North Sea Jazz: Jazz Vocalists

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Lady Sings the Blues
recorded in:
New York, New York, United States (on 1956-06-06)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-06-06)
double bass:
Aaron Bell (jazz double bassist) (on 1956-06-06)
drums (drum set):
Lenny McBrowne (US jazz drummer) (on 1956-06-06)
guitar:
Kenny Burrell (on 1956-06-06)
piano:
Wynton Kelly (on 1956-06-06)
tenor saxophone:
Paul Quinichette (on 1956-06-06)
trumpet:
Charlie Shavers (on 1956-06-06)
vocals:
Billie Holiday (on 1954-06-06)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
recording of:
Lady Sings the Blues (on 1956-06-06)
lyricist:
Billie Holiday
composer:
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
Billie Holiday43:50
2Tea for Two
cover recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
Sammy Davis Jr. & Carmen McRae2:37
3Shiny Silk Stockings
Jon Hendricks4:08
4April in Paris
cover recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
Sarah Vaughan6:23
5Don’t Let the Moon Get Away
Mel Tormé2:38
6Cheek to Cheek
cover recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Sammy Davis Jr. & Carmen McRae4:01
7Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California, United States (on 1957-07-23)
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (in 1957, on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (in 1957, on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957, on 1957-07-23)
trumpet:
Louis Armstrong (in 1957, on 1957-07-23)
vocals:
Louis Armstrong (in 1957, on 1957-07-23) and Ella Fitzgerald (American jazz singer) (in 1957, on 1957-07-23)
performer:
Ella Fitzgerald (American jazz singer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-07-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong3.654:15
8Taking a Chance on LoveBilly Eckstine2:42
9Bess, You Is My Woman Now
recorded in:
Los Angeles, California, United States (on 1957-08-18)
double bass:
Joe Mondragon (on 1957-08-18)
drums (drum set):
Alvin Stoller (on 1957-08-18)
French horn:
Vincent DeRosa (on 1957-08-18)
guitar:
Tony Rizzi (on 1957-08-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1957-08-18)
trombone:
Buddy Childers (American jazz trumpeter & composer) (on 1957-08-18)
trumpet:
Frank Beach (trombone, trumpet) (on 1957-08-18)
violin:
Victor Arno (on 1957-08-18)
vocals:
Louis Armstrong (on 1957-08-18) and Ella Fitzgerald (American jazz singer) (on 1957-08-18)
conductor:
Russell Garcia (on 1957-08-18)
cover recording of:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now” (on 1957-08-18)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
Louis Armstrong5:31
10Angel Eyes
Anita O’Day3:42
11I Want a Little Girl
Joe Williams2:42
12Shulie a Bop
recorded in:
New York, New York, United States (on 1954-04-02)
double bass:
Joe Benjamin (US jazz bassist) (on 1954-04-02)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-04-02)
piano:
John Malachi (on 1954-04-02)
vocals:
Sarah Vaughan (on 1954-04-02)
recording of:
Shulie a Bop (on 1954-04-02)
composer:
George Treadwell and Sarah Vaughan
Sarah Vaughan2:42
13Plus Je T’Embrasse
Blossom Dearie2:33
14Perdido
cover recording of:
Perdido (with lyrics)
lyricist:
Ervin Drake (songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
version of:
Perdido (original instrumental version)
Dinah Washington3:26
15There’s a Boat Dat’s Leavin’ Soon for New YorkSammy Davis Jr.4:02
16(You’ll Have to Swing It) Mr. Paganini Part 1 & 2Ella Fitzgerald5:11
2CD
#TitleArtistRatingLength
1Blueberry Hill
lead vocals:
Louis Armstrong (on 1949-09-06)
orchestra:
Gordon Jenkins’ Orchestra and Choir (on 1949-09-06)
conductor:
Gordon Jenkins (on 1949-09-06)
arranger:
Gordon Jenkins
cover recording of:
Blueberry Hill (on 1949-09-06)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
writer:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Louis Armstrong2:54
2On a Clear Day You Can See Forever
Cleo Laine3:08
3There Is No Greater Love
Chet Baker2:34
4In the Still of the Night
Betty Carter4:07
5Blue Moon
recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Tony Bennett2:14
6Under a Blanket of Blue
Rita Reys3:35
7Broken Hearted Melody
vocals:
Sarah Vaughan (on 1958-01-08)
recording of:
Broken-Hearted Melody (on 1958-01-08)
lyricist:
Hal David
composer:
Sherman Edwards
Sarah Vaughan42:26
8I’m Through With Love
Lorez Alexandria5:27
9When the Saints Go Marching In
recording of:
When the Saints Go Marching In (Louis Armstrong’s version)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
Louis Armstrong2:47
10Body and Soul
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-07)
double bass [bass]:
Joe Mondragon (in 1957-01)
drums (drum set):
Alvin Stoller (on 1957-01-07)
guitar:
Barney Kessel (on 1957-01-07)
piano:
Jimmy Rowles (on 1957-01-07)
tenor saxophone:
Ben Webster (on 1957-01-07)
trumpet:
Harry “Sweets” Edison (on 1957-01-07)
vocals:
Billie Holiday (on 1957-01-07)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1957-01-07 until 1957-01-09)
recording of:
Body and Soul (on 1957-01-07)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billie Holiday36:24
11Is You Is or Is You Ain’t My Baby
Joe Williams6:15
12A Woman Alone With the Blues
double bass:
Max Wayne (on 1953-05-01)
drums (drum set):
Ed Shaughnessy (on 1953-05-01)
piano:
Jimmy Rowles (on 1953-05-01)
trumpet:
Pete Candoli (on 1953-05-01)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-01)
cover recording of:
A Woman Alone With the Blues (on 1953-05-01)
lyricist and composer:
Willard Robison
Peggy Lee3:19
13The Way You Look Tonight
Mel Tormé3:40
14The Laziest Gall in Town
recorded in:
New York, New York, United States (in 1964)
piano:
Nina Simone (in 1964)
vocals:
Nina Simone (in 1964)
orchestra:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
The Laziest Gal in Town (in 1964)
lyricist and composer:
Cole Porter (composer) (in 1927)
Nina Simone42:19
15Love for Sale
recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
Rita Reys3:28
16Fascinating Rhythm
Cleo Laine3:30
17Do It the Hard Way
Chet Baker3:05
18Oh, Lady Be Good
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1959)
conductor:
Nelson Riddle (in 1959)
performer:
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1959-01 until 1959-03)
cover recording of:
Oh, Lady Be Good! (in 1959)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Ella Fitzgerald4:00
3CD
#TitleArtistRatingLength
1Born to Be Blue
recording of:
Born to Be Blue
writer:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (ended), Universal Music Publishing France (not for release label use!) and ロックンロール ミュージック (Rock ’n’ Roll Music)
Chet Baker4:05
2I Haven’t Got Anything Better to Do
cover recording of:
I Haven’t Got Anything Better to Do
writer:
Lee Pockriss and Paul Vance (US songwriter and producer)
Natalie Cole4:09
3Baby Won’t You Please Come Home
Shirley Horn7:25
4Beautiful Love
Rita Reys4:10
5Random Act of Love
Al Jarreau4:45
6My Baby Just Cares for MeNina Simone3:04
7My Foolish Heart
recording engineer:
Don Cody (from 1975-06-10 until 1975-06-13)
engineer:
Don Cody
executive producer:
Orrin Keepnews
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1975-06-10 until 1975-06-13)
vocals:
Tony Bennett (US jazz/standards vocalist) (from 1975-06-10 until 1975-06-13)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) and Fantasy, Inc. (not for release label use!) (in 1975)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1975-06-10 until 1975-06-13)
cover recording of:
My Foolish Heart (from 1975-06-10 until 1975-06-13)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
Tony Bennett4:51
8I’ll Remember April
Helen Merrill7:16
9And It’s Supposed to Be Love
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
assistant producer:
Farida Bachir (Producer)
producer:
Jean-Philippe Allard
Abbey Lincoln5:13
10Don’t Let Me Be Misunderstood
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
Nina Simone4.052:48
11Elmer’s Tune
Mark Murphy2:43
12Que Reste‐t‐Il de Nos Amours
Dee Dee Bridgewater4:59
13Better Than Anything
performer:
Diana Krall
cover recording of:
Better Than Anything
writer:
Bill Loughborough and David Wheat
publisher:
Figs D Music, Inc., Sanga Music and Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
Natalie Cole & Diana Krall3:38
14All I Got
Al Jarreau5:30
15Summertime
Shirley Horn5:01
16How Are Things in Glocca Morra?
