Let's Dance, Volume 3: Die Tanzhits zur Show

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD: Die Große Tanzparty
#TitleArtistRatingLength
1Let's Get Loud
programming:
Lester Mendez
additional engineer:
Marcelo Anez
assistant engineer:
Steve Menezes and Simon Ramone
engineer:
Javier Garza
executive producer:
Emilio Estefan Jr.
producer:
Emilio Estefan Jr. and Kike Santander
mixer:
Pablo Flores
alto saxophone and baritone saxophone:
Kenny Anderson (saxophone)
percussion:
Edwin Bonilla
piano:
Paquito Echavarria
trombone:
Hernan "Teddy" Mulet
trumpet:
Randall Barlow (of Miami Sound Machine) and Douglas Michels
background vocals:
Donna Allen (US dance-pop singer from Florida) and Betty Wright (American soul and R&B singer)
arranger:
Kike Santander
recorded at and mixed at:
Crescent Moon Studios in Miami, Florida, United States
a cappella versions:
Let’s Get Loud (a cappella) by Jennifer Lopez (American singer and actress aka J.Lo)
instrumental versions:
Let’s Get Loud (instrumental) by Jennifer Lopez (American singer and actress aka J.Lo)
recording of:
Let’s Get Loud
composer:
Gloria Estefan and Kike Flavio Santander
Jennifer Lopez3.64:00
2Heavy Cross
additional recording engineer:
Dana Nielsen
recording engineer and mixer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
assistant engineer:
Sara Lyn Killion and Eric Lynn
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
additional mixer:
Andrew Scheps
editor:
Jason Gossman (audio engineer) and Dana Nielsen
recorded at and mixed at:
Shangri La Studios in Malibu, California, United States
recording of:
Heavy Cross
writer:
Hannah Blilie, Beth Ditto and Brace Paine
Gossip4.754:04
3Get the Party Started
additional recording engineer:
Bernd Burgdorf (in 2001)
recording engineer:
Linda Perry (rock singer‐songwriter & producer) (in 2001)
drums (drum set) programming:
Linda Perry (rock singer‐songwriter & producer) (in 2001)
membranophone programming:
Linda Perry (rock singer‐songwriter & producer)
programming:
Bernd Burgdorf (in 2001)
producer:
Linda Perry (rock singer‐songwriter & producer)
assistant mixer:
Dave Guerrero
mixer:
Dave "Hard Drive" Pensado (mixer) and Dave Guerrero
background vocals:
P!nk (American singer/songwriter) (in 2001)
performer:
Linda Perry (rock singer‐songwriter & producer)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2001)
recorded at:
LP Studios (California, USA) in Sherman Oaks, Los Angeles, California, United States (in 2001)
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
music videos:
Get the Party Started by P!nk (American singer/songwriter)
part of:
Billboard Year-End Hot 100 singles of 2002 (number: 24)
recording of:
Get the Party Started (in 2001)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and Stuck in the Throat
P!nk4.43:12
4Oye mi canto
programming:
Jorge Casas and Clay Ostwald
engineer and mixer:
Eric Schilling
producer:
Jorge Casas, Emilio Estefan, Jr. and Clay Ostwald
additional mixer:
John Haag
acoustic guitar:
Paco Fonta
membranophone:
Robert Rodriguez (American film director, producer and musician)
piano:
Paquito Hechavarría
solo trumpet:
Teddy Mulet
background vocals:
Jorge Casas, Teddy Mulet, Randy Barlow (of Miami Sound Machine) and Jon Secada
background vocals and lead vocals:
Gloria Estefan
horn arranger:
Jorge Casas, Gloria Estefan, Teddy Mulet and Clay Ostwald
arranger:
Jorge Casas, Gloria Estefan and Clay Ostwald
recording of:
Oye mi canto
lyricist:
Gloria Estefan
composer:
Jorge Casas, Gloria Estefan and Clay Ostwald
publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000) and Foreign Imported Productions & Publishing, Inc.
