She’s Gone: 100 Yacht Rock Supreme

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2020 Warner Music Group - X5 Music Group»

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(As of 2020-08-07).

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Anmerkung zuletzt geändert am 2020-08-07 06:17 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1She’s Gone
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Gitarre:
John Oates (in 1973)
Hybrid-Piano:
Daryl Hall (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
Tenorsaxophon:
Joe Farrell (in 1973)
Sologesang:
Daryl Hall (in 1973) und John Oates (in 1973)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 336)
recording of:
She’s Gone (in 1973)
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
2What a Fool Believes
Techniker(in):
Donn Landee
zusätzliche(r) Techniker(in):
Loyd Clifft
Produzent(in):
Ted Templeman
Bassgitarre:
Tiran Porter (in 1978-08)
Gitarre:
Jeff “Skunk” Baxter (in 1978-08) und Patrick Simmons (in 1978-08)
Keyboard und Sologesang:
Michael McDonald (R&B & soul singer) (in 1978-08)
Schlagzeug:
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
Synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) und Bill Payne (in 1978-08)
zusätzlich Conga und zusätzlich vocals:
Bobby LaKind (in 1978-08)
zusätzlich Synthesizer:
Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
aufgenommen bei:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 343)
recording of:
What a Fool Believes (in 1978-08)
Verfasser(in):
Ken Loggins und Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) und Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:40
3Ride Like the Wind
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recording of:
Ride Like the Wind
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) und Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. und Universal Music Publishing, Synch Division
Christopher Cross24:01
4I’d Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:39
5How Sweet It Is (to Be Loved by You)
Techniker(in) und Mix:
Lee Herschberg
Produzent(in):
Russ Titelman und Lenny Waronker
Bass:
Lee Sklar (bassist, session musician)
E-Gitarre:
Danny Kortchmar (Danny Kootch)
Klavier und Rhodes Piano [Fender Rhodes]:
Clarence McDonald
Schlagzeug [drums]:
Jim Keltner und Russ Kunkel (session drummer)
Tamburin:
Russ Kunkel (session drummer)
Hintergrundgesang [vocal harmonies]:
Carly Simon
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
How Sweet It Is (to Be Loved by You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
James Taylor3.83:34
6Summer Breeze
Produzent(in):
Louie Shelton
Mix:
Mr. Haynes
remixer:
Ramin Sakurai und Philip Steir
recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4:30
7We’re in This Love Together
assistierende(r) Techniker(in):
Debbie Thompson (engineer)
Techniker(in):
Joe Bogan (Recording- and mixing engineer)
zusätzliche(r) Techniker(in):
Jay Graydon
Partner-Produzent(in):
Tom Canning
Produzent(in) und Mix:
Jay Graydon
alto saxophone:
Lon Price
Bassgitarre:
Abe LaBoriel
E-Gitarre:
Jay Graydon und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Rhodes Piano:
Michael Omartian
Schlagzeug:
Steve Gadd (drummer)
Synthesizer:
Michael Boddicker und Michael Omartian
Hintergrundgesang und Sologesang:
Al Jarreau
Perkussion [rhythm] arranger:
Tom Canning, Jay Graydon und Al Jarreau
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
aufgenommen bei:
Dawnbreaker Studios in San Fernando, California (Kalifornien), Vereinigte Staaten
zusätzlich aufgenommen bei:
Garden Rake Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
We’re in This Love Together
Verfasser(in):
Roger Murrah (songwriter) und Keith Stegall (American country singer / songwriter and record producer)
publisher:
Blackwood Music, Inc. (1953-02-07–1987-12-30) (beendet), EMI Blackwood Music Inc., Magic Castle Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Jarreau53:46
8I Keep Forgettin’ (Every Time You’re Near)
Produzent(in):
Ted Templeman und Lenny Waronker
Bassgitarre:
Louis Johnson (bass, member of Brothers Johnson)
Clavinet:
Greg Phillinganes
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Rhodes Piano, Synthesizer und Sologesang:
Michael McDonald (R&B & soul singer)
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
Verfasser(in):
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford und Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) und Yellow Dog Music Inc
Version von:
I Keep Forgettin’
Michael McDonald43:42
9I Saw the Light
Produzent(in):
Todd Rundgren
Instrumente und vocals:
Todd Rundgren
arranger:
Todd Rundgren
phonographisches Urheberrecht (℗) von:
Bearsville Records (in 1972)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 452)
recording of:
I Saw the Light
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Todd Rundgren52:59
10Someone Like You
recording engineer:
Ian Eales, Humberto Gatica und David Leonard (US producer and engineer)
Produzent(in):
Greg Mathieson
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Mike Porcaro
drum machine [Linn machine]:
David Leonard (US producer and engineer)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
Greg Mathieson und David Roberts (Canadian singer‐songwriter)
Perkussion und Schlagzeug:
Jeff Porcaro
Synthesizer:
Michael Boddicker und Greg Mathieson
Hintergrundgesang:
