20th Century Masterpieces: 100 Years of Classical Music

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Cardboard sleeves in cardboard box.

Annotation last modified on 2016-10-13 17:47 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Piano Concerto no. 2 in C minor, op. 18: I. Moderato
producer:
John Fraser (UK producer)
piano:
Leif Ove Andsnes (pianist) (from 2005-06-03 until 2005-06-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2005-06-03 until 2005-06-04)
conductor:
Antonio Pappano (conductor and pianist) (from 2005-06-03 until 2005-06-04)
balance engineer:
Arne Akselberg (from 2005-06-03 until 2005-06-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2005-06-03 until 2005-06-04)
live recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato (from 2005-06-03 until 2005-06-04)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninov10:20
2Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
producer:
John Fraser (UK producer)
piano:
Leif Ove Andsnes (pianist) (from 2005-06-03 until 2005-06-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2005-06-03 until 2005-06-04)
conductor:
Antonio Pappano (conductor and pianist) (from 2005-06-03 until 2005-06-04)
balance engineer:
Arne Akselberg (from 2005-06-03 until 2005-06-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2005-06-03 until 2005-06-04)
live recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (from 2005-06-03 until 2005-06-04)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninov10:58
3Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando
producer:
John Fraser (UK producer)
piano:
Leif Ove Andsnes (pianist) (from 2005-06-03 until 2005-06-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2005-06-03 until 2005-06-04)
conductor:
Antonio Pappano (conductor and pianist) (from 2005-06-03 until 2005-06-04)
balance engineer:
Arne Akselberg (from 2005-06-03 until 2005-06-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2005-06-03 until 2005-06-04)
live recording of:
Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando (from 2005-06-03 until 2005-06-04)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninov11:36
4La Mer: I. De l'aube à midi sur la mer
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer”
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy9:31
5La Mer: II. Jeux de vagues
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-04-11 until 1962-04-19)
conductor:
Carlo Maria Giulini (conductor) (from 1962-04-11 until 1962-04-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-04-11 until 1962-04-19)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (from 1962-04-11 until 1962-04-19)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy7:09
6La Mer: III. Dialogue du vent et de la mer
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-04-11 until 1962-04-19)
conductor:
Carlo Maria Giulini (conductor) (from 1962-04-11 until 1962-04-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-04-11 until 1962-04-19)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (from 1962-04-11 until 1962-04-19)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:50
7Brigg Fair (An English Rhapsody)
orchestra:
Royal Philharmonic Orchestra (on 1956-10-22)
conductor:
Sir Thomas Beecham (conductor) (on 1956-10-22)
recorded at:
BBC Studios in London (Greater London), England, United Kingdom (on 1956-10-22) and Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-10-22)
recording of:
Brigg Fair, RT vi/16 (Delius arrangement) (on 1956-10-22)
composer:
Frederick Delius (English composer) (in 1907)
dedicated to:
Percy Grainger (Australian composer 1882–1961)
is based on:
Brigg Fair (Percy Grainger choral arrangement)
Frederick Delius15:51
2▼CD
#TitleArtistRatingLength
1Das Lied von der Erde: Der Abschied
producer:
Peter Andry (producer) and Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1964-02-19 until 1966-07-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1964-02-19 until 1966-07-09)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1964-02-19 until 1966-07-09)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-02-19 until 1966-07-09) and Douglas Larter (from 1964-02-19 until 1966-07-09)
recording of:
Das Lied von der Erde: VI. Der Abschied (The Song of the Earth: VI. The Farewell) (from 1964-02-19 until 1966-07-09)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
additional lyricist:
Gustav Mahler (composer)
lyricist:
孟浩然 (Mèng Hàorán) and 王維 (Wang Wei, 8th century poet)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
宿業師山房待丁大不至
is based on:
送別 (Chinese poem by Wang Wei)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler29:50
25 Orchesterstücke, op. 16: I. Vorgefühle (Sehr rasch)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1987-12-19 until 1988-04-29)
conductor:
Simon Rattle (conductor) (from 1987-12-19 until 1988-04-29)
balance engineer:
Michael Sheady (engineer) (from 1987-12-19 until 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1987-12-19 until 1988-04-29)
recording of:
Fünf Orchesterstücke, op. 16: I. Vorgefühle. Sehr rasch (from 1987-12-19 until 1988-04-29)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16 (Five Orchestral Pieces)