Gloria Estefan44:56
5Mamboleo 2008
Loona3:39
6Tic, Tic Tac (radio edit 1)
producer:
FMP
performer:
Carrapicho
phonographic copyright (℗) by:
BMG Ariola Media GmbH (in 1997) and MCI (in 1997)
recording of:
Tic, tic, tac
lyricist:
Braulino Lima and J. Walls
composer:
Braulino Lima
publisher:
14 Productions, Edicoes Musicais Tapajos Ltda. (Brazil) and EMI Music Publ. (do not use as a release label!)
translated parody version of:
Bácsi tangó
Chilli feat. Carrapicho0.13:46
7A Moment Like This
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon) and Steve Ferrera (US label executive)
phonographic copyright (℗) by:
19 Recordings Limited (not for release label use! record company founded by Simon Fuller) (in 2003)
recording of:
A Moment Like This
writer:
Jörgen Elofsson (Swedish songwriter and producer) and John Reid (UK DJ/producer & vocalist John Robinson Reid)
publisher:
BMG Music Publishing Scandinavia AB and Sony/ATV Music Publishing (UK) Ltd.
Kelly Clarkson43:48
8Maria Maria (radio edit)
recording of:
Maria Maria
writer:
Jerry Duplessis, Wyclef Jean (Haitian rapper, musician and actor), David McRae, Marvin Moore-Hough, Karl Perazzo, Raul Rekow and Carlos Santana
publisher:
EMI Blackwood Music Inc., Ghetto and Blues, Hempstead Live, Huss‐Zwingli Publishing Inc., Sony/ATV Tunes LLC (ASCAP), Stellabella Music, Te Bass Music, Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Santana3:58
9A Little Less Conversation (JXL radio edit remix)
assistant engineer:
Dan Milazzo and Claudius Mittendorfer (engineer, producer, mixer)
engineer:
Ray Bardani
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1968-03-07 until 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
phonographic copyright (℗) by:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1968-03-07 until 1968-06-23)
mixed at:
Computer Hell Cabin in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
remix of:
A Little Less Conversation by Elvis Presley (“The King of Rock and Roll”)
cover recording of:
A Little Less Conversation (from 1968-03-07 until 1968-06-23)
writer:
Mac Davis (US country singer, songwriter & actor) and Billy Strange
publisher:
Carlin Music Corporation and Elvis Presley Music
recording of:
A Little Less Conversation
writer:
Mac Davis (US country singer, songwriter & actor) and Billy Strange
publisher:
Carlin Music Corporation and Elvis Presley Music
Elvis Presley3.43:33
10The Mighty Quinn
Manfred Mann’s Earth Band3:36
11You Can Win If You Want (special single remix)
recording of:
You Can Win If You Want
lyricist and composer:
Dieter Bohlen
publisher:
Hansa Musikverlag and Hanseatic Musikverlag (German music publishing company owned by Warner Chappell Music)
Modern Talking3:42
12Sing Hallelujah! (short)
engineer:
Gundars Rullis (choir vocals)
co-producer:
Douglas Carr (Swedish songwriter)
producer and mixer:
Denniz PoP
background vocals:
Giovanna Bragazzi
choir vocals:
Berit Cullberg, Björn Klingvall, Johanna Nyström and Joakim Sanden
remixer:
Douglas Carr (Swedish songwriter)
produced for:
SweMix Productions
recorded at and mixed at:
SweMix Studio in Stockholm, Stockholms län (Stockholm county), Sweden
engineered at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (choir vocals)
recording of:
Sing Hallelujah!
lyricist:
Dr. Alban
composer:
Douglas Carr (Swedish songwriter) and Denniz PoP
publisher:
BMG Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Songs of Logic, SweMix Music and SweMix Songs
Dr. Alban34:01
13Moving On Up (M People master edit)
producer and mixer:
M People
recording of:
Moving On Up
writer:
Heard and Pickering (of M People and Quando Quango)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Ltd. (PRS‐affiliated)
M People2.653:34
14Dolce vita
recording of:
Dolce vita
lyricist:
Paul Mazzolini
composer:
Pierluigi Giombini (arranger ,composer and producer)
publisher:
Pianola Music (publisher) (in 1983)
Ryan Paris43:53
15MoJive (radio edit)
Right Said Fred2:48
16Singin' in the Rain
cover recording of:
Singin’ in the Rain
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
The Hollywood Revue (1929 MGM musical film)
Taco4:44
17Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Kenny Loggins4.13:47
18Play That Funky Music
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
edit of:
Play That Funky Music by Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
recording of:
Play That Funky Music (in 1976)
lyricist and composer:
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. and Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:12
19Daddy Cool
producer:
Frank Farian
background vocals and lead vocals:
Marcia Barrett (in 1976), Frank Farian (in 1976) and Liz Mitchell (in 1976)
arranger:
Steven Hammer
phonographic copyright (℗) by:
Far Music Productions GmbH (in 1976) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1976)
part of:
Cachitos Nochevieja 2022 (number: 153)
recording of:
Daddy Cool (in 1976)
lyricist:
George Reyam
composer:
Frank Farian
publisher:
BMG Music, Far Musikverlag GmbH and Intro (German publisher) (in 1976)
Boney M.43:28
20Blame It on the Boogie
engineer:
Don Murray (producer / engineer)
executive producer:
Mike Atkinson and Bobby Colomby
mixer:
John Luongo
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978) and Nathan Watts (in 1978)
congas:
Laudir de Oliveira (in 1978) and Claudio Slon (in 1978)
