The Secular Cantatas

~ Release by Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 2 available)

Tracklist

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1▼Hybrid SACD
#TitleArtistRatingLength
1Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": I. Recitativo (soprano) "O holder Tag, erwünschte Zeit"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
soprano vocals:
Carolyn Sampson (soprano) (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": I. Recitativo (Sopran) "O holder Tag, erwünschte Zeit" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:07
2Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": II. Aria (soprano) "Spielet, ihr beseelten Lieder"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
soprano vocals:
Carolyn Sampson (soprano) (from 2003-07-25 until 2003-07-28)
orchestra and performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": II. Aria (Sopran) "Spielet, ihr beseelten Lieder" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach7:04
3Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": III. Recitativo (soprano) "Doch, haltet ein"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
soprano vocals:
Carolyn Sampson (soprano) (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": III. Recitativo (Sopran) "Doch, haltet ein, ihr muntern Saiten" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:05
4Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": IV. Aria (soprano) "Ruht hie, matte Töne"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
soprano vocals:
Carolyn Sampson (soprano) (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IV. Aria (Sopran) "Ruhet hie, matte Töne" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach8:13
5Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": V. Recitativo (soprano) "So glaubt man denn, dass die Musik verführe"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
soprano vocals:
Carolyn Sampson (soprano) (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": V. Recitativo (Sopran) "So glaubt man denn, daß die Musik verführe" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:56
6Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": VI. Aria (soprano) "Schweigt, ihr Flöten, schweigt, ihr Töne"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
soprano vocals:
Carolyn Sampson (soprano) (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VI. Aria (Sopran) "Schweigt, ihr Flöten, schweigt, ihr Töne" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach4:47
7Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": VII. Recitativo (soprano) "Was luft? was Grab?"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
soprano vocals:
Carolyn Sampson (soprano) (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VII. Recitativo (Sopran) "Was Luft? was Grab?" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:34
8Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": VIII. Aria (soprano) "Grosser Gönner, dein Vergnügen"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
soprano vocals:
Carolyn Sampson (soprano) (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VIII. Aria (Sopran) "Großer Gönner, dein Vergnügen" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach2:48
9Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": IX. Recitativo (soprano) "Hochteurer Mann, so fahre ferner fort"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
soprano vocals:
Carolyn Sampson (soprano) (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IX. Recitativo (Sopran) "Hochteurer Mann, so fahre ferner fort" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach1:41
10Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": X. Aria (soprano) "Seid beglückt, edle beide"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
soprano vocals:
Carolyn Sampson (soprano) (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": X. Aria (Sopran) "Seid beglückt, edle beide" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
Johann Sebastian Bach5:40
11Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (tenor) "Schweigt stille, plaudert nicht"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
tenor vocals:
Makoto Sakurada (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:39
12Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (bass) "Hat man nicht mit seinen Kindern"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
bass vocals:
Stephan Schreckenberger (bass vocalist) (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach2:57
13Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (bass, soprano) "Du böses Kind, du loses Mädchen"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
bass vocals:
Stephan Schreckenberger (bass vocalist) (from 2003-07-25 until 2003-07-28)
soprano vocals:
Carolyn Sampson (soprano) (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:42
14Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (soprano) "Ei! wie schmeckt der Coffee süsse"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
soprano vocals:
Carolyn Sampson (soprano) (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:44
15Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (bass, soprano) "Wenn du mir nicht den Coffee lässt"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
bass vocals:
Stephan Schreckenberger (bass vocalist) (from 2003-07-25 until 2003-07-28)
soprano vocals:
Carolyn Sampson (soprano) (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach1:08
16Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (bass) "Mädchen, die von harten Sinnen"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
bass vocals:
Stephan Schreckenberger (bass vocalist) (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach2:58
17Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (bass, soprano) "Nun folge, was dein Vater spricht!"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
bass vocals:
Stephan Schreckenberger (bass vocalist) (from 2003-07-25 until 2003-07-28)
soprano vocals:
Carolyn Sampson (soprano) (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:52
18Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (soprano) "Heute noch, Lieber Vater, tut es doch!"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
soprano vocals:
Carolyn Sampson (soprano) (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach6:30
19Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (tenor) "Nun geht und sucht der alte Schlendrian"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
tenor vocals:
Makoto Sakurada (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:47
20Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Coro "Die Katze lässt das Mausen nicht"
sound engineer:
Dirk Lüdemann
producer and editor:
Uli Schneider (producer/engineer)
bass vocals:
Stephan Schreckenberger (bass vocalist) (from 2003-07-25 until 2003-07-28)
soprano vocals:
Carolyn Sampson (soprano) (from 2003-07-25 until 2003-07-28)
tenor vocals:
Makoto Sakurada (from 2003-07-25 until 2003-07-28)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2003-07-25 until 2003-07-28)
performer:
Bach Collegium Japan (from 2003-07-25 until 2003-07-28)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama (Saitama City), Saitama (Saitama Prefecture), Japan (from 2003-07-25 until 2003-07-28)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (from 2003-07-25 until 2003-07-28)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:56
2▼Hybrid SACD
#TitleArtistRatingLength
1Sinfonia in F major, BWV 1046a/1
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Sinfonia in F major, BWV 1046a (formerly BWV 1071) (in 2011-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1718)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1046.1), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 1046a) and Bach-Werke-Verzeichnis (number: BWV 1071)
Johann Sebastian Bach4:03
2Was mir behagt, ist nur die muntre Jagd, BWV 208: I. Recitativo: Was mir behagt, ist nur die muntre Jagd!