Arnold Schönberg2:22
35 Orchesterstücke, op. 16: II. Vergangenes (Mäßige Viertel)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1987-12-19 until 1988-04-29)
conductor:
Simon Rattle (conductor) (from 1987-12-19 until 1988-04-29)
balance engineer:
Michael Sheady (engineer) (from 1987-12-19 until 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1987-12-19 until 1988-04-29)
recording of:
Fünf Orchesterstücke, op. 16: II. Vergangenes. Mässige Viertel (from 1987-12-19 until 1988-04-29)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16 (Five Orchestral Pieces)
Arnold Schönberg5:54
45 Orchesterstücke, op. 16: III. Farben (Mäßige Viertel)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1987-12-19 until 1988-04-29)
conductor:
Simon Rattle (conductor) (from 1987-12-19 until 1988-04-29)
balance engineer:
Michael Sheady (engineer) (from 1987-12-19 until 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1987-12-19 until 1988-04-29)
recording of:
Fünf Orchesterstücke, op. 16: III. Farben. Mässige Viertel (from 1987-12-19 until 1988-04-29)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16 (Five Orchestral Pieces)
Arnold Schönberg4:13
55 Orchesterstücke, op.16: IV. Peripetie (Sehr rasch)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1987-12-19 until 1988-04-29)
conductor:
Simon Rattle (conductor) (from 1987-12-19 until 1988-04-29)
balance engineer:
Michael Sheady (engineer) (from 1987-12-19 until 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1987-12-19 until 1988-04-29)
recording of:
Fünf Orchesterstücke, op. 16: IV. Peripetie. Sehr rasch (from 1987-12-19 until 1988-04-29)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16 (Five Orchestral Pieces)
Arnold Schönberg2:33
65 Orchesterstücke, op. 16: V. Das obligate Rezitativ (Bewegte Achtel)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1987-12-19 until 1988-04-29)
conductor:
Simon Rattle (conductor) (from 1987-12-19 until 1988-04-29)
balance engineer:
Michael Sheady (engineer) (from 1987-12-19 until 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1987-12-19 until 1988-04-29)
recording of:
Fünf Orchesterstücke, op. 16: V. Das obligate Rezitativ. Bewegte Achtel (from 1987-12-19 until 1988-04-29)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16 (Five Orchestral Pieces)
Arnold Schönberg3:46
76 Orchesterstücke, op. 6: I. Langsam
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (on 1988-04-29)
conductor:
Simon Rattle (conductor) (on 1988-04-29)
balance engineer:
Michael Sheady (engineer) (on 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (on 1988-04-29)
recording of:
Sechs Stücke für Orchester, op. 6: I. Langsam (1928 revision) (on 1988-04-29)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: I. Etwas bewegte Achtel (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (Six Pieces for Large Orchestra, op. 6, 1928 revision)
Anton Webern1:03
86 Orchesterstücke, op. 6: II. Bewegt
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (on 1988-04-29)
conductor:
Simon Rattle (conductor) (on 1988-04-29)
balance engineer:
Michael Sheady (engineer) (on 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (on 1988-04-29)
recording of:
Sechs Stücke für Orchester, op. 6: II. Bewegt (1928 revision) (on 1988-04-29)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: II. Bewegt (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (Six Pieces for Large Orchestra, op. 6, 1928 revision)
Anton Webern1:34
96 Orchesterstücke, op. 6: III. Mäßig
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (on 1988-04-29)
conductor:
Simon Rattle (conductor) (on 1988-04-29)
balance engineer:
Michael Sheady (engineer) (on 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (on 1988-04-29)
recording of:
Sechs Stücke für Orchester, op. 6: III. Mäßig (1928 revision) (on 1988-04-29)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: III. Zart bewegt (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (Six Pieces for Large Orchestra, op. 6, 1928 revision)
Anton Webern0:55
106 Orchesterstücke, op. 6: IV. Sehr mäßig
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (on 1988-04-29)
conductor:
Simon Rattle (conductor) (on 1988-04-29)
balance engineer:
Michael Sheady (engineer) (on 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (on 1988-04-29)
recording of:
Sechs Stücke für Orchester, op. 6: IV. Sehr mäßig (1928 revision) (on 1988-04-29)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: IV. Langsam (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (Six Pieces for Large Orchestra, op. 6, 1928 revision)
Anton Webern4:24
116 Orchesterstücke, op. 6: V. Sehr langsam
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (on 1988-04-29)
conductor:
Simon Rattle (conductor) (on 1988-04-29)
balance engineer:
Michael Sheady (engineer) (on 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (on 1988-04-29)
recording of:
Sechs Stücke für Orchester, op. 6: V. Sehr langsam (1928 revision) (on 1988-04-29)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: V. Sehr langsam (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (Six Pieces for Large Orchestra, op. 6, 1928 revision)
Anton Webern2:44