Bill Champlin, Joe Chemay, Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song), John Joyce (vocalist), Tom Kelly (songwriter) und David Roberts (Canadian singer‐songwriter)
Sologesang:
David Roberts (Canadian singer‐songwriter)
arranger:
Greg Mathieson, Terry McKeown und David Roberts (Canadian singer‐songwriter)
phonographisches Urheberrecht (℗) von:
WEA Music of Canada, Ltd. (later Warner Music Canada Ltd) (in 1982)
aufgenommen bei:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Garden Rake Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sunset Sound Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Sunset Sound Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Someone Like You
Texter und Komponist(in):
David Roberts (Canadian singer‐songwriter)
publisher:
David Roberts Music, Don Valley Music Ltd., Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
David Roberts3:38
11Urgent
assistierende(r) Techniker(in):
Edwin Hobgood (engineer) und Michael Sauvage
Techniker(in):
Tony Platt (UK engineer and producer), Brad Samuelsohn und Dave Wittman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Robert John “Mutt” Lange (Robert John Lange)
Bassgitarre:
Rick Wills
E-Gitarre [lead guitar]:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Keyboard:
Michael Fonfara und Mick Jones (Foreigner/Spooky Tooth, worked in France)
Saxophon:
Mark Rivera
Schlagzeug:
Dennis Elliott
Solo-Saxophon:
Junior Walker
Synthesizer:
Thomas Dolby
Hintergrundgesang:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Urgent
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., Somerset Songs Publishing Inc., Fuji Pacific Music inc. (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner4.154:31
12Lotta Love
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Akustikgitarre:
Herb Pedersen
Bass:
Bob Glaub
flute:
Plas Johnson
Gitarre:
Dave Kalish
Keyboard:
Mark T. Jordan
Saxophon:
Andrew Love
Schlagzeug:
Rick Schlosser (drummer)
Tamburin:
Nicolette Larson
Hintergrundgesang:
Nicolette Larson und Ted Templeman
conductor:
Jimmie Haskell
Saiteninstrumente arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recording of:
Lotta Love
Texter:
Neil Young (Canadian singer, songwriter & musician)
Komponist(in):
Frank Sampedro und Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson53:06
13Thunder Island
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1977)
recording of:
Thunder Island
Texter und Komponist(in):
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
publisher:
Painless Music
Jay Ferguson3:59
14Just a Song Before I Go
Assistent recording engineer:
Steve Gursky
recording engineer:
Howard Albert, Ron Albert und Michael Braunstein
Produzent(in):
David Crosby, Graham Nash und Stephen Stills
zusätzliche(r) Produzent(in):
Howard Albert und Ron Albert
Akustikgitarre:
David Crosby (von 1976-12-19 bis 1977)
Bass:
Tim Drummond (von 1976-12-19 bis 1977)
E-Gitarre:
Stephen Stills (von 1976-12-19 bis 1977)
Hybrid-Piano:
Graham Nash (von 1976-12-19 bis 1977)
Schlagzeug und Perkussion:
Russ Kunkel (session drummer) (von 1976-12-19 bis 1977)
Vibraphon:
Joe Vitale
vocals:
David Crosby (von 1976-12-19 bis 1977), Graham Nash (von 1976-12-19 bis 1977) und Stephen Stills (von 1976-12-19 bis 1977)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1976-12-19) und Criteria Studios in Miami, Florida, Vereinigte Staaten (in 1977)
recording of:
Just a Song Before I Go (von 1976-12-19 bis 1977)
Texter und Komponist(in):
Graham Nash
Crosby, Stills & Nash4.352:14
15Glory of Love
Techniker(in) und Mix:
Terry Christian (US recording and mixing engineer) und John Guess
Produzent(in):
Michael Omartian
Gast Hintergrundgesang:
Kenny Cetera
Sologesang:
Peter Cetera
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und Warner Music International (trademark of Warner Music International the company) (in 1986)
aufgenommen bei und mixed at:
Lion Share Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Glory of Love
Verfasser(in):
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1986 nominee)
Peter Cetera4.24:18
16A Horse With No Name
Techniker(in):
Robin Black (engineer) und Ken Scott (UK record producer & engineer)
Produzent(in):
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Mix:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Akustikgitarre und Sologesang:
Dewey Bunnell (in 1971)
Bassgitarre:
Dan Peek (in 1971)
Perkussion:
Ray Cooper (percussionist) (in 1971)
Schlagzeug:
Kim Haworth (in 1971)
zwölfsaitige Gitarre:
Gerry Beckley (in 1971)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
A Horse With No Name (in 1971)
Texter und Komponist(in):
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
America4.24:09
17Smoke From a Distant Fire
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recording of:
Smoke from a Distant Fire
Verfasser(in):
Ed Sanford, Steven Stewart (songwriter) und John Townsend
Sanford Townsend Band53:34
18Goodbye Girl
Akustikgitarre, Bassgitarre und Klavier:
David Gates (singer/songwriter, lead singer of Bread)
E-Gitarre:
Dean Parks (American session guitarist)
Schlagzeug:
Mike Botts
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977)
recording of:
Goodbye Girl
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
David Gates2:49
19Magic
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 41)
recording of:
Magic
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Robbins Music Corp. Ltd.
