The Great American Songbook (Volume I-IV Earbook, ISBN 978-1-908709-27-1)

~ Pubblicazione di Rod Stewart (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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1CD: It Had to Be You… The Great American Songbook, Volume I
#TitoloValutazioneDurata
1You Go to My Head
registrazione cover di:
You Go to My Head
paroliere:
Haven Gillespie (nel 1938)
compositore:
J. Fred Coots (nel 1938)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) e Warner Bros. Music Corp.
4:17
2They Can’t Take That Away From Me
registrazione cover di:
They Can’t Take That Away From Me (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
3:26
3The Way You Look Tonight
registrazione cover di:
The Way You Look Tonight (from “Swing Time”)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1936)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 9th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1936 winner)
parte di:
Swing Time (film)
3:49
4It Had to Be You
registrazione cover di:
It Had to Be You
paroliere:
Gus Kahn (nel 1924)
compositore:
Isham Jones (nel 1924)
editore:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) e Jerome H. Remick & Co. (il 1924-05-09)
3:25
5That Old Feeling
registrazione cover di:
That Old Feeling
paroliere:
Lew Brown
compositore:
Sammy Fain
editore:
Leo Feist, Inc. e Warner Bros. Music Corp.
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
2:55
6These Foolish Things
registrazione cover di:
These Foolish Things (Remind Me of You)
paroliere:
Holt Marvell (nel 1935)
compositore:
Jack Strachey (nel 1935)
compositore aggiunto:
Harry Link (US vaudeville actor & songwriter)
editore:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. e Lafleur Music Ltd.
3:48
7The Very Thought of You
registrazione cover di:
The Very Thought of You
paroliere e compositore:
Ray Noble
editore:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) e Warner Bros. Music (publisher; do NOT use as release label)
3:20
8Moonglow
registrazione cover di:
Moonglow
paroliere:
Eddie DeLange
compositore:
Will Hudson e Irving Mills
3:33
9I’ll Be Seeing You
registrazione cover di:
I’ll Be Seeing You
paroliere:
Irving Kahal (nel 1938)
compositore:
Sammy Fain (nel 1938)
editore:
Fain Music (ASCAP), New Irving Kahal Music e Williamson Music Company
sub-editore:
フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
3:51
10Ev’ry Time We Say Goodbye
registrazione cover di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
registrazione di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:28
11The Nearness of You
registrazione cover di:
The Nearness of You
paroliere:
Ned Washington (nel 1938)
compositore:
Hoagy Carmichael (nel 1938)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK e Sony/ATV Music Publishing LLC (1995–2020)
3:01
12For All We Know
registrazione cover di:
For All We Know (1934 song)
paroliere:
Sam M. Lewis (1930s lyricist) (nel 1934)
compositore:
J. Fred Coots (nel 1934)
editore:
Bienstock Publishing Company (ASCAP affiliated) (conclusa), Cromwell Music, Inc. (conclusa), EMI Feist Catalog Inc. (conclusa), Leo Feist, Inc. (conclusa), Redwood Music Ltd. (Carlin) (conclusa), Tro-Cromwell Music, Inc. (conclusa), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company e Toy Town Tunes, Inc.
3:25
13We’ll Be Together Again
registrazione cover di:
We’ll Be Together Again
paroliere:
Frankie Laine
compositore:
Carl T. Fischer (Native American jazz pianist and composer)
editore:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:55
14That’s All
registrazione cover di:
That’s All
paroliere:
Alan Brandt
compositore:
Alan Brandt e Bob Haymes
editore:
Mixed Bag Music Inc. e Travis Music
3:03
2CD: As Time Goes By… The Great American Songbook, Volume II
#TitoloArtistaValutazioneDurata
1Time After Time
tecnico di registrazione:
Joel Moss
produttore:
Phil Ramone
tecnico di missaggio:
Frank Filipetti
basso :
David Finck
batteria :
Frank Vilardi
chitarra acustica :
David Spinozza
pianoforte :
Henry Hey
tastiera :
Rob Mathes, Rob Mounsey e Philippe Saisse
tromba :
Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer)
viola :
Adria Benjamin, Monica Gerard (viola), Mary Hammann e Vincent Lionti
violino :
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini (violin), Ann Leathers (US violinist), Laura McGinniss (violin), Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz e Carol Webb (violinist)
violoncello :
Ann S. Kim, Richard Locker (cellist) e Mark Orrin Shuman
direttore d'orchestra:
Rob Mounsey
arrangiatore archi :
Rob Mounsey
arrangiatore aggiunto:
Rob Mathes
registrazione cover di:
Time After Time
paroliere:
Sammy Cahn
compositore:
Jule Styne
editore:
Chappell/Morris Ltd. e Sands Music Corp.