126 Orchesterstücke, op. 6: VI. Langsam
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (on 1988-04-29)
conductor:
Simon Rattle (conductor) (on 1988-04-29)
balance engineer:
Michael Sheady (engineer) (on 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (on 1988-04-29)
recording of:
Sechs Stücke für Orchester, op. 6: VI. Langsam (1928 revision) (on 1988-04-29)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: VI. Zart bewegt (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (Six Pieces for Large Orchestra, op. 6, 1928 revision)
Anton Webern1:55
13Piano Concerto no. 1 in D-flat major, Op. 10: I. Allegro brioso
producer:
David Groves (classical music producer at EMI)
piano:
Martha Argerich (Argentine pianist) (in 1997-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1997-10)
conductor:
Charles Dutoit (conductor) (in 1997-10)
balance engineer:
John Dunkerley (engineer)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1998)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1997-10)
recording of:
Piano Concerto no. 1 in D-flat major, op. 10: I. Allegro brioso (in 1997-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1911 until 1912)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 1 in D-flat major, op. 10
Sergei Prokofiev6:57
14Piano Concerto no. 1 in D-flat major, Op. 10: II. Andante assai
producer:
David Groves (classical music producer at EMI)
piano:
Martha Argerich (Argentine pianist) (in 1997-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1997-10)
conductor:
Charles Dutoit (conductor) (in 1997-10)
balance engineer:
John Dunkerley (engineer)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1998)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1997-10)
recording of:
Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai (in 1997-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1911 until 1912)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 1 in D-flat major, op. 10
Sergei Prokofiev4:34
15Piano Concerto no. 1 in D-flat major, Op. 10: III. Allegro scherzando
producer:
David Groves (classical music producer at EMI)
piano:
Martha Argerich (Argentine pianist) (in 1997-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1997-10)
conductor:
Charles Dutoit (conductor) (in 1997-10)
balance engineer:
John Dunkerley (engineer)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1998)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1997-10)
recording of:
Piano Concerto no. 1 in D-flat major, op. 10: III. Allegro scherzando (in 1997-10)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1911 until 1912)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 1 in D-flat major, op. 10
Sergei Prokofiev4:27
3▼CD
#TitleArtistRatingLength
1Le Sacre du printemps, Part One: The Adoration of the Earth. Introduction
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: I. Introduction (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:37
2Le Sacre du printemps, Part One: The Adoration of the Earth. The Augurs of Spring – Dance of the Maidens
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:11
3Le Sacre du printemps, Part One: The Adoration of the Earth. Ritual of Abduction
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: III. Jeu du rapt (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:17
4Le Sacre du printemps, Part One: The Adoration of the Earth. Spring Rounds
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: IV. Rondes printanières (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky3:45
5Le Sacre du printemps, Part One: The Adoration of the Earth. Ritual of the Rival Tribes
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: V. Jeux des cités rivales (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:48
6Le Sacre du printemps, Part One: The Adoration of the Earth. Procession of the Sage
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VI. Cortège du Sage (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:40
7Le Sacre du printemps, Part One: The Adoration of the Earth. Adoration of the Earth
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VII. Le Sage (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky0:21
8Le Sacre du printemps, Part One: The Adoration of the Earth. Dance of the Earth
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: I. L’Adoration de la terre: VIII. Danse de la terre (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre (The Rite of Spring: Part I: Adoration of the Earth)
Igor Stravinsky1:14
9Le Sacre du printemps, Part Two: The Sacrifice. Introduction
engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:06
10Le Sacre du printemps, Part Two: The Sacrifice. Mystic Circles of the Maidens
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:12
11Le Sacre du printemps, Part Two: The Sacrifice. Glorification of the Chosen One
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky1:31
12Le Sacre du printemps, Part Two: The Sacrifice. Evocation of the Ancestors
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky0:45
13Le Sacre du printemps, Part Two: The Sacrifice. Ritual of the Ancestors
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky3:23
