Top 40 Hitdossier 1985-1986

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Label: Universal Records - EAN: 0809274030528

Label: Universal Records - EAN: 0809274030528

Anmerkung zuletzt geändert am 2011-12-31 10:09 UTC.

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Easy Lover
Produzent(in):
Phil Collins (of Genesis)
Bass:
Nathan East
Gitarre:
Daryl Stuermer
Keyboard:
Lesette Wilson
Schlagzeug:
Phil Collins (of Genesis)
Sologesang:
Philip Bailey und Phil Collins (of Genesis)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 20), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 49) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 203)
recording of:
Easy Lover
Verfasser(in):
Philip Bailey, Phil Collins (of Genesis) und Nathan East
publisher:
Concord Music GmbH, Concord Music Publishing LLC, Concord Sounds, Musik-Edition Discoton GmbH, Pun Music Inc., Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd., Universal Music Publishing International MGB Ltd., Hit & Run Music (Publishing) Ltd (in 1984), New East Music (in 1984), Philip Collins Ltd. (in 1984), Sir & Trini Music (in 1984) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1984)
Phil Collins & Philip Bailey45:03
2Walk Like an Egyptian
Produzent(in):
David Kahne
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre:
Susanna Hoffs und Vicki Peterson
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
Sologesang:
Susanna Hoffs, Vicki Peterson und Michael Steele (American bassist, guitarist, songwriter, and singer)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 14)
recording of:
Walk Like an Egyptian
Texter und Komponist(in):
Liam Sternberg (bis 1984-01)
publisher:
Peer International Corporation (BMI)
Teil von:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
Bangles4.153:23
3A Good Heart
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
Mix:
Shelly Yakus
arranger:
Feargal Sharkey und Dave Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
EMI Music Italy S.p.A. (company 1997–2007, not the same as "EMI Music Italy" its main imprint) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
A Good Heart
Texter und Komponist(in):
Maria McKee
publisher:
J. Albert & Son Pty. Ltd.
Feargal Sharkey3.64:37
4Love and Pride
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Love & Pride
Verfasser(in):
Paul King (British-Irish singer/musician/VJ) und Mick Roberts
publisher:
EMI Songs Ltd. und King Songs
King43:22
5Josephine
recording of:
Josephine
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea4:27
6We Just
phonographisches Urheberrecht (℗) von:
High Fashion Music (in 1986)
recording of:
We Just
Verfasser(in):
Cutillo (Italian flautist), Musumarra und Tagliaferri
Moses4:47
7Venus
cover recording of:
Venus (Shocking Blue (I’m Your Venus))
Texter und Komponist(in):
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) und The International Music Network
basiert auf:
The Banjo Song
Bananarama33:40
8Cherish
phonographisches Urheberrecht (℗) von:
Delite Recorded Sound (not for release) (in 1984) und PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1984)
recording of:
Cherish
Verfasser(in):
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) und Claydes Smith
publisher:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Windswept Pacific Music Ltd.
Kool & the Gang4.54:44
9Each Time You Break My Heart
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1986)
recording of:
Each Time You Break My Heart
Verfasser(in):
Stephen Bray und Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Warner Bros. (holding: file NO releases)
Nick Kamen3.54:26
10Loverboy
Techniker(in):
Bryan “Chuck” New (Engineer/ Producer)
leitende(r) Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Produzent(in):
Keith Diamond
Mix:
Nigel Green (engineer)
phonographisches Urheberrecht (℗) von:
Zomba Productions Ltd. (in 1984)
recording of:
Loverboy
Verfasser(in):
Keith Diamond, Robert John “Mutt” Lange (Robert John Lange) und Billy Ocean
publisher:
Aqua Music Ltd., Keith Diamond Music, Out of Pocket Publishing Co., Out-of-Pocket Productions Ltd., Universal Music–Z Songs und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean44:10
