The Platinum Collection

~ Release by Vanessa‐Mae (see all versions of this release, 2 available)

Annotation

Pamela Nicholson performs the piano pieces.
Movement I. of the Partita was conducted by Vasko Vassilev also.

Annotation last modified on 2007-04-11 12:14 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Toccata and Fugue in D Minor
programming and engineer:
Gareth Cousins
producer:
Mike Batt
guitar [guitars]:
Clem Clempson (from 1993 until 1994)
keyboard [keyboards]:
Mike Batt (from 1993 until 1994)
oboe:
Dick Morgan (US banjoist/guitarist) and Dick Morgan (Oboist) (from 1993 until 1994)
saxophone [saxophones]:
Phil Todd (UK flautist/saxophonist) (from 1993 until 1994)
trumpet:
Maurice Murphy (trumpet player) (from 1993 until 1994)
violin:
Vanessa‐Mae
orchestra:
Royal Philharmonic Orchestra (from 1993 until 1994)
conductor:
Mike Batt (from 1993 until 1994)
recorded at and engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993 until 1994) and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1993 until 1994)
recording of:
Toccata and Fugue in D minor (arr. Mike Batt)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Mike Batt
arrangement of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
3.57:49
2Contradanza
programming and engineer:
Gareth Cousins
producer:
Mike Batt
guitar family:
Clem Clempson
keyboard:
Mike Batt
violin:
Vanessa‐Mae
conductor:
Mike Batt
arranger:
Mike Batt
recording of:
Contradanza
composer:
Mike Batt
3.653:52
3Classical Gas
programming and engineer:
Gareth Cousins
producer:
Mike Batt
guitar family:
Clem Clempson
keyboard:
Mike Batt
violin:
Vanessa‐Mae
conductor:
Mike Batt
arranger:
Mike Batt
cover recording of:
Classical Gas
composer:
Mason Williams (US classical guitarist, composer, writer, comedian & poet)
33:24
4Theme From "Caravans"
programming and engineer:
Gareth Cousins
producer:
Mike Batt
guitar family:
Clem Clempson
keyboard:
Mike Batt
violin:
Vanessa‐Mae
conductor:
Mike Batt
arranger:
Mike Batt
recording of:
Theme From ‘Caravans’
orchestrator and composer:
Mike Batt
35:08
5Warm Air
programming:
Gareth Cousins
engineer:
Gareth Cousins (from 1993 until 1994)
producer:
Mike Batt
guitar [guitars]:
Clem Clempson (from 1993 until 1994)
keyboard [keyboards]:
Mike Batt (from 1993 until 1994)
saxophone [saxophones]:
Phil Todd (UK flautist/saxophonist) (from 1993 until 1994)
violin:
Vanessa‐Mae (from 1993 until 1994)
orchestra:
Royal Philharmonic Orchestra (from 1993 until 1994)
conductor:
Mike Batt (from 1993 until 1994)
arranger:
Mike Batt
recorded at and engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993 until 1994) and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1993 until 1994)
recording of:
Warm Air
composer:
Mike Batt
23:41
6Jazz Will Eat Itself
programming and engineer:
Gareth Cousins
producer:
Mike Batt
guitar family:
Clem Clempson
keyboard:
Mike Batt
violin:
Vanessa‐Mae
conductor:
Mike Batt
arranger:
Mike Batt
recording of:
Jazz Will Eat Itself
composer:
Mike Batt
2.53:32
7Widescreen
programming and engineer:
Gareth Cousins
producer:
Mike Batt
guitar family:
Clem Clempson
keyboard:
Mike Batt
violin:
Vanessa‐Mae
conductor:
Mike Batt
arranger:
Mike Batt
recording of:
Widescreen
composer:
Mike Batt
24:00
8Tequila Mockingbird
programming and engineer:
Gareth Cousins
producer:
Mike Batt
guitar family:
Clem Clempson
keyboard:
Mike Batt
violin:
Vanessa‐Mae
conductor:
Mike Batt
arranger:
Mike Batt
recording of:
Tequila Mockingbird
composer:
Mike Batt
23:29
9City Theme
programming and engineer:
Gareth Cousins
producer:
Mike Batt
guitar family:
Clem Clempson
keyboard:
Mike Batt
violin:
Vanessa‐Mae
conductor:
Mike Batt
arranger:
Mike Batt
recording of:
City Theme
composer:
Mike Batt
3.54:35
10Red Hot
programming:
Ian Wherry
engineer and mixer:
Ben Robbins (UK producer, engineer, songwriter, arranger and keyboardist)
producer:
Vanessa‐Mae and Ian Wherry
guitar family:
Martin Bliss
keyboard:
Ian Wherry
viola and violin:
Vasko Vassilev
violin:
Vanessa‐Mae
conductor:
Mike Batt
arranger:
Vanessa‐Mae and Ian Wherry
recording of:
Red Hot
composer:
Vanessa‐Mae and Ian Wherry
2.53:16
2▼CD
#TitleRatingLength
1Summer Haze
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross‐Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra (London Symphony Orchestra) and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
arranger:
Hill (Andy Hill, English producer & songwriter) and V-Mae
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford (violinist) and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Summer Haze
writer:
Hill (Andy Hill, English producer & songwriter) and V-Mae
33:09
2Storm
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross‐Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra (London Symphony Orchestra) and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
arranger:
Hill (Andy Hill, English producer & songwriter) and V-Mae
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford (violinist) and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Storm
writer:
Hill (Andy Hill, English producer & songwriter) and V-Mae
is based on:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
3.353:43
3Retro