14Le Sacre du printemps, Part Two: The Sacrifice. Sacrificial Dance (The Chosen One)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:44
15The Lark Ascending
producer:
Simon Woods (producer)
violin:
Sarah Chang (violinist) (in 1994)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1994)
conductor:
Bernard Haitink (conductor) (in 1994)
balance engineer:
John Kurlander (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1994)
recording of:
The Lark Ascending (for violin and orchestra) (in 1994)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams13:34
16Symphony No. 5 in E flat Op. 82: I. Tempo molto moderato - Allegro moderato - Presto
producer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Helsinki Philharmonic Orchestra (in 1986-12)
conductor:
Paavo Berglund (conductor) (in 1986-12)
balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s) (in 1986-12)
recorded at:
Kulttuuritalo (The Helsinki Hall of Culture, Alppila) in Helsinki, Uusimaa, Finland (in 1986-12)
recording of:
Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato (ma poco a poco stretto) - Presto - Più presto (in 1986-12)
composer:
Jean Sibelius (Finnish composer) (from 1915 until 1919)
part of:
Symphony no. 5 in E-flat major, op. 82
Jean Sibelius13:40
17Symphony No. 5 in E flat Op. 82: II. Andante mosso, quasi allegretto
producer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Helsinki Philharmonic Orchestra (in 1986-12)
conductor:
Paavo Berglund (conductor) (in 1986-12)
balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s) (in 1986-12)
recorded at:
Kulttuuritalo (The Helsinki Hall of Culture, Alppila) in Helsinki, Uusimaa, Finland (in 1986-12)
recording of:
Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto (in 1986-12)
composer:
Jean Sibelius (Finnish composer) (from 1915 until 1919)
part of:
Symphony no. 5 in E-flat major, op. 82
Jean Sibelius8:00
18Symphony No. 5 in E flat Op. 82: III. Allegro molto - Un pochettino largamente
producer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Helsinki Philharmonic Orchestra (in 1986-12)
conductor:
Paavo Berglund (conductor) (in 1986-12)
balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s) (in 1986-12)
recorded at:
Kulttuuritalo (The Helsinki Hall of Culture, Alppila) in Helsinki, Uusimaa, Finland (in 1986-12)
recording of:
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto (in 1986-12)
composer:
Jean Sibelius (Finnish composer) (from 1915 until 1919)
part of:
Symphony no. 5 in E-flat major, op. 82
Jean Sibelius8:50
4▼CD
#TitleArtistRatingLength
1Noches en los jardines de España: I. En la Generalife
piano:
Gonzalo Soriano (pianist) (from 1963-01-03 until 1963-01-08)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-01-03 until 1963-01-08)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1963-01-03 until 1963-01-08)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-01-03 until 1963-01-08)
recording of:
Noches en los jardines de España: I. En el Generalife (from 1963-01-03 until 1963-01-08)
composer:
Manuel de Falla (Spanish composer) (from 1909 until 1916)
publisher:
Max Eschig
part of:
Noches en los jardines de España (Nights in the Gardens of Spain)
Manuel de Falla10:15
2Noches en los jardines de España: II. Danza lejana
piano:
Gonzalo Soriano (pianist) (from 1963-01-03 until 1963-01-08)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-01-03 until 1963-01-08)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1963-01-03 until 1963-01-08)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-01-03 until 1963-01-08)
recording of:
Noches en los jardines de España: II. Danza lejana (from 1963-01-03 until 1963-01-08)
composer:
Manuel de Falla (Spanish composer)
publisher:
Max Eschig
part of:
Noches en los jardines de España (Nights in the Gardens of Spain)
Manuel de Falla5:41
3Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba
piano:
Gonzalo Soriano (pianist) (from 1963-01-03 until 1963-01-08)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-01-03 until 1963-01-08)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1963-01-03 until 1963-01-08)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-01-03 until 1963-01-08)
recording of:
Noches en los jardines de España: III. En los jardines de la sierra de Córdoba (from 1963-01-03 until 1963-01-08)
composer:
Manuel de Falla (Spanish composer)
publisher:
Max Eschig
part of:
Noches en los jardines de España (Nights in the Gardens of Spain)
Manuel de Falla9:18
4The Planets Op. 32: Mars, the Bringer of War (Allegro)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: I. Mars, the Bringer of War (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:02
5The Planets Op. 32: Venus, the Bringer of Peace (Adagio)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:27
6The Planets Op. 32: Mercury, the Winged Messenger (Vivace)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: III. Mercury, the Winged Messenger (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: III. Mercury, the Winged Messenger (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst3:48
7The Planets Op. 32: Jupiter, the Bringer of Jollity (Allegro giocoso)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:59