Pilot4.753:07
20Lonely Boy
assistierende(r) Techniker(in):
Dennis Kirk und Greg Ladanyi
Techniker(in):
Val Garay
Produzent(in):
Peter Asher
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1976-03 bis 1976-10)
cowbell, Klavier und Tamburin:
Andrew Gold (von 1976-03 bis 1976-10)
Gitarre:
Dan Dugmore (von 1976-03 bis 1976-10)
Gitarre [Lead Guitar]:
Waddy (von 1976-03 bis 1976-10)
Glocken [Sleigh] und Schlagzeug:
Michael Botts (von 1976-03 bis 1976-10)
Händeklatschen:
Peter Asher (von 1976-03 bis 1976-10) und Andrew Gold (von 1976-03 bis 1976-10)
Hybrid-Piano und Synthesizer [Arp String Ensemble]:
Brock Walsh (singer, producer, songwriter) (von 1976-03 bis 1976-10)
Hintergrundgesang:
Linda Ronstadt (von 1976-03 bis 1976-10)
vocals:
Andrew Gold (von 1976-03 bis 1976-10)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976-03 bis 1976-10)
recording of:
Lonely Boy (von 1976-03 bis 1976-10)
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold44:25
21We’re All Alone
cover recording of:
We’re All Alone
Texter und Komponist(in):
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) und Boz Scaggs Music (publisher) (vom 1975 bis heute)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Frankie Valli4:08
22You Belong to Me
alto saxophone:
David Sanborn
Bass:
Gordon Edwards (funk/soul bassist)
E-Gitarre:
Cornell Dupree und Eric Gale
Hybrid-Piano:
Richard Tee
Schlagzeug:
Steve Gadd (drummer)
Hintergrundgesang:
Carly Simon und James Taylor (singer-songwriter and guitarist)
vocals:
Carly Simon
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und Rhino Entertainment Company (not for release label use!) (in 2015)
cover recording of:
You Belong to Me (Carly Simon/Michael McDonald song)
Verfasser(in):
Michael McDonald (R&B & soul singer) und Carly Simon
publisher:
C’est Music, Kobalt Music Publishing Ltd. (UK), Snug Music und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Carly Simon3:53
23Saturday in the Park
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 1972, in 2002)
aufgenommen bei und mixed at:
Columbia Studios in New York, New York, Vereinigte Staaten (von 1971-09-20 bis 1971-09-29)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 9)
recording of:
Saturday in the Park (von 1971-09-20 bis 1971-09-29)
Texter und Komponist(in):
Robert Lamm (in 1971)
publisher:
Big Elk Music, Lamminations Music, Spirit Music Publishing Ltd. und Warner Chappell North America Ltd.
Chicago43:56
24Rooms on Fire
recording engineer und Mix:
Stephen W. Tayler (UK engineer)
Produzent(in):
Rupert Hine
assistierende(r) Mix:
Derek Murphy
Akustikgitarre:
Rick Nowels
Bassgitarre [bass]:
Vail Johnson
Gitarre:
Rick Nowels und Jamie West‐Oram
Keyboard [keyboards]:
Rupert Hine
Perkussion:
Rupert Hine und Stevie Nicks
Schlagzeug [drums]:
Geoff Dugmore
Hintergrundgesang [backing vocals]:
Sharon Celani und Lori Perry-Nicks
phonographisches Urheberrecht (℗) von:
Modern Records, Inc. (in 1989)
mixed at:
Farmyard Studios in Amersham, Buckinghamshire, England, Vereinigtes Königreich
recording of:
Rooms on Fire
Verfasser(in):
Stevie Nicks und Rick Nowels
publisher:
EMI Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Screen Gems–EMI Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Welsh Witch Music (BMI affiliated)
Stevie Nicks4.354:37
25Take Me to Your Heaven
recording of:
Take Me to Your Heaven
Verfasser(in):
Kelly Wilson (of The Wilson Bros. westcoast pop duo) und Steve Wilson (member of The Wilson Bros. westcoast pop duo)
publisher:
Wilson Bros. Music und フジパシフィックミュージック (Fujipacific Music, Inc.)
