge (am 1951-03-28)
Interpret(in):
Roy Eldridge Quintet
Roy Eldridge3:25
2Fireworks
recorded in:
Paris, Île-de-France, Frankreich (am 1951-03-29)
Klavier:
Claude Bolling (am 1951-03-28)
Trompete:
Roy Eldridge (am 1951-03-28)
Roy Eldridge3:01
3Hollywood Passtime
recorded in:
Paris, Île-de-France, Frankreich (am 1951-03-28)
Klavier:
Claude Bolling (am 1951-03-28)
Kontrabass:
Guy de Fatto (am 1951-03-28)
Schlagzeug:
Armand Molinetti (am 1951-03-28)
Tenorsaxophon:
Don Byas (am 1951-03-28)
Trompete:
Roy Eldridge (am 1951-03-28)
Interpret(in):
Roy Eldridge Quintet
Roy Eldridge4:01
4Tu Disais Qu'tu M'aimais
recorded in:
Paris, Île-de-France, Frankreich (am 1950-10-28)
bass saxophone:
William Boucaya (am 1951-03-28)
Klavier:
Raymond Fol (am 1951-03-28)
Kontrabass:
Barney Spieler (am 1951-03-28)
Posaune:
Benny Vasseur (am 1951-03-28)
Schlagzeug:
Robert Barnet (am 1951-03-28)
Tenorsaxophon:
Albert Ferreri (am 1951-03-28)
Trompete:
Roy Eldridge (am 1951-03-28)
vocals:
Roy Eldridge (am 1951-03-28)
Interpret(in):
King David & His Little Jazz
Roy Eldridge3:25
5Oh Shut Up!
recorded in:
Paris, Île-de-France, Frankreich (am 1951-03-28)
Klavier:
Claude Bolling (am 1951-03-28)
Kontrabass:
Guy de Fatto (am 1951-03-28)
Schlagzeug:
Armand Molinetti (am 1951-03-28)
Tenorsaxophon:
Don Byas (am 1951-03-28, am 1951-03-29)
Trompete:
Roy Eldridge (am 1951-03-28, am 1951-03-29)
Interpret(in):
Roy Eldridge Quintet
Roy Eldridge3:10
6Wild Man Blues
recorded in:
Paris, Île-de-France, Frankreich (am 1951-03-29)
Klavier:
Claude Bolling (am 1951-03-29)
Trompete:
Roy Eldridge (am 1951-03-29)
recording of:
Wild Man Blues (am 1951-03-29)
Komponist(in):
Louis Armstrong und Ferdinand Joseph LaMothe
Roy Eldridge3:49
7I'd Love Him So
recorded in:
Paris, Île-de-France, Frankreich (am 1951-03-28)
Klavier:
Claude Bolling (am 1951-03-28)
Kontrabass:
Guy de Fatto (am 1951-03-28)
Schlagzeug:
Armand Molinetti (am 1951-03-28)
Tenorsaxophon:
Don Byas (am 1951-03-28)
Trompete:
Roy Eldridge (am 1951-03-28)
Interpret(in):
Roy Eldridge Quintet
Roy Eldridge3:26
8Une Petite Laitue
recorded in:
Paris, Île-de-France, Frankreich (am 1950-10-28)
bass saxophone:
William Boucaya (am 1951-03-28)
Klavier:
Raymond Fol (am 1951-03-28)
Kontrabass:
Barney Spieler (am 1951-03-28)
Posaune:
Benny Vasseur (am 1951-03-28)
Schlagzeug:
Robert Barnet (am 1951-03-28)
Tenorsaxophon:
Albert Ferreri (am 1951-03-28)
Trompete:
Roy Eldridge (am 1951-03-28)
Interpret(in):
King David & His Little Jazz
Roy Eldridge3:17
9Goliath Bounce
recorded in:
Paris, Île-de-France, Frankreich (am 1950-06-14)
Klavier:
Gerry Wiggins (am 1950-06-14)
Kontrabass:
Pierre Michelot (am 1950-06-14)
Schlagzeug:
Kenny Clarke (am 1950-06-14)
Trompete:
Roy Eldridge (am 1950-06-14)
Interpret(in):
King David & His Little Jazz
Roy Eldridge3:38
10Someone to Watch Over Me
recorded in:
Paris, Île-de-France, Frankreich (am 1950-06-14)
Klavier:
Gerry Wiggins (am 1950-06-14)
Kontrabass:
Pierre Michelot (am 1950-06-14)
Schlagzeug:
Kenny Clarke (am 1950-06-14)
Trompete:
Roy Eldridge (am 1950-06-14)
Interpret(in):
King David & His Little Jazz
instrumental recording of:
Someone to Watch Over Me (Oh, Kay!) (am 1950-06-14)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
Roy Eldridge3:09
11Ain't No Flies On Me
recorded in:
Paris, Île-de-France, Frankreich (am 1950-06-09)
Klavier:
Dick Hyman (jazz pianist) (am 1950-06-09)
Kontrabass:
Pierre Michelot (am 1950-06-09)
Schlagzeug:
Ed Shaughnessy (am 1950-06-09)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1950-06-09)