8The Planets Op. 32: Saturn, the Bringer of Old Age (Adagio)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:23
9The Planets Op. 32: Uranus, the Magician (Allegro)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: VI. Uranus, the Magician (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VI. Uranus, the Magician (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst6:27
10The Planets Op. 32: Neptune, the Mysic (Andante)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Geoffrey Mitchell Choir (from 1978-05-12 until 1978-07-31)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: VII. Neptune, the Mystic (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VII. Neptune, the Mystic (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst6:23
5▼CD
#TitleArtistRatingLength
1Cello Concerto in E minor Op. 85: I. Adagio - Moderato
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar7:58
2Cello Concerto in E minor Op. 85: II. Lento - Allegro molto
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
performer:
Sir John Barbirolli (conductor and cellist)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar4:31
3Cello Concerto in E minor Op. 85: III. Adagio
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar5:15
4Cello Concerto in E minor Op. 85: IV. Allegro - Moderato - Allegro, ma non troppo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar12:23
5Symphony No. 5 Op. 50 FS97: Ia. Tempo giusto
clarinet:
Ib Eriksson (from 1973-12-03 until 1973-12-04)
snare drum:
Ib Jarlkov (from 1973-12-03 until 1973-12-04)
orchestra:
Danish Radio Symphony Orchestra (Danish National Symphony Orchestra, this profile only for recordings from 1959 and later) (from 1973-12-03 until 1973-12-04)
conductor:
Herbert Blomstedt (conductor) (from 1973-12-03 until 1973-12-04)
recorded at:
Radiohuset: Koncertsalen in Copenhagen, Capital Region of Denmark, Denmark (from 1973-12-03 until 1973-12-04)
partial recording of:
Symphony no. 5, op. 50: I. Tempo giusto – Adagio non troppo (from 1973-12-03 until 1973-12-04)
composer:
Carl Nielsen (Danish composer) (from 1920 until 1922)
part of:
Symphony no. 5, op. 50
Carl Nielsen10:29
6Symphony No. 5 Op. 50 FS97: Ib. Adagio non troppo
clarinet:
Ib Eriksson (from 1973-12-03 until 1973-12-04)
snare drum:
Ib Jarlkov (from 1973-12-03 until 1973-12-04)
orchestra:
Danish Radio Symphony Orchestra (Danish National Symphony Orchestra, this profile only for recordings from 1959 and later) (from 1973-12-03 until 1973-12-04)
conductor:
Herbert Blomstedt (conductor) (from 1973-12-03 until 1973-12-04)
recorded at:
Radiohuset: Koncertsalen in Copenhagen, Capital Region of Denmark, Denmark (from 1973-12-03 until 1973-12-04)
partial recording of:
Symphony no. 5, op. 50: I. Tempo giusto – Adagio non troppo (from 1973-12-03 until 1973-12-04)
composer:
Carl Nielsen (Danish composer) (from 1920 until 1922)
part of:
Symphony no. 5, op. 50
Carl Nielsen9:00
7Symphony No. 5 Op. 50 FS97: IIa. Allegro
clarinet:
Ib Eriksson (from 1973-12-03 until 1973-12-04)
snare drum:
Ib Jarlkov (from 1973-12-03 until 1973-12-04)
orchestra:
Danish Radio Symphony Orchestra (Danish National Symphony Orchestra, this profile only for recordings from 1959 and later) (from 1973-12-03 until 1973-12-04)
conductor:
Herbert Blomstedt (conductor) (from 1973-12-03 until 1973-12-04)
recorded at:
Radiohuset: Koncertsalen in Copenhagen, Capital Region of Denmark, Denmark (from 1973-12-03 until 1973-12-04)
partial recording of:
Symphony no. 5, op. 50: II. Allegro – Presto – Andante un poco tranquillo – Allegro (from 1973-12-03 until 1973-12-04)
composer:
Carl Nielsen (Danish composer) (from 1920 until 1922)
part of:
Symphony no. 5, op. 50
Carl Nielsen5:43
8Symphony No. 5 Op. 50 FS97: IIb. Allegro
clarinet:
Ib Eriksson (from 1973-12-03 until 1973-12-04)
snare drum:
Ib Jarlkov (from 1973-12-03 until 1973-12-04)
orchestra:
Danish Radio Symphony Orchestra (Danish National Symphony Orchestra, this profile only for recordings from 1959 and later) (from 1973-12-03 until 1973-12-04)
conductor:
Herbert Blomstedt (conductor) (from 1973-12-03 until 1973-12-04)
recorded at:
Radiohuset: Koncertsalen in Copenhagen, Capital Region of Denmark, Denmark (from 1973-12-03 until 1973-12-04)
partial recording of:
Symphony no. 5, op. 50: II. Allegro – Presto – Andante un poco tranquillo – Allegro (from 1973-12-03 until 1973-12-04)
composer:
Carl Nielsen (Danish composer) (from 1920 until 1922)
part of:
Symphony no. 5, op. 50
Carl Nielsen3:12
9Symphony No. 5 Op. 50 FS97: IIc. Andante un poco tranquillo
clarinet:
Ib Eriksson (from 1973-12-03 until 1973-12-04)
snare drum:
Ib Jarlkov (from 1973-12-03 until 1973-12-04)
orchestra:
Danish Radio Symphony Orchestra (Danish National Symphony Orchestra, this profile only for recordings from 1959 and later) (from 1973-12-03 until 1973-12-04)
conductor:
Herbert Blomstedt (conductor) (from 1973-12-03 until 1973-12-04)
recorded at:
Radiohuset: Koncertsalen in Copenhagen, Capital Region of Denmark, Denmark (from 1973-12-03 until 1973-12-04)
partial recording of:
Symphony no. 5, op. 50: II. Allegro – Presto – Andante un poco tranquillo – Allegro (from 1973-12-03 until 1973-12-04)
