Ariadne auf Naxos (Digital remastering 1999)

~ Release by Richard Strauss; Schwarzkopf, Seefried, Streich, Schock, Prey, Philharmonia Orchestra, Herbert von Karajan (see all versions of this release, 5 available)

Annotation

Great recordings of the century
Cover shows miniature LP cover on top of an image of an LP from His Masters Voice

Annotation last modified on 2020-12-15 00:00 UTC.

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Ariadne auf Naxos: Prolog. Orchestereinleitung
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [1] Orchestereinleitung (Orchestral Introduction) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss2:37
2Ariadne auf Naxos: Prolog. Mein Herr Haushofmeister! [Musiklehrer, Haushofmeister, Lakai, Offizier]
producer:
Walter Legge (British classical producer)
baritone vocals [Musiklehrer]:
Karl Dönch (light bass-baritone) (from 1954-06-30 until 1954-07-07)
bass vocals [Lakai]:
Otakar Kraus (baritone) (from 1954-06-30 until 1954-07-07)
spoken vocals [Haushofmeister]:
Alfred Neugebauer (from 1954-06-30 until 1954-07-07)
tenor vocals [Offizier]:
Gerhard Unger (tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [2] “Mein Herr Haushofmeister!” (Musiklehrer, Haushofmeister, Lakai, Offizier) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss3:57
3Ariadne auf Naxos: Prolog. Lieber Freund! Verschaffen Sie mir die Geigen [Komponist, Lakai]
producer:
Walter Legge (British classical producer)
bass vocals [Lakai]:
Otakar Kraus (baritone) (from 1954-06-30 until 1954-07-07)
soprano vocals [Komponist]:
Irmgard Seefried (soprano) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [3] „Lieber Freund! Verschaffen Sie mir die Geigen” … „Hier finden Euer Gnaden die Mamsell Zerbinetta” (Komponist, Lakai) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss1:49
4Ariadne auf Naxos: Prolog. O, ich möcht vieles ändern noch in zwölfter Stund [Komponist]
producer:
Walter Legge (British classical producer)
soprano vocals [Komponist]:
Irmgard Seefried (soprano) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [4] „O, ich möcht' vieles ändern noch in zwölfter Stund'” … „Eselsgesicht…” … „Du allmächtiger Gott! O du mein zitterndes Herz!” (Komponist, Tenor, Perückenmacher, Zerbinetta, Primadonna, Musiklehrer, Tanzmeister) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss1:19
5Ariadne auf Naxos: Prolog. Das! Für einen Bacchus! [Tenor, Komponist, Perückenmacher]
producer:
Walter Legge (British classical producer)
baritone vocals [Perückenmacher]:
Erich Strauss (from 1954-06-30 until 1954-07-07)
soprano vocals [Komponist]:
Irmgard Seefried (soprano) (from 1954-06-30 until 1954-07-07)
tenor vocals [Tenor/Bacchus]:
Rudolf Schock (tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [5] „Das! Für einen Bacchus!” (Komponist, Zerbinetta, Musiklehrer, Primadonna, Tanzmeister, Lakai, Haushofmeister) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss0:42
6Ariadne auf Naxos: Prolog. Erst nach der Oper kommen wir daran [Zerbinetta, Primadonna, Musiklehrer, etc]
producer:
Walter Legge (British classical producer)
baritone vocals [Musiklehrer]:
Karl Dönch (light bass-baritone) (from 1954-06-30 until 1954-07-07)
soprano vocals [Komponist]:
Irmgard Seefried (soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Primadonna/Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Zerbinetta]:
Rita Streich (soprano) (from 1954-06-30 until 1954-07-07)
tenor vocals [Tanzmeister]:
Hugues Cuénod (Swiss tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [6] „Erst nach der Oper kommen wir daran” (Zerbinetta, Primadonna, Musiklehrer, Komponist, Tanzmeister) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss1:12
7Ariadne auf Naxos: Prolog. Nach meiner Oper? [Komponist, Musiklehrer]
producer:
Walter Legge (British classical producer)
baritone vocals [Musiklehrer]:
Karl Dönch (light bass-baritone) (from 1954-06-30 until 1954-07-07)
soprano vocals [Komponist]:
Irmgard Seefried (soprano) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [7] „Nach meiner Oper?” (Komponist, Musiklehrer) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss3:20
8Ariadne auf Naxos: Prolog. Meine Partner! Meine erprobten Freunde! [Zerbinetta, Komponist, Musiklehrer, etc]
producer:
Walter Legge (British classical producer)
