NOW Yearbook 1973 (red vinyl)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Wide spine single sleeve
All 3 LPs in polylined die‐cut black paper inner sleeves

℗ 2023 The copyright in this sound recording is owned by Now That’s What I Call Music LLP. © 2023 Now That’s What I Call Music LLP. Made in the EU.

Barcode and Other Identifiers

Barcode (Text): 1 96588 18281 5
Barcode (UPC-A, scanned): 196588182815
Rights Society: BIEM/SDRM
Label Code: LC48653

Anmerkung zuletzt geändert am 2025-10-09 10:42 UTC.

Titelliste

| |
1▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1Goodbye Yellow Brick Road (remastered 2014)
Techniker(in):
David Hentschel
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray (in 1973-05)
E-Gitarre:
Davey Johnstone (in 1973-05)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
Schlagzeug:
Nigel Olsson (in 1973-05)
Hintergrundgesang:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) und Nigel Olsson (in 1973-05)
Orchestrator(in):
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1973)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich (in 1973-05)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 380)
recording of:
Goodbye Yellow Brick Road (in 1973-05)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.65?:??
A2Live and Let Die (2018 remaster)
recording of:
Live and Let Die
Verfasser(in):
Linda McCartney und Paul McCartney (The Beatles)
publisher:
EMI Unart Catalog Inc., EMI United Partnership Ltd., Kobalt Songs Music Publishing (USA, ASCAP affiliated), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) und SBK Unart Catalog Inc.
Teil von:
The 46th Academy Award for Best Original Song (Nummer: 2) und James Bond themes
Paul McCartney & Wings?:??
A3Cum on Feel the Noize
Slade?:??
A420th Century Boy
recording of:
20th Century Boy
Texter und Komponist(in):
Marc Bolan
publisher:
Fintage Publishing, Spirit Catalogue Holdings und Wizard (Bahamas) Ltd.
sub-publisher:
Shinko Music Entertainment Co., Ltd. (beendet) und フジパシフィックミュージック (Fujipacific Music, Inc.)
T. Rex?:??
A5Blockbuster
Produzent(in):
Phil Wainman
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1973), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Block Buster!
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd., RAK Publ. Ltd. und Universal Music Publishing MGB Ltd.
Sweet5?:??
A6Dyna‐Mite
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1973)
recording of:
Dyna-Mite
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Mud5?:??
A7See My Baby Jive
Wizzard?:??
A8Rubber Bullets
recording of:
Rubber Bullets
Verfasser(in):
Lol Creme, Kevin Godley und Graham Gouldman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und St. Anne’s Music Ltd. (in 1973)
10cc?:??
B1Mind Games (2010 remaster)
recording of:
Mind Games
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
Lennon Music (beendet), Lenono Music und Chappell Music (UK) (in 1973)
Version von:
I Promise
Version von:
Make Love, Not War
John Lennon?:??
B2Blinded by the Light
Techniker(in):
Louis Lehav (Louis Lahav)
Produzent(in):
Mike Appel und Jim Cretecos
Bass:
Bruce Springsteen (am 1972-09-11)
Klavier:
Harold Wheeler (am 1972-09-11)
Perkussion und Saxophon:
Clarence Clemons (am 1972-09-11)
vocals:
Bruce Springsteen (am 1972-09-11)
remixer:
Jack Ashkinazy
arranger:
Bruce Springsteen
phonographisches Urheberrecht (℗) von:
Bruce Springsteen (in 1973)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975) und CBS Dischi S.p.A. (Italian record company) (in 1982)
produced for:
Laurel Canyon Ltd. (production and management company of Mike Appel and Jim Cretecos)
aufgenommen bei:
914 Sound Studios in New York, Vereinigte Staaten (am 1972-09-11)
remixed at:
Columbia Sound Studios in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Blinded by the Light (am 1972-09-11)
Texter und Komponist(in):
Bruce Springsteen (von 1972-08 bis 1972-09)
publisher:
Eldridge Publishing Co., Intersong Music Ltd., Sioux City Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Pop Music Publishing, Zomba Music und Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (in 1972)
Bruce Springsteen3.655:03
B3Piano Man (radio edit)
Produzent(in):
Phil Ramone und Michael Stewart (US producer/guitarist from California, 1945–2002)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recording of:
Piano Man
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Australia Pty. Ltd., Home Grown Music, Inc. (work publisher), Impulsive Music, Tinker Street Tunes, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1973) und Joelsongs (in 1973)
Billy Joel?:??
B4You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (The Rolling Stones) (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.55?:??
B5Take Me to the Mardi Gras
Paul Simon?:??
B6Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.1?:??
B7Always on My Mind (remastered)
recording of:
Always on My Mind
Verfasser(in):
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) und Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) und Screen Gems–EMI Music Ltd.
Elvis Presley?:??
2▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1Killing Me Softly With His Song
Produzent(in):
Joel Dorn
Klavier:
Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 273) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 361)
cover recording of:
Killing Me Softly With His Song
Texter:
Norman Gimbel
Komponist(in):
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC und Fox-Gimbel Productions Inc. (in 1972)
Roberta Flack3.55?:??
A2Let’s Get It On (single version)
recording of:
Let’s Get It On
Verfasser(in):
Marvin Gaye und Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und Stone Diamond Music Corporation
