Singers and Songwriters: 1980-1982

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
producer:
Val Garay
electric guitar:
Waddy Wachtel (in 1981-01)
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
recording of:
Bette Davis Eyes
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:49
2This Is It
assistant engineer:
Michael Carnévale (engineer)
engineer:
Steve Gersky (The Miami Kid)
producer:
Tom Dowd
bass guitar:
George Hawkins (folk/soft rock bassist)
drums (drum set):
Tris Imboden
guitar:
Mike Hamilton (US guitarist based in Laguna Beach, CA) and Kenny Loggins
keyboard:
Brian Mann (keyboardist, accordionist, composer)
percussion:
Paulinho da Costa (Brazilian percussionist)
piano:
Michael McDonald (R&B & soul singer)
background vocals [harmony vocals]:
George Hawkins (folk/soft rock bassist), Mike Hamilton (US guitarist based in Laguna Beach, CA) and Michael McDonald (R&B & soul singer)
lead vocals:
Kenny Loggins and Michael McDonald (R&B & soul singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States
recording of:
This Is It
writer:
Kenny Loggins and Michael McDonald (R&B & soul singer)
publisher:
Snug Music (ended), Milk Money Music, Tauripin Tunes, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Kenny Loggins53:59
3Cool Change
recorded in:
Australia and Melbourne, Victoria, Australia (in 1979-06)
produced in:
Australia
producer:
John Boylan and Little River Band
acoustic guitar:
David Briggs (producer, guitarist of Little River Band) (in 1979-06)
bass:
Mike Clarke (Australian bassist/producer) (in 1979-06)
drums (drum set):
Derek Pellicci (in 1979-06)
piano and strings:
Peter Jones (Australian pianist/composer) (in 1979-06)
solo saxophone:
Bill Harrower (in 1979-06)
vocals:
Beeb Birtles (in 1979-06), Graham Goble (in 1979-06) and Glenn Shorrock (in 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979)
produced for:
Tumbleweed Productions
recording of:
Cool Change (in 1979-06)
lyricist and composer:
Glenn Shorrock (from 1977 until 1978)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) and Wheatley Music Pty Ltd.
Little River Band45:10
4Real Love
guest keyboard:
Rev. Patrick Henderson
vocals:
Nicolette Larson
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
recording of:
Real Love
writer:
Michael McDonald (R&B & soul singer) and Patrick Henderson
publisher:
EMI April Music Inc., Monosteri Music and Tauripin Tunes
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Doobie Brothers3.54:20
5An American Dream
producer:
Bob Edwards (US producer/engineer) and Jeff Hanna
solo guitar:
Tony Haselden (singer-songwriter and guitarist)
background vocals:
Linda Ronstadt
lead vocals:
Jeff Hanna
cover recording of:
Voilà, an American Dream
lyricist and composer:
Rodney Crowell
publisher:
Jolly Cheeks Music (publisher)
The Dirt Band3:52
6Somebody's Knockin'
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1981)
recording of:
Somebody’s Knockin’ (1980 song)
lyricist:
Ed Penney (songwriter)
composer:
Jerry Gillespie (songwriter)
publisher:
Tri‐Chappell Music, Inc.
Terri Gibbs2:55
7Seven Year Ache
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recording of:
Seven Year Ache (in 1981)
lyricist and composer:
Rosanne Cash
publisher:
Atlantic Music Corp. (BMI), Hotwire Music and Monster Beach Music
Rosanne Cash3:15
8Hard to Say
engineer and mixer:
Marty Lewis (engineer)
producer:
Dan Fogelberg and Marty Lewis (engineer)
acoustic guitar and electric guitar [lead & rhythm electric guitar]:
Dan Fogelberg
bass:
Norbert Putnam
congas, drums (drum set) and timbales:
Russ Kunkel (session drummer)
electric piano:
Michael Utley (musician, songwriter, and record producer)
tenor saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
background vocals [harmony vocals]:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
vocals:
Dan Fogelberg
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
mixed at:
Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
Hard to Say
composer:
Dan Fogelberg
publisher:
EMI April Music Inc. and Hickory Grove Music
Dan Fogelberg3:59
9Late in the Evening
engineer:
Jim Boyer (producer/engineer) and Phil Ramone
producer:
Phil Ramone and Paul Simon (of Simon & Garfunkel)
mixer:
Phil Ramone
acoustic guitar:
Hugh McCracken
bass guitar [bass]:
Tony Levin (US rock bassist/Chapman stick player)
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Eric Gale
percussion:
Ralph MacDonald
background vocals and lead vocals:
Paul Simon (of Simon & Garfunkel)
brass [horns] arranger:
Dave Grusin (American pianist and score composer)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1980)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Late in the Evening
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Paul Simon Music (in 1980)
part of:
One‐Trick Pony (1980 film soundtrack)
Paul Simon43:56
10JoJo
synthesizer programming:
Michael Boddicker, Larry Fast (American synthesizer player and composer) and Steve Porcaro
assistant engineer:
Stephen Marcussen (mastering engineer) and Gabe Veltri
engineer and producer:
Bill Schnee
bass guitar:
John Pierce (US session bassist)
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Ray Parker Jr.