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
soprano vocals [Diana]:
Sophie Junker (Belgian soprano vocalist) (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: I. Recitativo (Sopran I) “Was mir behagt, ist nur die muntre Jagd!” (in 2011-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:42
3Was mir behagt, ist nur die muntre Jagd, BWV 208: II. Aria: Jagen ist die Lust der Götter
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
soprano vocals [Diana]:
Sophie Junker (Belgian soprano vocalist) (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: II. Aria (Sopran I) “Jagen ist die Lust de Göter” (in 2011-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:14
4Was mir behagt, ist nur die muntre Jagd, BWV 208: III. Recitativo: Wie? schönste Gottin? wie?
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
tenor vocals [Endymion]:
Makoto Sakurada (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: III. Recitativo (Tenor) “Wie? Schönste Göttin! Wie?” (in 2011-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:10
5Was mir behagt, ist nur die muntre Jagd, BWV 208: IV. Aria: Willst du dich nicht mehr ergötzen
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
tenor vocals [Endymion]:
Makoto Sakurada (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IV. Aria (Tenor) “Willst du dich nicht mehr ergötzen” (in 2011-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach5:50
6Was mir behagt, ist nur die muntre Jagd, BWV 208: V. Recitativo: Ich liebe dich zwar noch!
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
soprano vocals [Diana]:
Sophie Junker (Belgian soprano vocalist) (in 2011-07)
tenor vocals [Endymion]:
Makoto Sakurada (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: V. Recitativo (Sopran I, Tenor) “Ich liebe dich zwar noch!” (in 2011-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:12
7Was mir behagt, ist nur die muntre Jagd, BWV 208: VI. Recitativo: Ich, der ich sonst ein Gott
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
baritone vocals [Pan]:
Roderick Williams (British baritone and composer) (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VI. Recitativo (Bass) “Ich, der ich sonst ein Gott in diesen Feldern bin” (in 2011-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:39
8Was mir behagt, ist nur die muntre Jagd, BWV 208: VII. Aria: Ein Fürst ist seines Landes Pan!
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
baritone vocals [Pan]:
Roderick Williams (British baritone and composer) (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VII. Aria (Bass) “Ein Fürst ist seines Landes Pan!” (in 2011-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:56
9Was mir behagt, ist nur die muntre Jagd, BWV 208: VIII. Recitativo: Soll denn der Pales Opfer hier das letzte sein?
