| # | Title | Rating | Length |
|---|
| C1 | The Flying Sequence / Can You Read My Mind- recording engineer:
- Eric Tomlinson (on 1978-07-06, on 1978-07-10, on 1978-09-09, on 1978-10-06, on 1978-11-04)
- assistant engineer:
- Alan Snelling (on 1978-07-06, on 1978-07-10, on 1978-09-09, on 1978-10-06, on 1978-11-04)
- spoken vocals:
- Margot Kidder
- orchestra:
- London Symphony Orchestra (on 1978-07-06, on 1978-07-10, on 1978-09-09, on 1978-10-06, on 1978-11-04)
- conductor:
- John Williams (on 1978-07-06, on 1978-07-10, on 1978-09-09, on 1978-10-06, on 1978-11-04)
- concertmaster:
- John Georgiadis (on 1978-07-06, on 1978-07-10, on 1978-09-09, on 1978-11-04) and Irvine Arditti (on 1978-10-06)
- recorded at:
- Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (on 1978-07-06, on 1978-07-10, on 1978-09-09, on 1978-10-06, on 1978-11-04)
- recording of:
- I Like Pink (from 1978-07-06 until 1978-07-10)
- orchestrator:
- Herbert W. Spencer
- composer:
- John Williams
- publisher:
- Warner–Barham Music LLC
- recording of:
- To the Moon (on 1978-09-09)
- orchestrator:
- Herbert W. Spencer
- composer:
- John Williams
- publisher:
- Warner–Barham Music LLC
- recording of:
- I Can Fly (Flying Sequence) (on 1978-10-06)
- orchestrator:
- Herbert W. Spencer
- composer:
- John Williams
- publisher:
- Warner–Barham Music LLC
- recording of:
- Can You Read My Mind (on 1978-11-04)
- lyricist:
- Leslie Bricusse
- composer:
- John Williams
- publisher:
- Warner–Barham Music LLC and Warner–Tamerlane Publishing Corp.
- version of:
- Flying Part III
- part of:
- Superman: The Movie
| | 8:08 |
| C2 | Super Rescues- recording engineer:
- Eric Tomlinson (on 1978-09-09, on 1978-09-10)
- assistant engineer:
- Alan Snelling (on 1978-09-09, on 1978-09-10)
- orchestra:
- London Symphony Orchestra (on 1978-09-09, on 1978-09-10)
- conductor:
- John Williams (on 1978-09-09, on 1978-09-10)
- concertmaster:
- John Georgiadis (on 1978-09-09, on 1978-09-10)
- recorded at:
- Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (on 1978-09-09, on 1978-09-10)
- edit of:
- Super Crime Fighter by London Symphony Orchestra, John Williams and Super Rescues by London Symphony Orchestra, John Williams
- partial recording of:
- The Cat Rescue (on 1978-09-09)
- orchestrator:
- Herbert W. Spencer
- composer:
- John Williams
- publisher:
- Warner–Barham Music LLC
- recording of:
- Air Force One (on 1978-09-10)
- orchestrator:
- Herbert W. Spencer
- composer:
- John Williams
- publisher:
- Warner–Barham Music LLC
- partial recording of:
- The Burglar Sequence (on 1978-09-10)
- orchestrator:
- Herbert W. Spencer
- composer:
- John Williams
- publisher:
- Warner–Barham Music LLC
| | 3:24 |
| C3 | Lex Luthor’s Lair | | 2:33 |
| C4 | Superfeats | | 5:00 |
| D1 | The March of the Villains | | 3:33 |
| D2 | Chasing Rockets- recording engineer:
- Eric Tomlinson (on 1978-10-15, on 1978-10-24)
- assistant engineer:
- Alan Snelling (on 1978-10-15, on 1978-10-24)
- orchestra:
- London Symphony Orchestra (on 1978-10-15, on 1978-10-24)
- conductor:
- John Williams (on 1978-10-15, on 1978-10-24)
- concertmaster:
- John Georgiadis (on 1978-10-15, on 1978-10-24)
- recorded at:
- Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (on 1978-10-15, on 1978-10-24)
- compilation of:
- Chasing Rockets by London Symphony Orchestra, John Williams and Super Dam and Finding Lois by London Symphony Orchestra, John Williams
- recording of:
- Chasing Rockets (on 1978-10-15)
- orchestrator:
- Arthur Morton
- composer:
- John Williams
- publisher:
- Warner–Barham Music LLC
- recording of:
- Miss T. Rescue (on 1978-10-15)
- orchestrator:
- Arthur Morton
- composer:
- John Williams
- publisher:
- Warner–Barham Music LLC
- recording of:
- Flying to Lois (on 1978-10-24)
- orchestrator:
- Arthur Morton
- composer:
- John Williams
- publisher:
- Warner–Barham Music LLC
| | 7:33 |
| D3 | Turning Back the World | | 2:01 |
| D4 | End Title | | 6:24 |
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