Three Classic Albums

~ Release by Uriah Heep (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Gypsy
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970, in 1971), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970, in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Gypsy (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4.15?:??
2Walking in Your Shadow
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Walking in Your Shadow (from 1969 until 1970)
writer:
David Byron and Paul Newton (UK bassist for Uriah Heep)
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
2.5?:??
3Come Away Melinda
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Colin Wood (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970, in 1971), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970, in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
cover recording of:
Come Away Melinda (from 1969 until 1970)
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Harmony Music Ltd.
3?:??
4Lucy Blues
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set) and percussion:
Ollie Olsson (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Lucy Blues (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
3?:??
5Dreammare
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set) and percussion:
Ollie Olsson (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Dreammare (from 1969 until 1970)
lyricist and composer:
Paul Newton (UK bassist for Uriah Heep)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
3.5?:??
6Real Turned On
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Real Turned On (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4?:??
7I'll Keep on Trying
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Ken Hensley (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
I’ll Keep On Trying (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
3?:??
8Wake Up
recording engineer:
Peter Gallen (from 1969 until 1970)
producer:
Gerry Bron
mixer:
Peter Gallen and Peter Olliff
bass:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
drums (drum set):
Alex Napier (from 1969 until 1970)
guitar:
Mick Box (from 1969 until 1970)
keyboard:
Colin Wood (from 1969 until 1970)
lead vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970), Castle Copyrights Ltd. (in 1970) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970)
recording of:
Wake Up (Set Your Sights) (from 1969 until 1970)
writer:
Mick Box and David Byron
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
3?:??
9Gypsy
engineer:
Peter Gallen
producer:
Gerry Bron
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1970)
recording of:
Gypsy (in 1970)
writer:
Mick Box and David Byron
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
2?:??
10Come Away Melinda
mixer:
Robert M. Corich (remastering engineer and record producer,) (in 1995-01) and Ian Herron (in 1995-01)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970)
cover recording of:
Come Away Melinda (in 1969)
lyricist:
Frances Minkoff
composer:
Fred Hellerman
publisher:
Appleseed Music, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Harmony Music Ltd.
2?:??
11Born in a Trunk
mixer:
Robert M. Corich (remastering engineer and record producer,) (in 1995-01) and Ian Herron (in 1995-01)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1995)
recording of:
Born in a Trunk (in 1969)
writer:
Mick Box and David Byron
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
2?:??
2▼CD
#TitleRatingLength
1Bird of Prey
recording engineer:
Peter Gallen (from 1970-10 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970), Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Bird of Prey (from 1970-10 until 1970-11)
writer:
Mick Box, David Byron and Paul Newton (UK bassist for Uriah Heep)
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
3?:??
2The Park
recording engineer:
Peter Gallen (from 1970-10 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970), Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
The Park (from 1969 until 1970)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
recording of:
The Park (from 1970-10 until 1970-11)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
3.35?:??
3Time to Live
recording engineer:
Peter Gallen (from 1970-10 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1970-10 until 1970-11)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
organ:
Ken Hensley (from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Castle Copyrights Ltd. (in 1971) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970-10 until 1970-11)
recording of:
Time to Live (from 1970-10 until 1970-11)
writer:
Mick Box, David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
4Lady in Black
recording engineer:
Peter Gallen (from 1969 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Lady in Black (from 1969 until 1970-11)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG, S. Bron Music Co. Ltd. and Sidney Bron Music (also spelled “Sydney”)
4.35?:??
5High Priestess
recording engineer:
Peter Gallen (from 1970-10 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1970-10 until 1970-11)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
organ:
Ken Hensley (from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Castle Communications PLC (not for label use, copyright holder) (in 1996) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970-10 until 1970-11)
recording of:
High Priestess (from 1970-10 until 1970-11)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
6Salisbury
recording engineer:
Peter Gallen (from 1970-10 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1970-10 until 1970-11)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
organ:
Ken Hensley (from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
brass and woodwind arranger:
John Fiddy (songwriter/singer)
brass arranger and woodwind arranger:
John Fiddy (songwriter/singer)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970), Bronze Records Ltd. (in 1971), Castle Communications PLC (not for label use, copyright holder) (in 1996) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2016)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970-10 until 1970-11)
recording of:
Salisbury (from 1970-10 until 1970-11)
writer:
Mick Box, David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4?:??
7Simon the Bullet Freak
recording engineer:
Peter Gallen (from 1970-10 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1970-10 until 1970-11)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
organ:
Ken Hensley (from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970-10 until 1970-11)
recording of:
Simon the Bullet Freak (from 1970-10 until 1970-11)
writer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
8High Priestess
recording engineer:
Peter Gallen (from 1970-10 until 1970-11)
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
mixer:
Peter Gallen
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1970-10 until 1970-11)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
organ:
Ken Hensley (from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1970) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970-10 until 1970-11)
partial recording of:
High Priestess (from 1970-10 until 1970-11)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
recording of:
High Priestess
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
3▼CD
#TitleRatingLength
1Look at Yourself
producer:
Gerry Bron
drums (drum set):
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
percussion:
Loughty Amao, Teddy Osei and Mac Tontoh
vocals:
David Byron (in 1971-07)
additional performer:
Osibisa (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971, in 1986), Castle Copyrights Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Look at Yourself (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3.5?:??
2Wanna Be Free
producer:
Gerry Bron
bass guitar and electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
drums (drum set):
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Wanna Be Free (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3?:??
3July Morning
engineer:
Peter Gallen
producer:
Gerry Bron
additional Minimoog:
Manfred Mann (the person) (in 1971-07)
bass guitar and electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
drums (drum set):
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Castle Copyrights Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
July Morning (in 1971-07)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4.75?:??
4Tears in My Eyes
producer:
Gerry Bron
additional Minimoog:
Manfred Mann (the person) (in 1971-07)
drums (drum set):
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Tears in My Eyes (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
5?:??
5Shadows of Grief
producer:
Gerry Bron
drums (drum set):
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Shadows of Grief (in 1971-07)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4?:??
6What Should Be Done
producer:
Gerry Bron
drums (drum set):
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
What Should Be Done (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3?:??
7Love Machine
producer:
Gerry Bron
bass guitar and electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
drums (drum set):
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Love Machine (in 1971-07)
writer:
Mick Box, David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3?:??
8Look at Yourself
producer:
Gerry Bron
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (in 1971-07)
drums (drum set):
Iain Clarke (UK drummer, former member of Uriah Heep and Cressida) (in 1971-07)
lead vocals:
David Byron (in 1971-07)
additional performer:
Osibisa (in 1971-07)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (in 1971-07)
recording of:
Look at Yourself (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
?:??
9What's Within My Heart
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1993)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
What's Within My Heart
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??