The Juliet Letters

~ Veröffentlichung von Elvis Costello and the Brodsky Quartet (alle Versionen dieser Veröffentlichung ansehen, 9 vorhanden)

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1▼CD
Nr.TitelBewertungLänge
1Deliver Us
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
Deliver Us (von 1992-09-14 bis 1992-10-01)
Komponist(in):
Mac Manus
arranger:
Ian Belton (UK violinist, member of Brodsky Quartet), Paul Cassidy, Jacqueline Thomas (British cellist) und Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd., Plangent Visions Music, Inc. und Universal Music Publishing MGB Ltd.
2.50:50
2For Other Eyes
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
For Other Eyes (von 1992-09-14 bis 1992-10-01)
Texter:
Paul Cassidy, M.P. Thomas und Mac Manus
Komponist(in):
Mac Manus
arranger:
Ian Belton (UK violinist, member of Brodsky Quartet), Paul Cassidy, Jacqueline Thomas (British cellist) und Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd., Plangent Visions Music, Inc. und Universal Music Publishing MGB Ltd.
32:55
3Swine
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
Swine (von 1992-09-14 bis 1992-10-01)
Texter:
Paul Cassidy und Mac Manus
Komponist(in):
Mac Manus
arranger:
Ian Belton (UK violinist, member of Brodsky Quartet), Paul Cassidy, Jacqueline Thomas (British cellist) und Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd., Plangent Visions Music, Inc. und Universal Music Publishing MGB Ltd.
3.52:09
4Expert Rites
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
Expert Rites (von 1992-09-14 bis 1992-10-01)
Texter und Komponist(in):
Mac Manus
arranger:
Ian Belton (UK violinist, member of Brodsky Quartet), Paul Cassidy, Jacqueline Thomas (British cellist) und Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd., Plangent Visions Music, Inc. und Universal Music Publishing MGB Ltd.
3.52:23
5Dead Letter
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
Dead Letter (von 1992-09-14 bis 1992-10-01)
Komponist(in):
Paul Cassidy
arranger:
Ian Belton (UK violinist, member of Brodsky Quartet), Jacqueline Thomas (British cellist) und Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd., Plangent Visions Music, Inc. und Universal Music Publishing MGB Ltd.
32:19
6I Almost Had a Weakness
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
I Almost Had a Weakness (von 1992-09-14 bis 1992-10-01)
Texter:
Mac Manus
Komponist(in):
Mac Manus und Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd. und Plangent Visions Music, Inc.
33:53
7Why?
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
Why? (von 1992-09-14 bis 1992-10-01)
Texter:
Ian Belton (UK violinist, member of Brodsky Quartet) und Mac Manus
Komponist(in):
Mac Manus
publisher:
Plangent Visions Music Ltd. und Plangent Visions Music, Inc.
2.51:26
8Who Do You Think You Are?
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
Who Do You Think You Are? (von 1992-09-14 bis 1992-10-01)
Texter:
M.P. Thomas und Mac Manus
Komponist(in):
Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd. und Plangent Visions Music, Inc.
33:29
9Taking My Life in Your Hands
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
Taking My Life in Your Hands (von 1992-09-14 bis 1992-10-01)
Texter:
Paul Cassidy, M.P. Thomas, Mac Manus und Jacqueline Thomas (British cellist)
Komponist(in):
Mac Manus und Jacqueline Thomas (British cellist)
publisher:
Plangent Visions Music Ltd. und Plangent Visions Music, Inc.
33:20
10This Offer Is Unrepeatable
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
This Offer Is Unrepeatable (von 1992-09-14 bis 1992-10-01)
Texter:
Paul Cassidy und Mac Manus
Komponist(in):
Ian Belton (UK violinist, member of Brodsky Quartet), Paul Cassidy, Mac Manus, Jacqueline Thomas (British cellist) und Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd. und Plangent Visions Music, Inc.
43:13
11Dear Sweet Filthy World
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
Dear Sweet Filthy World (von 1992-09-14 bis 1992-10-01)
Texter:
Ian Belton (UK violinist, member of Brodsky Quartet), M.P. Thomas und Mac Manus
Komponist(in):
Mac Manus
publisher:
Plangent Visions Music Ltd. und Plangent Visions Music, Inc.
3.54:17
12The Letter Home
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
The Letter Home (von 1992-09-14 bis 1992-10-01)
Texter:
Paul Cassidy und Mac Manus
Komponist(in):
Ian Belton (UK violinist, member of Brodsky Quartet) und Mac Manus
publisher:
Plangent Visions Music Ltd. und Plangent Visions Music, Inc.
33:11
13Jacksons, Monk and Rowe
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
Jacksons, Monk and Rowe (von 1992-09-14 bis 1992-10-01)
Texter:
Mac Manus, Jacqueline Thomas (British cellist) und Michael Thomas (violinist, former member of Brodsky Quartet)
Komponist(in):
Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd. und Plangent Visions Music, Inc.