keyboard:
David Foster (Canadian music producer, arranger and composer)
percussion:
Lenny Castro
solo saxophone:
Adrian Tapia
background vocals:
Charlotte Crossley, David Lasley and Sharon Redd
lead vocals:
Boz Scaggs
strings arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1980) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recorded at and mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Jojo
lyricist:
David Lasley and Boz Scaggs
composer:
David Foster (Canadian music producer, arranger and composer) and Boz Scaggs
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Songs, Inc., Boz Scaggs Music (publisher), Foster Frees Music Inc., Irving Music (BMI), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK) and Rondor Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Boz Scaggs5:56
11You Can Do Magic
engineer:
Chuck Kirkpatrick
producer:
Russ Ballard
bass guitar [bass]:
Mike Porcaro
drums (drum set):
Jeff Porcaro and Alvin Taylor (drummer)
guitar [guitars]:
Gerry Beckley, Michael Mirage and Rick Neigher
keyboard [keyboards]:
Chris Coté (songwriting partner with Rick Neigher) and Jai Winding (pianist, composer, vocal)
synthesizer:
Chris Coté (songwriting partner with Rick Neigher), Mark Isham (American musician and score composer) and Jai Winding (pianist, composer, vocal)
vocals:
Gerry Beckley and Dewey Bunnell
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982)
produced for:
Rujo Productions
engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Criteria Studios in Miami, Florida, United States
recording of:
You Can Do Magic
lyricist and composer:
Russ Ballard
publisher:
EMI April Music Inc., Russell Ballard Ltd and Union Square Music Songs Ltd.
America3.653:57
12Wondering Where the Lions Are
assistant engineer:
Frank Kitson
engineer:
Gary Gray (engineer)
producer:
Gene Martynec (Eugene Martynec)
bass:
Larry Silvera (from 1979-05 until 1979-06)
drums (drum set):
Anthony "Benbow" Creary (from 1979-05 until 1979-06)
background vocals:
Anthony "Benbow" Creary (from 1979-05 until 1979-06), Larry "Sticky Fingers" Silvera (from 1979-05 until 1979-06) and Pat Godfrey (singer songwriter) (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
High Romance Music Ltd (in 1979)
recorded at:
Manta Sound in Toronto, Ontario, Canada (from 1979-05 until 1979-06)
recording of:
Wondering Where the Lions Are (from 1979-05 until 1979-06)
lyricist and composer:
Bruce Cockburn (Canadian singer‐songwriter and guitarist)
publisher:
Golden Mountain Music Corp.
Bruce Cockburn3.53:42
2▼CD
#TitleArtistRatingLength
1I Keep Forgettin' (Every Time You're Near)
producer:
Ted Templeman and Lenny Waronker
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
clavinet:
Greg Phillinganes
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Rhodes piano, synthesizer and lead vocals:
Michael McDonald (R&B & soul singer)
background vocals:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
writer:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford and Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) and Yellow Dog Music Inc
version of:
I Keep Forgettin’
Michael McDonald43:42
2Biggest Part of Me
producer:
Ambrosia (L.A. prog rock band) and Freddie Piro
bass:
Joe Puerta
chamberlin, clavinet, electronic organ and Minimoog:
Christopher North
drums (drum set):
Burleigh Drummond
guitar:
David Pack
percussion:
Burleigh Drummond and Royce Jones
vocals:
Burleigh Drummond, Royce Jones, David Pack and Joe Puerta
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 16)
recording of:
Biggest Part of Me
lyricist and composer:
David Pack
publisher:
David Pack Music, EMI Longitude Music, Spirit One Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Ambrosia5:27
3Hold Me
producer:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Ken Caillat and Richard Dashut
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard:
Christine McVie
vocals:
Christine McVie
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982, in 2016) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2016)
mixed at:
George Massenburg Studios in Los Angeles, California, United States
recording of:
Hold Me
lyricist, writer and composer:
Christine McVie and Robbie Patton
publisher:
Fleetwood Mac Music (publisher) and Red Snapper Music
Fleetwood Mac4.33:46
4'65 Love Affair
producer:
Paul Davis (American singer) and Ed Seay
vocals:
Paul Davis (American singer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1981)
recorded at and mixed at:
Web IV Recording Studio in Atlanta, Georgia, United States
recording of:
’65 Love Affair
lyricist and composer:
Paul Davis (American singer)
publisher:
Paul and Jonathan Songs, Sony/ATV Songs LLC, Web IV Music Inc. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Paul Davis53:53
5Crying
cover recording of:
Crying
lyricist:
Joe Melson (in 1961) and Roy Orbison (in 1961)
composer:
Joe Melson and Roy Orbison
publisher:
Acuff Rose Music Ltd. (UK), Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Rondor Music (Australia) P/L, Universal/MCA Music Publishing Pty Ltd and Acuff-Rose Publications, Inc. (BMI) (on 1961-08-16)
part of:
50/50
Don McLean4.653:41
6Waiting for a Girl Like You