Trompete:
Roy Eldridge (am 1950-06-09)
vocals:
Roy Eldridge (am 1950-06-09) und Anita Love (am 1950-06-09)
Interpret(in):
King David & His Little Jazz
recording of:
Ain't No Flies on Me (am 1950-06-09)
Verfasser(in):
Roy Eldridge
Roy Eldridge3:21
12Black and Blue
recorded in:
Paris, Île-de-France, Frankreich (am 1950-10-28)
baritone saxophone und bass saxophone:
William Boucaya (am 1950-10-28)
Klavier:
Raymond Fol (am 1950-10-28)
Kontrabass:
Barney Spieler (am 1950-10-28)
Posaune:
Benny Vasseur (am 1950-10-28)
Schlagzeug:
Robert Barnet (am 1950-10-28)
Tenorsaxophon:
Albert Ferreri (am 1950-10-28)
Trompete:
Roy Eldridge (am 1950-10-28) und Benny Vasseur (am 1950-10-28)
vocals:
Roy Eldridge (am 1950-10-28)
Interpret(in):
King David & His Little Jazz
Roy Eldridge3:27
13If I Had You
recorded in:
Paris, Île-de-France, Frankreich (am 1951-03-28)
Klavier:
Claude Bolling (am 1951-03-28)
Kontrabass:
Guy de Fatto (am 1951-03-28)
Schlagzeug:
Armand Molinetti (am 1951-03-28)
Tenorsaxophon:
Don Byas (am 1951-03-28)
Trompete:
Roy Eldridge (am 1951-03-28)
Interpret(in):
Roy Eldridge Quintet
Roy Eldridge3:35
14L'isle Adam
recorded in:
Paris, Île-de-France, Frankreich (am 1950-10-28)
baritone saxophone und bass saxophone:
William Boucaya (am 1950-10-28)
Klavier:
Raymond Fol (am 1950-10-28)
Kontrabass:
Barney Spieler (am 1950-10-28)
Posaune:
Benny Vasseur (am 1950-10-28)
Schlagzeug:
Robert Barnet (am 1950-10-28)
Tenorsaxophon:
Albert Ferreri (am 1950-10-28)
Trompete:
Roy Eldridge (am 1950-10-28) und Benny Vasseur (am 1950-10-28)
vocals:
Roy Eldridge (am 1950-10-28)
Interpret(in):
King David & His Little Jazz
Roy Eldridge3:18
15I Remember Harlem
recorded in:
Paris, Île-de-France, Frankreich (am 1950-10-28)
baritone saxophone und bass saxophone:
William Boucaya (am 1950-10-28)
Klavier:
Raymond Fol (am 1950-10-28)
Kontrabass:
Barney Spieler (am 1950-10-28)
Posaune:
Benny Vasseur (am 1950-10-28)
Schlagzeug:
Robert Barnet (am 1950-10-28)
Tenorsaxophon:
Albert Ferreri (am 1950-10-28)
Trompete:
Roy Eldridge (am 1950-10-28) und Benny Vasseur (am 1950-10-28)
vocals:
Roy Eldridge (am 1950-10-28)
Interpret(in):
King David & His Little Jazz
Roy Eldridge2:55
16Nuts
recorded in:
Paris, Île-de-France, Frankreich (am 1950-06-14)
Klavier:
Gerry Wiggins (am 1950-06-14)
Kontrabass:
Pierre Michelot (am 1950-06-14)
Schlagzeug:
Kenny Clarke (am 1950-06-14)
Trompete:
Roy Eldridge (am 1950-06-14)
Interpret(in):
King David & His Little Jazz
Roy Eldridge3:15
4▼CD: Bechet Souvenirs / On Parade / Ambiance Bechet
Nr.TitelKünstlerBewertungLänge
1Kansas City Man Blues
recorded in:
Paris, Île-de-France, Frankreich (am 1951-09-07)
Klarinette:
Claude Luter (am 1951-09-07) und André Réwéliotty (am 1951-09-07)
Klavier:
Yannick Singéry (am 1951-09-07)
Kontrabass:
Georges D’Halluin (am 1951-09-07)
Posaune:
Jean-Louis Durand (am 1951-09-07)
Schlagzeug:
Michel Pacout (am 1951-09-07)
Sopransaxophon:
Sidney Bechet (am 1951-09-07)
Trompete:
Marcel Bornstein (am 1951-09-07)
Interpret(in):
Sidney Bechet, Claude Luter und André Réwéliotty et son orchestre
recording of:
Kansas City Man Blues (am 1951-09-07)
Komponist(in):
Clarence Johnson (1930s jazz & blues pianist) und Clarence Williams (US jazz pianist, composer, singer and bandleader)
Sidney Bechet3:42
2Of All the Wrongs You've Done to Me
recorded in:
Paris, Île-de-France, Frankreich (am 1951-09-07)
Klarinette:
Claude Luter (am 1951-09-07) und André Réwéliotty (am 1951-09-07)
Klavier:
Yannick Singéry (am 1951-09-07)
Kontrabass:
Georges D’Halluin (am 1951-09-07)