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
soprano vocals [Pales]:
Joanne Lunn (British soprano vocalist) (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?” (in 2011-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:39
10Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Aria: Schafe können sicher weiden
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
soprano vocals [Pales]:
Joanne Lunn (British soprano vocalist) (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 2011-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Classic 100: Piano (2025) (number: 38)
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:30
11Was mir behagt, ist nur die muntre Jagd, BWV 208: X. Recitativo: So stimmt mit ein
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
soprano vocals [Diana]:
Sophie Junker (Belgian soprano vocalist) (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: X. Recitativo (Sopran I) “So stimmt mit ein” (in 2011-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:13
12Was mir behagt, ist nur die muntre Jagd, BWV 208: XI. Chorus: Lebe, Sonne dieser Erden
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
choir vocals:
Bach Collegium Japan Chorus (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XI. Chorus (Aria a 4) “Lebe, Sonne dieser Erdem” (in 2011-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:42
13Was mir behagt, ist nur die muntre Jagd, BWV 208: XII. Duetto: Entzücket uns beide
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
soprano vocals [Diana]:
Sophie Junker (Belgian soprano vocalist) (in 2011-07)
tenor vocals [Endymion]:
Makoto Sakurada (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XII. Duetto (Sopran I, Tenor) “Entzücket uns beide” (in 2011-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:00
14Was mir behagt, ist nur die muntre Jagd, BWV 208: XIII. Aria: Weil die wollenreichen Herden
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
soprano vocals [Pales]:
Joanne Lunn (British soprano vocalist) (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIII. Aria (Sopran II) “Weil die wollenreichen Herden” (in 2011-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:24
15Was mir behagt, ist nur die muntre Jagd, BWV 208: XIV. Aria: Ihr Felder und Auen
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
baritone vocals [Pan]:
Roderick Williams (British baritone and composer) (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIV. Aria (Bass) “Ihr felder und Auen, laßt grünend euch schauen” (in 2011-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:44
16Was mir behagt, ist nur die muntre Jagd, BWV 208: XV. Chorus: Ihr lieblichste Blicke, ihr freudige Stunden
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
choir vocals:
Bach Collegium Japan Chorus (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XV. Chorus “Ihr lieblichste Bliche! ihr freudige Stunden” (in 2011-07)
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:16
17Die Zeit, die Tag und Jahre macht, BWV 134a: I. Recitativo: Die Zeit, die Tag und Jahre macht
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
alto vocals [Göttliche Vorsehung]:
Damien Guillon (countertenor) (in 2011-07)
tenor vocals [Zeit]:
Makoto Sakurada (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht": I. Recitativo (Alt, Tenor) Die Zeit, die Tag und Jahre macht (in 2011-07)
premiered in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 1719-01-01)
composed in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1719)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1719)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht"
Johann Sebastian Bach0:36
18Die Zeit, die Tag und Jahre macht, BWV 134a: II. Aria: Auf, Sterbliche, lasset ein Jauchzen ertönen
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
tenor vocals [Zeit]:
Makoto Sakurada (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht": II. Aria (Tenor) "Auf, Sterbliche, lasset ein Jauchzen ertönen" (in 2011-07)
premiered in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 1719-01-01)
composed in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1719)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1719)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht"
Johann Sebastian Bach5:56
19Die Zeit, die Tag und Jahre macht, BWV 134a: III. Recitativo: So bald, als dir die Sternen hold
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
alto vocals [Göttliche Vorsehung]:
Damien Guillon (countertenor) (in 2011-07)
tenor vocals [Zeit]:
Makoto Sakurada (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht": III. Recitativo (Alt, Tenor) "So bald, als dir die Sternen hold" (in 2011-07)
premiered in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 1719-01-01)
composed in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1719)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1719)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht"
Johann Sebastian Bach2:25
20Die Zeit, die Tag und Jahre macht, BWV 134a: IV. Aria: Es streiten, es siegen die künftigen Zeiten
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
alto vocals [Göttliche Vorsehung]:
Damien Guillon (countertenor) (in 2011-07)
tenor vocals [Zeit]:
Makoto Sakurada (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht": IV. Aria (Alt, Tenor) "Es streiten, es siegen die künftigen Zeiten" (in 2011-07)
premiered in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 1719-01-01)
composed in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1719)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1719)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht"
