Beethoven Edition: Lieder • Chormusik

~ Release by Ludwig van Beethoven (see all versions of this release, 1 available)

Annotation

Comes with a 12" stapled booklet with 36 pages withtracklist, credits, lyrics and program notes.
Made in Germany on labels.
Beethoven Edition 1970, in co-operation with the Beethoven Archive Bonn • Professor Dr.Joseph Schmitdt-Görg • Dr. Hans Schmidt

Annotation last modified on 2017-09-10 11:07 UTC.

Tracklist

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1▼12" Vinyl
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A1An die ferne Geliebte, Op. 98
piano:
Jörg Demus (pianist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
13:37
A2Schilderung eines Mädchens, WoO 107
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 107: "Schilderung eines Mädchens" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1783)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 7) and Kinsky catalogue (Beethoven WoO works) (number: WoO 107)
0:30
A3Als die Geliebte sich trennen wollte, WoO 132
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 132: "Als die Geliebte sich trennen wollte" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (from 1806-05 until 1809-11)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 428) and Kinsky catalogue (Beethoven WoO works) (number: WoO 132)
1:49
A4Sehnsucht, WoO 146
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Sehnsucht, WoO 146 (in 1966-04)
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (from 1815 until 1816)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 146)
2:16
A5Ruf vom Berge, WoO 147
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 147: "Ruf vom Berge" (in 1966-04)
lyricist:
Georg Friedrich Treitschke
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 147)
1:26
A6An die Geliebte, WoO 140
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Reimar Bluth
piano:
Jörg Demus (pianist) (from 1970-10 until 1970-11)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-10 until 1970-11)
balance engineer:
Horst Kunze (balance engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-10 until 1970-11)
recording of:
Song for Voice and Piano, WoO 140: "An die Geliebte" (2nd version) (from 1970-10 until 1970-11)
lyricist:
Josef Ludwig Stoll
composer:
Ludwig van Beethoven (German composer) (in 1811)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 540/2) and Kinsky catalogue (Beethoven WoO works) (number: WoO 140/2)
1:15
B1Adelaide, Op. 46
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Adelaide, op. 46 (in 1966-04)
lyricist:
Friedrich von Matthisson
composer:
Ludwig van Beethoven (German composer) (from 1794 until 1796)
dedicated to:
Friedrich von Matthisson
part of:
Works of Ludwig van Beethoven by opus number (number: op. 46)
6:25
B2Andenken, WoO 136
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Andenken, WoO 136 "Ich denke dein" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 136)
2:50
B3Zärtliche Liebe, WoO 123
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Zärtliche Liebe, WoO 123 "Ich liebe dich so wie du mich" (in 1966-04)
lyricist:
Karl Friedrich Wilhelm Herrosee
composer:
Ludwig van Beethoven (German composer) (in 1795)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 287) and Kinsky catalogue (Beethoven WoO works) (number: WoO 123)
2:14
B4Italienische Liebeslieder, Op. 82: Nr. 1
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
5 Lieder, op. 82: I. Hoffnung (in 1966-04)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer)
part of:
5 Lieder, op. 82
2:00
B5Italienische Liebeslieder, Op. 82: Nr. 2
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
5 Lieder, op. 82: II. Liebes-Klage (in 1966-04)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
5 Lieder, op. 82
2:38
B6Italienische Liebeslieder, Op. 82: Nr. 3
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
5 Lieder, op. 82: III. Arietta buffa (in 1966-04)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
5 Lieder, op. 82
1:36
B7Italienische Liebeslieder, Op. 82: Nr. 4
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
5 Lieder, op. 82: IV. Arietta assai seriosa (in 1966-04)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
5 Lieder, op. 82
2:10
B8Das Glück der Freundschaft, Op. 88
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano and A major, op. 88: Andante quasi allegretto "Das Glück der Freundschaft: Der lebt ein Leben wonniglich" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1803)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 88)
2:16
B9La partenza, WoO 124
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 124: "La partenza (Der Abschied)" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1795)
revised by:
Ludwig van Beethoven (German composer) (in 1803)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 164) and Kinsky catalogue (Beethoven WoO works) (number: WoO 124)
1:00
B10In questa tomba oscura, WoO 133
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
"In questa tomba oscura", WoO 133 (in 1966-04)
lyricist:
Giuseppe Carpani
composer:
Ludwig van Beethoven (German composer) (from 1806 until 1807)
dedicated to:
Joseph Franz von Lobkowitz
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 133)
3:28
2▼12" Vinyl
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C1Sechs Lieder von Gellert Op. 48: Bitten
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 1 in E major: Feierlich und mit Andacht "Bitten: Gott deine Gute reicht so" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
2:02
C2Sechs Lieder von Gellert Op. 48: Die Liebe des Nächsten
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nächsten: So jemand spricht: Ich liebe Gott!" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
0:53
C3Sechs Lieder von Gellert Op. 48: Vom Tode
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 3 in F-sharp minor: Müssig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
2:08
C4Sechs Lieder von Gellert Op. 48: Die Ehre Gottes in der Natur
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
2:25
C5Sechs Lieder von Gellert Op. 48: Gottes Macht und Vorsehung
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 5 in C major: Mit Kraft and Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
0:38
C6Sechs Lieder von Gellert Op. 48: Bußlied
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 48 no. 6 in A minor: Poco adagio "Bußlied: An dir allein, an dir hab' ich gesündigt" (in 1966-04)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
4:55
C7An die Hoffnung, Op. 32
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
An die Hoffnung, op. 32 (in 1966-04)
lyricist:
Christoph August Tiedge
composer:
Ludwig van Beethoven (German composer) (in 1805)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 32)
5:15
C8Das Liedchen von der Ruhe
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1793)
part of:
8 Lieder, op. 52
2:43
D1An die Hoffnung, Op. 94 2. Fass. 2
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 94: "An die Hoffnung" (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1815)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 94)
7:43
D2Opferlied, Op. 121b
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 126: "Opferlied" (in 1966-04)
lyricist:
Friedrich von Matthisson
composer:
Ludwig van Beethoven (German composer)
part of:
Biamonti Catalogue (chronological catalogue of Beethoven's works) (number: Bia 173) and Kinsky catalogue (Beethoven WoO works) (number: WoO 126)
2:58
D3Der Wachtelschlag, WoO 129
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Der Wachtelschlag, WoO 129 "Ach, mir schallt's dorten" (in 1966-04)
lyricist:
Samuel Friedrich Sauter
composer:
Ludwig van Beethoven (German composer) (in 1803-04)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 129)
3:45
D4Der Bardengeist, WoO 142
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 142: "Der Bardengeist" (F.R. Hermann) (in 1966-04)
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 142)
1:40
D5Das Geheimnis, WoO 145
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 145: "Das Geheimnis" (in 1966-04)
lyricist:
Ignaz Heinrich von Wessenberg
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 145)
1:20
D6Resignation, WoO 149
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 149 "Resignation" (in 1966-04)
lyricist:
Paul von Haugwitz
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 149)
2:43
D7Die laute Klage, WoO 135
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 135: "Die laute Klage" (in 1966-04)
lyricist:
Johann Gottfried von Herder
composer:
Ludwig van Beethoven (German composer)
publisher:
Diabelli & Co (in 1837)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 135)
2:28
3▼12" Vinyl
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E1Maigesang, Op. 52 Nr. 4
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet mir die Natur" (in 1966-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1792, from 1804 until 1805)
is based on:
Mailied
part of:
8 Lieder, op. 52
1:56
E2Marmotte, Op. 52 Nr. 7
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land" (in 1966-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1792, from 1804 until 1805)
part of:
8 Lieder, op. 52
0:29
E3Neue Liebe, neues Leben, Op. 75 Nr. 2
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
piano:
Jörg Demus (pianist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
recording of:
Neue Liebe, neues Leben, op. 75 no. 2