Posaune:
Jean-Louis Durand (am 1951-09-07)
Schlagzeug:
Wallace Bishop (am 1951-09-07)
Sopransaxophon:
Sidney Bechet (am 1951-09-07)
Trompete:
Marcel Bornstein (am 1951-09-07)
Interpret(in):
Sidney Bechet, Claude Luter und André Réwéliotty et son orchestre
Sidney Bechet3:22
3Apex Blues
recorded in:
Paris, Île-de-France, Frankreich (am 1951-09-07)
Klarinette:
Claude Luter (am 1951-09-07) und André Réwéliotty (am 1951-09-07)
Klavier:
Yannick Singéry (am 1951-09-07)
Kontrabass:
Georges D’Halluin (am 1951-09-07)
Posaune:
Jean-Louis Durand (am 1951-09-07)
Schlagzeug:
Michel Pacout (am 1951-09-07)
Sopransaxophon:
Sidney Bechet (am 1951-09-07)
Trompete:
Marcel Bornstein (am 1951-09-07)
Interpret(in):
Sidney Bechet, Claude Luter und André Réwéliotty et son orchestre
recording of:
Apex Blues (am 1951-09-07)
Komponist(in):
Jimmie Noone
Sidney Bechet3:07
4Together
recorded in:
Paris, Île-de-France, Frankreich (am 1951-09-07)
Klarinette:
Claude Luter (am 1951-09-07) und André Réwéliotty (am 1951-09-07)
Klavier:
Yannick Singéry (am 1951-09-07)
Kontrabass:
Georges D’Halluin (am 1951-09-07)
Posaune:
Jean-Louis Durand (am 1951-09-07)
Schlagzeug:
Michel Pacout (am 1951-09-07)
Sopransaxophon:
Sidney Bechet (am 1951-09-07)
Trompete:
Marcel Bornstein (am 1951-09-07)
Interpret(in):
Sidney Bechet, Claude Luter und André Réwéliotty et son orchestre
Sidney Bechet3:04
5Put On Your Old Grey Bonnet
recorded in:
Paris, Île-de-France, Frankreich (am 1951-09-07)
Klarinette:
Claude Luter (am 1951-09-07) und André Réwéliotty (am 1951-09-07)
Klavier:
Yannick Singéry (am 1951-09-07)
Kontrabass:
Georges D’Halluin (am 1951-09-07)
Posaune:
Jean-Louis Durand (am 1951-09-07)
Schlagzeug:
Wallace Bishop (am 1951-09-07)
Sopransaxophon:
Sidney Bechet (am 1951-09-07)
Trompete:
Marcel Bornstein (am 1951-09-07)
Interpret(in):
Sidney Bechet, Claude Luter und André Réwéliotty et son orchestre
instrumental recording of:
Put on Your Old Grey Bonnet (am 1951-09-07)
Texter:
Stanley Murphy
Komponist(in):
Percy Wenrich (American composer)
Sidney Bechet2:58
6Sleepy Time Gal
recorded in:
Paris, Île-de-France, Frankreich (am 1951-09-07)
Klarinette:
Claude Luter (am 1951-09-07) und André Réwéliotty (am 1951-09-07)
Klavier:
Yannick Singéry (am 1951-09-07)
Kontrabass:
Georges D’Halluin (am 1951-09-07)
Posaune:
Jean-Louis Durand (am 1951-09-07)
Schlagzeug:
Michel Pacout (am 1951-09-07)
Sopransaxophon:
Sidney Bechet (am 1951-09-07)
Trompete:
Marcel Bornstein (am 1951-09-07)
Interpret(in):
Sidney Bechet, Claude Luter und André Réwéliotty et son orchestre
instrumental recording of:
Sleepy Time Gal (am 1951-09-07)
Texter:
Joseph R. Alden und Raymond B. Egan
Komponist(in):
Ange Lorenzo und Richard A. Whiting (composer)
Sidney Bechet2:53
7Darling Nelly Gray
recorded in:
Paris, Île-de-France, Frankreich (am 1951-09-07)
Klarinette:
Claude Luter (am 1951-09-07) und André Réwéliotty (am 1951-09-07)
Klavier:
Yannick Singéry (am 1951-09-07)
Kontrabass:
Georges D’Halluin (am 1951-09-07)
Posaune:
Jean-Louis Durand (am 1951-09-07)
Schlagzeug:
Wallace Bishop (am 1951-09-07)
Sopransaxophon:
Sidney Bechet (am 1951-09-07)
Trompete:
Marcel Bornstein (am 1951-09-07)
Interpret(in):
Sidney Bechet, Claude Luter und André Réwéliotty et son orchestre
recording of:
Darling Nellie Gray (am 1951-09-07)
Komponist(in):
Benjamin R. Hanby
Sidney Bechet2:46
8Sidney Wedding Day
recorded in:
Paris, Île-de-France, Frankreich (am 1951-09-07)
Klarinette:
Claude Luter (am 1951-09-07) und André Réwéliotty (am 1951-09-07)
Klavier:
Yannick Singéry (am 1951-09-07)
Kontrabass:
Georges D’Halluin (am 1951-09-07)
Posaune:
Jean-Louis Durand (am 1951-09-07)
Schlagzeug:
Wallace Bishop (am 1951-09-07)
Sopransaxophon:
Sidney Bechet (am 1951-09-07)
Interpret(in):
Sidney Bechet, Claude Luter und André Réwéliotty et son orchestre
Sidney Bechet3:34
9Le marchand de poissons
recorded in:
Paris, Île-de-France, Frankreich (am 1952-01-18)
Audio-Engineering:
Sidney Bechet
Banjo:
Claude Philippe (am 1952-01-18)
Klarinette:
Claude Luter (am 1952-01-18)
Klavier:
Christian Azzi (am 1952-01-18)
Kontrabass:
Roland Bianchini (am 1952-01-18)
Posaune:
Bernard Zacharias (am 1952-01-18)
Schlagzeug:
François "Moustache" Galépidès (am 1952-01-18)
Sopransaxophon:
Sidney Bechet (am 1952-01-18)
Trompete:
Guy Longnon (am 1952-01-18)
Interpret(in):
Claude Luter et son orchestre
instrumental recording of:
Le Marchand de poissons (am 1952-01-18)
Texter:
Fernand Bonifay
Komponist(in):
Sidney Bechet
Sidney Bechet2:46
10Si tu vois ma Mère (Slow)
recorded in:
Paris, Île-de-France, Frankreich (am 1952-01-18)
Audio-Engineering:
Sidney Bechet
Banjo:
Claude Philippe (am 1952-01-18)
Klarinette:
Claude Luter (am 1952-01-18)
Klavier:
Christian Azzi (am 1952-01-18)
Kontrabass:
Roland Bianchini (am 1952-01-18)
Posaune:
Bernard Zacharias (am 1952-01-18)
Schlagzeug:
François "Moustache" Galépidès (am 1952-01-18)
Sopransaxophon:
Sidney Bechet (am 1952-01-18)
Trompete:
Guy Longnon (am 1952-01-18)
Interpret(in):
Claude Luter et son orchestre
instrumental recording of:
Si tu vois ma mère (aka "I Remember When") (am 1952-01-18)
Texter:
Jean Broussolle
Komponist(in):
Sidney Bechet
Sidney Bechet3:14
11Wabash Blues
recorded in:
Paris, Île-de-France, Frankreich (am 1952-01-18)
Audio-Engineering:
Sidney Bechet
Banjo:
Claude Philippe (am 1952-01-18)
Klarinette:
Claude Luter (am 1952-01-18)
Klavier:
Christian Azzi (am 1952-01-18)
Kontrabass:
Roland Bianchini (am 1952-01-18)
Posaune:
Bernard Zacharias (am 1952-01-18)
Schlagzeug:
François "Moustache" Galépidès (am 1952-01-18)
Sopransaxophon:
Sidney Bechet (am 1952-01-18)
Trompete:
Guy Longnon (am 1952-01-18)
Interpret(in):
Claude Luter et son orchestre
Sidney Bechet3:07
12Dans les rues d'antibes
recorded in:
Paris, Île-de-France, Frankreich (am 1952-01-18)
Audio-Engineering:
Sidney Bechet
Banjo:
Claude Philippe (am 1952-01-18)
Klarinette:
Claude Luter (am 1952-01-18)
Klavier:
Christian Azzi (am 1952-01-18)
Kontrabass:
Roland Bianchini (am 1952-01-18)
Posaune:
Bernard Zacharias (am 1952-01-18)
Schlagzeug:
François "Moustache" Galépidès (am 1952-01-18)
Sopransaxophon:
Sidney Bechet (am 1952-01-18)
Trompete:
Guy Longnon (am 1952-01-18)
Interpret(in):
Claude Luter et son orchestre
recording of:
Dans les rues d'Antibes (am 1952-01-18)
Komponist(in):
Sidney Bechet (in 1952)
Sidney Bechet3:27
13Strike Up the Band
recorded in:
Paris, Île-de-France, Frankreich (am 1952-01-18)
Audio-Engineering:
Sidney Bechet
Banjo:
Claude Philippe (am 1952-01-18)
Klarinette:
Claude Luter (am 1952-01-18)
Klavier:
Christian Azzi (am 1952-01-18)
Kontrabass:
Roland Bianchini (am 1952-01-18)
Posaune:
Bernard Zacharias (am 1952-01-18)
Schlagzeug:
François "Moustache" Galépidès (am 1952-01-18)
Sopransaxophon:
Sidney Bechet (am 1952-01-18)
Trompete:
Guy Longnon (am 1952-01-18)
Interpret(in):
Claude Luter et son orchestre
instrumental recording of:
Strike Up the Band (1927 Gershwin song) (am 1952-01-18)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Strike up the Band (1927 Gershwin musical)
Sidney Bechet3:08
14As-tu le cafard?