33:43
14This Sad Burlesque
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
This Sad Burlesque (von 1992-09-14 bis 1992-10-01)
Texter:
Mac Manus
Komponist(in):
Paul Cassidy
publisher:
Plangent Visions Music Ltd. und Plangent Visions Music, Inc.
32:47
15Romeo’s Seance
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
Romeo’s Seance (von 1992-09-14 bis 1992-10-01)
Texter:
M.P. Thomas und Mac Manus
Komponist(in):
Mac Manus und Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd. und Plangent Visions Music, Inc.
3.53:33
16I Thought I’d Write to Juliet
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
I Thought I’d Write to Juliet (von 1992-09-14 bis 1992-10-01)
Texter und Komponist(in):
Mac Manus
publisher:
Plangent Visions Music Ltd. und Plangent Visions Music, Inc.
34:08
17Last Post
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
Last Post (von 1992-09-14 bis 1992-10-01)
Komponist(in):
Michael Thomas (violinist, former member of Brodsky Quartet)
publisher:
Plangent Visions Music Ltd. und Plangent Visions Music, Inc.
32:25
18The First to Leave
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
The First to Leave (von 1992-09-14 bis 1992-10-01)
Texter und Komponist(in):
Mac Manus
publisher:
Plangent Visions Music Ltd. und Plangent Visions Music, Inc.
35:00
19Damnation’s Cellar
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
Damnation’s Cellar (von 1992-09-14 bis 1992-10-01)
Texter und Komponist(in):
Mac Manus
publisher:
Plangent Visions Music Ltd. und Plangent Visions Music, Inc.
3.53:26
20The Birds Will Still Be Singing
recording engineer:
Kevin Killen (von 1992-09-14 bis 1992-10-01)
assistierende(r) Techniker(in):
Pascale Giovetto (engineer)
Techniker(in) und Tonmeister(in):
Kevin Killen
Produzent(in):
Brodsky Quartet, Elvis Costello und Kevin Killen
Bratsche / Viola:
Paul Cassidy (von 1992-09-14 bis 1992-10-01)
Cello [violoncello]:
Jacqueline Thomas (British cellist) (von 1992-09-14 bis 1992-10-01)
Geige / Violine:
Ian Belton (UK violinist, member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01) und Michael Thomas (violinist, former member of Brodsky Quartet) (von 1992-09-14 bis 1992-10-01)
vocals:
Elvis Costello (von 1992-09-14 bis 1992-10-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1993) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1993)
aufgenommen bei:
The Church Studios in London (Greater London), England, Vereinigtes Königreich (von 1992-09-14 bis 1992-10-01)
recording of:
The Birds Will Still Be Singing (von 1992-09-14 bis 1992-10-01)
Texter und Komponist(in):
Mac Manus
publisher:
Plangent Visions Music Ltd. und Plangent Visions Music, Inc.
34:27
2▼CD: Bonus Disc
Nr.TitelBewertungLänge
1She Moved Through the Fair
24:46
2Pills and Soap (live)
live recording of:
Pills and Soap
Texter und Komponist(in):
Elvis Costello
34:37
3King of the Unknown Sea (live)
33:52
4Skeleton (live)
34:54
5More Than Rain (live)
live recording of:
More Than Rain
Texter und Komponist(in):
Tom Waits
33:25
6God Only Knows (live)
live cover recording of:
God Only Knows
Texter:
Tony Asher (US lyricist, worked on Pet Sounds)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
34:01
7They Didn’t Believe Me (live)
live recording of:
They Didn’t Believe Me
Texter:
Herbert Reynolds (lyricist)
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd. und Redwood Music Ltd. (Carlin)
Teil von:
The Girl From Utah
24:02
8O Mistress Mine
24:03
9Come Away, Death
24:30
10Put Away Forbidden Playthings (live)
24:13
11Can She Excuse My Wrongs (live)
Interpret(in):
Elvis Costello (am 2006-03-21)
live recording of:
The First Booke of Songs or Ayres, No. 5: “Can She Excuse My Wrongs?” (am 2006-03-21)
Texter:
[anonymous] (special purpose artist) (in 1597)
Komponist(in):
John Dowland (English Renaissance composer, lutenist, and singer) (in 1597)
Teil von:
The First Booke of Songs or Ayres
34:06
12Fire Suite 1
35:29
13Fire Suite 3
33:19
14Fire Suite Reprise
32:40
15Gigi (live)
live cover recording of:
Gigi (Gigi)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell Music Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
The 31st Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1958 winner)
Teil von:
Gigi (full musical)
34:14
16Deep Dead Blue (live)
live recording of:
Deep Dead Blue
Texter:
Elvis Costello
Komponist(in):
Bill Frisell
publisher:
Friz‐Tone Music und Plangent Visions
23:46
17Upon a Veil of Midnight Blue (live)
24:36
18Lost in the Stars
cover recording of:
Lost in the Stars (song, Ulysses Africanus)
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Chappell & Co., Inc. (USA) und Hampshire House Publishing Corp.
Teil von:
Lost in the Stars, Act I
33:56