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Rod Stewart2:59
2I’m in the Mood for Love
tecnico di registrazione:
Carter Humphrey
produttore:
Richard Perry (producer)
tecnico di missaggio:
Bobby Ginsburg e Carter Humphrey
basso :
Reggie McBride
batteria :
John Ferraro
chitarra :
Dean Parks (American session guitarist)
pianoforte e sintetizzatore :
Mike Thompson (recording engineer)
sassofono :
Doug Webb
arrangiatore:
Richard Perry (producer) e Mike Thompson (recording engineer)
registrazione cover di:
I’m in the Mood for Love
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (nel 1935, nel 1963) e EMI Music Publishing Ltd. (PRS‐affiliated) (nel 2016)
Rod Stewart3:08
3Don’t Get Around Much Anymore
tecnico di registrazione e tecnico di missaggio:
Frank Filipetti
produttore:
Phil Ramone
basso :
Tom Barney
batteria :
Shawn Pelton
chitarra acustica :
David Spinozza
chitarra e tastiera :
Rob Mathes
clarinetto :
Lawrence Feldman (flutist and saxophonist)
pianoforte :
Peter Nero (US pianist & conductor)
tastiera :
Rob Mounsey e Philippe Saisse
viola :
Adria Benjamin, Monica Gerard (viola), Mary Hammann e Vincent Lionti
violino :
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini (violin), Ann Leathers (US violinist), Laura McGinniss (violin), Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz e Carol Webb (violinist)
violoncello :
Ann S. Kim, Richard Locker (cellist) e Mark Orrin Shuman
direttore d'orchestra:
Rob Mounsey
arrangiatore archi :
Rob Mounsey e Philippe Saisse
arrangiatore aggiunto:
Rob Mathes
registrazione cover di:
Don’t Get Around Much Anymore
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1942)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1940)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. e Sony/ATV Harmony
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
versione di:
Never No Lament
Rod Stewart2:49
4Bewitched, Bothered & Bewildered
tecnico di registrazione:
Bobby Ginsburg e Carter Humphrey
produttore:
Richard Perry (producer)
produttore aggiunto:
Lauren Wild
tecnico di missaggio:
Carter Humphrey
basso :
Reggie McBride
batteria :
Joe LaBarbera
chitarra :
Aaron Kaplan, Larry Koonse e Dean Parks (American session guitarist)
corno e sassofono :
Doug Webb
pianoforte e sintetizzatore :
Mike Thompson (recording engineer)
direttore d'orchestra:
Alan Broadbent
esecutore:
Cher
arrangiatore archi :
Alan Broadbent
arrangiatore:
Richard Perry (producer) e Mike Thompson (recording engineer)
arrangiatore aggiunto:
Arnold Stiefel
registrazione cover di:
Bewitched, Bothered and Bewildered (Pal Joey)
paroliere:
Lorenz Hart (nel 1940)
compositore:
Richard Rodgers (composer) (nel 1940)
editore:
WB Music Group (conclusa), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e Williamson Music Company
parte di:
Pal Joey
Rod Stewart & Cher4:14
5’Till There Was You
tecnico di registrazione:
Al Hemberger e Joel Moss
tecnico aggiunto:
Matt Noble
tecnico di missaggio:
Jan Folkson
basso :
David Finck
batteria :
Warren Odze
chitarra :
David Spinozza e Carl Sturken
percussione :
Shawn Pelton
tastiera e pianoforte :
Rob Mathes
vibrafono :
Joe Locke (United States jazz vibraphonist)
violoncello :
Jean Le Blanc e Richard Locker (cellist)
arrangiatore archi :
Rob Mathes
registrazione cover di:
Till There Was You (The Music Man)
paroliere e compositore:
Meredith Willson (nel 1950)
editore:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing e Rinimer Corp.