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1809)
version of:
Song for Voice and Piano, WoO 127: "Neue Liebe, neues Leben" (J.W. von Goethe)
part of:
6 Gesänge, op. 75
2:47
E4Flohlied, Op. 75 Nr. 3
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
piano:
Jörg Demus (pianist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
recording of:
Aus Goethes Faust, op. 75 no. 3
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1799)
part of:
6 Gesänge, op. 75
1:52
E5Wonne der Wehmut, Op. 83 Nr. 1
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Wonne der Wehmut, op. 83 no. 1 (in 1966-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1810)
part of:
3 Gesänge von Goethe, op. 83
2:48
E6Sehnsucht, Op. 83 Nr. 2
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Sehnsucht, op. 83 no. 2 (in 1966-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1810)
part of:
3 Gesänge von Goethe, op. 83
2:00
E7Mit einem gemalten Bande, Op. 83 Nr. 3
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Mit einem gemalten Band, op. 83 no. 3 (in 1966-04)
lyricist:
Johann Wolfgang von Goethe
composer:
Ludwig van Beethoven (German composer) (in 1810)
part of:
3 Gesänge von Goethe, op. 83
1:47
E8Urians Reise um die Welt, Op. 52 Nr. 1
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise tut" (in 1966-04)
composer:
Ludwig van Beethoven (German composer)
part of:
8 Lieder, op. 52
5:04
E9Die Liebe, Op. 52 Nr. 6
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann" (in 1966-04)
composer:
Ludwig van Beethoven (German composer)
part of:
8 Lieder, op. 52
1:10
E10Das Blümchen Wunderhold, Op. 52 Nr. 8
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, op. 52 no. 8 in G major: Andante "Das Blümchen Wunderhold: Es steht ein Blümchen irgend wo in einem stillen Tal" (in 1966-04)
lyricist:
Gottfried August Bürger
composer:
Ludwig van Beethoven (German composer) (in 1792)
part of:
8 Lieder, op. 52
1:55
F1Der Zufriedene, Op. 75 Nr. 6
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
piano:
Jörg Demus (pianist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
recording of:
Der Zufriedene, op. 75 no. 6
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
6 Gesänge, op. 75
1:14
F2Der Kuss, Op. 128
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Der Kuß, op. 128 (in 1966-04)
lyricist:
Christian Felix Weiße
composer:
Ludwig van Beethoven (German composer) (from 1798 until 1822)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 128)
1:49
F3Lied aus der Ferne, WoO 137
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 137: "Lied aus der Ferne" (in 1966-04)
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 137)
3:44
F4Der Jüngling in der Fremde, WoO 138
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 138: "Der Jüngling in der Fremde" (in 1966-04)
lyricist:
Christian Ludwig Reissig
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 138)
1:15
F5Der Liebende, WoO 139
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Der Liebende, WoO 139 (in 1966-04)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 139)
2:18
F6Seufzer eines Ungeliebten und Gegenliebe, WoO 118
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Seufzer eines Ungeliebten und Gegenliebe, WoO 118 (in 1966-04)
lyricist:
Gottfried August Bürger
composer:
Ludwig van Beethoven (German composer)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 118)
5:43
F7Abendlied unterm gestirnten Himmel, WoO 150
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
piano:
Jörg Demus (pianist) (in 1966-04)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1966-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-04)
recording of:
Song for Voice and Piano, WoO 150: "Abendlied unterm gestirnten Himmel" (in 1966-04)
lyricist:
Heinrich Goeble
composer:
Ludwig van Beethoven (German composer) (in 1820-03)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 150)
4:56
4▼12" Vinyl
#TitleRatingLength
G1Music, Love and Wine, Op. 108.1
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
soprano vocals:
Edith Mathis (soprano) (in 1970-03)
tenor vocals:
Alexander Young (tenor) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 1, "Music, Love and Wine" (in 1970-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
1:18
G2The Highland Watch, Op. 108.22
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1970-03)
soprano vocals:
Edith Mathis (soprano) (in 1970-03)
chorus master:
Günther Arndt (choral conductor) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 22, "The Highland Watch" (in 1970-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:41
G3Once More I Hail Thee, WoO 152.3
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
25 Irish Songs, WoO 152: No. 3, "Once More I Hail Thee" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