recorded in:
Paris, Île-de-France, Frankreich (am 1952-01-18)
Audio-Engineering:
Sidney Bechet
Banjo:
Claude Philippe (am 1952-01-18)
Klarinette:
Claude Luter (am 1952-01-18)
Klavier:
Christian Azzi (am 1952-01-18)
Kontrabass:
Roland Bianchini (am 1952-01-18)
Posaune:
Bernard Zacharias (am 1952-01-18)
Schlagzeug:
François "Moustache" Galépidès (am 1952-01-18)
Sopransaxophon:
Sidney Bechet (am 1952-01-18)
Trompete:
Guy Longnon (am 1952-01-18)
Interpret(in):
Claude Luter et son orchestre
Sidney Bechet2:31
15Pattes de mouche
recorded in:
Paris, Île-de-France, Frankreich (am 1952-01-18)
Audio-Engineering:
Sidney Bechet
Banjo:
Claude Philippe (am 1952-01-18)
Klarinette:
Claude Luter (am 1952-01-18)
Klavier:
Christian Azzi (am 1952-01-18)
Kontrabass:
Roland Bianchini (am 1952-01-18)
Posaune:
Bernard Zacharias (am 1952-01-18)
Schlagzeug:
François "Moustache" Galépidès (am 1952-01-18)
Sopransaxophon:
Sidney Bechet (am 1952-01-18)
Trompete:
Guy Longnon (am 1952-01-18)
Interpret(in):
Claude Luter et son orchestre
Sidney Bechet2:43
16Ghost of the Blues
recorded in:
Paris, Île-de-France, Frankreich (am 1952-01-18)
Audio-Engineering:
Sidney Bechet
Banjo:
Claude Philippe (am 1952-01-18)
Klarinette:
Claude Luter (am 1952-01-18)
Klavier:
Christian Azzi (am 1952-01-18)
Kontrabass:
Roland Bianchini (am 1952-01-18)
Posaune:
Bernard Zacharias (am 1952-01-18)
Schlagzeug:
François "Moustache" Galépidès (am 1952-01-18)
Sopransaxophon:
Sidney Bechet (am 1952-01-18)
Trompete:
Guy Longnon (am 1952-01-18)
Interpret(in):
Claude Luter et son orchestre
Sidney Bechet3:12
17It's No Sin (Est-ce un pèche?)