Wilson Brothers3:41
26You Might Need Somebody
recording of:
You Might Need Somebody
Komponist(in):
Nan O’Byrne (American songwriter and composer) und Tom Snow (US keyboardist/songwriter)
Turley Richards3:37
27Dance With Me
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1973)
recording of:
Dance With Me
Texter:
Johanna Hall
Komponist(in):
John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Orleans3:21
28Believe It or Not (from “Greatest American Hero”)
vocals:
Joey Scarbury
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1981)
recording of:
Believe It or Not (theme from “The Greatest American Hero”)
Texter:
Stephen Geyer
Komponist(in):
Mike Post
publisher:
Darjen Music, EMI April Music Inc., EMI Blackwood Music Inc., Lokey Publishing und Stephen Cannell Music
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Joey Scarbury43:15
29Why I Came to California
Koproduzent(in):
Marty Paich
Produzent(in):
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
recording of:
Why I Came to California
Verfasser(in):
Janis Siegel und Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Morton St. Publishing, ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leon Ware4:09
30Last Plane Out
Assistent recording engineer:
Michael Vail Blum
recording engineer:
Bill Bottrell
leitende(r) Produzent(in):
Patrick Leonard (producer, songwriter and pianist)
assistierende(r) Mix:
Micajah Ryan
Mix:
Bill Bottrell und Kevin Gilbert (singer‐songwriter)
Bass:
Guy Pratt
Gitarre und Keyboard und Sologesang:
Kevin Gilbert (singer‐songwriter)
guitar family:
Tim Pierce (US session guitarist)
Keyboard:
Patrick Leonard (producer, songwriter and pianist)
membranophone und Perkussion:
Brian MacLeod (American drummer)
Hintergrundgesang:
Kevin Gilbert (singer‐songwriter) und Patrick Leonard (producer, songwriter and pianist)
aufgenommen bei:
Johnny Yuma Recording in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Grey Room in Vereinigtes Königreich
recording of:
Last Plane Out
Verfasser(in):
Kevin Gilbert (singer‐songwriter) und Patrick Leonard (producer, songwriter and pianist)
Toy Matinee5:12
31Look Who’s Lonely Now
recording engineer und Mix:
Al Schmitt
Produzent(in):
Tommy LiPuma
Bass:
Abraham Laboriel
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Dean Parks (American session guitarist)
Horn:
Gary Grant (brass), Gary Herbig, Jerry Hey, Jim Horn (saxophonist, hornist, flutist and oboist), Charles Loper (American trombonist), Lew McCreary und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Keyboard:
Leon Pendarvis
membranophone:
Jeff Porcaro
Perkussion:
Lenny Castro
Solo-Saxophon:
David Sanborn
Hintergrundgesang:
Paulette Brown, Bill Champlin, Steve George (US keyboardist for Mr. Mister & Pages), Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister) und Carmen Twillie
Horn arranger:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Saiteninstrumente arranger:
Nick de Caro
arranger:
Leon Pendarvis
Randy Crawford3:39
32I Love a Rainy Night
recording of:
I Love a Rainy Night
Verfasser(in):
David Malloy (American country music and pop songwriter, record producer and A&R executive), Eddie Rabbitt (US country singer & songwriter) und Even Stevens (singer / songwriter)
Eddie Rabbitt53:11
33Fallin’
Nicole Wills4:13
34Just Remember I Love You
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977)
recording of:
Just Remember I Love You
Texter und Komponist(in):
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
publisher:
Stephen Stills Music
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Firefall3:15
35Room to Grow
Produzent(in):
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”) und Eric Jacobsen (cellist and conductor)
Keyboard und Sologesang:
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”)
arranger:
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”) und Jimmie Haskell
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
produced for:
Sweet Reliable Productions
recording of:
Room to Grow
Texter und Komponist(in):
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”)
publisher:
Oh Boy Music Company und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Brian Elliot3:28
36Too Young
Jack Wagner4:11
37Opening Up to You
Laura Allan5:26
38Stay the Night
recording of:
Stay the Night
Verfasser(in):
Benjamin Orr (co-lead singer for The Cars) und Diane Grey Page
Benjamin Orr4:22
39Just the Way It Is, Baby
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990), WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1990) und Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991)
recording of:
Just the Way It Is, Baby
Verfasser(in):
Phil Solem und Danny Wilde (The Rembrandts, Great Buildings & The Quick)
publisher:
Poppy‐Due Music (publisher; do NOT use as release label), Tiger God Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
The Rembrandts3.54:04
40Love You Like I Never Loved Before
John O’Banion3:23
41It’s the Falling in Love
recording of:
It’s the Falling in Love
Verfasser(in):
Carole Bayer Sager und David Foster (Canadian music producer, arranger and composer)
publisher:
Begonia Melodies Inc., Foster Frees Music Inc. und Irving Music (BMI)
Carole Bayer Sager feat. Michael McDonald3:56
42Year of the Cat
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
Al Stewart (UK folk singer/songwriter) (in 1976)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 13)
recording of:
Year of the Cat
Verfasser(in):
Al Stewart (UK folk singer/songwriter) und Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.46:34
43Really Want to Know You
Gary Wright4:23
44It’s Something
recording of:
It’s Something
Verfasser(in):
David Foster (Canadian music producer, arranger and composer) und Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Foster Frees Music Inc., Irving Music (BMI), Rutland Road Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Brenda Russell3:31
45Ventura Highway
assistierende(r) Techniker(in):
Chuck Leary
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
America (US folk/soft rock band) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Gitarre:
Gerry Beckley, Dewey Bunnell und Dan Peek
Keyboard:
Gerry Beckley und Dan Peek
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
vocals:
Gerry Beckley, Dewey Bunnell und Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
Texter und Komponist(in):
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
America43:32
46The Nightfly
Bass:
Marcus Miller (jazz musician)
Gitarre:
Larry Carlton, Rick Derringer und Hugh McCracken
Hybrid-Piano:
Michael Omartian
Klavier und Synthesizer und Hintergrundgesang und Sologesang:
Donald Fagen
Schlagzeug:
Jeff Porcaro
Synthesizer:
Rob Mounsey
Hintergrundgesang:
Frank Floyd (US soul disco funk singer), Zachary Sanders und Valerie Simpson
arranger:
Donald Fagen
recording of:
The Nightfly
Komponist(in):
Donald Fagen
Donald Fagen5:47
47It’s Only Love
Stephen Bishop2:54
48Marina del Rey
Produzent(in):
Gary Katz
Sologesang:
Marc Jordan (US‐born Canadian singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recording of:
Marina Del Rey
Texter und Komponist(in):
Marc Jordan (US‐born Canadian singer‐songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Mortgage Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Marc Jordan3:12
49Baby I’m‐a Want You
Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
recording of:
Baby I’m‐a Want You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Screen Gems–EMI Music Ltd.