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross‐Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra (London Symphony Orchestra) and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford (violinist) and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Retro
writer:
Hill (Andy Hill, English producer & songwriter) and V-Mae
43:57
4Bach Street Prelude
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross‐Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra (London Symphony Orchestra) and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
arranger:
Hill (Andy Hill, English producer & songwriter) and V-Mae
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford (violinist) and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Bach Street Prelude
writer:
Hill (Andy Hill, English producer & songwriter) and V-Mae
is based on:
Violin Partita No. 3 in E major, BWV 1006.1/1006
3.354:25
5Leyenda
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross‐Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
José 'Salaito', Juañares, Miguel Montero (Argentinean tango singer) and Vanessa‐Mae
orchestra:
The London Symphony Orchestra (London Symphony Orchestra) and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford (violinist) and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Leyenda
writer:
Hill (Andy Hill, English producer & songwriter) and V-Mae
publisher:
Chrysalis and PolyGram
46:32
6(I) Can, Can (You?)
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross‐Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra (London Symphony Orchestra) and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
arranger:
Hill (Andy Hill, English producer & songwriter) and V-Mae
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford (violinist) and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
(I) Can, Can (You?)
writer:
Hill (Andy Hill, English producer & songwriter) and V-Mae
4.53:40
7Happy Valley
programming:
Richard Cottle, Ozzy Henderson and Andy Hill (English producer & songwriter)
assistant engineer:
Erik Jordan (engineer)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross‐Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter), Pamela Nicholson and Vasko Vassilev
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra (London Symphony Orchestra) and The Orchestra Of the Royal Opera House
conductor:
John Cameron (British composer, arranger and conductor) and David Arch (pianist, conductor, arranger and composer)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford (violinist) and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Happy Valley: The 1997 Re-unification Overture
lyricist:
Pamela Nicholson
composer:
Andy Hill (English producer & songwriter) and Vanessa‐Mae
publisher:
Chrysalis and PolyGram
3.356:32
8A Poet's Quest (For a Distant Paradise)
programming:
Richard Cottle, Ozzy Henderson and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross‐Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra (London Symphony Orchestra) and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford (violinist) and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
A Poet’s Quest (for a Distant Paradise)
writer:
Hill (Andy Hill, English producer & songwriter) and V-Mae
publisher:
Chrysalis and PolyGram
34:31
9Embrasse Moi (You Fly Me Up)
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross‐Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
additional background vocals [backing vocals]:
Wendy Page
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra (London Symphony Orchestra) and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford (violinist) and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Embrasse moi (You Fly Me Up)
writer:
Hill (Andy Hill, English producer & songwriter) and Page
publisher:
Chrysalis
35:03
10Aurora
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross‐Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra (London Symphony Orchestra) and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford (violinist) and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Aurora
writer:
Vanessa‐Mae and Ian Wherry
publisher:
Mautoglade and PolyGram
34:56
11I'm a Doun
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross‐Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra (London Symphony Orchestra) and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford (violinist) and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
I’m a Doun
writer:
Trad ([traditional], special purpose artist) and V-Mae
version of:
I'm a Doun for Lack o' Johnnie
34:28
12I Feel Love
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross‐Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra (London Symphony Orchestra) and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford (violinist) and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
cover recording of:
I Feel Love
lyricist:
Pete Bellotte (English lyricist and producer)
composer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
arranger:
Thor Baldursson
publisher:
Budde Music Inc. (US publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rick’s Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music and Warner Chappell (Warner/Chappell Music, Inc.)
3.56:57
13Hocus Pocus