11You Can Win If You Want
Produzent(in):
Dieter Bohlen
arranger:
Dieter Bohlen
arranged for und produced for:
Hansa International
recording of:
You Can Win If You Want
Texter und Komponist(in):
Dieter Bohlen
publisher:
Hansa Musikverlag und Hanseatic Musikverlag (German music publishing company owned by Warner Chappell Music)
Modern Talking3:49
12You’re a Friend of Mine
Interpret(in):
Jackson Browne (American singer-songwriter)
recording of:
You’re a Friend of Mine
Verfasser(in):
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) und Narada Michael Walden
arranger:
Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Clarence Clemons & Jackson Browne34:47
13Baby Talk
cover recording of:
Baby Talk (Gregg Brown / Alisha)
Verfasser(in):
Gregg Brown (Gregory D. Brown) und Logankoya
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Corp. (USA, affiliated with ASCAP)
Alisha4:02
14Frankie
recording of:
Frankie
Texter und Komponist(in):
Denise Rich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge3.353:54
15Gimme Gimme Gimme
Narada Michael Walden4:01
16Run to You
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov und Michael Sauvage
Techniker(in):
Bob Clearmountain (von 1984-03-27 bis 1984-09-21)
Partner-Produzent(in):
Jim Vallance
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Bob Clearmountain
Mix:
Bob Clearmountain (am 1984-09-21)
E-Bass [bass]:
Dave (Bass player (Bryan Adams) and engineer) (von 1984-03-27 bis 1984-09-21)
Gitarre [rhythm and lead guitars]:
Keith (Canadian guitarist) (von 1984-03-27 bis 1984-09-21)
Gitarre [rhythm guitar] und Sologesang:
BA (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-21)
Keyboard [keyboards]:
Tommy (von 1984-03-27 bis 1984-09-21)
Perkussion:
Jim (von 1984-03-27 bis 1984-09-21)
Schlagzeug [drums]:
Mickey (von 1984-03-27 bis 1984-09-21)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984) und Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada (von 1984-03-27 bis 1984-09-21)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 1984-09-21)
Teil von:
The Downloader’s Music Source Book (Nummer: 175)
recording of:
Run to You (von 1984-03-27 bis 1984-09-21)
geschrieben in:
Vancouver, British Columbia, Kanada (von 1983-01-12 bis 1983-01-14)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (von 1983-01-12 bis 1983-01-14) und Jim Vallance (von 1983-01-12 bis 1983-01-14)
publisher:
Adams Communications Inc. (, in 1984), Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Rondor Music (London) Ltd. (, in 1984), Rondor Music Publishing GmbH, Testatyme Music und Calypso Toonz (in 1984)
Bryan Adams3.753:53
17Higher Love
recording of:
Higher Love
Verfasser(in):
Will Jennings und Steve Winwood
publisher:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America und Willin' David Music
Steve Winwood5:46
18That Was Yesterday
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott "Abada" Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
Hintergrundgesang:
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
recording of:
That Was Yesterday
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Little Doggies Productions, Screen Gems–EMI Music Ltd. und Somerset Songs Publishing Inc.
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Foreigner43:50
2▼CD
Nr.TitelKünstlerBewertungLänge
1Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.253:47
2Tarzan Boy
recorded in:
Italien
Produzent(in):
Maurizio Bassi
arranger:
Maurizio Bassi
recording of:
Tarzan Boy
Texter:
Naimy Hackett
Komponist(in):
Maurizio Bassi
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Baltimora3.73:44
3Kiss
recording engineer:
Coke Johnson, David Leonard (US producer and engineer), Peggy McCreary, Susan Rogers (US sound engineer), David Tickle und David Z. (producer/engineer David Rivkin)
Produzent(in):
Prince (“The Artist Formerly Known as…”) und The Revolution (founded by Prince)
Akustikgitarre, drum machine [Linn 9000], drum machine [Linn LM-1] und Synthesizer [Yamaha DX7]:
David Z. (producer/engineer David Rivkin)
