The Best of Miami Vice

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Anmerkung

© 1988 Universal City Studios, Inc.
© 1989 MCA Records, Inc.
℗ 1989 MCA Records, Inc.

Manufactured in Germany.
Record Service A Warner Communications Company

Label Code: LC 1056
Rights Society: GEMA/BIEM
SPARS Code: ADD
Price Code (France): WE 833
Matrix / Runout: 229241746-2 R
Matrix / Runout (Inner Mould Ring, Variant 1): 33
Matrix / Runout (Inner Mould Ring, Variant 2): 8

Anmerkung zuletzt geändert am 2023-09-30 07:00 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1The Original Miami Vice Theme
Jan Hammer1:06
2Better Be Good to Me
Perkussion-Programmierung:
Rupert Hine
Produzent(in):
Rupert Hine
Bass und Keyboard:
Rupert Hine
Gitarre:
Jamie West‐Oram
Schlagzeug:
Trevor Morais
Hintergrundgesang:
Cy Curnin und Rupert Hine
Hintergrundgesang und Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Farmyard Studios in Amersham, Buckinghamshire, England, Vereinigtes Königreich
cover recording of:
Better Be Good to Me
Verfasser(in):
Mike Chapman (Australian producer and songwriter), Nicky Chinn und Holly Knight
publisher:
Arista Music, Inc. (beendet), Careers Music, Inc. (beendet), Land of Dreams Music Inc. (beendet), BMG Music Publishing Ltd. und Universal Music–MGB Songs
recording of:
Better Be Good to Me
Verfasser(in):
Mike Chapman (Australian producer and songwriter), Nicky Chinn und Holly Knight
publisher:
Arista Music, Inc. (beendet), Careers Music, Inc. (beendet), Land of Dreams Music Inc. (beendet), BMG Music Publishing Ltd. und Universal Music–MGB Songs
Tina Turner3.755:09
3In the Air Tonight
assistierende(r) Techniker(in):
Nick Launay und Karen Segal (engineer)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre:
John Giblin (in 1980)
Geige / Violine:
Sharokav (in 1980)
Gitarre:
Daryl Stuermer (in 1980)
Rhodes Piano, drum machine, Schlagzeug, Synthesizer und Vocoder und Sologesang:
Phil Collins (of Genesis) (in 1980)
arranger:
Phil Collins (of Genesis)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 35) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 291)
recording of:
In the Air Tonight (in 1980)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) und Pun Music, Inc. (in 1981)
Teil von:
Risky Business (film soundtrack)
Phil Collins4.35:31
4Smugglers Blues
Produzent(in):
Allan Blazek und Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Bassgitarre:
Bryan Garofalo
Conga:
Steve Forman (US percussionist)
E-Gitarre:
Duncan Cameron (guitarist for Sawyer Brown), Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Josh Leo (songwriter, guitarist and producer, multi-instrumentalist, mixing engineer)
membranophone:
Michael Huey
Synthesizer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984)
recording of:
Smuggler’s Blues
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Jack Tempchin
Glenn Frey43:53
5The Last Unbroken Heart
Interpret(in):
Bill Champlin
Patti LaBelle feat. Bill Champlin3:56
6One Way Out
Jan Hammer4:19
7Satellite
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1987)
recording of:
Satellite
Verfasser(in):
Eric Bazilian, Rick Chertoff und Rob Hyman
publisher:
Dub Notes Music (publisher), Hobbler Music, Human Boy Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd. und WB Music Corp. (1929–2019)
The Hooters44:18
8Vice
Produzent(in):
Melvin Glover (Melvin Glover aka Melle Mel) und Leland Robinson
arranger:
Leland Robinson
recording of:
Vice
Verfasser(in):
Melvin Glover (Melvin Glover aka Melle Mel), Leland Robinson und Sylvia Robinson
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Melle Mel5:02
9Crockett's Theme
recording of:
Crockett’s Theme (Miami Vice)
Komponist(in):
Jan Hammer
publisher:
Involved Publishing Ltd, MCA Music Inc. (Universal Music Philippines’ legal name) und Universal/MCA Music Ltd. (not for release label use!)
Jan Hammer3:29
10Take Me Home
assistierende(r) Techniker(in):
Steve Chase
Techniker(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre [bass] und Violoncello piccolo [piccolo bass]:
Lee Sklar (bassist, session musician)
drum machine [Roland 909], Keyboard [keyboards], Schlagzeug und Sologesang [vocals]:
Phil Collins (of Genesis)
Gitarre [guitars]:
Daryl Stuermer
Hintergrundgesang [backing vocals]:
Phil Collins (of Genesis), Peter Gabriel (formerly of Genesis), Sting (singer, songwriter & member of The Police) und Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) und Philip Collins Ltd. (in 2016)
aufgenommen bei:
Old Croft in Surrey, England, Vereinigtes Königreich und The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Take Me Home
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Imagem Music, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) und Philip Collins Ltd. (in 1984)
Phil Collins4.255:52
11Heartbeat
Techniker(in):
Gary McGachan
zusätzliche(r) Techniker(in):
David Axelbaum
Produzent(in):
Chas Sandford
Mix:
Gary McGachan und Chas Sandford
Bass:
Mark Leonard
Gitarre:
Chas Sandford
Keyboard:
Charles Judge (American guitarist, pianist, arranger and songwriter)
Schlagzeug:
William “Curly” Smith (Jo Jo Gunne musician)
Hintergrundgesang:
Bill Champlin und Tamara Champlin
Sologesang:
Don Johnson (US actor, Miami Vice)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 58)
cover recording of:
Heartbeat
Verfasser(in):
Eric Kaz und Wendy Waldman
publisher:
Cotillion Music Inc. (BMI), Glasco Music Company und Moon and Stars Music
Don Johnson24:21
12You Belong to the City
Produzent(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Bass, E-Gitarre, Synthesizer und Sologesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Instrumente:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Saxophon:
Bill Bergman
Schlagzeug:
Michael Huey
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1985)
recording of:
You Belong to the City
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Jack Tempchin
publisher:
Night River Publishing und Red Cloud Music
Glenn Frey55:52
13Lives in the Balance
Assistent recording engineer und assistierende(r) Techniker(in):
Tchad Blake, Bill Jackson (American engineer) und Coke Johnson
recording engineer und Techniker(in):
James Geddes
Programmierung und Produzent(in):
Jackson Browne (American singer-songwriter)
assistierende(r) Mix:
Murray Dvorkin und Sharon Rice (Los Angeles sound engineer)
Mix:
James Geddes und Greg Ladanyi
Akustikgitarre, Akustikgitarre und Sampler, Hintergrundgesang und Sologesang und Sologesang:
Jackson Browne (American singer-songwriter)
Bassgitarre:
Bob Glaub
charango und Tiple:
Hugo Pedroza
Gitarre und klassiche Gitarre [nylon string guitar]:
Jorge Strunz (Costarican Guitarist)
pan flute und siku:
Enrique Cruz
Schlagzeug:
Russ Kunkel (session drummer)
Synthesizer:
Bill Payne und Jai Winding (pianist, composer, vocal)
Hintergrundgesang:
Debra Dobkin und Mindy Sterling (vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1986) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1986)
recording of:
Lives in the Balance
Texter und Komponist(in):
Jackson Browne (American singer-songwriter)
Jackson Browne54:15
14Lover
recording of:
Lover
Verfasser(in):
Bryan Ferry und Phil Manzanera
publisher:
E.G. Music Ltd. (publisher) (in 1989) und E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1989)
Roxy Music3:55
15Follow My Rainbow
assistierende(r) Techniker(in):
Andy "Opie" Batwinas (Aufgabe: mixing), Toni Greene (engineer), Jon Guggenheim (engineer; miscredited as John Guggenheim; These are 2 different people.) und Spence Chrislu
Techniker(in):
Jon Gass und Jon Gass (Aufgabe: mixing)
Produzent(in):
L.A. & Babyface (US R&B songwriting/production duo)
Mix:
Babyface (R&B musician Kenny Edmonds) und L.A. Reid
Bass:
Kayo (Kevin Roberson)
Keyboard [keyboards]:
Babyface (R&B musician Kenny Edmonds)
Perkussion:
L.A. Reid und Daryl Simmons
Schlagzeug [drums]:
L.A. Reid
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds) und Sheena Easton
produced for:
La'Face, Inc. (production company)
aufgenommen bei:
Elumba Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Galaxy Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Silverlake Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Elumba Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Follow My Rainbow
Texter und Komponist(in):
Kenneth Edmonds (R&B musician Kenny Edmonds)
publisher:
Greenskirt Music, Hip Trip Music (publisher) und Kear Music (publisher)
Sheena Easton4:55

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Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/254701 [Info]