Roberta Gambarini4:02
4CD
#TitleArtistRatingLength
1The Girl in the Other Room
recording engineer and mixer:
Al Schmitt
producer:
Diana Krall and Tommy LiPuma
double bass:
John Clayton (US jazz and classical double bassist)
drums (drum set):
Jeff Hamilton (jazz drummer)
guitar:
Anthony Wilson (guitarist and composer)
piano:
Diana Krall
vocals:
Diana Krall
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
The Girl in the Other Room
lyricist and composer:
Elvis Costello and Diana Krall
Diana Krall4:05
2Bird Alone
recording engineer and mixer:
Jay Newland (producer, engineer and mixer)
assistant engineer:
Brian Montgomery
assistant producer:
Dominique Bernard (producer, coordinator)
executive producer:
Daniel Richard
producer:
Jean-Philippe Allard
bass:
Scott Colley (bass) (from 2006-09-25 until 2006-11-17)
membranophone:
Shawn Pelton (from 2006-09-25 until 2006-11-17)
strings:
Larry Campbell (worked with Bob Dylan and Phil Lesh & Friends) (from 2006-09-25 until 2006-11-17)
vocals:
Abbey Lincoln (from 2006-09-25 until 2006-11-17)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2006-09-25 until 2006-11-17)
recording of:
Bird Alone (from 2006-09-25 until 2006-11-17)
lyricist and composer:
Abbey Lincoln
Abbey Lincoln4:57
3Japanese Blue
Silje Nergaard4:24
4Wake Up, Little Sparrow
recorded in:
United States (from 2004-10-27 until 2004-12-05)
mastering:
Greg Calbi (American mastering engineer)
engineer:
Matthew Cullen (US engineer) and S. “Husky” Höskulds
producer:
Craig Street
mixer:
S. “Husky” Höskulds
additional guitar:
Greg Leisz (from 2004-10-27 until 2004-12-05)
double bass:
David Piltch (from 2004-10-27 until 2004-12-05)
guitar:
Chris Bruce (from 2004-10-27 until 2004-12-05)
keyboard and background vocals:
Glenn Patscha (from 2004-10-27 until 2004-12-05)
membranophone:
Earl Harvin (from 2004-10-27 until 2004-12-05)
lead vocals:
Lizz Wright (US jazz & gospel singer) (from 2004-10-27 until 2004-12-05)
cover recording of:
Wake Up, Little Sparrow (from 2004-10-27 until 2004-12-05)
lyricist and composer:
Ella Jenkins (folk singer/actress)
Lizz Wright3:00
5Some Kind of Wonderful
Peter Cincotti3:32
6Lovin’ Arms
cover recording of:
Loving Arms
lyricist and composer:
Tom Jans
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Rondor Music (London) Ltd.
Natalie Cole4:42
7I’ll Be Tired of You?
Roberta Gambarini5:09
8If You Know Love
Molly Johnson3:49
9Cold as Ice
Matt Dusk4:07
10Everything Happens to Me
Till Brönner5:54
11Now and Then
Silje Nergaard4:15
12Dance Me to the End of Love
assistant engineer:
Ricky Chao and Nicholas Fournier
engineer and mixer:
Helik Hadar
producer:
Larry Klein
acoustic guitar:
Madeleine Peyroux (US jazz singer & songwriter)
bass:
David Piltch
keyboard [piano, wurlitzer piano, organ, celesta]:
Larry Goldings
percussion [drums, percussion]:
Jay Bellerose (american drummer and percussionist)
vocals:
Madeleine Peyroux (US jazz singer & songwriter)
phonographic copyright (℗) by:
Rounder Records Corp. (not for release label use!) and Rounder Records (a division of Concord Music Group, Inc., not for release label use!) (in 2004)
cover recording of:
Dance Me to the End of Love
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Madeleine Peyroux4.353:59
13The World Is Falling Town
recording of:
The World is Falling Down
lyricist and composer:
Abbey Lincoln
Abbey Lincoln6:23
14All at Sea
alto saxophone:
Jamie Talbot (English jazz alto saxophonist)
bass:
Geoff Gascoyne
guitar:
John Parricelli
membranophone:
Michael Strange (drums)
percussion:
Francis Fuster
tenor saxophone:
Ben Castle
additional vocals:
Ben Cullum
horn and strings arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
recording of:
All at Sea
lyricist and composer:
Jamie Cullum (pianist, jazz‐pop artist)
publisher:
EMI Music Publishing (do not use as a release label!)