3:35
G4Bonny Laddie, Highland Laddy, Op. 108.7
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 7, "Bonnie, Laddie, Highland Laddie" (in 1970-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
1:38
G5Behold, My Love, Op. 108.9
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
soprano vocals:
Edith Mathis (soprano) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 9, "Behold My Love How Green the Groves" (in 1970-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
3:09
G6The Pulse of An Irishman, WoO 154.4
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
12 Irish Songs WoO 154: No. 4, "The Pulse of an Irishman" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Irish Songs, WoO 154
2:02
G7Constancy, WoO 155.22
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano) (in 1970-03)
tenor vocals:
Alexander Young (tenor) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
26 Welsh Songs WoO 155, No. 22, "Constancy" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
26 Welsh Songs for one to two Voices, Violin, Violoncello and Piano, WoO 155
2:33
G8The Elfin Fairies, WoO 154.1
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1970-03)
soprano vocals:
Edith Mathis (soprano) (in 1970-03)
chorus master:
Günther Arndt (choral conductor) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
12 Irish Songs WoO 154: No. 1, "The Elfin Fairies" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Irish Songs, WoO 154
2:50
H1Ye Shepherds of This Pleasent Vale, WoO 156.4
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
soprano vocals:
Edith Mathis (soprano) (in 1970-03)
tenor vocals:
Alexander Young (tenor) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 4, "Ye Shepherds of This Pleasant Vale" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
1:53
H2Sunset, Op. 108.2
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 2, "Sunset" (in 1970-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:10
H3He Promised Me At Parting, WoO 154.12
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
soprano vocals:
Edith Mathis (soprano) (in 1970-03)
tenor vocals:
Alexander Young (tenor) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
12 Irish Songs WoO 154: No. 12, "He Promised Me at Parting" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Irish Songs, WoO 154
2:18
H4Enchantress, Fare Well, Op. 108.18
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
tenor vocals:
Alexander Young (tenor) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 18, "Enchantress, Farewell" (in 1970-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
4:10
H5Put Around the Bright Wine, WoO 154.6
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
12 Irish Songs WoO 154: No. 6, "Put Round the Bright Wine" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Irish Songs, WoO 154
2:26
H6Robin Adair, WoO 157.7
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
soprano vocals:
Edith Mathis (soprano) (in 1970-03)
tenor vocals:
Alexander Young (tenor) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twelve Various Folksongs, WoO 157: No. 7, "Robin Adair" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
is based on:
Robin Adair
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
2:40
H7O Sweet Were the Hours, Op. 108.3
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 3, "O Sweet Were the Hours" (in 1970-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
4:18
5▼12" Vinyl
#TitleRatingLength
I1Duncan Gray, WoO 156.2
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
soprano vocals:
Edith Mathis (soprano) (in 1970-03)
tenor vocals:
Alexander Young (tenor) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 2, "Duncan Cray" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
1:55
I2Faithfu' Johnie, Op. 108.20
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
soprano vocals:
Edith Mathis (soprano) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 20, "Faithfu' Johnie" (in 1970-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
4:07
I3Could This Ill World, Op. 108.16
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 16, "Could This Ill World Have Been Contriv'd" (in 1970-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:59
I4Highlander's Lament, WoO 157.9
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1970-03)
soprano vocals:
Edith Mathis (soprano) (in 1970-03)
chorus master:
Günther Arndt (choral conductor) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twelve Various Folksongs, WoO 157: No. 9, "Highlander's Lament" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
3:54
I5Farewell, Bliss, and Farewell, Nancy, WoO 152.20
