Media Markt Collection: The 70s, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Cecilia
recording engineer:
Ted Brosnan (on 1969-11-02)
engineer:
Roy Halee
producer:
Arthur Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter) (on 1969-11-02)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1969-11-02)
guitar:
Fred Carter, Jr. (on 1969-11-02) and Paul Simon (of Simon & Garfunkel) (on 1969-11-02)
keyboard:
Larry Knechtel (on 1969-11-02)
strings:
Ernie Freeman (on 1969-11-02) and Jimmie Haskell (on 1969-11-02)
vocals:
Art Garfunkel and Paul Simon (of Simon & Garfunkel)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1969)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 49)
recording of:
Cecilia (on 1969-11-02)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher), Paul Simon Music and Charing Cross Music Inc. (Paul Simon’s publishing company) (in 1970)
Simon & Garfunkel42:56
2Co‐Co
producer:
Phil Wainman
recording of:
Co‐Co
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Ariola (company mostly named as distributor in Europe)
The Sweet4.353:09
3Soley Soley
arranger:
Giosy Capuano and Mario Capuano
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1973)
recording of:
Soley Soley (1971 song)
lyricist and composer:
Fernando Arbex
publisher:
Universal Music Publishing S.L. (Spain)
Middle of the Road3:05
4One Way Wind
recording of:
One Way Wind
lyricist and composer:
Arnold Mühren
The Cats3:41
5The Air That I Breathe
engineer:
Mike Jarratt (recording, mixing and lacquer cutting engineer) and Alan Parsons (of The Alan Parsons Project)
producer:
The Hollies and Ron Richards
vocals:
Allan Clarke (of The Hollies) (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (from 1973-11-15 until 1973-11-22)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-11-15 until 1973-11-22)
cover recording of:
The Air That I Breathe (from 1973-11-15 until 1973-11-22)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:04
6I’d Love You to Want Me
recording of:
I’d Love You to Want Me
lyricist and composer:
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo2.53:58
7Kiss and Say Goodbye
recording of:
Kiss and Say Goodbye
lyricist and composer:
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. and EMI Songs Ltd.
The Manhattans4:27
8Lost in France
producer:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
arranger:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), Soundbarrier Ltd. (production company) (in 1976) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
recording of:
Lost in France
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd. and Lojo Music
Bonnie Tyler2.353:54
9Girls, Girls, Girls
engineer:
Jeffrey Lesser and Al Scott (Oysterband, engineer, song writer)
associate producer:
Rupert Holmes
producer:
Georg Kajanus, Jeffrey Lesser and Al Scott (Oysterband, engineer, song writer)
mixer:
Jeffrey Lesser
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1974)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1975-10)
part of:
TV Cream: Real 100 Best Singles Ever (number: 51)
recording of:
Girls, Girls, Girls (in 1975-10)
lyricist and composer:
Georg Kajanus
publisher:
Chappell Morris Ltd.
recording of:
Girls, Girls, Girls
lyricist:
Nikki Sixx
composer:
Tommy Lee (Mötley Crüe drummer), Mick Mars and Nikki Sixx
publisher:
Mars Mountain Music, Sixx/Gunner Music, Tommyland Music and WB Music Corp. (1929–2019)
Sailor33:02
10Jealous Mind
Alvin Stardust2:52
11Till I Kissed Her
John Kincade2:25
12Loop di Love
Juan Bastos3:15
13Theme From Shaft
producer:
Isaac Hayes
bass guitar:
James Alexander (US soul bassist, singer and songwriter)
bongos and congas:
Gary Jones (percussionist)
electric piano:
Lester Snell (Pianist/keyboardist, songwriter and producer)
electric piano, organ, piano and vibraphone and lead vocals:
Isaac Hayes
guitar:
Charles Pitts and Michael Toles
membranophone and tambourine:
Willie "Too Big" Hall
phonographic copyright (℗) by:
Stax Records (not for release) (in 1971)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 303)
recording of:
Theme From Shaft (Shaft, 1971)
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
The 44th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1971 winner)
part of:
Shaft (1971 film soundtrack)
Isaac Hayes3.54:36
14I Love to Love
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Biddu (composer, songwriter, producer and musician)
arranger:
Biddu (composer, songwriter, producer and musician)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976) and Arista Records Ltd. (not for release label use!) (in 1986)
cover recording of:
I Love to Love
lyricist:
Philo Jack Robinson (disco songwriter, producer, composer)
composer:
James Bolden (French singer and songwriter)
publisher:
Mautoglade Music, Robin Song Music (affiliated to SACEM) and Rolf Baierle Music
Tina Charles4.653:02
15Never Can Say Goodbye
cover recording of:
Never Can Say Goodbye
lyricist and composer:
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. and Portable Music Co., Inc.