baritone vocals [Musiklehrer]:
Karl Dönch (light bass-baritone) (from 1954-06-30 until 1954-07-07)
soprano vocals [Komponist]:
Irmgard Seefried (soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Primadonna/Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Zerbinetta]:
Rita Streich (soprano) (from 1954-06-30 until 1954-07-07)
tenor vocals [Tanzmeister]:
Hugues Cuénod (Swiss tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [8] „Hast' ein Stückerl Notenpapier?” … „Meine Partner! Meine erprobten Freunde!” … „Die ungetreue Zerbinetta und ihre vier Liebhaber” (Zerbinetta, Komponist, Musiklehrer, Primadonna, Tanzmeister) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss3:23
9Ariadne auf Naxos: Prolog. Die Herrschaften stehen vom Tisch auf! [Lakai, Musiklehrer, Haushofmeister, etc]
producer:
Walter Legge (British classical producer)
baritone vocals [Musiklehrer]:
Karl Dönch (light bass-baritone) (from 1954-06-30 until 1954-07-07)
bass vocals [Lakai]:
Otakar Kraus (baritone) (from 1954-06-30 until 1954-07-07)
soprano vocals [Komponist]:
Irmgard Seefried (soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Primadonna/Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Zerbinetta]:
Rita Streich (soprano) (from 1954-06-30 until 1954-07-07)
spoken vocals [Haushofmeister]:
Alfred Neugebauer (from 1954-06-30 until 1954-07-07)
tenor vocals [Tanzmeister]:
Hugues Cuénod (Swiss tenor) (from 1954-06-30 until 1954-07-07)
tenor vocals [Tenor/Bacchus]:
Rudolf Schock (tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [9] „Die Herrschaften stehen von Tisch auf!” – „Meine Damen und Herren, an Ihre Plätze” … „Ist schon geschehen. Wir sind bereit” (Lakai, Musiklehrer, Haushofmeister, Primadonna, Tanzmeister, Tenor, Zerbinetta, Komponist) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss4:48
10Ariadne auf Naxos: Prolog. Ariadne auf Naxos, Herr [Komponist, Tanzmeister, Haushofmeister, etc]
producer:
Walter Legge (British classical producer)
baritone vocals [Musiklehrer]:
Karl Dönch (light bass-baritone) (from 1954-06-30 until 1954-07-07)
soprano vocals [Komponist]:
Irmgard Seefried (soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Primadonna/Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Zerbinetta]:
Rita Streich (soprano) (from 1954-06-30 until 1954-07-07)
spoken vocals [Haushofmeister]:
Alfred Neugebauer (from 1954-06-30 until 1954-07-07)
tenor vocals [Tanzmeister]:
Hugues Cuénod (Swiss tenor) (from 1954-06-30 until 1954-07-07)
tenor vocals [Tenor/Bacchus]:
Rudolf Schock (tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [10] „Ariadne auf Naxos, Herr” … „Ich weiss nicht, wo mir der Kopf steht” (Komponist, Tanzmeister, Haushofmeister, Musiklehrer, Tenor, Primadonna, Zerbinetta) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss4:39
11Ariadne auf Naxos: Prolog. Nein, Herr, so kommt es nicht! [Komponist, Zerbinetta, Musiklehrer]
producer:
Walter Legge (British classical producer)
baritone vocals [Musiklehrer]:
Karl Dönch (light bass-baritone) (from 1954-06-30 until 1954-07-07)
soprano vocals [Komponist]:
Irmgard Seefried (soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Zerbinetta]:
Rita Streich (soprano) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [11] „Nein, Herr, so kommt es nicht! (Komponist, Zerbinetta, Musiklehrer) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss2:16
12Ariadne auf Naxos: Prolog. Kindskopf! Merkt auf, wir spielen mit in dem Stück [Zerbinetta, Komponist]
producer:
Walter Legge (British classical producer)
soprano vocals [Komponist]:
Irmgard Seefried (soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Zerbinetta]:
Rita Streich (soprano) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [12] „Kindskopf! Merkt auf: wir spielen mit in dem Stück 'Ariadne auf Naxos'” … „Ein Augenblick ist wenig - ein Blick ist viel” (Zerbinetta, Komponist) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss7:03
13Ariadne auf Naxos: Prolog. An Ihre Plätze, meine Damen und Herren! [Musiklehrer, Primadonna, Komponist]
producer:
Walter Legge (British classical producer)
baritone vocals [Musiklehrer]:
Karl Dönch (light bass-baritone) (from 1954-06-30 until 1954-07-07)
soprano vocals [Komponist]:
Irmgard Seefried (soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Primadonna/Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [13] „An Ihre Plätze, meine Damen und Herrn!” (Musiklehrer, Primadonna, Komponist) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss4:32
14Ariadne auf Naxos: Oper. Ouvertüre
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. Ouvertüre (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:42
15Ariadne auf Naxos: Oper. Schläft sie? [Najade, Dryade, Echo]
producer:
Walter Legge (British classical producer)
contralto vocals [Dryade]:
Grace Hoffman (mezzo-soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Echo]:
Anny Felbermayer (soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Najade]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [1] „Schläft sie?” (Najade, Dryade, Echo) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss4:04
16Ariadne auf Naxos: Oper. Ach!... Ach!... Wo war ich? [Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin]
producer:
Walter Legge (British classical producer)
baritone vocals [Harlekin]:
Hermann Prey (baritone) (from 1954-06-30 until 1954-07-07)
bass vocals [Truffaldin]:
Fritz Ollendorff (operatic bass) (from 1954-06-30 until 1954-07-07)
soprano vocals [Echo]:
Anny Felbermayer (soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Prima Donna / Ariadne] and soprano vocals [Primadonna/Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Zerbinetta]:
Rita Streich (soprano) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [2] ”Ach! Wo war ich?” (Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:21
17Ariadne auf Naxos: Oper. Ein Schönes war, hieß Theseus-Ariadne [Ariadne, Najade, Dryade, Echo, etc]
producer:
Walter Legge (British classical producer)
baritone vocals [Harlekin]:
Hermann Prey (baritone) (from 1954-06-30 until 1954-07-07)
bass vocals [Truffaldin]:
Fritz Ollendorff (operatic bass) (from 1954-06-30 until 1954-07-07)
contralto vocals [Dryade] and mezzo-soprano vocals [Dryad]:
Grace Hoffman (mezzo-soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Echo]:
Anny Felbermayer (soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Naiad] and soprano vocals [Najade]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-06-30 until 1954-07-07)
soprano vocals [Prima Donna / Ariadne] and soprano vocals [Primadonna/Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Zerbinetta]:
Rita Streich (soprano) (from 1954-06-30 until 1954-07-07)
tenor vocals [Scaramuccio]:
Gerhard Unger (tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [3] „Ein Schönes war: hieß Theseus–Ariadne” (Ariadne, Najade, Echo, Dryade, Harlekin, Zerbinetta, Scaramuccio, Truffaldin) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss6:51
18Ariadne auf Naxos: Oper. Ach, so versuchet doch ein kleines Lied! [Zerbinetta, Harlekin]
producer:
Walter Legge (British classical producer)
baritone vocals [Harlekin]:
Hermann Prey (baritone) (from 1954-06-30 until 1954-07-07)
soprano vocals [Zerbinetta]:
Rita Streich (soprano) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [4] „Ach, so versuchet doch ein kleines Lied!” … „Lieben, Hassen, Hoffen, Zagen” (Zerbinetta, Harlekin) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss2:26
2▼CD
#TitleArtistRatingLength
1Ariadne auf Naxos: Oper. Es gibt ein Reich, wo alles rein ist [Ariadne]
producer:
Walter Legge (British classical producer)
soprano vocals [Primadonna/Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [5] “Es gibt ein Reich, wo alles rein ist” (Ariadne) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss6:43
2Ariadne auf Naxos: Oper. Die Dame gibt mit trübem Sinn [Brighella, Scaramuccio, Harlekin, Truffaldin, Zerbinetta]
producer:
Walter Legge (British classical producer)
baritone vocals [Harlekin]:
Hermann Prey (baritone) (from 1954-06-30 until 1954-07-07)
bass vocals [Truffaldin]:
Fritz Ollendorff (operatic bass) (from 1954-06-30 until 1954-07-07)
soprano vocals [Zerbinetta]:
Rita Streich (soprano) (from 1954-06-30 until 1954-07-07)
tenor vocals [Brighella]:
Helmut Krebs (tenor) (from 1954-06-30 until 1954-07-07)
tenor vocals [Scaramuccio]:
Gerhard Unger (tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [6] „Die Dame gibt mit trübem Sinn” (Brighella, Scaramuccio, Harlekin, Truffaldin, Zerbinetta) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss5:33