Jamie Cullum4.54:36
15Cisza Na Skronie, Na Powieki
Anna Maria Jopek53:55
16Let’s Waste Some Time
Molly Johnson4:29
5CD
#TitleArtistRatingLength
1Before You Called Me Yours
Silje Nergaard4:30
2London Skies
engineer and mixer:
Rik Pekkonen
producer:
Stewart Levine (record producer and saxophonist)
acoustic bass guitar:
Geoff Gascoyne
guest electric bass guitar:
Ben Cullum
guest membranophone and percussion:
Ian Thomas (drummer)
guitar, percussion, piano and xylophone and lead vocals:
Jamie Cullum (pianist, jazz‐pop artist)
membranophone:
Sebastiaan de Krom (Dutch jazz drummer)
phonographic copyright (℗) by:
Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2005)
produced for:
Dave ja vu Productions Ltd.
recorded at:
RAK Studios in London (Greater London), England, United Kingdom
recording of:
London Skies
lyricist:
Jamie Cullum (pianist, jazz‐pop artist)
composer:
Guy Chambers (English songwriter and record producer) and Jamie Cullum (pianist, jazz‐pop artist)
Jamie Cullum3:46
3Worrisome Heart
additional engineer:
Dave Gerhart
engineer and mixer:
Glenn Barrett
additional producer:
Charlie Patierno
producer:
Glenn Barrett and Melody Gardot
recording of:
Worrisome Heart
composer:
Melody Gardot
Melody Gardot54:23
4Foggy Day
cover recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
Tuck & Patti5:58
5I Want a Little Sugar in My Bowl
Queen Latifah13:08
6Besame Mucho
Matt Dusk & Janne Schra3:40
7Apron Strings
Beady Belle4:37
8A’m All Right
assistant engineer:
Alex Pavlides
engineer and mixer:
Helik Hadar
producer:
Larry Klein
bass:
David Piltch (in 2006-04)
drums (drum set):
Jay Bellerose (american drummer and percussionist) (in 2006-04)
guitar:
Dean Parks (American session guitarist) (in 2006-04) and Madeleine Peyroux (US jazz singer & songwriter) (in 2006-04)
Hammond organ and Wurlitzer electric piano:
Sam Yahel (US jazz keyboardist) (in 2006-04)
solo guitar and ukulele:
Dean Parks (American session guitarist) (in 2006-04)
vocals:
Madeleine Peyroux (US jazz singer & songwriter) (in 2006-04)
phonographic copyright (℗) by:
Rounder Records Corp. (not for release label use!)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 2006-04)
Madeleine Peyroux53:28
9Rainy Day in the SunRoom Eleven3:58
10Get Your Way
programming:
Dan Nakamura
engineer and mixer:
Rik Pekkonen
producer:
Dan the Automator and Stewart Levine (record producer and saxophonist)
guest acoustic bass guitar:
John Heard
guest electric bass guitar:
Merlo Podlewski
guest membranophone:
James Gadson (American drummer)
Moog, guitar and piano and lead vocals:
Jamie Cullum (pianist, jazz‐pop artist)
membranophone arranger:
Dan Nakamura
phonographic copyright (℗) by:
Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2005)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom
samples:
Get Out of My Life Woman by Joe Williams (US jazz vocalist) & The Thad Jones & Mel Lewis Orchestra
recording of:
Get Your Way
lyricist:
Jamie Cullum (pianist, jazz‐pop artist)
composer:
Jamie Cullum (pianist, jazz‐pop artist) and Dan Nakamura
Jamie Cullum34:03
11Song for Mia
recording of:
Song for Mia
writer:
Toshi Reagon and Lizz Wright (US jazz & gospel singer)
Lizz Wright4:54
12Afro BlueDee Dee Bridgewater5:12
13Night Moves
Kurt Elling4:24
14Love Me Like a River Does
additional engineer:
Dave Gerhart
engineer and mixer:
Glenn Barrett
additional producer:
Charlie Patierno
producer:
Glenn Barrett and Melody Gardot
recording of:
Love Me Like a River Does
lyricist and composer:
Melody Gardot
Melody Gardot54:07