Gloria Gaynor36:21
16Get Up (I Feel Like Being a) Sex Machine
producer:
James Brown (The Godfather of Soul)
bass guitar:
Bootsy Collins (US funk musician & songwriter)
drums (drum set):
John Starks
guitar:
Catfish Collins
organ:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
piano:
James Brown (The Godfather of Soul)
tenor saxophone:
Robert McCollough
trumpet:
Clayton Gunnells and Darryl Hassan Jamison
lead vocals:
James Brown (The Godfather of Soul) (on 1970-04-25)
vocals:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
performer:
The J.B.’s
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1970)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 196) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 326)
recording of:
Get Up (I Feel Like Being Like a) Sex Machine (on 1970-04-25)
writer:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown45:16
2CD
#TitleArtistRatingLength
1Mexican Girl
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Terry Uttley (English bassist, singer and songwriter)
drums (drum set) and percussion:
Pete Spencer (UK drummer/songwriter, in Smokie)
guitar:
Chris Norman (English soft rock singer) and Alan Silson
keyboard and lead vocals:
Chris Norman (English soft rock singer)
phonographic copyright (℗) by:
Chinnichap Records Ltd. (in 1978)
produced for:
Chinnichap (production company and publisher)
recording of:
Mexican Girl
composer:
Chris Norman (English soft rock singer) and Pete Spencer (UK drummer/songwriter, in Smokie)
publisher:
Hanseatic (publisher), RAK Publishing Ltd. and Willow Music Publ. Ltd.
Smokie3:58
2So You Win Again
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977) and RAK (in 1977)
recording of:
So You Win Again
lyricist and composer:
Russ Ballard
publisher:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) and Universal Music–MGB Songs
Hot Chocolate4.254:29
3I Feel Love
recording of:
I Feel Love
lyricist:
Pete Bellotte (English lyricist and producer)
composer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music and Warner Chappell (Warner/Chappell Music, Inc.)
Donna Summer43:47
4Automatic Lover
Dee D. Jackson4:12
5That’s the Way (I Like It)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) and T.K. Records (Miami‐based disco label) (in 1975)
edit of:
That’s the Way (I Like It) by KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.33:05
6In Zaire
recording of:
In Zaire
writer:
Johnny Wakelin
Johnny Wakelin23:17
7Everything I Want to Do
Albert Hammond2:52
8Spirit in the Sky
producer:
Erik Jacobsen
phonographic copyright (℗) by:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969), Transtone Productions (in 1970) and Craft Recordings (US jazz label; reissue division of Concord) (in 2023)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 5), Billboard Year-End Hot 100 singles of 1970 (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 333)
recording of:
Spirit in the Sky (in 1969)
lyricist and composer:
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) and Westminster Music Ltd.
Norman Greenbaum4.053:59
9This Flight Tonight
producer:
Roger Glover
phonographic copyright (℗) by:
Nazareth (Dunfermline) Ltd. (until 1973) and Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1973)
cover recording of:
This Flight Tonight
lyricist and composer:
Joni Mitchell
publisher:
Global Musikverlag (Global Musik GmbH & Co. KG), Joni Mitchell Publishing Corp., Siquomb Pub. Corp. and Warner Bros. Music (publisher; do NOT use as release label)
Nazareth3.753:22
10Can the Can
recording of:
Can the Can
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Music, Chinnichap (production company and publisher) and Universal Music Publishing MGB Australia
Suzi Quatro3:35
11Mama Loo
recording of:
Mama Loo
lyricist and composer:
Jimmy Bilsbury and Les Humphries
publisher:
Sikorski (German publisher) (in 1973)
Les Humphries Singers33:45
12Some Girls
recording of:
Some Girls
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Downtown DLJ Songs, Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Racey3.53:26
13Under the Moon of Love
cover recording of:
Under the Moon of Love
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Curtis Lee (US rock & roll singer, had single “Pretty Little Angel Eyes”)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Showaddywaddy3:04
14Oh Boy
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
RAK Records Ltd. (in 1975)
cover recording of:
Oh, Boy!
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
Mud22:53
15Ça plane pour moi
producer:
Lou Deprijck
phonographic copyright (℗) by:
BMG Belgium (in 1977)
recording of:
Ça plane pour moi (in 1977)
lyricist:
Yves Lacomblez
composer:
Lou Deprijck
publisher:
Klugerpartners and Universal Publishing
Plastic Bertrand4.652:58
161‐2‐3‐4… Fire!