composer:
Carl Nielsen (Danish composer) (from 1920 until 1922)
part of:
Symphony no. 5, op. 50
Carl Nielsen4:34
10Symphony No. 5 Op. 50 FS97: IId. Allegro
clarinet:
Ib Eriksson (from 1973-12-03 until 1973-12-04)
snare drum:
Ib Jarlkov (from 1973-12-03 until 1973-12-04)
orchestra:
Danish Radio Symphony Orchestra (Danish National Symphony Orchestra, this profile only for recordings from 1959 and later) (from 1973-12-03 until 1973-12-04)
conductor:
Herbert Blomstedt (conductor) (from 1973-12-03 until 1973-12-04)
recorded at:
Radiohuset: Koncertsalen in Copenhagen, Capital Region of Denmark, Denmark (from 1973-12-03 until 1973-12-04)
partial recording of:
Symphony no. 5, op. 50: II. Allegro – Presto – Andante un poco tranquillo – Allegro (from 1973-12-03 until 1973-12-04)
composer:
Carl Nielsen (Danish composer) (from 1920 until 1922)
part of:
Symphony no. 5, op. 50
Carl Nielsen2:52
11Mouvement symphonique No. 1 - Pacific 231
orchestra:
Oslo‐Filharmonien (Oslo Philharmonic) (from 1993-11-24 until 1993-12-03)
conductor:
Mariss Jansons (Latvian conductor) (from 1993-11-24 until 1993-12-03)
recorded at:
Oslo Konserthus (The Oslo Concert Hall) in Oslo, Norway (from 1993-11-24 until 1993-12-03)
recording of:
Pacific 231 (from 1993-11-24 until 1993-12-03)
composer:
Arthur Honegger (composer) (in 1923)
premiered at:
[concert] (1924-05-08)
publisher:
Editions Salabert, Paris and Maurice Senart (in 1924)
part of:
Harry Halbreich's catalog of Arthur Honegger's works (H) (number: H 53)
Arthur Honegger6:05
6▼CD
#TitleArtistRatingLength
1La Création du monde Op. 81a
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (on 1976-11-13)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1976-11-13)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (on 1976-11-13)
recording of:
La Création du monde, op. 81a (on 1976-11-13)
composer:
Darius Milhaud (composer) (from 1922 until 1923)
premiered at:
[concert] (1923-10-25)
part of:
Works of Darius Milhaud by opus number (number: op. 81a)
Darius Milhaud16:52
2Pini di Roma: The Pines of the Villa Borghese
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (from 1976-04-24 until 1976-04-26)
conductor:
Lamberto Gardelli (conductor) (from 1976-04-24 until 1976-04-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-04-24 until 1976-04-26)
recording of:
Pini di Roma, P 141: I. I pini di Villa Borghese (from 1976-04-24 until 1976-04-26)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi2:51
3Pini di Roma: Pines near a Catacomb
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (from 1976-04-24 until 1976-04-26)
conductor:
Lamberto Gardelli (conductor) (from 1976-04-24 until 1976-04-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-04-24 until 1976-04-26)
recording of:
Pini di Roma, P 141: II. Pini presso una catacomba (from 1976-04-24 until 1976-04-26)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi6:15
4Pini di Roma: The Pines of the Janiculum
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (from 1976-04-24 until 1976-04-26)
conductor:
Lamberto Gardelli (conductor) (from 1976-04-24 until 1976-04-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-04-24 until 1976-04-26)
recording of:
Pini di Roma, P 141: III. I pini del Gianicolo (from 1976-04-24 until 1976-04-26)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi6:37
5Pini di Roma: The Pines of the Appian Way
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (from 1976-04-24 until 1976-04-26)
conductor:
Lamberto Gardelli (conductor) (from 1976-04-24 until 1976-04-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-04-24 until 1976-04-26)
recording of:
Pini di Roma, P 141: IV. I pini della Via Appia (from 1976-04-24 until 1976-04-26)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141 (Pines of Rome)
Ottorino Respighi4:59
6Rhapsody in Blue (orch. Grofé)
producer:
Christopher Bishop (conductor/producer)
clarinet:
Gervase de Peyer (clarinetist) (on 1971-06-04, on 1971-06-06)
piano:
André Previn (pianist, conductor, composer, arranger) (on 1971-06-04, on 1971-06-06)
orchestra:
London Symphony Orchestra (on 1971-06-04, on 1971-06-06)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1971-06-04, on 1971-06-06)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1971-06-04, on 1971-06-06)
recording of:
Rhapsody in Blue (standard 1942 orchestration) (on 1971-06-04)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Classic 100: Feel Good (2024) (number: 5)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin14:50
7Sinfonietta: I. Allegretto
producer:
Douglas Terry (Producer)
orchestra:
Pro Arte Orchestra of London (UK orchestra 1955–1970: do not use for anonymous budget compilations) (from 1959-07-19 until 1959-07-24)
conductor:
Charles Mackerras (Australian conductor) (from 1959-07-19 until 1959-07-24)
balance engineer:
Robert Auger (engineer) (from 1959-07-19 until 1959-07-24)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1959-07-19 until 1959-07-24)
recording of:
Sinfonietta: I. Allegretto - Allegro - Maestoso (Fanfares) (from 1959-07-19 until 1959-07-24)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček2:27
8Sinfonietta: II. Andante