Bread42:23
50You’re Moving Out Today
recording of:
You're Moving out Today
Verfasser(in):
Carole Bayer Sager, Bette Midler und Bruce Roberts (American singer-songwriter)
Carole Bayer Sager4.353:35
51The Best of Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1985 bis 1986)
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer) und Humberto Gatica
Gitarre:
Michael Landau (von 1985 bis 1986)
Keyboard:
David Foster (Canadian music producer, arranger and composer) (von 1985 bis 1986)
vocals:
Olivia Newton‐John (British‐Australian singer, actress and activist) (von 1985 bis 1986)
Interpret(in):
David Foster (Canadian music producer, arranger and composer)
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1985 bis 1986)
recording of:
The Best of Me (von 1985 bis 1986)
Texter:
Richard Marx
Komponist(in):
David Foster (Canadian music producer, arranger and composer), Jeremy Lubbock und Richard Marx
publisher:
AF Encore Fund LLC, BMG Monarch, Bravo and Encore Music, Foster Frees Music Inc., Hollysongs, Peermusic III, Ltd. (BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner/Chappell Music, Inc., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
David Foster & Olivia Newton‐John4:06
52Get Used to It
Roger Voudouris3:00
53Love You Eternally
Chris Rainbow3:42
54Night Owl
recording of:
Night Owl
Texter und Komponist(in):
Gerry Rafferty
Gerry Rafferty6:09
55Cool Fool
Produzent(in):
David Malloy (American country music and pop songwriter, record producer and A&R executive)
recording of:
Cool Fool
Verfasser(in):
Bruce Roberts (American singer-songwriter) und Allee Willis
publisher:
Fedora Music, Irving Music (BMI), Reservoir Media Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bruce Roberts4:25
56Arthur’s Theme (Best That You Can Do)
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
Produzent(in):
Michael Omartian
Mix:
Chet Himes
Sologesang:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
aufgenommen bei und mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager und Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America und Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1981 winner)
Christopher Cross53:54
57It Keeps You Runnin’
cover recording of:
It Keeps You Runnin’
Texter und Komponist(in):
Michael McDonald (R&B & soul singer)
publisher:
Tauripin Tunes
Carly Simon3:58
58Nobody’s Business
zusätzliche Synthesizer-Programmierung:
Ian Underwood
assistierende(r) Techniker(in):
Robin Laine und Karen Siegel (engineer)
Techniker(in) und Mix:
Frank Wolf (engineer at Skyline Recording)
Produzent(in):
Michael Omartian
Bassgitarre:
Mark Leonard
Gitarre:
Michael Landau
Klavier:
Robbie Buchanan (Canadian producer) und Jay Gruska
Perkussion:
Paulinho da Costa (Brazilian percussionist) und Michael Omartian
Schlagzeug:
Doane Perry
Synthesizer:
Robbie Buchanan (Canadian producer)
zusätzlich Synthesizer:
Michael Omartian
Sologesang:
Jay Gruska
vocals:
Robbie Buchanan (Canadian producer), Mark Leonard und Doane Perry
zusätzlich Hintergrundgesang:
Bill Champlin, Tommy Funderburk und Jennifer Williams (vocalist)
arranger:
Maxus und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
produced for:
Lewis Kaplan Enterprises, Inc.
aufgenommen bei und mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Nobody’s Business
Verfasser(in):
Jay Gruska und Lisa Dal Bello
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Colgems-EMI Music Inc. (vom 1980 bis heute), Nevebianca Productions (Canada) Inc. (vom 1980 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Maxus3:21
59Just When I Needed You Most
Produzent(in):
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1979) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
Texter und Komponist(in):
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Randy VanWarmer4:02
60The Magician
assistierende(r) Techniker(in):
Steve Carlton
Techniker(in) und Produzent(in):
Larry Carlton
Bassgitarre:
Robert Popwell
Clavinet und Hybrid-Piano:
Don Freeman
E-Gitarre und Sologesang:
Larry Carlton
Keyboard und Synthesizer:
Greg Mathieson
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John Ferraro
vocals:
Larry Carlton
remixer:
Larry Carlton
arranger:
Larry Carlton
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
produced for:
Larry Carlton Productions
aufgenommen bei und remixed at:
Room 335 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Magician
Verfasser(in):
Larry Carlton und John Townsend
publisher:
Grand Man Music, Pal‐Dog Music und Spirit One Music
Larry Carlton4:15
61My Baby
David Pack4:19
62Welcome Back (theme from “Welcome Back, Kotter”)
recording of:
Welcome Back (70’s Song by John Sebastian)
Texter und Komponist(in):
John Sebastian
John Sebastian52:52
63Come Back to Me
recording engineer:
Allen Sides
assistierende(r) Techniker(in):
David Egerton und Mark Ettel
Koproduzent(in):
Jeff Weber
Produzent(in):
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Editing:
Jim Wolvington
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-07-23 bis 1983-07-24)
Tom Scott4:19
64I.G.Y.