drums (drum set) and percussion:
Rick Morotta (US drummer/percussionist) (in 1978)
flute, saxophone and trumpet:
Seawind Horns
guitar:
Roland Bautista (in 1978), Tito Jackson (in 1978) and Mike Sembello (in 1978)
keyboard:
Greg Phillinganes (in 1978)
background vocals:
Jackie Jackson (member of the Jackson 5), Marlon Jackson and Randy Jackson (brother of Michael and Janet)
lead vocals:
Michael Jackson (“King of Pop”) (in 1978)
horn arranger:
Jerry Hey
arranger:
Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States, Dawnbreakers Studios in Los Angeles, California, United States, Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and Total Experience Recording Studios in Hollywood, Los Angeles, California, United States
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
cover recording of:
Blame It on the Boogie (in 1978)
writer:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) and Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. and Peterman & Co. Ltd.
part of:
MJ: The Musical
recording of:
Blame It on the Boogie
writer:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) and Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. and Peterman & Co. Ltd.
part of:
MJ: The Musical
The Jacksons4.153:32
2CD: Die Große Tanzparty Geht Weiter...
#TitleArtistRatingLength
1Whenever, Wherever
recording engineer:
Gustavo Celis, Alfred Figueroa, Javier Garza and Terry Manning (US recording engineer)
programming:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
additional engineer:
Freddy Piñero, Jr.
assistant engineer:
Oswald Bowe, Chris Carroll (US engineer, Mantra Recording Studio), Alex Dixon, Jorge Gonzalez (engineer), Roger Gonzalez, Tony Mardini, Nicholas Marshall, Ken Theis and Christine Tramontano
co-producer:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
producer:
Shakira (Colombian singer-songwriter)
mixer:
Javier Garza
charango, quena and rondador:
Gustavo Patiño
drums (drum set):
Brendan Buckley
electric bass guitar:
Paul Bushnell (session bassist, producer and music director)
guitar:
Tim Pierce (US session guitarist) and Brian Ray
guitar and mandolin:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
percussion:
Miriam Eli, Emilio Estefan, Jr. and Archie Peña
background vocals:
Rita Quintero
background vocals and lead vocals:
Shakira (Colombian singer-songwriter)
arranger:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) and Shakira (Colombian singer-songwriter)
phonographic copyright (℗) by:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 2001) and Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 2021)
co-produced for:
Crescent Moon, Inc.
recorded at:
Compass Point Studios in Nassau, Bahamas, Crescent Moon Studios in Miami, Florida, United States and The Hit Factory Criteria in Miami, Florida, United States
mixed at:
Crescent Moon Studios in Miami, Florida, United States
part of:
Billboard Year-End Hot 100 singles of 2002 (number: 28)
recording of:
Whenever, Wherever
lyricist:
Gloria Estefan and Shakira (Colombian singer-songwriter)
composer:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) and Shakira (Colombian singer-songwriter)
publisher:
Aniwi Music, LLC, F.I.P.P. International and Sony/ATV Latin Music Publishing
translated version of:
Suerte
Shakira3.953:18
2Maria
recording of:
María (Spanglish Version)
writer:
Ian Blake (pseudonym of Robi Rosa, associated with Ricky Martin), Luis Gómez Escolar and K.C. Porter (record producer, songwriter, musician and singer)
translator:
Deborah Castillero
publisher:
Draco Cornelius Music (from 1995 to present), Mundo Nuevo Music (from 1995 to present), Música Calaca S.L. (from 1995 to present), Olinga Music (from 1995 to present), Para-sac Music Corporation (from 1995 to present) and Sony/ATV Latin Music Publishing (from 1995 to present)
translated version of:
María
Ricky Martin2.54:00
3Wake Me Up Before You Go-Go (remastered 2006)
assistant engineer:
Paul Gomersau
engineer:
Chris Porter (engineer and producer)
producer:
George Michael
keyboard:
Tommy Eyre
saxophone:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographic copyright (℗) by:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984, in 2006) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
music videos:
Wake Me Up Before You Go by Wham! (British pop-duo)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 28) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 269)
recording of:
Wake Me Up Before You Go‐Go
lyricist and composer:
George Michael
publisher:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:52
4Hey Ya! (radio mix/club mix)
recording engineer:
John Frye (hip hop / R&B mix engineer), Robert Hannon and Pete Novak
programming and producer:
André 3000
mixer:
Neal Pogue (mix engineer)
acoustic guitar and keyboard and lead vocals:
André 3000
keyboard:
Kevin Kendrick (US soul/funk keyboardist/songwriter)
music videos:
Hey Ya! by OutKast
part of:
Sean Michaels: The Top 30 Songs of 2003 (number: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 10), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 14), Triple J’s Hottest 100: Twenty Years (2013) (number: 18), VH1’s Big Song of 2003 (number: 24), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 180) and Indie 88: Top 500 Indie Rock Songs (number: 198)
recording of:
Hey Ya!