assistant engineer:
Edwin Hobgood (engineer) and Michael Sauvage
engineer:
Tony Platt (UK engineer and producer), Brad Samuelsohn and Dave Wittman
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Robert John “Mutt” Lange (Robert John Lange)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar [lead guitar]:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
keyboard:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Bob Mayo (US session keyboardist & guitarist)
synthesizer:
Thomas Dolby
background vocals:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera and Rick Wills
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981) and Rhino Entertainment Company (not for release label use!) (in 2009)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner3.354:51
7Ride Like the Wind
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, solo guitar and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and piano:
Michael Omartian
percussion:
Lenny Castro
synthesizer:
Rob Meurer
background vocals:
Christopher Cross (US singer‐songwriter) and Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 1979) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Christopher Cross4.14:32
8Hearts
phonographic copyright (℗) by:
EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (from 1981 to present) and EMI America Records, Inc. (holding – file NO releases here!) (in 1981)
recording of:
Hearts
lyricist and composer:
Jesse Barish
publisher:
Great Pyramid Music, Mercury Shoes Music, Painted Desert Music Corporation, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Marty Balin4:18
9Hurt So Bad
recording engineer:
Val Garay
producer:
Peter Asher
bass:
Bob Glaub (in 1979-11)
drums (drum set) [drums]:
Russell Kunkel (session drummer) (in 1979-11)
electric guitar:
Dan Dugmore (in 1979-11) and Danny Kortchmar (Danny Kootch) (in 1979-11)
keyboard:
Bill Payne (in 1979-11)
solo electric guitar:
Danny Kortchmar (Danny Kootch) (in 1979-11)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1980), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1979-11)
cover recording of:
Hurt So Bad (in 1979-11)
writer:
Bobby Wilding (US songwriter), Bobby Hart and Teddy Randazzo
publisher:
Embassy Music Corporation, Songs of Universal, Inc. (BMI), Teddy Randazzo Music and Vogue Music
recording of:
Hurt So Bad
writer:
Bobby Wilding (US songwriter), Bobby Hart and Teddy Randazzo
publisher:
Embassy Music Corporation, Songs of Universal, Inc. (BMI), Teddy Randazzo Music and Vogue Music
Linda Ronstadt53:14
10While You See a Chance
assistant engineer:
John Clarke (engineer, associated with Steve Winwood)
engineer, producer and mixer:
Steve Winwood
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1980)
engineered at:
Netherturkdonic Studios in Gloucester, Gloucestershire, England, United Kingdom
recording of:
While You See a Chance
lyricist and composer:
Will Jennings and Steve Winwood
publisher:
Blue Sky Rider Songs, F.S. Music Ltd., Fantasy Songs Ltd., Irving Music, Inc., Rondor Music Ltd. (publisher), Warner Bros. Music Co., Ltd. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Steve Winwood35:15
11Jesse
recording engineer and mixer:
Scott Litt (producer and engineer)
producer:
Mike Mainieri
acoustic guitar:
Peter Hewlett and Carly Simon
bass:
Tony Levin (US rock bassist/Chapman stick player)
drums (drum set):
Rick Marotta (US drummer/percussionist)
piano [acoustic]:
Don Grolnick
slide guitar [electric]:
Sid McGinnis (American musician and guitarist)
background vocals [Chorus]:
Gail Boggs, Peter Hewlett and Sid McGinnis (American musician and guitarist)
background vocals [Intro & Chorus] and lead vocals:
Carly Simon
background vocals [Intro]:
Alex Taylor (southern rock), Hugh Taylor (singer) and James Taylor (singer-songwriter and guitarist)
background vocals [La-las]:
Sarah Maria Taylor (daughter of James Taylor and Carly Simon)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
recorded at and mixed at:
Powerstation Studios in New York, New York, United States
recording of:
Jesse
lyricist:
Carly Simon
composer:
Mike Mainieri and Carly Simon
publisher:
Quackenbush Music, Ltd. (ASCAP-affiliated), Redeye Music Publishing Co. (ASCAP-affiliated) and Universal Music Corporation (USA, affiliated with ASCAP)
Carly Simon4.54:18
12Romeo's Tune
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979)
recording of:
Romeo's Tune
lyricist and composer:
Steve Forbert
publisher:
Colgems-EMI Music Inc.
Steve Forbert3.353:30

Credits

Release

manufactured in:United States
photography:Michael Ochs Archives
liner notes:Charles K. Wolfe
executive producer:Robert Hull (Production)
producer:Joe Sasfy
mastering:Dennis Drake (US PolyGram engineer)
design:The Fiddler Group
manufactured by:Warner Special Products
copyrighted (©) by:Time Life Inc. (in 2000)
phonographic copyright (℗) by:Warner Special Products (in 2000)
licensed from:EMI‐Capitol Music Special Markets
Sony Music Special Products
produced for and manufactured for:Time–Life Music
Discogs:https://www.discogs.com/release/3431304 [info]
ASIN:US: B0007VTBDY [info]

Release group

part of:Singers and Songwriters (Time-Life Music) (number: 7) (order: 20)