alto saxophone:
David Tofani
baritone saxophone:
Ronnie Cuber
Bassgitarre:
Anthony Jackson (US bassist)
Gitarre:
Hugh McCracken
Hybrid-Piano:
Greg Phillinganes
Perkussion:
Roger Nichols (US mastering, recording engineer and producer) und Starz Vanderlocket
Posaune:
Dave Bargeron (US trombonist & tubist)
Schlagzeug:
James Gadson (American drummer)
Synthesizer:
Donald Fagen und Rob Mounsey
Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
Trompete:
Randy Brecker
zusätzlich Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Frank Floyd (US soul disco funk singer), Gordon Grody, Zachary Sanders und Valerie Simpson
Sologesang:
Donald Fagen
arranger:
Donald Fagen
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
recording of:
I.G.Y. (What a Beautiful World)
Texter und Komponist(in):
Donald Fagen
publisher:
Freejunket Music
Donald Fagen6:03
65Sensitive Soul
Bearbeitung von:
Sensitive Soul von Jerry Corbetta
recording of:
Sensitive Soul
Verfasser(in):
Jerry Corbetta und Bob Crewe
publisher:
Corbetta Music, Heart’s Delight Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jerry Corbetta3:23
66Make It With You
Bassgitarre, Gitarre, Saiteninstrumente, Hintergrundgesang und Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
Schlagzeug:
Michael Botts
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) und Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 13)
recording of:
Make It With You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:12
67Hearts in Trouble
The Dukes3:42
68Thank You for Being a Friend
assistierende(r) Techniker(in):
George Ybara
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Andrew Gold und Brock Walsh (singer, producer, songwriter)
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (in 1978)
Gitarre:
Waddy Wachtel (in 1978)
Klavier, Perkussion und Synthesizer:
Andrew Gold (in 1978)
Schlagzeug:
Jeff Porcaro (in 1978)
Hintergrundgesang:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (in 1978), Andrew Gold (in 1978) und Brock Walsh (singer, producer, songwriter) (in 1978)
vocals:
Andrew Gold (in 1978)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
aufgenommen bei und mixed at:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978)
recording of:
Thank You for Being a Friend (in 1978)
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold54:41
69Takin’ It to the Streets
recording of:
Takin’ It to the Streets
Texter und Komponist(in):
Michael McDonald (R&B & soul singer)
publisher:
Tauripin Tunes
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Doobie Brothers43:40
70Don’t Hang Up Those Dancing Shoes
Terence Boylan3:29
71Love Is the Answer
recording engineer und Mix:
Billy Sherwood
Produzent(in):
Bob Kulick und Billy Sherwood
Bassgitarre, Perkussion, Schlagzeug und Hintergrundgesang:
Billy Sherwood
Gitarre:
Gary Hoey
Sologesang:
Todd Rundgren
aufgenommen bei und mixed at:
Office Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
Love Is the Answer
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc., Fiction Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Utopia4:15
72Baby What a Big Surprise
Assistent recording engineer und recording engineer:
Armin Steiner (Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (in 1977)
zusätzlich Hintergrundgesang:
Tim Cetera (in 1977) und Carl Wilson (Beach Boys) (in 1977)
Orchestrator(in):
Peter Cetera, Dominic Frontiere und James William Guercio
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978), Chicago Records Inc. (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
aufgenommen bei:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten
recording of:
Baby, What a Big Surprise (in 1977)
Orchestrator(in):
Dominic Frontiere
Texter und Komponist(in):
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. und Universal Music Publishing MGB Ltd.