parte di:
The Music Man
Rod Stewart2:52
6Until the Real Thing Comes Along
tecnico di registrazione e tecnico di missaggio:
Carter Humphrey
produttore:
Richard Perry (producer)
basso :
Reggie McBride
batteria :
John Ferraro
chitarra :
Larry Koonse e Dean Parks (American session guitarist)
pianoforte e sintetizzatore :
Mike Thompson (recording engineer)
sassofono contralto e clarinetto :
Doug Webb
direttore d'orchestra:
Colin Freeman
arrangiatore archi :
Colin Freeman
arrangiatore clarinetto e corno :
Mike Thompson (recording engineer)
arrangiatore:
Richard Perry (producer)
registrazione cover di:
Until the Real Thing Comes Along
paroliere e compositore:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner e Alberta Nichols
editore:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) e WB Music Corp. (1929–2019)
Rod Stewart3:39
7Where or When
tecnico di registrazione e tecnico di missaggio:
Al Hemberger
produttore:
Evan Rogers (musician/producer) e Carl Sturken
basso :
David Finck
batteria :
Warren Odze
chitarra e pianoforte :
Carl Sturken
registrazione cover di:
Where or When (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company e Chappell & Co. (nel 1937)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
Rod Stewart & Lisa Ekdahl13:11
8Smile
tecnico di registrazione:
Ray Bardani e Carter Humphrey
produttore:
Richard Perry (producer)
tecnico di missaggio:
Carter Humphrey
basso :
David Finck
batteria :
Shawn Pelton
chitarra :
Jimmy Rip e David Spinozza
chitarra aggiunto:
Dean Parks (American session guitarist)
pianoforte :
Henry Hey
sintetizzatore :
Philippe Saisse e Mike Thompson (recording engineer)
arrangiatore aggiunto:
Rob Mathes, Richard Perry (producer), Mike Thompson (recording engineer) e Lauren Wild
registrazione cover di:
Smile (song version w/ lyrics)
paroliere:
Geoffrey Parsons (lyricist) e John Turner (lyricist)
compositore:
Charlie Chaplin (filmmaker)
editore:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. e Bourne Co. (not for release label use, this is a music publisher) (nel 1954)
sub-editore:
Editions Vedette Sprl e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Smile (Modern Times; original instrumental version)
parte di:
Chaplin
Rod Stewart3:13
9My Heart Stood Still
tecnico di registrazione:
Frank Filipetti e Joel Moss
produttore:
Phil Ramone
tecnico di missaggio:
Frank Filipetti
basso :
David Finck
batteria :
Frank Vilardi
chitarra acustica :
David Spinozza
pianoforte :
Henry Hey
sassofono contralto :
Dave Koz
tastiera :
Rob Mathes e Philippe Saisse
viola :
Adria Benjamin, Monica Gerard (viola), Mary Hammann e Vincent Lionti
violino :
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini (violin), Ann Leathers (US violinist), Laura McGinniss (violin), Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz e Carol Webb (violinist)
violoncello :
Ann S. Kim, Richard Locker (cellist) e Mark Orrin Shuman
direttore d'orchestra:
Rob Mounsey
arrangiatore archi :
Philippe Saisse
arrangiatore aggiunto:
Rob Mathes
registrazione cover di:
My Heart Stood Still
paroliere:
Lorenz Hart (nel 1927)
compositore:
Richard Rodgers (composer) (nel 1927)
editore:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
One Dam Thing After Another
Rod Stewart3:04
10Someone to Watch Over Me
tecnico di registrazione:
J.J. Blair e Carter Humphrey
produttore:
Richard Perry (producer)
tecnico di missaggio:
Bobby Ginsburg
basso :
Chris Golden (American bassist)
batteria :
Jimi Paxson, Jr
chitarra :
Dean Parks (American session guitarist) e Frank Simes
pianoforte e sintetizzatore :
Mike Thompson (recording engineer)
direttore d'orchestra:
Mort Lindsey
arrangiatore archi :
Mort Lindsey
arrangiatore:
Richard Perry (producer), Mike Thompson (recording engineer) e Lauren Wild
registrazione cover di:
Someone to Watch Over Me (Oh, Kay!)