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross‐Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra (London Symphony Orchestra) and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford (violinist) and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
instrumental cover recording of:
Hocus Pocus
composer:
Jan Akkerman and Thijs van Leer
43:14
14The Blessed Spirits
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross‐Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra (London Symphony Orchestra) and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford (violinist) and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
The Blessed Spirits
writer:
Hill (Andy Hill, English producer & songwriter) and V-Mae
publisher:
Chrysalis and PolyGram
48:16
3▼CD
#TitleArtistRatingLength
1Violin Partita No. 3 in E major: I. Preludio
violin:
Vanessa‐Mae
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach3:52
2Violin Partita No. 3 in E major: II. Loure
violin:
Vanessa‐Mae
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: II. Loure
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach3:13
3Violin Partita No. 3 in E major: III. Gavotte en Rondeau
violin:
Vanessa‐Mae
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: III. Gavotte en rondeau
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach3:04
4Violin Partita No. 3 in E major: IV. Menuet I
violin:
Vanessa‐Mae
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: IV. Menuet I
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach1:15
5Violin Partita No. 3 in E major: V. Menuet II
violin:
Vanessa‐Mae
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: V. Menuet II
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach1:24
6Violin Partita No. 3 in E major: VI. Bourree
violin:
Vanessa‐Mae
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: VI. Bourrée
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach1:15
7Violin Partita No. 3 in E major: VII. Gigue
violin:
Vanessa‐Mae
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: VII. Gigue
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach1:35
8Sonata for violin and piano in C minor, WoO 2 "FAE": Scherzo
piano:
Pamela Nicholson
violin:
Vanessa‐Mae
recording of:
F-A-E Sonata: III. Scherzo c-moll (Sonata for Violin and Piano, WoO post 2, "F-A-E": III. Scherzo in C minor)
composer:
Johannes Brahms (German composer) (in 1853)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: WoO 2)
part of:
F-A-E Sonata
Johannes Brahms5:27
9Romance for Violin and Orchestra No. 2 in F major, Op. 50
violin:
Vanessa‐Mae
orchestra:
London Symphony Orchestra
conductor:
Viktor Fedotov
recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 50)
Ludwig van Beethoven8:30
10Scottish Fantasy, Op. 46: Ia. Introduction. Grave
violin:
Vanessa‐Mae
orchestra:
London Symphony Orchestra
conductor:
Viktor Fedotov
partial recording of:
Scottish Fantasy in E-flat major, op. 46: I. Introduction. Grave - Adagio cantabile
composer:
Max Bruch (composer and conductor) (from 1879 until 1880)
part of:
Scottish Fantasy in E-flat major, op. 46
Max Bruch3:17
11Scottish Fantasy, Op. 46: Ib. Adagio cantabile
violin:
Vanessa‐Mae
orchestra:
London Symphony Orchestra
conductor:
Viktor Fedotov
partial recording of:
Scottish Fantasy in E-flat major, op. 46: I. Introduction. Grave - Adagio cantabile
composer:
Max Bruch (composer and conductor) (from 1879 until 1880)
part of:
Scottish Fantasy in E-flat major, op. 46
Max Bruch4:04
12Scottish Fantasy, Op. 46: IIa. Allegro
violin:
Vanessa‐Mae
orchestra:
London Symphony Orchestra
conductor:
Viktor Fedotov
partial recording of:
Scottish Fantasy in E-flat major, op. 46: II. Scherzo. Allegro
composer:
Max Bruch (composer and conductor) (from 1879 until 1880)
part of:
Scottish Fantasy in E-flat major, op. 46
Max Bruch5:26
13Scottish Fantasy, Op. 46: IIb. Adagio
violin:
Vanessa‐Mae
orchestra:
London Symphony Orchestra
conductor:
Viktor Fedotov
partial recording of:
Scottish Fantasy in E-flat major, op. 46: II. Scherzo. Allegro
composer:
Max Bruch (composer and conductor) (from 1879 until 1880)
part of:
Scottish Fantasy in E-flat major, op. 46
Max Bruch0:59
14Scottish Fantasy, Op. 46: III. Andante sostenuto
violin:
Vanessa‐Mae
orchestra:
London Symphony Orchestra
conductor:
Viktor Fedotov
recording of:
Scottish Fantasy in E-flat major, op. 46: III. Andante sostenuto
composer:
Max Bruch (composer and conductor) (from 1879 until 1880)
is based on:
I'm a Doun for Lack o' Johnnie
part of:
Scottish Fantasy in E-flat major, op. 46
Max Bruch5:31
15Scottish Fantasy, Op. 46: IV. Finale. Allegro Guerriero
violin:
Vanessa‐Mae
orchestra:
London Symphony Orchestra
conductor:
Viktor Fedotov
recording of:
Scottish Fantasy in E-flat major, op. 46: IV. Finale. Allegro guerriero
composer:
Max Bruch (composer and conductor) (from 1879 until 1880)
part of:
Scottish Fantasy in E-flat major, op. 46
Max Bruch7:08
16I'm A-Doun for Lack O'Johnnie
violin:
Vanessa‐Mae
orchestra:
London Symphony Orchestra
conductor:
Viktor Fedotov
recording of:
I'm a Doun for Lack o' Johnnie
lyricist:
Robby Burns
composer:
[traditional] (special purpose artist)
Vanessa‐Mae4:28

Credits

Release

part of:The Platinum Collection (EMI Classics) (order: 3)
ASIN:UK: B000MMLMNK [info]