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
tenor vocals:
Alexander Young (tenor) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
25 Irish Songs, WoO 152: No. 20 "Farewell bliss and farewell Nancy" (duet) (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
3:12
I6The Miller of Dee, WoO 157.5
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
soprano vocals:
Edith Mathis (soprano) (in 1970-03)
tenor vocals:
Alexander Young (tenor) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twelve Various Folksongs, WoO 157: No. 5, "The Miller of Dee" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
1:59
I7O Sanctissima, WoO 157.4
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1970-03)
chorus master:
Günther Arndt (choral conductor) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twelve Various Folksongs, WoO 157: No. 4, "O Sanctissima" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
2:00
J1Oh, Had My Fate Been Join'd With Thine, Op. 108.12
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twenty-Five Scottish Songs, op. 108: No. 12, "O, Had My Fate Been Join'd With Thine" (in 1970-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
4:21
J2O Charlie Is My Darling, WoO 157.3
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
soprano vocals:
Edith Mathis (soprano) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twelve Various Folksongs, WoO 157: No. 3, "Charlie Is My Darling" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
12 Various Folksongs for one or more Voices, Violin, Violoncello and Piano, WoO 157
1:44
J3To the Blackbird, WoO 155.20
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
26 Welsh Songs WoO 155, No. 20, "To the Blackbird" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
26 Welsh Songs for one to two Voices, Violin, Violoncello and Piano, WoO 155
4:57
J4Come Fill, Fill My Good Fellow, Op. 108.13
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twenty-Five Scottish Songs, op. 108: no. 13, “Come Fill, Fill, My Good Fellow” (in 1970-03)
composer:
Ludwig van Beethoven (German composer) (in 1818)
part of:
Twenty-Five Scottish Songs, op. 108
2:06
J5Lochnagar, WoO 156.9
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
soprano vocals:
Edith Mathis (soprano) (in 1970-03)
tenor vocals:
Alexander Young (tenor) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
Twelve Scottish Folksongs, WoO 156: No. 9, "Lochnagar" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Twelve Scottish Folksongs, WoO 156
4:09
J6Sion, the Son of Evan, WoO 155.1
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
soprano vocals:
Edith Mathis (soprano) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
26 Welsh Songs WoO 155, No. 1, "Sion, the Son of Evan" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
26 Welsh Songs for one to two Voices, Violin, Violoncello and Piano, WoO 155
1:18
J7The Return To Ulster, WoO 152.1
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Georg Donderer (cellist) (in 1970-03)
piano:
Karl Engel (pianist) (in 1970-03)
violin:
Andreas Röhn (violinist) (in 1970-03)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-03)
balance engineer:
Hans‐Peter Schweigmann (engineer) and Gernot Westhäuser (Engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1970-03)
recording of:
25 Irish Songs, WoO 152: No. 1, "The Return to Ulster" (in 1970-03)
composer:
Ludwig van Beethoven (German composer)
part of:
25 Irish Songs. WoO 152
4:06
6▼12" Vinyl
#TitleRatingLength
K1"Ah Perfido!", Op. 65 (Szene und Arie für Sopran mit Begleitung des Orchesters
soprano vocals:
Birgit Nilsson (soprano)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Ferdinand Leitner (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido"
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
12:19
K2Meerestille und Glückliche Fahrt, Op. 112
choir vocals:
Wiener Singverein
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Ferdinand Leitner (conductor)
7:40
LFantasie für Klavier, Chor und Orchester c-moll, Op. 80
piano:
Jörg Demus (pianist)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Ferdinand Leitner (conductor)
18:55
7▼12" Vinyl
#TitleRatingLength
MChristus am Ölberge, Op. 85: Introduktion und 2. Teil
bass vocals:
Franz Crass (operatic bass)
choir vocals:
Wiener Singverein
soprano vocals:
Elizabeth Harwood (soprano)
tenor vocals:
James King (tenor)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Bernhard Klee (conductor)
26:54
NChristus am Ölberge, Op. 85: 3. Teil bis Schluss
bass vocals:
Franz Crass (operatic bass)
choir vocals:
Wiener Singverein
soprano vocals:
Elizabeth Harwood (soprano)
tenor vocals:
James King (tenor)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Bernhard Klee (conductor)
29:14