lyricist and composer:
André Benjamin
publisher:
Chrysalis Music, Inc. and Gnat Booty
OutKast43:57
5Crying at the Discoteque (radio edit)
producer:
Alexander Bard, Anders Hansson (producer / writer / performer) and Johan Strandkvist
part of:
The Downloader’s Music Source Book (number: 324)
recording of:
Crying at the Discoteque
writer:
Alexander Bard, Bernard Edwards (American bassist and record producer), Michael Goulos, Anders Hansson (producer / writer / performer), Nile Rodgers and Anders Wollbeck (pop music songwriter and producer)
is based on:
Spacer
Alcazar43:51
6Nightfever (radio edit)
B33:42
7Cotton Eye Joe (original version)
recording engineer and mixer:
Lee Monteverde
engineer and producer:
Pat Reiniz
banjo:
Ken Tacky
vocals:
Billy Ray (stage name of Jonas Nilsson, violinist of Swedish novelty act Rednex), Mary Joe, Bobby Sue and Ken Tacky
additional performer:
Goran Danielsson (Rednex singer Ken Tacky), Annika Ljungberg and Bosse Nilsson
phonographic copyright (℗) by:
Zomba Records (in 1994) and Zomba Records Ltd (not strictly a label - avoid adding releases here) (in 1994)
recorded at and mixed at:
Future Crew Studios, Idaho in Stockholms län (Stockholm county), Sweden
music videos:
Cotton‐Eye Joe by Rednex (Swedish Euro-House group)
part of:
A.Side: 10 Songs That Have Their Own Dance Moves (number: 7)
recording of:
Cotton-Eye Joe (Rednex version)
writer:
Jan Ericsson (Swedish producer), Örjan Öberg (Örjan “Öban” Öberg, Swedish producer) and Pat Reiniz
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
version of:
Cotton‐Eyed Joe (traditional song)
Rednex4.13:11
8Pop MuzikM3:17
9Total Eclipse of the Heart (single version)
vocals:
Bonnie Tyler (in 1983)
performer:
Rory Dodd (in 1983)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1983) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Total Eclipse of the Heart (in 1983)
lyricist and composer:
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) and Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:28
10She's Like the Wind
assistant engineer:
Dan Nebenzal
engineer:
Carmine Rubino
producer:
Michael Lloyd (US guitarist/singer producer)
lead vocals:
Patrick Swayze
vocals:
Wendy Fraser
additional orchestrator:
John D’Andrea
phonographic copyright (℗) by:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
produced for:
Mike Curb Productions
recorded at:
Michael Lloyd Studio in Beverly Hills, California, United States
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
music videos:
She’s Like the Wind (music video) by Patrick Swayze
recording of:
She’s Like the Wind
writer:
Patrick Swayze (in 1984) and Stacy Widelitz (in 1984)
publisher:
Plainview Diner Music, Very Tony Music, Strawberry Fork Music, Inc. (in 1987) and Troph Productions, Inc. (in 1987)
Patrick Swayze feat. Wendy Fraser4.353:52
11Walk Like an Egyptian
producer:
David Kahne
mixer:
David Leonard (US producer and engineer)
bass guitar:
Michael Steele (American bassist, guitarist, songwriter, and singer)
drums (drum set):
Debbi Peterson (drummer for The Bangles)
guitar:
Susanna Hoffs and Vicki Peterson
lead vocals:
Susanna Hoffs, Vicki Peterson and Michael Steele (American bassist, guitarist, songwriter, and singer)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 14)
recording of:
Walk Like an Egyptian
lyricist and composer:
Liam Sternberg (until 1984-01)
publisher:
Peer International Corporation (BMI)
part of:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
Bangles4.23:21
12Hello Mary Lou (re-recording)Bobby Lewis2:05
13Flying
Nice Little Penguins52:30
14In-Tango
recording of:
In - Tango
lyricist:
Elena Bianchi (In Tango lyricist), Ingrid Alberini (Italian dance/pop singer) and Giuseppe Isgrò
composer:
Ingrid Alberini (Italian dance/pop singer), Giuseppe Isgrò and Marco Soncini
In‐Grid13:27
15Whatever Will Be, Will Be (Que Sera, Sera) (78 rpm version)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1956 winner)
Doris Day2:06
16One (from the musical "A Chorus Line")
producer:
Goddard Lieberson
choir vocals:
[theatre] (Special Purpose Artist - Do not add releases here, if possible.)