recorded in:
Paris, Île-de-France, Frankreich (am 1952-01-21)
Klavier:
Charlie Lewis (french jazz pianist) (am 1952-01-21)
Kontrabass:
Alf Masselier (am 1952-01-21)
Posaune:
Jean-Louis Durand (am 1952-01-21)
Schlagzeug:
Armand Molinetti (am 1952-01-21)
Sopransaxophon:
Sidney Bechet (am 1952-01-21)
Trompete:
Guy Longnon (am 1952-01-21)
Interpret(in):
Sidney Bechet & His All Star Band
Sidney Bechet3:21
18Because Of You (Sans ton amour)
recorded in:
Paris, Île-de-France, Frankreich (am 1952-01-21)
Klavier:
Charlie Lewis (french jazz pianist) (am 1952-01-21)
Kontrabass:
Alf Masselier (am 1952-01-21)
Posaune:
Jean-Louis Durand (am 1952-01-21)
Schlagzeug:
Armand Molinetti (am 1952-01-21)
Sopransaxophon:
Sidney Bechet (am 1952-01-21)
Trompete:
Guy Longnon (am 1952-01-21)
Interpret(in):
Sidney Bechet & His All Star Band
instrumental recording of:
Sans ton amour (Because of You) (am 1952-01-21)
Verfasser(in):
Charles Aznavour
Sidney Bechet3:06
19That Old Black Magic
recorded in:
Paris, Île-de-France, Frankreich (am 1952-01-21)
Klavier:
Charlie Lewis (french jazz pianist) (am 1952-01-21)
Kontrabass:
Alf Masselier (am 1952-01-21)
Posaune:
Jean-Louis Durand (am 1952-01-21)
Schlagzeug:
Armand Molinetti (am 1952-01-21)
Sopransaxophon:
Sidney Bechet (am 1952-01-21)
Trompete:
Guy Longnon (am 1952-01-21)
vocals:
James Campbell (Canadian/American clarinetist b. 1949)
Interpret(in):
Sidney Bechet & His All Star Band
recording of:
That Old Black Magic (am 1952-01-21)
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Sidney Bechet2:56
20I Get a Kick Out of You
recorded in:
Paris, Île-de-France, Frankreich (am 1952-01-21)
Klavier:
Charlie Lewis (french jazz pianist) (am 1952-01-21)
Kontrabass:
Alf Masselier (am 1952-01-21)
Posaune:
Jean-Louis Durand (am 1952-01-21)
Schlagzeug:
Armand Molinetti (am 1952-01-21)
Sopransaxophon:
Sidney Bechet (am 1952-01-21)
Trompete:
Guy Longnon (am 1952-01-21)
Interpret(in):
Sidney Bechet & His All Star Band
instrumental recording of:
I Get a Kick Out of You (am 1952-01-21)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Sidney Bechet3:05
21You're Lucky to Me
recorded in:
Paris, Île-de-France, Frankreich (am 1952-01-21)
Klavier:
Charlie Lewis (french jazz pianist) (am 1952-01-21)
Kontrabass:
Alf Masselier (am 1952-01-21)
Posaune:
Jean-Louis Durand (am 1952-01-21)
Schlagzeug:
Armand Molinetti (am 1952-01-21)
Sopransaxophon:
Sidney Bechet (am 1952-01-21)
Trompete:
Guy Longnon (am 1952-01-21)
Interpret(in):
Sidney Bechet & His All Star Band
instrumental recording of:
You’re Lucky to Me (am 1952-01-21)
Texter:
Andy Razaf
Komponist(in):
Eubie Blake
Sidney Bechet3:32
22Petite fleur
recorded in:
Paris, Île-de-France, Frankreich (am 1952-01-21)
Klavier:
Charlie Lewis (french jazz pianist) (am 1952-01-21)
Kontrabass:
Alf Masselier (am 1952-01-21)
Posaune:
Jean-Louis Durand (am 1952-01-21)
Schlagzeug:
Armand Molinetti (am 1952-01-21)
Sopransaxophon:
Sidney Bechet (am 1952-01-21)
Trompete:
Guy Longnon (am 1952-01-21)
Interpret(in):
Sidney Bechet & His All Star Band
recording of:
Petite Fleur (original instrumental) (am 1952-01-21)
Komponist(in):
Sidney Bechet
Sidney Bechet3:12
23Girl's Dance
recorded in:
Paris, Île-de-France, Frankreich (am 1952-01-21)
Klavier:
Charlie Lewis (french jazz pianist) (am 1952-01-21)
Kontrabass:
Alf Masselier (am 1952-01-21)
Posaune:
Jean-Louis Durand (am 1952-01-21)
Schlagzeug:
Armand Molinetti (am 1952-01-21)
Sopransaxophon:
Sidney Bechet (am 1952-01-21)
Trompete:
Guy Longnon (am 1952-01-21)
Interpret(in):
Sidney Bechet & His All Star Band
Sidney Bechet2:58
24Blues
recorded in:
Paris, Île-de-France, Frankreich (am 1952-01-21)
Klavier:
Charlie Lewis (french jazz pianist) (am 1952-01-21)
Kontrabass:
Alf Masselier (am 1952-01-21)
Posaune:
Jean-Louis Durand (am 1952-01-21)
Schlagzeug:
Armand Molinetti (am 1952-01-21)
Sopransaxophon:
Sidney Bechet (am 1952-01-21)
Trompete:
Guy Longnon (am 1952-01-21)
Interpret(in):
Sidney Bechet & His All Star Band
Sidney Bechet3:28
5▼CD: Mary Lou Williams Plays In London / Mary Lou Williams Quartet
Nr.TitelKünstlerBewertungLänge
1Titoros
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1953-01-23)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (am 1953-01-23)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1953-01-23)
Kontrabass:
Kenny Napper (am 1953-01-23)
Schlagzeug:
Allan Ganley (English jazz drummer) (am 1953-01-23)
Interpret(in):
Mary Lou Williams Trio
Mary Lou Williams3:03
2They Can't Take That Away From Me
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1953-01-23)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (am 1953-01-23)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1953-01-23)
Kontrabass:
Kenny Napper (am 1953-01-23)
Schlagzeug:
Allan Ganley (English jazz drummer) (am 1953-01-23)
Interpret(in):
Mary Lou Williams Trio
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1953-01-23)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Mary Lou Williams3:01
3Round About Midnight
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1953-01-23)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (am 1953-01-23)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1953-01-23)
Kontrabass:
Kenny Napper (am 1953-01-23)
Schlagzeug:
Allan Ganley (English jazz drummer) (am 1953-01-23)
Interpret(in):
Mary Lou Williams Trio
recording of:
’Round Midnight (am 1953-01-23)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Mary Lou Williams4:35
4Perdido
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1953-01-23)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (am 1953-01-23)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1953-01-23)
Kontrabass:
Kenny Napper (am 1953-01-23)
Schlagzeug:
Allan Ganley (English jazz drummer) (am 1953-01-23)
Interpret(in):
Mary Lou Williams Trio
recording of:
Perdido (original instrumental version) (am 1953-01-23)
Komponist(in):
Juan Tizol
Mary Lou Williams2:53
5Kool Bongo
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1953-01-23)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (am 1953-01-23)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1953-01-23)
Kontrabass:
Kenny Napper (am 1953-01-23)
Schlagzeug:
Allan Ganley (English jazz drummer) (am 1953-01-23)
Interpret(in):
Mary Lou Williams Trio
recording of:
Kool Bongo (am 1953-01-23)
Komponist(in):
Mary Lou Williams (American jazz pianist and composer)
Mary Lou Williams2:59
6For You
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1953-01-23)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (am 1953-01-23)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1953-01-23)
Kontrabass:
Kenny Napper (am 1953-01-23)
Schlagzeug:
Allan Ganley (English jazz drummer) (am 1953-01-23)
Interpret(in):
Mary Lou Williams Trio
Mary Lou Williams3:15
7Don't Blame Me
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1953-01-23)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (am 1953-01-23)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1953-01-23)
Kontrabass:
Kenny Napper (am 1953-01-23)
Schlagzeug:
Allan Ganley (English jazz drummer) (am 1953-01-23)
Interpret(in):
Mary Lou Williams Trio
instrumental recording of:
Don’t Blame Me (am 1953-01-23)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) und Ireneadele Publishing
Mary Lou Williams3:48
8Lady Bird
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1953-01-23)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (am 1953-01-23)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1953-01-23)
Kontrabass:
Kenny Napper (am 1953-01-23)
Schlagzeug:
Allan Ganley (English jazz drummer) (am 1953-01-23)
Interpret(in):
Mary Lou Williams Trio
recording of:
Lady Bird (am 1953-01-23)
Komponist(in):
Tadd Dameron
Mary Lou Williams3:06
9Titoros (alternative take)
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1953-01-23)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (am 1953-01-23)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1953-01-23)
Kontrabass:
Kenny Napper (am 1953-01-23)
Schlagzeug:
Allan Ganley (English jazz drummer) (am 1953-01-23)
Interpret(in):
Mary Lou Williams Trio
Mary Lou Williams3:16
10They Can't Take That Away From Me (alternative take)
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1953-01-23)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (am 1953-01-23)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1953-01-23)
Kontrabass:
Kenny Napper (am 1953-01-23)
Schlagzeug:
Allan Ganley (English jazz drummer) (am 1953-01-23)
Interpret(in):
Mary Lou Williams Trio
Mary Lou Williams3:22
11Round About Midnight (alternative take)
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1953-01-23)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (am 1953-01-23)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1953-01-23)
Kontrabass:
Kenny Napper (am 1953-01-23)
Schlagzeug:
Allan Ganley (English jazz drummer) (am 1953-01-23)
Interpret(in):
Mary Lou Williams Trio
recording of:
’Round Midnight (am 1953-01-23)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Mary Lou Williams2:51
12Azur-Tè
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (in 1954)
Kontrabass:
Lennie Bush (in 1954)
Schlagzeug:
Tony Kinsey (in 1954)
Interpret(in):
Mary Lou Williams Quartet
instrumental recording of:
Azure-Té (Paris Blues) (in 1954)
Texter:
Donald Wolf (songwriter / composer)
Komponist(in):
Wild Bill Davis
publisher:
Gale & Gayles Inc.