Johann Sebastian Bach8:17
21Die Zeit, die Tag und Jahre macht, BWV 134a: V. Recitativo: Bedenke nur, beglücktes Land
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
alto vocals [Göttliche Vorsehung]:
Damien Guillon (countertenor) (in 2011-07)
tenor vocals [Zeit]:
Makoto Sakurada (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht": V. Recitativo (Alt, Tenor) "Bedenke nur, beglücktes Land" (in 2011-07)
premiered in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 1719-01-01)
composed in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1719)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1719)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht"
Johann Sebastian Bach3:00
22Die Zeit, die Tag und Jahre macht, BWV 134a: VI. Aria: Der Zeiten Herr hat viel vergnügte Stunden
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
alto vocals [Göttliche Vorsehung]:
Damien Guillon (countertenor) (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht": VI. Aria (Alt) "Der Zeiten Herr hat viel vergnügte Stunden" (in 2011-07)
premiered in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 1719-01-01)
composed in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1719)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1719)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht"
Johann Sebastian Bach5:28
23Die Zeit, die Tag und Jahre macht, BWV 134a: VII. Recitativo: Hilf, Höchster, hilf
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
alto vocals [Göttliche Vorsehung]:
Damien Guillon (countertenor) (in 2011-07)
tenor vocals [Zeit]:
Makoto Sakurada (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht": VII. Recitativo (Alt, Tenor) "Hilf, Höchster, hilf" (in 2011-07)
premiered in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 1719-01-01)
composed in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1719)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1719)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht"
Johann Sebastian Bach1:54
24Die Zeit, die Tag und Jahre macht, BWV 134a: VIII. Chorus: Ergetzet auf Erden
sound engineer and mixer:
Matthias Spitzbarth
producer and editor:
Andreas Ruge
choir vocals:
Bach Collegium Japan Chorus (in 2011-07)
orchestra:
Bach Collegium Japan (in 2011-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2011-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2011-07)
recording of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht": VIII. Coro "Ergetzet auf Erden, erfreuet von oben" (in 2011-07)
premiered in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (on 1719-01-01)
composed in:
Köthen, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1719)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1719)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 134a "Die Zeit, die Tag und Jahre macht"
Johann Sebastian Bach7:50
3▼Hybrid SACD
#TitleArtistRatingLength
1Durchlauchtster Leopold, BWV 173a: I. Recitativo "Durchlauchtster Leopold" (Soprano)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": I. Recitativo (Sopran) "Durchlauchtster Leopold" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach0:41
2Durchlauchtster Leopold, BWV 173a: II. Aria "Güldner Sonnen frohe Stunden" (Soprano)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": II. Aria (Sopran) "Güldner Sonnen frohe Stunden" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach3:35
3Durchlauchtster Leopold, BWV 173a: III. Aria "Leopolds Vortrefflichkeiten" (Basso)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
baritone vocals:
Roderick Williams (British baritone and composer) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": III. Basso solo "Leopolds Vortrefflichkeiten" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach1:48
4Durchlauchtster Leopold, BWV 173a: IV. Aria "Unter seinem Purpursaum" (Soprano, Basso)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
baritone vocals:
Roderick Williams (British baritone and composer) (in 2012-07)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": IV. Aria (Sopran, Bass) "Unter seinem Purpursaum" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach3:45
5Durchlauchtster Leopold, BWV 173a: V. Recitativo "Durchlauchtigster, den Anhalt Vater nennt" (Soprano, Basso)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
baritone vocals:
Roderick Williams (British baritone and composer) (in 2012-07)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": V. Recitativo (Sopran, Bass) "Durchlauchtigster, den Anhalt Vater nennt" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach1:15
6Durchlauchtster Leopold, BWV 173a: VI. Aria "So schau dies holden Tages Licht" (Soprano)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": VI. Aria (Sopran) "So schau dies holden Tages Licht" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach3:20
7Durchlauchtster Leopold, BWV 173a: VII. Aria "Dein Name gleich der Sonnen geh" (Basso)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
baritone vocals:
Roderick Williams (British baritone and composer) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": VII. Aria (Bass) "Dein Name gleich der Sonnen geh" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach2:04
8Durchlauchtster Leopold, BWV 173a: VIII. Chorus "Nimm auch, großer Fürst, uns auf" (Soprano, Basso)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
baritone vocals:
Roderick Williams (British baritone and composer) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 173a "Durchlauchtster Leopold": VIII. Coro (Sopran, Bass) "Nimm auch, großer Fürst, uns auf" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 173a "Durchlauchtster Leopold"
