Tracklist

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1CD
#TitleArtistRatingLength
1Edgar: Atto I. “Qual voce lontana” (Contadine, Contadini)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto I. “Qual voce lontana” (Contadine, Contadini)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto I
Giacomo Puccini2:08
2Edgar: Atto I. “Oh fior del giorno” (Fidelia, Edgar)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
soprano vocals [Fidelia]:
Adriana Damato
tenor vocals [Edgar]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto I. Duetto “Oh fior del giorno” (Fidelia, Edgar)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto I
Giacomo Puccini4:22
3Edgar: Atto I. “Oh fior del giorno” (Contadine, Contadini)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto I. Coro “Oh fior del giorno” (Contadine, Contadini)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto I
Giacomo Puccini0:57
4Edgar: Atto I. “Ah! Ah! Ah!” (Tigrana, Edgar)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
mezzo-soprano vocals [Tigrana]:
Marianne Cornetti
tenor vocals [Edgar]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto I. “Ah! Ah! Ah!” (Tigrana, Edgar)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto I
Giacomo Puccini3:22
5Edgar: Atto I. “Ove fosti stanotte?” (Frank, Tigrana)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
baritone vocals [Frank]:
Juan Pons (baritone)
mezzo-soprano vocals [Tigrana]:
Marianne Cornetti
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto I. “Ove fosti stanotte?” (Frank, Tigrana)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto I
Giacomo Puccini2:39
6Edgar: Atto I. “Questo amor, vergogna mia” (Frank)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
baritone vocals [Frank]:
Juan Pons (baritone)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto I. “Questo amor, vergogna mia” (Frank)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto I
part of:
Edgar: Atto I
Giacomo Puccini3:30
7Edgar: Atto I. “Dio non benedice che gli umili quaggiù” (Contadine, Contadini)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto I. “Dio non benedice che gli umili quaggiù” (Contadine, Contadini)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto I
Giacomo Puccini1:03
8Edgar: Atto I. “Tu il cuor mi strazi” (Tigrana, Contadine, Contadini)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
mezzo-soprano vocals [Tigrana]:
Marianne Cornetti
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto I. “Tu il cuor mi strazi” (Tigrana, Contadine, Contadini)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto I
Giacomo Puccini3:31
9Edgar: Atto I. “D’ogni sozzura simbolo” (Contadine, Contadini, Edgar)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
tenor vocals [Edgar]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto I. “D’ogni sozzura simbolo” (Contadine, Contadini, Edgar)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto I
Giacomo Puccini3:07
10Edgar: Atto I. “T’arresta!” (Frank, Contadine, Contadini, Edgar, Gualtiero, Fidelia, Tigrana)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
baritone vocals [Frank]:
Juan Pons (baritone)
bass vocals [Gualtiero]:
Rafal Siwek
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
mezzo-soprano vocals [Tigrana]:
Marianne Cornetti
soprano vocals [Fidelia]:
Adriana Damato
tenor vocals [Edgar]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto I. “T’arresta!” (Frank, Contadine, Contadini, Edgar, Gualtiero, Fidelia, Tigrana)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto I
Giacomo Puccini3:14
11Edgar: Atto I. “Or dunque, addio!” (Edgar, Frank, Gualtiero, Fidelia, Contadine, Contadini, Tigrana)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
baritone vocals [Frank]:
Juan Pons (baritone)
bass vocals [Gualtiero]:
Rafal Siwek
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
mezzo-soprano vocals [Tigrana]:
Marianne Cornetti
soprano vocals [Fidelia]:
Adriana Damato
tenor vocals [Edgar]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto I. “Or dunque, addio!” (Edgar, Frank, Gualtiero, Fidelia, Contadine, Contadini, Tigrana)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto I
Giacomo Puccini2:32
12Edgar: Atto II. “Splendida notte, notte gioconda” (Coro interno)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto II. “Splendida notte, notte gioconda” (Coro interno)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto II
Giacomo Puccini2:47
13Edgar: Atto II. “Orgia, chimera dall’occhio vitreo” (Edgar)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
tenor vocals [Edgar]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto II. “Orgia chimera dall’occhio vitreo” (Edgar)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto II
Giacomo Puccini3:06
14Edgar: Atto II. “Edgar, sulla tua fronte erran tetri pensieri” (Tigrana, Edgar)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
mezzo-soprano vocals [Tigrana]:
Marianne Cornetti
tenor vocals [Edgar]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto II. “Edgar, sulla tua fronte erran tetri pensieri” (Tigrana, Edgar)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto II
Giacomo Puccini2:29
15Edgar: Atto II. “Dal labbro mio” (Tigrana, Edgar)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
mezzo-soprano vocals [Tigrana]:
Marianne Cornetti
tenor vocals [Edgar]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto II. “Dal labbro mio” (Tigrana, Edgar)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto II
Giacomo Puccini1:54
16Edgar: Atto II. “Urra!” – “Uno squillo marzial!” (Soldati, Edgar, Tigrana)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
mezzo-soprano vocals [Tigrana]:
Marianne Cornetti
tenor vocals [Edgar]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto II. “Urra!” – “Uno squillo marzial!” (Soldati, Edgar, Tigrana)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto II
Giacomo Puccini1:20
17Edgar: Atto II. “Edgar!… Tigrana!” (Frank, Tigrana, Edgar, Soldati)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
baritone vocals [Frank]:
Juan Pons (baritone)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
mezzo-soprano vocals [Tigrana]:
Marianne Cornetti
tenor vocals [Edgar]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto II. “Edgar!… Tigrana!” (Frank, Tigrana, Edgar, Soldati)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto II
Giacomo Puccini3:44
2CD
#TitleArtistRatingLength
1Edgar: Atto III. Preludio orchestrale
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto III. Preludio orchestrale
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto III
Giacomo Puccini3:14
2Edgar: Atto III. “Requiem aeternam!” (Ragazzi, Popolani)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto III. “Requiem aeternam!” (Ragazzi, Popolani)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto III
Giacomo Puccini2:55
3Edgar: Atto III. “Del signor la pupilla” (Ragazzi, Popolani, Soldati, Fidelia, Frati)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals [Fidelia]:
Adriana Damato
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto III. “Del signor la pupilla” (Ragazzi, Popolani, Soldati, Fidelia, Frati)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto III
Giacomo Puccini4:37
4Edgar: Atto III. “Addio, mio dolce amor!” (Fidelia, Popolani, Soldati, Frati)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals [Fidelia]:
Adriana Damato
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto III. “Addio, mio dolce amor!” (Fidelia, Popolani, Soldati, Frati)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto III
Giacomo Puccini3:21
5Edgar: Atto III. “Del prode Edgar” (Frank, Edgar, Popolani, Soldati)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
baritone vocals [Frank]:
Juan Pons (baritone)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
tenor vocals [Edgar]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto III. “Del prode Edgar” (Frank, Edgar, Popolani, Soldati)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto III
Giacomo Puccini2:30
6Edgar: Atto III. “Or dunque rispondete” (Edgar, Popolani, Soldati, Fidelia, Gualtiero)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
bass vocals [Gualtiero]:
Rafal Siwek
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals [Fidelia]:
Adriana Damato
tenor vocals [Edgar]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto III. “Or dunque rispondete” (Edgar, Popolani, Soldati, Fidelia, Gualtiero)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto III
Giacomo Puccini2:58
7Edgar: Atto III. “D’ogni dolor questo è il più gran dolor” (Fidelia, Popolani, Soldati, Frank)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
baritone vocals [Frank]:
Juan Pons (baritone)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
soprano vocals [Fidelia]:
Adriana Damato
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto III. “D’ogni dolor questo è il più gran dolor” (Fidelia, Popolani, Soldati, Frank)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto III
Giacomo Puccini5:23
8Edgar: Atto III. “Voglio passar…” (Tigrana, Edgar, Frank)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
baritone vocals [Frank]:
Juan Pons (baritone)
mezzo-soprano vocals [Tigrana]:
Marianne Cornetti
tenor vocals [Edgar]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto III. “Voglio passar…” (Tigrana, Edgar, Frank)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto III
Giacomo Puccini2:15
9Edgar: Atto III. “Bella signora, il pianto sciupa gli occhi” (Edgar, Tigrana, Frank)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
baritone vocals [Frank]:
Juan Pons (baritone)
mezzo-soprano vocals [Tigrana]:
Marianne Cornetti
tenor vocals [Edgar]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto III. “Bella signora, il pianto sciupa gli occhi” (Edgar, Tigrana, Frank)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto III
Giacomo Puccini4:52
10Edgar: Atto III. “All’armi! All’armi!” (Soldati, Tigrana, Edgar, Popolani, Frank)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
baritone vocals [Frank]:
Juan Pons (baritone)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
mezzo-soprano vocals [Tigrana]:
Marianne Cornetti
tenor vocals [Edgar]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto III. “All’armi! All’armi!” (Soldati, Tigrana, Edgar, Popolani, Frank)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto III
Giacomo Puccini2:27
11Edgar: Atto III. “È ver! Maledizion!” (Tigrana, Popolani, Soldati, Edgar, Fidelia, Frank)
assistant engineer:
Valeriano Battisti (engineer)
executive producer:
Renate Kupfer (artistic director)
producer:
Christopher Alder (editor/engineer/producer) and Wolfram Graul (Conductor, engineer, producer) (task: recording)
baritone vocals [Frank]:
Juan Pons (baritone)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
mezzo-soprano vocals [Tigrana]:
Marianne Cornetti
soprano vocals [Fidelia]:
Adriana Damato
tenor vocals [Edgar]:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Veronesi
balance engineer:
Siegbert Ernst (engineer)
recorded at:
Auditorium Parco della Musica in Roma (Rome), Roma, Lazio, Italy (in 2005-06)
recording of:
Edgar: Atto III. “È ver! Maledizion!” (Tigrana, Popolani, Soldati, Edgar, Fidelia, Frank)
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Edgar: Atto III
Giacomo Puccini3:08