Mary Lou Williams2:33
13Flying Home
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (in 1954)
Kontrabass:
Lennie Bush (in 1954)
Schlagzeug:
Tony Kinsey (in 1954)
Interpret(in):
Mary Lou Williams Quartet
instrumental recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald) (in 1954)
Texter:
Sid Robin (US lyricist & composer)
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd und Regent Music (BMI)
Version von:
Flying Home (instrumental version)
Mary Lou Williams3:09
14Nickels
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (in 1954)
Kontrabass:
Lennie Bush (in 1954)
Schlagzeug:
Tony Kinsey (in 1954)
Interpret(in):
Mary Lou Williams Quartet
Mary Lou Williams2:58
15Yesterdays
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams)
Klavier:
Mary Lou Williams (American jazz pianist and composer)
Kontrabass:
Lennie Bush (in 1954)
Schlagzeug:
Tony Kinsey
Interpret(in):
Mary Lou Williams Quartet
instrumental recording of:
Yesterdays (in 1954)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Mary Lou Williams3:59
16That Man I Love
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (in 1954)
Kontrabass:
Lennie Bush (in 1954)
Schlagzeug:
Tony Kinsey (in 1954)
Interpret(in):
Mary Lou Williams Quartet
instrumental recording of:
The Man I Love (in 1954)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
Mary Lou Williams3:01
17Twilight
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (in 1954)
Kontrabass:
Lennie Bush (in 1954)
Schlagzeug:
Tony Kinsey (in 1954)
Interpret(in):
Mary Lou Williams Quartet
Mary Lou Williams2:38
18Just One of Those Things
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (in 1954)
Kontrabass:
Lennie Bush (in 1954)
Schlagzeug:
Tony Kinsey (in 1954)
Interpret(in):
Mary Lou Williams Quartet
instrumental recording of:
Just One of Those Things (in 1954)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Mary Lou Williams2:34
19Why
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (in 1954)
Kontrabass:
Lennie Bush (in 1954)
Schlagzeug:
Tony Kinsey (in 1954)
Interpret(in):
Mary Lou Williams Quartet
recording of:
Why (in 1954)
Komponist(in):
Mary Lou Williams (American jazz pianist and composer)
Mary Lou Williams3:45
20Yesterdays (alternative take)
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (in 1954)
Kontrabass:
Lennie Bush (in 1954)
Schlagzeug:
Tony Kinsey (in 1954)
Interpret(in):
Mary Lou Williams Quartet
instrumental recording of:
Yesterdays (in 1954)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Mary Lou Williams3:46
21The Man I Love (alternative take)
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (in 1954)
Kontrabass:
Lennie Bush (in 1954)
Schlagzeug:
Tony Kinsey (in 1954)
Interpret(in):
Mary Lou Williams Quartet
instrumental recording of:
The Man I Love (in 1954)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
Mary Lou Williams2:45
22Just One of Those Things (alternative take)
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (in 1954)
Kontrabass:
Lennie Bush (in 1954)
Schlagzeug:
Tony Kinsey (in 1954)
Interpret(in):
Mary Lou Williams Quartet
instrumental recording of:
Just One of Those Things (in 1954)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Mary Lou Williams2:47
6▶CD: Martial Solal Trio / Martial Solal Vol 2 / Martial Solal
7▶CD: Lee Konitz Plays
8▶CD: Lionel Hampton - Jazz Time Paris Vol. 4/ Jazz Time Paris Vol. 5 / Jazz Time Paris Vol. 6
9▶CD: Clifford Brown & Gigi Gryce Sextet - Jazz Time Paris Vol. 11 / Clifford Brown Quartet - Jazz Time Paris Vol. 13
10▶CD: Bobby Jaspar's New Jazz / Bobby Jaspar's New Jazz Vol. 2
11▶CD: Jimmy Raney Visits Paris
12▶CD: Henri Renaud All Stars Vol. 1 / Henri Renaud All Stars Vol. 2
13▶CD: Oscar Pettiford Sextet Vol. 1
14▶CD: Rene Thomas et son Quintette / Henri Renaud - Sextius
15▶CD: The Gerry Mulligan Quartet - 3rd salon du jazz, Salle Pleyel Juin 1954
16▶CD: Thelonious Monk - Piano Solo
17▶CD: Roy Haynes - Roy Haynes Modern Group / Jimmie Jones Trio featuring Roy Haynes and Joe Benjamin
18▶CD: Andre Hodeir - Essais par le Jazz Groupe de Paris / Musique de Films par Andre Hodeir
19▶CD: Lalo Schifrin - Rendez-vous dansant a Copacabana
20▶CD: Barney Wilen - Tilt

Nennungen

Veröffentlichung

art direction:Objectif Lune (graphic design house)
Produzent(in):Daniel Baumgarten
mastering:Mathieu Bameulle (Engineer)
Jean‐Pierre Chalbos (mastering engineer)
vertrieben von:Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
mastered at:La Source Mastering in Courbevoie, Hauts-de-Seine, Île-de-France, Frankreich
Discogs:https://www.discogs.com/release/9587276 [Info]
ASIN:US: B0087PI57K [Info]
Allmusic:https://www.allmusic.com/album/release/mr0003909986 [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0002501589 [Info]