conductor:
Donald Pippin (Broadway musical theatre director and conductor)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
One (from “A Chorus Line”) (on 1975-06-02)
lyricist:
Edward Kleban
composer:
Marvin Hamlisch
part of:
A Chorus Line (Marvin Hamlisch musical)
Marvin Hamlisch4:46
17Whatever Lola Wants
Della Reese3:15
18Sugar Sugar
music videos:
Sugar, Sugar by The Archies
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 6), Rolling Stone: The 50 Best Tunes by Made-Up Musicians (number: 18), Billboard: Greatest of All Time Hot 100 Songs (number: 90) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 155)
recording of:
Sugar, Sugar (in 1969)
writer:
Jeff Barry and Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc., Kirshner CBS Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
The Archies3.52:46
19American Patrol
recording of:
American Patrol (swing version)
composer:
F. W. Meacham (in 1885)
arranger:
Jerry Gray (US big band arranger and conductor) (in 1942)
publisher:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
arrangement of:
American Patrol
Glenn Miller & His Orchestra3:18
20Let the Good Times Roll
Tom Gaebel2:30
3CD: 10 Tänze Im Strikten Tanzrhythmus
#TitleArtistRatingLength
1I Get a Kick Out of You
Tanzorchester Klaus Hallen3:05
2Chicago
Tanzorchester Klaus Hallen1:44
3Mrs. Robinson
lead vocals:
Peter Douglas (singer notable for his imitation of Frank Sinatra)
orchestra:
Tanzorchester Klaus Hallen
Tanzorchester Klaus Hallen2:05
4I've Got You Under My Skin
Tanzorchester Klaus Hallen3:04
5Theme from "New York"
Tanzorchester Klaus Hallen2:59
6For Once in My Life
lead vocals:
Peter Douglas (singer notable for his imitation of Frank Sinatra)
orchestra:
Tanzorchester Klaus Hallen
Tanzorchester Klaus Hallen2:13
7Thank You Frank
lead vocals:
Peter Douglas (singer notable for his imitation of Frank Sinatra)
orchestra:
Tanzorchester Klaus Hallen
Tanzorchester Klaus Hallen2:30
8Dry Your Eyes
lead vocals:
Peter Douglas (singer notable for his imitation of Frank Sinatra)
orchestra:
Tanzorchester Klaus Hallen
Tanzorchester Klaus Hallen2:06
9Put Your Dreams Away
Tanzorchester Klaus Hallen2:46
10I Wish You Love
Tanzorchester Klaus Hallen2:44
11The Most Beautiful Girl
Tanzorchester Klaus Hallen2:40
12Phantom of the Opera
Tanzorchester Klaus Hallen2:03
13Downtown
Tanzorchester Klaus Hallen2:02
14Cha cha cha d'amour
Tanzorchester Klaus Hallen2:24
15Girl From Ipanema
Tanzorchester Klaus Hallen1:57
16What Now My Love
Tanzorchester Klaus Hallen1:57
17Crazy
Tanzorchester Klaus Hallen2:22
18Strangers in the Night
Tanzorchester Klaus Hallen2:24
19Something Stupid
Tanzorchester Klaus Hallen2:37
20My Way
Tanzorchester Klaus Hallen3:18
21Bad Bad Leroy Brown
Tanzorchester Klaus Hallen2:23

Credits

Release

ASIN:DE: B003FMJ34O [info]