paroliere:
Ira Gershwin (nel 1926)
compositore:
George Gershwin (composer) (nel 1926)
editore:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28), Harms, Inc. (nel 1926) e WC Music Corp. (dal 2019-05-28 al 2022-01-01)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Crazy for You (1992 musical)
parte di:
Oh, Kay! (1926 musical)
Rod Stewart3:31
11As Time Goes By
tecnico di registrazione e tecnico di missaggio:
Carter Humphrey
tecnico di registrazione aggiunto:
Bobby Ginsburg
produttore:
Richard Perry (producer)
basso :
Reggie McBride
batteria :
Kendall Kay
chitarra :
Larry Koonse e Dean Parks (American session guitarist)
pianoforte e sintetizzatore :
Mike Thompson (recording engineer)
sassofono e legni :
Doug Webb
esecutore:
Queen Latifah
arrangiatore:
Richard Perry (producer) e Mike Thompson (recording engineer)
registrazione cover di:
As Time Goes By (the song from “Casablanca”)
paroliere e compositore:
Herman Hupfeld
editore:
WB Music Corp. (1929–2019) (conclusa), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) e Warner Bros., Inc. (not for release label use!) (nel 1931)
sub-editore:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
parte di:
Casablanca (original soundtrack of the 1942 American film)
Rod Stewart & Queen Latifah3:50
12I Only Have Eyes for You
tecnico di registrazione e tecnico di missaggio:
Frank Filipetti
produttore:
Phil Ramone
basso :
Tom Barney
batteria :
Shawn Pelton
chitarra acustica :
David Spinozza
pianoforte :
Henry Hey
tastiera :
Rob Mathes, Rob Mounsey e Philippe Saisse
tromba :
Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer)
viola :
Adria Benjamin, Monica Gerard (viola), Mary Hammann e Vincent Lionti
violino :
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini (violin), Ann Leathers (US violinist), Laura McGinniss (violin), Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz e Carol Webb (violinist)
violoncello :
Ann S. Kim, Richard Locker (cellist) e Mark Orrin Shuman
direttore d'orchestra:
Rob Mounsey
arrangiatore archi :
Rob Mounsey
arrangiatore aggiunto:
Rob Mathes
registrazione cover di:
I Only Have Eyes for You
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. e Warner Bros. Inc. (not for release label use!)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
parte di:
Dames (film)
parte di:
Twins (1988)
Rod Stewart3:08
13Crazy She Calls Me
tecnico di registrazione:
Bobby Ginsburg e Carter Humphrey
produttore:
Richard Perry (producer)
tecnico di missaggio:
Carter Humphrey
basso :
Reggie McBride
batteria :
Joe LaBarbera
chitarra :
Larry Koonse e Dean Parks (American session guitarist)
clarinetto, corno e legni :
Doug Webb
pianoforte e sintetizzatore :
Mike Thompson (recording engineer)
arrangiatore:
Richard Perry (producer) e Mike Thompson (recording engineer)
registrazione cover di:
Crazy He Calls Me
paroliere:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
compositore:
Carl Sigman
editore:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Rod Stewart23:29
14Our Love Is Here to Stay
tecnico di registrazione:
Ray Bardani e Carter Humphrey
produttore:
Richard Perry (producer)
tecnico di missaggio:
Carter Humphrey
basso :
David Finck
batteria :
Shawn Pelton
chitarra :
Dean Parks (American session guitarist), Jimmy Rip e David Spinozza
pianoforte :
Henry Hey
sintetizzatore :
Philippe Saisse e Mike Thompson (recording engineer)
direttore d'orchestra:
Mort Lindsey
arrangiatore archi :
Mort Lindsey
arrangiatore:
Richard Perry (producer) e Mike Thompson (recording engineer)
arrangiatore aggiunto:
Rob Mathes
registrazione cover di:
Love Is Here to Stay
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Gershwin Publishing Corp (nel 1938) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Goldwyn Follies
Rod Stewart2:57
3CD: Stardust… The Great American Songbook, Volume III
#TitoloArtistaValutazioneDurata
1Embraceable You
registrazione cover di:
Embraceable You
paroliere:
Ira Gershwin (nel 1928)
compositore:
George Gershwin (composer) (nel 1928)
editore:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 al 2024-01-01)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
Rod Stewart3:31
2For Sentimental Reasons
assistente tecnico di registrazione:
Ryan Petrie
tecnico di registrazione:
Bobby Ginsburg e Bill Schnee (archi)
tecnico aggiunto:
Helen Atkinson, Darwin Best, Raj Das, Doug Epstein, Michael Teaney (engineer) e Steve Tyrell (American producer and vocalist)
produttore:
Clive Davis (record producer, A&R executive and music industry chief executive) e Steve Tyrell (American producer and vocalist)
tecnico di missaggio:
Andy Zulla
batteria :
Allan Schwartzberg
chitarra :
Bob Mann (US session guitarist)
chitarra basso :
Bob Cranshaw
pianoforte :
Kenny Ascher
sassofono :
Dave Koz
sintetizzatore e tastiera :
Kenny Ascher e Bob Mann (US session guitarist)
viola :
Brian Denbow, Janet Lakatos, Jorge Moraga, Dan Neufeld, Simon Oswell (violist), Nancy Roth e David Walther (viola player)
violino :
Barbara Porter (violinist, photographer), Roberto Cani (violinist), Franklyn D’Antonio, Bruce Dukov, Edie Markman, Endre Granat (Hungarian violinist), Julie Ann Gigante, Kenneth Yerke, Ana Landauer, Michael Markman, Robert Peterson (violin), Katia Popov, Gil Romero e Haim Shtrum
violoncello :
David Low, Steve Richards (cellist), Stephen Erdody e Tim Landauer
voce:
Rod Stewart
direttore d'orchestra:
Bob Mann (US session guitarist)
registrazione cover di:
(I Love You) for Sentimental Reasons
paroliere:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
compositore:
William “Pat” Best
editore:
MCA Duchess Music Corporation e Peter Maurice Music Co. Ltd.