Chicago33:06
73Nice Girls
Eye to Eye5:09
74January
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
January
Orchestrator(in):
Andrew Powell (known for contributions to Alan Parsons Project)
Texter und Komponist(in):
David Paton (of Pilot)
publisher:
EMI Music Publishing (do not use as a release label!) und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Pilot33:32
75Why You Givin’ Up
Patrick Simmons4:00
76Mornin’
recording engineer:
Eric Prestis
Techniker(in):
Ian Eales und Jay Graydon
Produzent(in):
Jay Graydon
Bassgitarre:
Abe LaBoriel
Gitarre:
Jay Graydon
Rhodes Piano und Synthesizer:
David Foster (Canadian music producer, arranger and composer)
Schlagzeug:
Jeff Porcaro
Hintergrundgesang und Sologesang:
Al Jarreau
Perkussion [rhythm] arranger:
David Foster (Canadian music producer, arranger and composer) und Jay Graydon
Saiteninstrumente arranger:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983)
aufgenommen bei und mixed at:
Garden Rake Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
zusätzlich aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Mornin’
Verfasser(in):
David Foster (Canadian music producer, arranger and composer), Jay Graydon und Al Jarreau
publisher:
AlJarreau Music, Garden Rake Music, Inc. und Peermusic III, Ltd. (BMI)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 大洋音楽 (Taiyō Music)
Al Jarreau54:18
77I Want Something to Find Me
Brenda Russell3:05
78Southern Cross
recording engineer:
Steve Gursky und Stanley Johnston
Produzent(in):
David Crosby, Graham Nash und Stephen Stills
zusätzliche(r) Produzent(in):
Steve Gursky und Stanley Johnston
Akustikgitarre:
Michael Stergis (in 1981)
Akustikgitarre und E-Gitarre:
Stephen Stills (in 1981)
Bass:
George "Chocolate" Perry (bassist aka "Chocolate") (in 1981)
Keyboard [CP-30]:
Michael Finnigan (keyboardist) (in 1981)
Klavier und Synthesizer:
Richard T. Bear (US rock singer/keyboardist aka T Bear) (in 1981)
Perkussion:
Joe Lala (in 1981)
Schlagzeug:
Joe Vitale (in 1981)
vocals:
David Crosby (in 1981), Graham Nash (in 1981) und Stephen Stills (in 1981)
zusätzlich vocals:
Michael Finnigan (keyboardist) (in 1981) und Timothy B. Schmit (in 1981)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1982) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
aufgenommen bei:
Rudy Records in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1981)
recording of:
Southern Cross (in 1981)
Texter und Komponist(in):
Michael Curtis (member of Crazy Horse), Richard Curtis (UK songwriter aka Richard Dew-Curtis) und Stephen Stills
publisher:
Gold Hill Music (BMI) und Three Wise Boys Music LLC
Crosby, Stills & Nash3.254:41
79Can We Still Be Friends?
Techniker(in) und Produzent(in):
Todd Rundgren
Klavier:
Todd Rundgren
arranger:
Todd Rundgren
Herausgeber:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
recording of:
Can We Still Be Friends
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Todd Rundgren43:37
80Get Closer
Techniker(in):
Joe Bogan (Recording- and mixing engineer)
Produzent(in):
Louie Shelton
Hintergrundgesang:
Carol Carmichael, Donnie Shelton, Shirley Matthews (Canadian pop singer), Merna Matthews und Carolyn Willis
Solo Soprangesang:
Carolyn Willis
Interpret(in):
Seals & Crofts
Saiteninstrumente arranger:
David Paich
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Get Closer (in 1976)
Verfasser(in):
Dash Crofts und Jim Seals
Seals & Crofts53:58
81The Dealer
recording of:
The Dealer
Verfasser(in):
Stevie Nicks
Stevie Nicks4:38
82I Just Can’t Let Go
Produzent(in):
David Pack und Michael Verdick
Hintergrundgesang:
James Ingram (R&B singer) und Michael McDonald (R&B & soul singer)
vocals:
David Pack
recording of:
I Just Can't Let Go
Texter und Komponist(in):
David Pack
publisher:
Art Street Music und EMI Longitude Music
David Pack4:53
83Love Is the Answer (single version)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
recording of:
Love Is the Answer
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc., Fiction Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
England Dan & John Ford Coley34:41
84I Gotta Try
Produzent(in):
Ted Templeman und Lenny Waronker
Bass:
Willie Weeks (US bass player)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Klavier und Synthesizer:
Michael McDonald (R&B & soul singer)
Perkussion:
Paulinho da Costa (Brazilian percussionist) und Ted Templeman
Rhodes Piano:
Greg Phillinganes
Schlagzeug:
Steve Gadd (drummer)
zusätzlich Synthesizer:
Michael Boddicker
Hintergrundgesang:
Kenny Loggins und Michael McDonald (R&B & soul singer)
vocals:
Michael McDonald (R&B & soul singer)
recording of:
I Gotta Try
Verfasser(in):
Kenny Loggins und Michael McDonald (R&B & soul singer)
publisher:
Genevieve Music, Kobalt Music Publishing Ltd. (UK), Milk Money Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Michael McDonald3:55
85Do the Bossa Nova
Vapour Trails3:06
86Waiting for a Girl Like You
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und Warner Music International (trademark of Warner Music International the company) (in 1981)
recording of:
Waiting for a Girl Like You
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner3.54:49
87Too Good to Last
recording engineer:
Ian Eales, Humberto Gatica und David Leonard (US producer and engineer)
Produzent(in):
Greg Mathieson
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Mike Porcaro
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
Greg Mathieson und David Roberts (Canadian singer‐songwriter)
Perkussion und Schlagzeug:
Jeff Porcaro
Synthesizer:
Michael Boddicker und Greg Mathieson
Hintergrundgesang:
Bill Champlin, Joe Chemay, Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song), John Joyce (vocalist), Tom Kelly (songwriter) und David Roberts (Canadian singer‐songwriter)
Sologesang:
David Roberts (Canadian singer‐songwriter)
arranger:
Greg Mathieson, Terry McKeown und David Roberts (Canadian singer‐songwriter)
phonographisches Urheberrecht (℗) von:
WEA Music of Canada, Ltd. (later Warner Music Canada Ltd) (in 1982)
aufgenommen bei:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Garden Rake Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sunset Sound Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Sunset Sound Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Too Good to Last
Texter und Komponist(in):
David Roberts (Canadian singer‐songwriter)
publisher:
David Roberts Music, Don Valley Music Ltd., Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
David Roberts3:51
88Let Me Go, Love
Ko-Techniker(in):
Ken Deane
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Bassgitarre [bass]:
Bob Glaub
Conga:
Bobby LaKind
Gitarre:
Paul Barrère
Keyboard:
Billy Payne
Perkussion:
Ted Templeman
Schlagzeug:
Rick Shlosser (drummer)
vocals:
Michael McDonald (R&B & soul singer) und Nicolette
Horn arranger und Saiteninstrumente arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
aufgenommen bei:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Let Me Go Love
Verfasser(in):
B J Cook Foster und Michael McDonald (R&B & soul singer)
Nicolette Larson3:49
89It’s Uncanny
recording of:
It’s Uncanny
Texter und Komponist(in):
Daryl Hall
Daryl Hall & John Oates3:44
90Don’t Let Me Be Lonely Tonight
Produzent(in):
Peter Asher
Mix:
Robert Appère
recording of:
Don’t Let Me Be Lonely Tonight
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated), EMI April Music Inc. und EMI Blackwood Music Inc.