Penny McLean3:11
3CD
#TitleArtistRatingLength
1Sunday Girl
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Sunday Girl (from 1978-06 until 1978-07)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc (in 1978)
Blondie3.83:03
2Substitute
producer:
Grahame Beggs
recording of:
Substitute (in 1978)
lyricist and composer:
Willie Wilson
publisher:
Discoton (German club label)
Clout43:24
3Dancing in the City
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (in 1978)
recording of:
Dancing in the City (in 1978)
writer:
Kit Hain and Julian Marshall
publisher:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) and Rondor Music (London) Ltd.
Marshall Hain3:47
4Lovemachine
compilation of:
Lovemachine (Part 2) (Part II) by Supermax and Lovemachine, Part 1 (Part I) by Supermax
recording of:
Lovemachine (from 1977-05 until 1977-09)
lyricist and composer:
Kurt Hauenstein
Supermax8:37
5Samba pa ti
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-19)
congas and percussion:
Michael Carabello (percussionist) (on 1970-07-19)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-19)
drums (drum set):
Michael Shrieve (drummer) (on 1970-07-19)
guitar:
Carlos Santana (on 1970-07-19)
keyboard:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-19)
percussion:
Rico Reyes (on 1970-07-19)
tabla:
Steven Saphore (on 1970-07-19)
arranger:
Gregg Rolie (keyboardist and vocalist) and Carlos Santana
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-19)
recording of:
Samba pa ti (on 1970-07-19)
composer:
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
Santana3.754:27
6Sylvia’s Mother
producer:
Ron Haffkine
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recording of:
Sylvia’s Mother
lyricist and composer:
Shel Silverstein
publisher:
Essex Music, Essex Music of Australia Pty. Ltd. and Evil Eye Music Inc.
Dr. Hook & the Medicine Show43:49
7Yellow River
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 83)
recording of:
Yellow River (in 1970)
lyricist and composer:
Jeff Christie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Christie3.352:43
8Mississippi
phonographic copyright (℗) by:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Mississippi
lyricist and composer:
Werner Theunissen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:35
9Bye Bye Baby
engineer:
Barry Hammond and Peter Tattersall
producer:
Phil Wainman
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1974)
cover recording of:
Bye, Bye, Baby (Baby Goodbye) (in 1974)
writer:
Bob Crewe and Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. and Seasons’ Four Music Inc.
recording of:
Bye, Bye, Baby (Baby Goodbye)
writer:
Bob Crewe and Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. and Seasons’ Four Music Inc.
Bay City Rollers4.52:48
10Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
lyricist and composer:
Carl Douglas
publisher:
Carren Music (publisher) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
is based on:
[Oriental Riff]
Carl Douglas4.23:15
11I Can Help
engineer:
Chip Young (American session guitarist, bassist, producer in the genre of country)
producer:
Billy Swan and Chip Young (American session guitarist, bassist, producer in the genre of country)
acoustic guitar:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (in 1974)
bass:
Mike Leech (in 1974)
drums (drum set):
Hayward Bishop (in 1974)
electric guitar:
Chip Young (American session guitarist, bassist, producer in the genre of country) (in 1974) and Reggie Young (guitarist and songwriter) (in 1974)
instruments:
Paul Richmond (engineer) (in 1974)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recorded at:
Youngun Sound Studio in Murfreesboro, Tennessee, United States (in 1974)
recording of:
I Can Help (in 1974)
lyricist and composer:
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Billy Swan43:58
12Neanderthal ManHotlegs4:11
13Crazy Horses
recording of:
Crazy Horses
lyricist and composer:
Alan Osmond, Merrill Osmond and Wayne Osmond
publisher:
Kolob Music and Mike Curb Music
version of:
Crazy Horses
The Osmonds2:31
14The Witch
recording of:
The Witch
lyricist and composer:
Herbert Hildebrandt
The Rattles2:31
15Rockin’ All Over the World
assistant engineer:
Kevin Whyte
engineer:
John Eden (producer), Barry Hammond and Simon Sullivan
producer:
Status Quo (UK boogie rock band) and Pip Williams (producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1977), Mercury Records Ltd. (London) (for copyrights use only) (in 1977), Mercury Records Ltd. (UK) (in 1977), Phonogram Ltd. (not for release label use!) (in 1977), Phonogram Ltd. (London) (company name, NOT a label!) (in 1977, in 1988) and Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1992)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (on 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv municipality), Västra Götaland (Västra Götaland county), Sweden (on 1992-08-30) and Sutton Park in Birmingham, West Midlands, England, United Kingdom (on 1992-08-30)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
music videos:
Rockin All Over the World by Status Quo (UK boogie rock band)
cover recording of:
Rockin’ All Over the World (on 1992-08-30)
lyricist and composer:
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company and Intersong Ltd. (publisher) (in 1977)
Status Quo43:33
16Bang BangB. A. Robertson3:20

Credits

Release group

part of:Media Markt Collection (order: 22)