Rod Stewart3:02
3Blue Moon
chitarra solista :
Eric Clapton
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
Rod Stewart feat. Eric Clapton4:05
4What a Wonderful World
armonica (a bocca) :
Stevie Wonder
registrazione cover di:
What a Wonderful World
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Rod Stewart feat. Stevie Wonder4:30
5Stardust
registrazione cover di:
Stardust (the jazz standard)
paroliere:
Mitchell Parish (nel 1929)
compositore:
Hoagy Carmichael (nel 1927)
editore:
Mills Music, Inc. (conclusa), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. e Songs of Peer, Ltd. (ASCAP)
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
American Splendor
Rod Stewart4:02
6Manhattan
voce principale:
Bette Midler
registrazione cover di:
Manhattan
paroliere:
Lorenz Hart (nel 1925)
compositore:
Richard Rodgers (composer) (nel 1925)
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company e Williamson Music Company
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rod Stewart & Bette Midler2:54
7’s Wonderful
registrazione cover di:
’S Wonderful
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
Rod Stewart3:24
8Isn’t It Romantic
registrazione cover di:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”)
paroliere:
Lorenz Hart (nel 1932)
compositore:
Richard Rodgers (composer) (nel 1932)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Sony/ATV Harmony
Rod Stewart3:51
9I Can’t Get Started
registrazione cover di:
I Can’t Get Started
paroliere:
Ira Gershwin
compositore:
Vernon Duke
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) e Universal Music Corp. (USA, affiliated with ASCAP)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rod Stewart3:24
10But Not for Me
registrazione cover di:
But Not for Me
paroliere:
Ira Gershwin (nel 1930)
compositore:
George Gershwin (composer) (nel 1930)
editore:
WB Music Corp. (1929–2019) (fino al 2019-05-28), New World Music Co. (nel 1930) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
Rod Stewart3:23
11A Kiss to Build a Dream On
registrazione cover di:
A Kiss to Build a Dream On
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1935) e Bert Kalmar (nel 1935)
compositore:
Harry Ruby (nel 1935)
editore:
EMI Miller Catalog, Inc.
parte di:
The 24th Academy Award for Best Original Song (numero: 2)
parte di:
Fallout 2: A Post Nuclear Role Playing Game
parte di:
The Strip (1951 film)
Rod Stewart3:14
12Baby, It’s Cold Outside
voce principale:
Dolly Parton
registrazione cover di:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
paroliere e compositore:
Frank Loesser
editore:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
parte di:
The 22nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1949 winner)
Rod Stewart & Dolly Parton3:52
13Night and Day
registrazione cover di:
Night and Day (Cole Porter; from “The Gay Divorce”)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
Rod Stewart3:09
14A Nightingale Sang in Berkeley Square
registrazione cover di:
A Nightingale Sang in Berkeley Square
paroliere:
Eric Maschwitz (Holt Marvell)
compositore:
Manning Sherwin (nel 1939)
editore:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. e Shapiro, Bernstein & Co., Inc.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Rod Stewart4:02
4CD: Thanks for the Memory… The Great American Songbook, Volume IV
#TitoloArtistaValutazioneDurata
1I’ve Got a Crush on You
basso :
David Finck
chitarra :
Bob Mann (US session guitarist)
membranofono :
Allan Schwartzberg
pianoforte :
Kenny Ascher
sassofono :
Dave Koz
registrazione cover di:
I’ve Got a Crush on You
paroliere:
Ira Gershwin (nel 1928)
compositore:
George Gershwin (composer) (nel 1928)
editore:
New World Music Corp. (conclusa), Warner Bros. Music Corp. (conclusa), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 al 2024-01-01)
parte di:
Treasure Girl (1928 musical)
Rod Stewart & Diana Ross3:09
2I Wish You LoveRod Stewart feat. Chris Botti3:38
3You Send Me
basso :
David Finck