producer:
Douglas Terry (Producer)
orchestra:
Pro Arte Orchestra of London (UK orchestra 1955–1970: do not use for anonymous budget compilations) (from 1959-07-19 until 1959-07-24)
conductor:
Charles Mackerras (Australian conductor) (from 1959-07-19 until 1959-07-24)
balance engineer:
Robert Auger (engineer) (from 1959-07-19 until 1959-07-24)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1959-07-19 until 1959-07-24)
recording of:
Sinfonietta: II. Andante - Allegretto (The Castle) (from 1959-07-19 until 1959-07-24)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček6:24
9Sinfonietta: III. Moderato
producer:
Douglas Terry (Producer)
orchestra:
Pro Arte Orchestra of London (UK orchestra 1955–1970: do not use for anonymous budget compilations) (from 1959-07-19 until 1959-07-24)
conductor:
Charles Mackerras (Australian conductor) (from 1959-07-19 until 1959-07-24)
balance engineer:
Robert Auger (engineer) (from 1959-07-19 until 1959-07-24)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1959-07-19 until 1959-07-24)
recording of:
Sinfonietta: III. Moderato (The Queen's Monastery) (from 1959-07-19 until 1959-07-24)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček5:59
10Sinfonietta: IV. Allegretto
producer:
Douglas Terry (Producer)
orchestra:
Pro Arte Orchestra of London (UK orchestra 1955–1970: do not use for anonymous budget compilations) (from 1959-07-19 until 1959-07-24)
conductor:
Charles Mackerras (Australian conductor) (from 1959-07-19 until 1959-07-24)
balance engineer:
Robert Auger (engineer) (from 1959-07-19 until 1959-07-24)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1959-07-19 until 1959-07-24)
recording of:
Sinfonietta: IV. Allegretto (The Street) (from 1959-07-19 until 1959-07-24)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček3:07
11Sinfonietta: V. Andante con moto
producer:
Douglas Terry (Producer)
orchestra:
Pro Arte Orchestra of London (UK orchestra 1955–1970: do not use for anonymous budget compilations) (from 1959-07-19 until 1959-07-24)
conductor:
Charles Mackerras (Australian conductor) (from 1959-07-19 until 1959-07-24)
balance engineer:
Robert Auger (engineer) (from 1959-07-19 until 1959-07-24)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1959-07-19 until 1959-07-24)
recording of:
Sinfonietta: V. Andante con moto (The Town Hall) (from 1959-07-19 until 1959-07-24)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček7:34
7▼CD
#TitleArtistRatingLength
1Boléro
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1977-01-05 until 1977-01-07)
conductor:
Herbert von Karajan (conductor) (from 1977-01-05 until 1977-01-07)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1977-01-05 until 1977-01-07)
recording of:
Boléro (from 1977-01-05 until 1977-01-07)
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel16:19
2Symphony - Mathis der Maler: I. Engelskonzert
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (from 1994-04 until 1994-05) and The Philadelphia Orchestra (from 1994-04-30 until 1994-05-09)
conductor:
Wolfgang Sawallisch (conductor) (from 1994-04 until 1994-05, from 1994-04-30 until 1994-05-09)
balance engineer:
John Kurlander (engineer) (from 1994-04 until 1994-05)
recorded at:
Memorial Hall (Philadelphia) in Philadelphia, Pennsylvania, United States (from 1994-04 until 1994-05, from 1994-04-30 until 1994-05-09)
recording of:
Mathis der Maler: I. Engelkonzert. Ruhig bewegt (from 1994-04-30 until 1994-05-09)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1934)
part of:
Mathis der Maler
recording of:
Mathis der Maler: I. Engelkonzert. Ruhig bewegt (from 1994-04 until 1994-05)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1934)
part of:
Mathis der Maler
Paul Hindemith9:11
3Symphony - Mathis der Maler: II. Grablegung
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (from 1994-04 until 1994-05) and The Philadelphia Orchestra (from 1994-04-30 until 1994-05-09)
conductor:
Wolfgang Sawallisch (conductor) (from 1994-04 until 1994-05, from 1994-04-30 until 1994-05-09)
balance engineer:
John Kurlander (engineer) (from 1994-04 until 1994-05)
recorded at:
Memorial Hall (Philadelphia) in Philadelphia, Pennsylvania, United States (from 1994-04 until 1994-05, from 1994-04-30 until 1994-05-09)
recording of:
Mathis der Maler: II. Grablegung. Sehr langsam (from 1994-04-30 until 1994-05-09)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1934)
part of:
Mathis der Maler
recording of:
Mathis der Maler: II. Grablegung. Sehr langsam (from 1994-04 until 1994-05)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1934)
part of:
Mathis der Maler
Paul Hindemith4:19
4Symphony - Mathis der Maler: III. Versuchung des heilingen Antonius
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (from 1994-04 until 1994-05) and The Philadelphia Orchestra (from 1994-04-30 until 1994-05-09)
conductor:
Wolfgang Sawallisch (conductor) (from 1994-04 until 1994-05, from 1994-04-30 until 1994-05-09)
balance engineer:
John Kurlander (engineer) (from 1994-04 until 1994-05)
recorded at:
Memorial Hall (Philadelphia) in Philadelphia, Pennsylvania, United States (from 1994-04 until 1994-05, from 1994-04-30 until 1994-05-09)
