Ainsi parlait Zarathoustra / Till Eulenspiegel / Don Juan / Le Chevalier à la rose

~ Release by Richard Strauss (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Ainsi parlait Zarathoustra, op. 30
orchestra:
Pretoria Philharmonic Orchestra
conductor:
Maurice F. Hentschel (conductor)
partial recording of:
Also sprach Zarathustra, op. 30 (TrV 176)
premiered in:
Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (on 1896-11-27)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Works of Richard Strauss by opus number (number: op. 30) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 176)
11:41
2Till Eulenspiegel, op. 28
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, op. 28; TrV 171)
composer:
Richard Strauss (German composer) (from 1894 until 1895)
part of:
Works of Richard Strauss by opus number (number: op. 28) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 171)
15:27
3Don Juan, op. 20
performer:
Pretoria Philharmonic Orchestra
recording of:
Don Juan (op. 20; TrV 156)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1889-11-11)
composer:
Richard Strauss (German composer) (in 1888)
part of:
Works of Richard Strauss by opus number (number: op. 20) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 156)
16:14
4Le Chevalier à la rose - Valses
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Der Rosenkavalier, zweite Walzerfolge for orchestra, TrV 227a
composer:
Richard Strauss (German composer)
is based on:
Der Rosenkavalier, op. 59: Akt III
8:46
5Sonate pour violoncelle en piano, op. 6: I. Allegro con brio
cello and piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Cello Sonata in F major, for cello and piano: 1. Allegro con brio
composer:
Richard Strauss (German composer) (from 1880 until 1883)
part of:
Cello Sonata in F major (op. 6; TrV 115)
9:52