Johann Sebastian Bach2:10
9Weichet nur, betrübte Schatten, BWV 202: Aria "Weichet nur, betrübte Schatten"
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach6:04
10Weichet nur, betrübte Schatten, BWV 202: Recitativo "Die Welt wird wieder neu"
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:29
11Weichet nur, betrübte Schatten, BWV 202: Aria "Phoebus eilt mit schnellen Pferden"
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:05
12Weichet nur, betrübte Schatten, BWV 202: Recitativo "Drum sucht auch Amor sein Vergnügen"
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:41
13Weichet nur, betrübte Schatten, BWV 202: Aria "Wenn die Frühlingslüfte streichen"
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:45
14Weichet nur, betrübte Schatten, BWV 202: Recitativo "Und dieses ist das Glücke"
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:43
15Weichet nur, betrübte Schatten, BWV 202: Aria "Sich üben im Lieben"
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach3:56
16Weichet nur, betrübte Schatten, BWV 202: Recitativo "So sei das Band der keuschen Liebe"
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:28
17Weichet nur, betrübte Schatten, BWV 202: Gavotte "Sehet in Zufriedenheit"
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach1:31
18Schwingt freudig euch empor und dringt bis an die Sternen, BWV 36c: Chorus "Schwingt freudig euch empor und dringt bis an die Sternen"
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 36.1 "Schwingt freudig euch empor": I. Coro "Schwingt freudig euch empor" (former 36c) (in 2012-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 36.1 "Schwingt freudig euch empor" (former BWV 36c)
Johann Sebastian Bach4:03
19Schwingt freudig euch empor und dringt bis an die Sternen, BWV 36c: Recitativo "Ein Herz, in zärtlichem Empfinden" (Tenore)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
tenor vocals:
Makoto Sakurada (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 36.1 "Schwingt freudig euch empor": II. Recitativo (Tenor) "Ein Herz, in zärtlichem Empfinden" (former BWV 36c) (in 2012-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 36.1 "Schwingt freudig euch empor" (former BWV 36c)
Johann Sebastian Bach0:58
20Schwingt freudig euch empor und dringt bis an die Sternen, BWV 36c: Aria "Die Liebe führt mit sanften Schritten" (Tenore)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
tenor vocals:
Makoto Sakurada (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 36.1 "Schwingt freudig euch empor": III. Aria (Tenor) "Die Liebe führt mit sanften Schritten" (former BWV 36c) (in 2012-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 36.1 "Schwingt freudig euch empor" (former BWV 36c)
Johann Sebastian Bach5:49
21Schwingt freudig euch empor und dringt bis an die Sternen, BWV 36c: Recitativo "Du bist es ja, o hochverdienter Mann" (Basso)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
baritone vocals:
Roderick Williams (British baritone and composer) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 36.1 "Schwingt freudig euch empor": IV. Recitativo (Bass) "Du bist es ja, o hochverdienter Mann" (former BWV 36c) (in 2012-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 36.1 "Schwingt freudig euch empor" (former BWV 36c)
Johann Sebastian Bach0:48
22Schwingt freudig euch empor und dringt bis an die Sternen, BWV 36c: Aria "Der Tag, der dich vordem gebar" (Basso)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
baritone vocals:
Roderick Williams (British baritone and composer) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 36.1 "Schwingt freudig euch empor": V. Aria (Bass) "Der Tag, der dich vordem gebar" (former BWV 36c) (in 2012-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 36.1 "Schwingt freudig euch empor" (former BWV 36c)
Johann Sebastian Bach2:47
23Schwingt freudig euch empor und dringt bis an die Sternen, BWV 36c: Recitativo "Nur dieses Einz’ge sorgen wir" (Soprano)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 36.1 "Schwingt freudig euch empor": VI. Recitativo (Sopran) "Nur dieses Einzge sorgen wir" (former BWV 36c) (in 2012-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 36.1 "Schwingt freudig euch empor" (former BWV 36c)
Johann Sebastian Bach0:39
24Schwingt freudig euch empor und dringt bis an die Sternen, BWV 36c: Aria "Auch mit gedämpften, schwachen Stimmen" (Soprano)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 36.1 "Schwingt freudig euch empor": VII. Aria (Sopran) "Auch mit gedämpften schwachen Stimmen" (former BWV 36c) (in 2012-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 36.1 "Schwingt freudig euch empor" (former BWV 36c)
Johann Sebastian Bach8:51
25Schwingt freudig euch empor und dringt bis an die Sternen, BWV 36c: Recitativo "Bei solchen freudenvollen Stunden" (Tenore)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
tenor vocals:
Makoto Sakurada (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 36.1 "Schwingt freudig euch empor": VIII. Recitativo (Tenor) "Bei solchen freudenvollen Stunden" (former BWV 36c) (in 2012-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 36.1 "Schwingt freudig euch empor" (former BWV 36c)
Johann Sebastian Bach0:22
26Schwingt freudig euch empor und dringt bis an die Sternen, BWV 36c: Chorus "Wie die Jahre sich verneuen" (Soprano, Tenore, Basso)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
baritone vocals:
Roderick Williams (British baritone and composer) (in 2012-07)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
tenor vocals:
Makoto Sakurada (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Kantate, BWV 36.1 "Schwingt freudig euch empor": IX. Coro e Recitativo (Tenor, Bass, Sopran) "Wie die Jahre sich verneuen" (former BWV 36c) (in 2012-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 36.1 "Schwingt freudig euch empor" (former BWV 36c)
Johann Sebastian Bach3:28
27Quodlibet, BWV 524 (fragment)
sound engineer:
Andreas Ruge (in 2012-07)
producer and mixer:
Ingo Petry
editor:
Michaela Wiesbeck
baritone vocals:
Roderick Williams (British baritone and composer) (in 2012-07)
countertenor vocals:
Hiroya Aoki (in 2012-07)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2012-07)
tenor vocals:
Makoto Sakurada (in 2012-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2012-07)
performer:
Bach Collegium Japan (in 2012-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2012-07)
recording of:
Quodlibet, BWV 524 (in 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Bach-Werke-Verzeichnis (number: BWV 524)
Johann Sebastian Bach11:19
4▼Hybrid SACD
#TitleArtistRatingLength
1Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205: I. Chorus "Zerreißet, zersprenget, zertrümmert die Gruft"
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": I. Chor der Winde "Zerreißet, zersprenget, zertrümmert die Gruft" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach6:03
2Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205: II. Recitativo "Ja! ja! Die Stunden sind nunmehro nah" (Basso)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
bass vocals:
Roderick Williams (British baritone and composer) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": II. Recitativo (Bass) "Ja, ja! Die Stunden sind nunmehro nah" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach1:38
3Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205: III. Aria "Wie will ich lustig lachen" (Basso)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
bass vocals:
Roderick Williams (British baritone and composer) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": III. Aria (Bass) "Wie will ich lustiglachen" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach4:05
4Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205: IV. Recitativo "Gefürcht’ter Äolus" (Tenore)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
solo tenor vocals:
Wolfram Lattke (tenor) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": IV. Recitativo (Tenor) "Gefürcht'ter Äolus" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach0:41
5Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205: V. Aria "Frische Schatten, meine Freude" (Tenore)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
tenor vocals:
Wolfram Lattke (tenor) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": V. Aria (Tenor) "Frische Schatten, meine Freude" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach4:07
6Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205: VI. Recitativo "Beinahe wirst du mich bewegen" (Basso)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
bass vocals:
Roderick Williams (British baritone and composer) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": VI. Recitativo (Bass) "Beinahe wirst du mich bewegen" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach0:36
7Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205: VII. Aria "Können nicht die roten Wangen" (Alto)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
countertenor vocals:
Robin Blaze (countertenor) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": VII. Aria (Alt) "Können nicht die roten Wangen" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:44
8Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205: VIII. Recitativo "So willst du, grimmger Äolus" (Alto, Soprano)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
countertenor vocals:
Robin Blaze (countertenor) (in 2013-07)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": VIII. Recitativo (Alt, Sopran) "So willst du, grimmger Äolus" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach0:46
9Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205: IX. Aria "Angenehmer Zephyrus" (Soprano)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": IX. Aria (Sopran) "Angenehmer Zephyrus" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:31
10Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205: X. Recitativo "Mein Äolus" (Soprano, Basso)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
bass vocals:
Roderick Williams (British baritone and composer) (in 2013-07)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": X. Recitativo (Sopran, Bass) "Mein Äolus, Ach!" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach2:15
11Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205: XI. Aria "Zurücke, zurücke, geflügelten Winde" (Basso)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
bass vocals:
Roderick Williams (British baritone and composer) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XI. Aria (Bass) "Zurücke, zurücke, geflügelten Winde" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:31
12Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205: XII. Recitativo "Was Lust!" (Soprano, Alto, Tenore)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
countertenor vocals:
Robin Blaze (countertenor) (in 2013-07)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2013-07)
tenor vocals:
Wolfram Lattke (tenor) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XII. Recitativo (Sopran, Alt, Tenor) "Was Lust! Was Freude! Welch Vergnügen!" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach1:29
13Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205: XIII. Aria "Zweig und Äste" (Alto,Tenore)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
countertenor vocals:
Robin Blaze (countertenor) (in 2013-07)
tenor vocals:
Wolfram Lattke (tenor) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XIII. Aria (Alt, Tenor) "Zweig und Äste" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach2:51
14Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205: XIV. Recitativo "Ja, ja! ich lad euch selbst zu dieser Feier ein" (Soprano)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XIV. Recitativo (Sopran) "Ja, ja! Ich lad euch selbst zu dieser Feier ein" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach0:40
15Zerreißet, zersprenget, zertrümmert die Gruft, BWV 205: XV. Chorus "Vivat August, August vivat"
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft": XV. Chor der Winde "Vivat! August, August vivat!" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-08-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Picander
part of:
Kantate, BWV 205 "Zerreißet, zersprenget, zertrümmert die Gruft"
Johann Sebastian Bach3:22
16Vereinigte Zwietracht der wechselnden Saiten, BWV 207: I. Chorus "Vereinigte Zwietracht der wechselnden Saiten"
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": I. Chorus "Vereinigte Zwietracht der wechselnden Saiten" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach4:41
17Vereinigte Zwietracht der wechselnden Saiten, BWV 207: II. Recitativo "Wen treibt ein edler Trieb zu dem, was Ehre heißt" (Tenore)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
solo tenor vocals:
Wolfram Lattke (tenor) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": II. Recitativo "Wen treibt ein edler Trieb zu dem, was Ehre heißt" (Tenore) (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach1:55
18Vereinigte Zwietracht der wechselnden Saiten, BWV 207: III. Aria "Zieht euren Fuß nur nicht zurücke" (Tenore)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
tenor vocals:
Wolfram Lattke (tenor) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": III. Aria "Zieht euren Fuß nur nicht zurücke" (Tenore) (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach3:52
19Vereinigte Zwietracht der wechselnden Saiten, BWV 207: IV. Recitativo "Dem nur allein" (Basso, Soprano)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
bass vocals:
Roderick Williams (British baritone and composer) (in 2013-07)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": IV. Recitativo "Dem nur allein" (Basso, Soprano) (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach2:01
20Vereinigte Zwietracht der wechselnden Saiten, BWV 207: V. Aria Duetto "Den soll mein Lorbeer" (Basso, Soprano)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
bass vocals:
Roderick Williams (British baritone and composer) (in 2013-07)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": V. Aria Duetto "Den soll mein Lorbeer" (Basso, Soprano) (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach4:52
21Vereinigte Zwietracht der wechselnden Saiten, BWV 207: Va. Ritornello
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": Va. Ritornello (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach1:09
22Vereinigte Zwietracht der wechselnden Saiten, BWV 207: VI. Recitativo "Es ist kein leeres Wort " (Alto)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
countertenor vocals:
Robin Blaze (countertenor) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VI. Recitativo "Es ist kein leeres Wort " (Alto) (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach1:41
23Vereinigte Zwietracht der wechselnden Saiten, BWV 207: VII. Aria "Ätzet dieses Angedenken" (Alto)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
countertenor vocals:
Robin Blaze (countertenor) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VII. Aria "Ätzet dieses Angedenken" (Alto) (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach5:20
24Vereinigte Zwietracht der wechselnden Saiten, BWV 207: VIII. Recitativo "Ihr Schläfrigen, herbei" (Tenore, Basso, Soprano, Alto)
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
bass vocals:
Roderick Williams (British baritone and composer) (in 2013-07)
countertenor vocals:
Robin Blaze (countertenor) (in 2013-07)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 2013-07)
tenor vocals:
Wolfram Lattke (tenor) (in 2013-07)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": VIII. Recitativo "Ihr Schläfrigen, herbei" (Tenore, Basso, Soprano, Alto) (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach2:56
25Vereinigte Zwietracht der wechselnden Saiten, BWV 207: Anhang: Marche
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": Anhang: Marche (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach1:16
26Vereinigte Zwietracht der wechselnden Saiten, BWV 207: IX. Chorus "Kortte lebe, Kortte blühe"
sound engineer:
Thomas Brinkmann (in 2013-07)
producer and editor:
Marion Schwebel
mixer:
Thomas Brinkmann and Marion Schwebel
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (in 2013-07)
performer:
Bach Collegium Japan (in 2013-07)
recorded at:
MS & AD Shirakawa Hall in Nagoya, Aichi (Aichi Prefecture), Japan (in 2013-07)
recording of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten": IX. Chorus "Kortte lebe, Kortte blühe" (in 2013-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-12-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 207 "Vereinigte Zwietracht der wechselnden Saiten"
Johann Sebastian Bach4:05
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