recording of:
Mathis der Maler: III. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß - Sehr lebhaft (from 1994-04-30 until 1994-05-09)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1934)
part of:
Mathis der Maler
recording of:
Mathis der Maler: III. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß - Sehr lebhaft (from 1994-04 until 1994-05)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1934)
part of:
Mathis der Maler
Paul Hindemith13:43
5Violin Concerto 'Dem Andenken eines Engels': I. Andante - Allegretto
executive producer:
Gerd Berg (producer) and Lutz Lüdemann
producer:
Gerd Berg (producer) and Dietmar Wolf (Classical Music Producer)
violin:
Frank Peter Zimmermann (violinist) (from 1990-09-03 until 1990-09-05)
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (Stuttgart Radio Symphony Orchestra) (from 1990-09-03 until 1990-09-05)
conductor:
Gianluigi Gelmetti (Italian conductor and composer) (from 1990-09-03 until 1990-09-05)
balance engineer:
Bernhard Bauer
recorded at:
Villa Berg in Stuttgart, Baden-Württemberg, Germany (from 1990-09-03 until 1990-09-05)
recording of:
Violinkonzert „Dem Andenken eines Engels“: I. Andante – Allegretto (from 1990-09-03 until 1990-09-05)
composer:
Alban Berg (Austrian composer) (in 1935-08)
part of:
Violinkonzert „Dem Andenken eines Engels“ (Violin Concerto "To the memory of an angel")
Alban Berg11:04
6Violin Concerto 'Dem Andenken eines Engels': II. Allegro - Adagio
executive producer:
Gerd Berg (producer) and Lutz Lüdemann
producer:
Gerd Berg (producer) and Dietmar Wolf (Classical Music Producer)
violin:
Frank Peter Zimmermann (violinist) (from 1990-09-03 until 1990-09-05)
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (Stuttgart Radio Symphony Orchestra) (from 1990-09-03 until 1990-09-05)
conductor:
Gianluigi Gelmetti (Italian conductor and composer) (from 1990-09-03 until 1990-09-05)
balance engineer:
Bernhard Bauer
recorded at:
Villa Berg in Stuttgart, Baden-Württemberg, Germany (from 1990-09-03 until 1990-09-05)
recording of:
Violinkonzert „Dem Andenken eines Engels“: II. Allegro – Adagio (from 1990-09-03 until 1990-09-05)
composer:
Alban Berg (Austrian composer) (in 1935-08)
part of:
Violinkonzert „Dem Andenken eines Engels“ (Violin Concerto "To the memory of an angel")
Alban Berg14:33
8▼CD
#TitleArtistRatingLength
1Symphony No. 5 in D minor Op. 47: I. Moderato
producer:
John Fraser (UK producer)
editor:
Jørn Pederson
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1997-01)
conductor:
Mariss Jansons (Latvian conductor) (in 1997-01)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (in 1997-01)
live recording of:
Symphony no. 5 in D minor, op. 47: I. Moderato - Allegro non troppo - Moderato (in 1997-01)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1937-04 until 1937-07)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 5 in D minor, op. 47
Dmitri Shostakovich15:43
2Symphony No. 5 in D minor Op. 47: II. Allegretto
producer:
John Fraser (UK producer)
editor:
Jørn Pederson
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1997-01)
conductor:
Mariss Jansons (Latvian conductor) (in 1997-01)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (in 1997-01)
live recording of:
Symphony no. 5 in D minor, op. 47: II. Allegretto (in 1997-01)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1937-04 until 1937-07)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 5 in D minor, op. 47
Dmitri Shostakovich5:19
3Symphony No. 5 in D minor Op. 47: III. Largo
producer:
John Fraser (UK producer)
editor:
Jørn Pederson
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1997-01)
conductor:
Mariss Jansons (Latvian conductor) (in 1997-01)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (in 1997-01)
live recording of:
Symphony no. 5 in D minor, op. 47: III. Largo (in 1997-01)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1937-04 until 1937-07)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 5 in D minor, op. 47
Dmitri Shostakovich14:26
4Symphony No. 5 in D minor Op. 47: IV. Allegro non troppo
producer:
John Fraser (UK producer)
editor:
Jørn Pederson
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1997-01)
conductor:
Mariss Jansons (Latvian conductor) (in 1997-01)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (in 1997-01)
live recording of:
Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo (in 1997-01)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1937-04 until 1937-07)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 5 in D minor, op. 47
Dmitri Shostakovich11:02
5Concerto in G minor for organ, timpani and strings
producer:
Andrew Keener (engineer/editor/producer)
organ:
Gillian Weir (organist) (in 1988-02)
orchestra:
City of London Sinfonia (chamber orchestra) (in 1988-02)
conductor:
Richard Hickox (conductor) (in 1988-02)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1988-02)
recording of:
Concerto in G minor for organ, strings and timpani, FP 93 (in 1988-02)
composer:
Francis Poulenc (French composer and pianist) (in 1938)
part of:
Francis Poulenc’s works (FP) (number: FP 93)
Francis Poulenc23:03
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