chitarra :
Bob Mann (US session guitarist)
membranofono :
Allan Schwartzberg
pianoforte :
Kenny Ascher
voce ospite:
Chaka Khan
registrazione cover di:
You Send Me
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
autore aggiunto:
L. C. Cooke
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Rod Stewart & Chaka Khan3:36
4Long Ago and Far Away
basso :
David Finck
chitarra :
Bob Mann (US session guitarist)
membranofono :
Allan Schwartzberg
pianoforte :
Kenny Ascher
registrazione cover di:
Long Ago (and Far Away)
paroliere:
Ira Gershwin
compositore:
Jerome Kern
editore:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e T.B. Harms Co. (nel 1944)
parte di:
The 17th Academy Award for Best Original Song (numero: 2)
compresa in:
Cover Girl (1944)
Rod Stewart3:12
5Makin’ WhoopeeRod Stewart & Elton John3:45
6My One and Only Love
basso :
Ed Howard (bass player)
chitarra :
Bob Mann (US session guitarist)
membranofono :
Allan Schwartzberg
registrazione cover di:
My One and Only Love
paroliere:
Robert Mellin
compositore:
Robert Mellin e Guy Wood
editore:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. e ミュージカル・ライツ・東京 (Musical Lights Tokyo)
versione di:
Music from Beyond the Moon (My One and Only Love)
Rod Stewart feat. Roy Hargrove3:25
7Taking a Chance on LoveRod Stewart3:28
8My Funny Valentine
basso :
David Finck
chitarra :
Bob Mann (US session guitarist)
membranofono :
Allan Schwartzberg
pianoforte :
Kenny Ascher
registrazione cover di:
My Funny Valentine (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Rod Stewart2:50
9I’ve Got My Love to Keep Me WarmRod Stewart3:10
10Nevertheless
basso :
David Finck
chitarra :
Bob Mann (US session guitarist)
membranofono :
Allan Schwartzberg
pianoforte :
Kenny Ascher
registrazione cover di:
Nevertheless (I’m in Love With You)
paroliere:
Bert Kalmar
compositore:
Harry Ruby
editore:
Chappell & Co., Crawford Music Corp., DeSylva, Brown and Henderson, Inc. e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rod Stewart feat. Dave Koz43:51
11Blue Skies
basso :
David Finck
chitarra :
Bob Mann (US session guitarist)
clarinetto :
Dan Higgins (saxophonist and woodwind recording artist)
membranofono :
Allan Schwartzberg
pianoforte :
Kenny Ascher
registrazione cover di:
Blue Skies
paroliere e compositore:
Irving Berlin (nel 1926)
editore:
Francis, Day & Hunter Ltd., Irving Berlin Music Company e Williamson Music Company
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
registrazione di:
Blue Skies
paroliere e compositore:
Irving Berlin (nel 1926)
editore:
Francis, Day & Hunter Ltd., Irving Berlin Music Company e Williamson Music Company
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rod Stewart2:44
12Let’s Fall in Love
basso :
David Finck
chitarra :
Bob Mann (US session guitarist)
membranofono :
Allan Schwartzberg
pianoforte :
Kenny Ascher
registrazione cover di:
Let’s Fall in Love
paroliere:
Ted Koehler (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Francis, Day & Hunter Ltd.
Rod Stewart feat. George Benson3:16
13Thanks for the Memory
basso :
David Finck
chitarra :
Bob Mann (US session guitarist)
membranofono :
Allan Schwartzberg
pianoforte :
Kenny Ascher
registrazione cover di:
Thanks for the Memory
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Ralph Rainger
editore:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Paramount Music Corporation
parte di:
The 11th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1938 winner)
Rod Stewart3:11

Accreditamenti

Pubblicazione

fabbricata a:the EU (Europa)
società di diritti:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
fabbricata da:Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
distribuito da:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
copyright (©) detenuto da:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2012)
Discogs:https://www.discogs.com/release/8908006 [info]

Gruppo di pubblicazioni

Discogs:https://www.discogs.com/master/613942 [info]