E-Gitarre und Sologesang:
Prince (“The Artist Formerly Known as…”)
Hintergrundgesang:
Bruce DeShazer, Prince (“The Artist Formerly Known as…”) und Marr Starr
arranger:
David Z. (producer/engineer David Rivkin)
aufgenommen bei:
Paisley Park Studios in Chanhassen, Minnesota, Vereinigte Staaten und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 85) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 461)
recording of:
Kiss (von 1985-04-27 bis 1986-02-10)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince & The Revolution2.93:47
4Ti sento
phonographisches Urheberrecht (℗) von:
Ariston Music (Italian label) (in 1986)
recording of:
Ti sento
Texter:
Salvatore Stellita (Italian musician)
Komponist(in):
Sergio Cossu und Carlo Marrale
publisher:
BMG Rights Management (Italy) S.r.l. (not for release label use! file releases under its imprint “BMG (2008–present)), EMI/Virgin Music Publ. Italia Srl, Equipe Ed. Mus. Srl und Universal Music Publishing Ricordi S.R.L
Matia Bazar44:14
5One Night in Bangkok
Techniker(in) und Mix:
Michael B. Tretow
flute:
Björn J:son Lindh
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Sologesang:
Murray Head
vocals:
Anders Glenmark und Murray Head
Orchester:
London Symphony Orchestra
conductor:
Anders Eljas
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
Orchestrator(in):
Anders Eljas
aufgenommen bei und mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden
medley including a recording of:
Bangkok (Chess)
Komponist(in):
Benny Andersson (ABBA), Tim Rice und Björn Ulvaeus
Teil von:
Chess (full musical)
medley including a recording of:
One Night in Bangkok
Texter:
Tim Rice
Komponist(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MdW (publisher) und RCA Music Ltd. (publisher)
Teil von:
Chess (full musical)
recording of:
One Night in Bangkok
Texter:
Tim Rice
Komponist(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MdW (publisher) und RCA Music Ltd. (publisher)
Teil von:
Chess (full musical)
Murray Head55:01
6Slave to the Rhythm
recording of:
Slave to the Rhythm
Verfasser(in):
Simon Darlow (songwriter, keyboardist & guitarist), Trevor Horn, Stephen Lipson und Bruce Woolley
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS), Sony/ATV Music Publishing Allegro (UK), SPZ Music, Inc. (BMI affiliated) und Unforgettable Songs Ltd.
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Sony Music Publishing France, Universal Music Publishing France (not for release label use!), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
basiert auf:
Ladies and Gentlemen: Miss Grace Jones (original version of “Slave to the Rhythm”)
Grace Jones4:28
7Sussudio
assistierende(r) Techniker(in):
Steve Chase
Techniker(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bass-Synthesizer [Mini Moog Bass], drum machine [DMX] und Keyboard [keyboards]:
David Frank (American keyboardist, producer, writer; The System)
drum machine [Roland 909] und Sologesang [vocals]:
Phil Collins (of Genesis)
Gitarre [guitars]:
Daryl Stuermer
Horn [horns]:
The Phenix Horns
Horn arranger:
Tom Tom 84
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) und Philip Collins Ltd. (in 2016)
aufgenommen bei:
Old Croft in Surrey, England, Vereinigtes Königreich und The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 88)
recording of:
Sussudio
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Imagem Music, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) und Philip Collins Ltd. (in 1984)
Phil Collins4.354:23
8There Must Be an Angel
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
Gast-Mundharmonika:
Stevie Wonder
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1985)
Remaster von:
There Must Be an Angel (Playing With My Heart) von Eurythmics
recording of:
There Must Be an Angel (Playing With My Heart)
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd., D’n’A Ltd., Universal Music Publishing MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics4.24:41
9Do What You Do
recording of:
Do What You Do
Verfasser(in):
Ralph Dino und Larry Di Tomaso
publisher:
MCA Music Ltd.
Jermaine Jackson4:47
10Blackstar
recording of:
Black Star
Texter und Komponist(in):
Eric Elston
Georgie Davis3:25
11Let’s Go All the Way
recording of:
Let’s Go All the Way
Texter und Komponist(in):
Gary “Mudbone” Cooper
publisher:
EMI Music Publishing (do not use as a release label!)
Sly Fox3.53:48
12The Lady in Red
Produzent(in):
Paul Hardiman
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1986)
aufgenommen bei:
RDS Arena in Dublin, County Dublin, Leinster, Irland (am 1988-12-07) und Westfalenhalle in Dortmund, Nordrhein-Westfalen, Deutschland (am 2004-11-06)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 54)
recording of:
The Lady in Red (in 1986)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 1988-12-07)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 2004-11-06)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:17
13True Colors
Techniker(in) und Mix:
Bryan McGee (sound engineer)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
recording of:
True Colors
Verfasser(in):
Billy Steinberg und Tom Kelly (songwriter)
publisher:
Sony Tunes, Inc. (beendet), Brain Drain Music (work publisher), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Tennman Tunes
Cyndi Lauper4.63:47
14I’m a Lover
recording of:
I Am a Lover
Verfasser(in):
Dario Farina, Michael Hofmann (German flautist, saxophonist, producer & songwriter) und Chuck Rolando
Andrea3:23
15Road to Nowhere
recording engineer und Mix:
Eric “E.T.” Thorngren
assistierende(r) Techniker(in):
Melanie West (engineer) (Aufgabe: second engineer)
Produzent(in):
Talking Heads
Bass-Synthesizer [synth bass]:
Tina Weymouth
Gast-accordion:
Jimmy MacDonell
Gast-Bongos, Gast-Conga und Gast-Tamburin:
Steve Scales
Gast-Saxophon:
Lenny Pickett (saxophone)
Gast-washboard:
Andrew Cader
Gitarre:
David Byrne (Talking Heads) und Jerry Harrison (Talking Heads & producer)
Gitarre und Keyboard und Keyboard:
Jerry Harrison (Talking Heads & producer)
Schlagzeug:
Chris Frantz
Gast Hintergrundgesang:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves und Kurt Yahijian
Hintergrundgesang:
Jerry Harrison (Talking Heads & producer) und Tina Weymouth
Sologesang:
David Byrne (Talking Heads)
vocals:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Sire Records Company (not for release label use!) (in 1985) und Talking Heads Tours Inc. (in 1985)
aufgenommen bei und mixed at:
Sigma Sound (New York) in New York, New York, Vereinigte Staaten
Musikvideos:
Road to Nowhere (music video) von Talking Heads
recording of:
Road to Nowhere
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. und Warner Bros. Music Corp.
Talking Heads4.24:21
16What a Fool Believes
Techniker(in):
Donn Landee
zusätzliche(r) Techniker(in):
Loyd Clifft
Produzent(in):
Ted Templeman
Bassgitarre:
Tiran Porter (in 1978-08)
Gitarre:
Jeff “Skunk” Baxter (in 1978-08) und Patrick Simmons (in 1978-08)
Keyboard und Sologesang:
Michael McDonald (R&B & soul singer) (in 1978-08)
Schlagzeug:
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
Synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) und Bill Payne (in 1978-08)
zusätzlich Conga und zusätzlich vocals:
Bobby LaKind (in 1978-08)
zusätzlich Synthesizer:
Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 343)
recording of:
What a Fool Believes (in 1978-08)
Verfasser(in):
Ken Loggins und Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) und Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:43
17Dancing on the Ceiling
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1986)
recording of:
Dancing on the Ceiling
Texter:
Lionel Richie
Komponist(in):
Michael Frenchik, Lionel Richie und Carlos Rios (producer/guitarist)
publisher:
Brenda Richie Publishing, Concord Music Publishing LLC, Skegee Music und Brockman Music (in 1986)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lionel Richie44:23
18More Than I Can Bear
recording of:
More Than I Can Bear
Verfasser(in):
Mark Reilly (guitarist, vocalist, producer, songwriter) und Danny White (keyboardist)
publisher:
Matt Music Ltd. (PRS) und WC Music Corp.
Matt Bianco4:24

Nennungen

Veröffentlichungsgruppe

Teil von:Top 40 Hitdossier (Nummer: 11) (Reihenfolge: 11)