Bolero / La Mer / La Valse / Prélude à l’après-midi d’un faune

~ Release by Ravel, Debussy (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Bolero: Tempo di Bolero moderato assai
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1974-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1974-04)
balance engineer:
Joachim Niss and Gernot Westhäuser (Engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1974-04)
recording of:
Boléro (in 1974-04)
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel15:00
2La Valse: Poème chorégraphique: Mouvement de valse viennoise – Un peu plus modéré – 1ᵉʳ mouvement – Assez animé
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1974-03)
conductor:
Seiji Ozawa (conductor and composer) (in 1974-03)
balance engineer:
Joachim Niss and Gernot Westhäuser (Engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1974-03)
recording of:
La Valse (for orchestra) (in 1974-03)
composer:
Maurice Ravel (French composer) (from 1919 until 1920)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 72)
Maurice Ravel11:59
3La Mer: Trois esquisses symphoniques: I. De l’aube à midi sur la mer. Très lent
producer:
Hans Weber (producer/engineer)
orchestra:
Los Angeles Philharmonic (in 1979-11)
conductor:
Carlo Maria Giulini (conductor) (in 1979-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1980)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (in 1979-11)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (in 1979-11)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy9:26
4La Mer: Trois esquisses symphoniques: II. Jeux de vagues. Allegro
producer:
Hans Weber (producer/engineer)
orchestra:
Los Angeles Philharmonic (in 1979-11)
conductor:
Carlo Maria Giulini (conductor) (in 1979-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1980)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (in 1979-11)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (in 1979-11)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy7:18
5La Mer: Trois esquisses symphoniques: III. Dialogue du vent et de la mer. Animé et tumultueux
producer:
Hans Weber (producer/engineer)
orchestra:
Los Angeles Philharmonic (in 1979-11)
conductor:
Carlo Maria Giulini (conductor) (in 1979-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1980)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (in 1979-11)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (in 1979-11)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:39
6Prélude à l’après-midi d’un faune: Tres modéré
recording engineer and editor:
Joachim Niss
engineer and balance engineer:
Günter Hermanns (producer/engineer)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
flute:
Doriot Anthony Dwyer (US flautist) (from 1971-02-01 until 1971-02-02)
orchestra:
Orchestre Symphonique de Boston (from 1971-02-01 until 1971-02-02)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1971-02-01 until 1971-02-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1971-02-01 until 1971-02-02)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1971-02-01 until 1971-02-02)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy9:31