3Ariadne auf Naxos: Oper. Großmächtige Prinzessin, wer verstünde nicht [Zerbinetta]
producer:
Walter Legge (British classical producer)
soprano vocals [Zerbinetta]:
Rita Streich (soprano) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [7] „Großmächtige Prinzessin” … „Noch glaub ich dem einen” (Zerbinetta) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss11:08
4Ariadne auf Naxos: Oper. Hübsch gepredigt! Aber tauben Ohren! [Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin]
producer:
Walter Legge (British classical producer)
baritone vocals [Harlekin]:
Hermann Prey (baritone) (from 1954-06-30 until 1954-07-07)
bass vocals [Truffaldin]:
Fritz Ollendorff (operatic bass) (from 1954-06-30 until 1954-07-07)
soprano vocals [Zerbinetta]:
Rita Streich (soprano) (from 1954-06-30 until 1954-07-07)
tenor vocals [Brighella]:
Helmut Krebs (tenor) (from 1954-06-30 until 1954-07-07)
tenor vocals [Scaramuccio]:
Gerhard Unger (tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [8] „Hübsch gepredigt! Aber tauben Ohren!” (Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss7:52
5Ariadne auf Naxos: Oper. Ein schönes Wunder! [Dryade, Najade, Echo]
producer:
Walter Legge (British classical producer)
contralto vocals [Dryade]:
Grace Hoffman (mezzo-soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Echo]:
Anny Felbermayer (soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Najade]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [9] „Ein schönes Wunder!” (Dryade, Najade, Echo) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss3:41
6Ariadne auf Naxos: Oper. Circe, Circe, kannst du mich hören? [Bacchus, Ariadne, Najade, Dryade, Echo]
producer:
Walter Legge (British classical producer)
contralto vocals [Dryade]:
Grace Hoffman (mezzo-soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Echo]:
Anny Felbermayer (soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Najade]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-06-30 until 1954-07-07)
soprano vocals [Primadonna/Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
tenor vocals [Tenor/Bacchus]:
Rudolf Schock (tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [10] „Circe, Circe, kannst du mich hören?” (Bacchus, Ariadne, Najade, Echo, Dryade) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss8:29
7Ariadne auf Naxos: Oper. Du schönes Wesen! [Bacchus, Ariadne]
producer:
Walter Legge (British classical producer)
soprano vocals [Primadonna/Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
tenor vocals [Tenor/Bacchus]:
Rudolf Schock (tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [11] „Theseus! Nein, nein” … „Du schönes Wesen!” … „Wie? Kennst du mich denn?” (Bacchus, Ariadne) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss7:54
8Ariadne auf Naxos: Oper. Bin ich ein Gott, schuf mich ein Gott
producer:
Walter Legge (British classical producer)
soprano vocals [Primadonna/Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [12] „Bin ich ein Gott, schuf mich ein Gott” … „Das waren Zauberworte” (Bacchus, Ariadne) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss5:42
9Ariadne auf Naxos: Oper. Gibt es kein Hinüber? [Ariadne, Bacchus, Najade, Dryade, Echo, Zerbinetta]
producer:
Walter Legge (British classical producer)
contralto vocals [Dryade]:
Grace Hoffman (mezzo-soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Echo]:
Anny Felbermayer (soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Najade]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-06-30 until 1954-07-07)
soprano vocals [Primadonna/Ariadne]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-06-30 until 1954-07-07)
soprano vocals [Zerbinetta]:
Rita Streich (soprano) (from 1954-06-30 until 1954-07-07)
tenor vocals [Tenor/Bacchus]:
Rudolf Schock (tenor) (from 1954-06-30 until 1954-07-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-30 until 1954-07-07)
conductor:
Herbert von Karajan (conductor) (from 1954-06-30 until 1954-07-07)
balance engineer:
Douglas Larter (from 1954-06-30 until 1954-07-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-30 until 1954-07-07)
recording of:
Ariadne auf Naxos, op. 60: Oper. [13] „Gibt es kein Hinüber?” (Ariadne, Bacchus, Najade, Echo, Dryade, Zerbinetta) (from 1954-06-30 until 1954-07-07)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss9:14