Marvin Gaye?:??
A3If You Don’t Know Me by Now
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
Hintergrundgesang:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (in 1972)
Sologesang:
Harold Melvin (in 1972)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1991)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
If You Don’t Know Me by Now (in 1972)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
Harold Melvin & the Blue Notes feat.Teddy Pendergrass3.75?:??
A4Could It Be I’m Falling in Love
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.5?:??
A5Love Train
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Love Train (in 1972)
Texter und Komponist(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.15?:??
A6Papa Was a Rollin’ Stone (single version)
cover recording of:
Papa Was a Rollin’ Stone
Texter und Komponist(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations?:??
A7Nutbush City Limits
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner?:??
B1Tie a Yellow Ribbon Round the Ole Oak Tree
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 52)
recording of:
Tie a Yellow Ribbon Round the Ole Oak Tree
Verfasser(in):
Lawrence Russell Brown (lyricist) und Irwin Levine
publisher:
Irwin Levine Music (BMI-affiliated), Larball Publishing Co., Inc. und peermusic (“Peermusic—the global independent”)
Dawn feat. Tony Orlando5?:??
B2Get Down
Gilbert O’Sullivan?:??
B3Take Me Home Country Roads (remastered 2022)
Produzent(in):
John Farrar und Bruce Welch (English guitarist, singer, songwriter and producer)
arranger:
John Farrar
phonographisches Urheberrecht (℗) von:
Festival Records International Ltd. (company; do NOT use as release label) (in 1972, in 1974)
cover recording of:
Take Me Home, Country Roads
Nationalhymne von:
West Virginia, Vereinigte Staaten
Verfasser(in):
Bill Danoff, John Denver und Taffy Nivert
publisher:
BMG Ruby Songs, Cherry Lane Music Ltd., Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music und Cherry Lane Music Publishing Company Inc. (in 1971)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Olivia Newton‐John?:??
B4Welcome Home
Peters & Lee?:??
B5Eye Level (Theme From the TV Series Van Der Valk)
Simon Park Orchestra?:??
B6Never Never Never (2000 remaster)
recording of:
Never Never Never
Texter und Komponist(in):
David Buskin
recording of:
Never, Never, Never (Grande, Grande, Grande)
Texter:
Alberto Testa
Komponist(in):
Tony Renis
Übersetzer:
Norman Newell
publisher:
Southern Music (publisher) (in 1973)
übersetzte Version von:
Grande, grande, grande
Shirley Bassey?:??
B7Touch Me in the Morning (single version)
recording of:
Touch Me in the Morning
Verfasser(in):
Michael Masser und Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Diana Ross?:??
B8Me and Mrs. Jones (single version)
Billy Paul?:??
B9Help Me Make It Through the Night
cover recording of:
Help Me Make It Through the Night
Texter und Komponist(in):
Kris Kristofferson
publisher:
BMG Songs Ltd., Combine Music Corp., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd. und KPM (music publisher)
sub-publisher:
Air Music Scandinavia AB
Gladys Knight & the Pips?:??
3▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1My Love (2018 remaster)
recording of:
My Love
Verfasser(in):
Linda McCartney und Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Paul McCartney & Wings?:??
A2Amoureuse
Kiki Dee?:??
A3Albatross
Produzent(in):
Mike Vernon
E-Bass:
John McVie (am 1968-10-06)
Gitarre:
Peter Green (former member of Fleetwood Mac) (am 1968-10-06) und Danny Kirwan (Fleetwood Mac) (am 1968-10-06)
Schlagzeug:
Mick Fleetwood (am 1968-10-06)
phonographisches Urheberrecht (℗) von:
Blue Horizon Records (in 1968) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 52)
recording of:
Albatross (am 1968-10-06)
Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited und Palan Music Publishing Ltd.
Fleetwood Mac4?:??
A4Roll Over Beethoven (single version)
Electric Light Orchestra?:??
A5Whisky in the Jar (7” edit)
Thin Lizzy?:??
A6Wishing Well
Free?:??
A7Cindy Incidentally
Faces?:??
A8Knockin’ on Heaven’s Door
recording of:
Knockin’ on Heaven’s Door
Texter und Komponist(in):
Bob Dylan
zusätzlicher Texter:
Bob Dylan (am 1975-03-23)
publisher:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Ram’s Horn Music (in 1973)
Bob Dylan?:??
B1The Ballroom Blitz
Techniker(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Phil Wainman
arranger:
Sweet (UK glam rock band)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei und engineered at:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
The Ballroom Blitz
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. und Universal Music Publishing MGB Australia
Sweet4.6?:??
B2Can the Can
Suzi Quatro?:??
B3My Coo Ca Choo
Alvin Stardust?:??
B4Roll Away the Stone
recording of:
Roll Away the Stone
Texter und Komponist(in):
Ian Hunter (Mott the Hoople)
publisher:
Island Music Limited (Island Music Ltd.) und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Mott the Hoople?:??
B5Street Life (2012 remaster)
recording of:
Street Life
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. und E.G. Music Ltd. (publisher)
Roxy Music?:??
B6Rock On
David Essex?:??
B7I Wish It Could Be Christmas Everyday
Wizzard?:??
B8Merry Xmas Everybody
recording of:
Merry Xmas Everybody
Texter und Komponist(in):
Noddy Holder und Jim Lea
publisher:
EMI April Music Inc. und Barn Publishing (Slade) Ltd. (in 1973)
Slade?:??

Nennungen

Veröffentlichungsgruppe

Teil von:Now Yearbook (UK Now subseries) (Nummer: 1973) (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/3237058 [Info]