James Taylor52:35
91Too Young
Analoger Synthesizer [ARP 2600]-Programmierung:
Jay Graydon
Techniker(in):
John Guess und Tom Perry (engineer)
Produzent(in):
Michael Omartian
Mix:
Tom Perry (engineer)
Bassgitarre:
Rick “Cheese” Chudacoff
Gitarre:
Bob Bordy und Brian Ray
Keyboard:
George T. Clinton (member of Crackin’) und Michael Omartian
Perkussion:
Peter Bunetta, Arno Lucas, Michael Omartian und Leslie Smith (funk/soul singer)
Schlagzeug:
Peter Bunetta
Synthesizer:
George T. Clinton (member of Crackin’)
Hintergrundgesang:
Julia Tillman Waters, Maxine Willard Waters und Michael Omartian
vocals:
Arno Lucas und Leslie Smith (funk/soul singer)
arranger:
Crackin’ und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei:
Hollywood Sound Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Too Young
Verfasser(in):
Bob Bordy, Rick Chudacoff, Arno Lucas und Michael Omartian
Crackin’3:58
92Take a Chance on Love
recording engineer und Mix:
Kent Nebergall
Produzent(in):
Joey Carbone und Richie Zito
Bassgitarre:
Dennis Belfield
Gitarre:
Richie Zito
Keyboard:
Joey Carbone
Perkussion:
Joey Carbone und Lenny Castro
Schlagzeug:
Carlos Vega
Sologesang:
John O’Banion
arranger:
Richie Zito
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981)
produced for:
Carbone and Zito Productions, Inc.
recording of:
Take a Chance on Love
Verfasser(in):
Joey Carbone, Nancy Shanks und Richie Zito
publisher:
Joey Carbone Music Inc., Richie Zito Music, 大洋音楽 (Taiyō Music), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
John O’Banion3:19
93Get It Right Next Time
Techniker(in):
Nick Patrick
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Get It Right Next Time
Texter und Komponist(in):
Gerry Rafferty
publisher:
Stage Three Music Ltd.
Gerry Rafferty34:42
94Shakedown Cruise
Techniker(in) und Mix:
Terry Nelson (recording engineer)
Produzent(in):
Ed “Radar” Mashal und Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
Bassgitarre [bass]:
Scott Chambers
Bootsmannpfeife [bosun's whistle]:
Tom Peer U.S.N.
Gitarre:
Bob Webb (vocalist/guitarist with: The Measles, The James Gang, and Jay Ferguson’s band)
Gitarre [lead guitar]:
Tony Battaglia
Klavier, Synthesizer [synthesizers] und Vibraphon [vibes]:
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
Schlagzeug [drums]:
Curly Smith (Jo Jo Gunne musician)
Hintergrundgesang:
Bill Szymczyk
aufgenommen bei:
Santa Barbara Sound Studios in Santa Barbara, California (Kalifornien), Vereinigte Staaten
Jay Ferguson4:12
95Phantom of the Footlights
Larsen/Feiten Band4:14
96One Love Too Late
recording engineer:
Phil Kaye und Roger Nichols (US mastering, recording engineer and producer)
Synthesizer-Programmierung:
Ian Underwood
assistierende(r) Techniker(in):
John Banuelos, Dennis Eveland und Cecilia Perna
Produzent(in):
Steve Barri
Mix:
Phil Kaye
arranger:
Michael Omartian
aufgenommen bei und mixed at:
Jennifudy Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Patty Weaver4:13
97You Are the Woman
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
You Are the Woman
Texter und Komponist(in):
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
Firefall2.52:46
98It’s Over
Produzent(in):
Phil Ramone
Mix:
Tommy Vicari
Akustikgitarre, Marimba und Synthesizer:
Michael Sembello
membranophone:
Vinnie Colaiuta (drummer)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Synthesizer:
Danny Sembello
conductor:
Oscar Castro‐Neves
Saiteninstrumente arranger:
Oscar Castro‐Neves
Michael Sembello4:55
99Comin’ Apart
Gary Wright3:52
100See What You Done
Chunky, Novi & Ernie3:46